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"The Wild Duck" and "Ghosts", 2002.
Examines illusions and realities in Henrik Ibsen's plays "The Wild Duck" and "Ghosts".
650 words (approx. 2.6 pages), 2 sources, $ 26.95
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Abstract
In this essay, Ibsen's plays, "The Wild Duck" and "Ghosts" are considered in relation to themes of illusions and realities. In both plays, families are held together by illusions and torn apart by truths that have been concealed to protect the children. Ibsen's use of artistic realism is an ironic art form here, where illusions and realisms are contradicted to reveal the deeper conflicts of ordinary lives. Ibsen is representing the complicated realities of ordinary lives and emphasizes there are always many realities, just as there are many illusions.
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Ibsen's "Ghosts" and "The Wild Duck", 1991.
This paper discusses the major themes and characters illustrating realism in Ibsen's "Ghosts" and "The Wild Duck"
2,025 words (approx. 8.1 pages), 5 sources, $ 71.95
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From the Paper
"Ibsen introduced realism to the modern stage and established its conventions so powerfully that his is still the dominant stage technique. He substituted middle-class protagonists for kings and queens and wrote prose dialogue rather than poetry. He said, "My plays . . . are not tragedies in the old meaning of the word; what I have wanted to portray is human beings and that is just why I did not want them to speak the language of the gods.". Two such plays during his realism period are Ghosts and The Wild Duck. Ghosts, written in 1881, and The Wild Duck, written in 1884, represent the breadth of Ibsen's realism.
"The Wild Duck "and "Ghosts" are typical of Ibsen's dominant themes: the presentness of the past; people's search for their place in life; the effects of idealism as a social force; and the problem of people's ultimate freedom. The presentness of the ... "
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"The Wild Duck", 2002.
A review on the play "The Wild Duck" by Henrik Ibsen.
1,165 words (approx. 4.7 pages), 0 sources, $ 40.95
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Abstract
This paper provides a brief analysis of Ibsen's play and focuses on the symbolism of the wild duck and its relation to the characters of the play. It explains that the protagonist, Hjalmar Ekdal's life and behavior are similar to the symbolic wild duck. The wild duck possessed one sort of life spirit when alive, and in that form it symbolized the life Hjalmar might have had or should have had; in its wounded form, as a trophy, though, it symbolizes the life Hjalmar has now and the plight of his family.
From the Paper
"The wild duck would once have been free, alive, strong, and able to make choices as to where to go and what to do. This is no longer the case, any more than Hjalmar would be able to express himself, be free, or show any real strength. Another element of the wild duck's existence is that it is kept away from the real world in which it formerly lived. It is Gregers who says that if the duck ever glimpses the sky, its former home and place of greatest freedom, it will die of a broken heart. It can only live by the illusion that the sky no longer exists, much as Hjalmar has to have illusions in order to live. Hjalmar is therefore contrasted with the hard-headed realist seen in the elder Werle, and it is the clash between the two that represents the war between illusion and reality most clearly, with the wild duck as a symbol of Hjalmar's hiding his head from the real world because he has been wounded."
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"The Wild Duck" and "Our Town", 2002.
A compare/contrast essay between "The Wild Duck" by Henrik Ibsen and "Our Town" by Thornton Wilder.
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
This essay compares and contrasts Henrik Ibsen's "The Wild Duck", and Thornton Wilders "Our Town", ultimately proving that the two plays, while written over fifty years and half a world apart have deep similarities in themes beneath their respective surfaces.
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Ghosts in "The Woman's Warrior", 2002.
An examination of the concept of ghosts in Maxine Hong Kingston's novel "The Woman's Warrior".
1,435 words (approx. 5.7 pages), 1 source, MLA, $ 47.95
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Abstract
Chinese-American authors have played a very influential role in highlighting the atrocities of their native culture and in illustrating the problems that immigrants encounter when they move to the United States. The paper looks at the writings of Maxine Hong Kingston who termed all her problems and various cultural, ethnic and cultural obstacles as ?Ghosts? in her novel, ?The Woman Warrior?. This paper delves deeper into the subject of ghosts and explains what ghosts represented in this novel.
From the Paper
"Immigration can be a painful and to a certain extent puzzling experience for those who leave behind a culture which was starkly different from the one they encountered upon immigration. We have heard and read numerous tales of immigration and related problems but Chinese people have probably been the most vocal about their experience in the United States. There have been numerous books on the subject and some of them have left an indelible impression on reader?s mind. One such book was written by Maxine Hong Kingston in 1976 titled ?The woman warrior?. In this novel, which is part fiction and part autobiography, author has described her experience as an immigrant in the United States with reference to her native culture and its restrictions."
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Parapsychology:Dis-Proving Ghosts, 2006.
An argumentative essay proving that ghosts do not exist.
2,135 words (approx. 8.5 pages), 10 sources, MLA, $ 66.95
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Abstract
This paper takes a look at the scientific explanations for the appearance of ghosts. The paper disputes the supernatural origins of ghosts and offers reasonable and scientific theories for the well-known phenomenon that occurs at a haunting.
From the Paper
"One case in particular proves the power of imagination and suggestion in regards to those who are searching for proof that ghosts do exist. Arthur Machen, a journalist and author of paranormal fiction wrote a fictional account of the British Army's retreat from the occupying German forces from Mons, France in 1914. Machen reported in a "fanciful" tale that phantom archers and soldiers from a medieval battle between the English and French from many centuries before. The ghosts, according to Machen, supplied a "rear guard" that allowed the English withdrawal and even caused some casualties within the Germans.
Problem was the fiction quickly became "fact" as reports came in from the soldiers on the field about the "angels" assisting their efforts. Even when Machen decried the whole story as a work of fiction, people kept sending him reports of the Angels. Even after the war, a German officer claimed a horse "rear up" and tossed him off after being startled by the ghostly soldiers. (Didier, 2007)"
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Ghosts in "The Member of the Wedding", 2002.
An analysis of how the theme of ghosts is included in Carson McCullers's "The Member of the Wedding".
2,476 words (approx. 9.9 pages), 2 sources, MLA, $ 75.95
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Abstract
This paper analyzes the role of ghosts in the plot, themes, and language of Carson McCullers's novel, "The Member of the Wedding." Using Judith Butler's theories on kinship and queer relationality in "Antigone's Claim," the paper argues that ghosts help the novel to present an expanded vision of the field of human love.
From the Paper
Carson McCullers? The Member of the Wedding is, essentially, the story of a twelve-yeard-old girl named Frankie Addams searching for love and connection in a lonely world. Frankie?s world is frightening, even nightmarish at times, and it is filled with the ghosts that inhabit her imagination and described in the textually ghostly terms of the unknown, the secret, and the unnameable. The figure of the ?ghost? ? as imagined by Frankie and as a primary descriptive device in McCullers? prose ? quite literally haunts the novel, complicating its conceptions of human relationality and connection. The ghosts enable the novel to posit a tenuous definition of what it is to be a living human being; every living figure in the novel is not only deeply aware of the presence of non-living figures but is in constant danger of falling out of the realm of the living, of becoming a ghost, and every relationship between the living is negotiated over the presence of the dead. Ultimately, the novel?s ? and its characters ? ghosts allow for the at once terrifying and redemptive possibility of relationships and identities that transgress not only normative societal boundaries but the boundaries between the living and the dead.
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"Ghosts" by Henrik Ibsen, 2005.
This paper analyzes the play "Ghosts" by Henrik Ibsen, which examines the moral faults of "modern" Victorian society.
3,230 words (approx. 12.9 pages), 0 sources, $ 93.95
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Abstract
This paper explains that Henrik Ibsen is credited with inventing the modern realistic drama of the Independent Theater Movement and that his play "Ghosts" is cited as being most symbolic of this "New Drama". The author points out that all of the characters have a very long shared history; however, the linear, cause-and-effect structure of the plot occurs within 24 hours of the beginning of the play. The paper relates that the "moral" actions within the play lead to tragedy, despair and injustice. The paper suggests that, although Ibsen's dramas are often staged with vividly realistic sets, the author would stage "Ghosts" in a minimalist style to mirror the bleakness of the characters' lives.
Table of Contents:
Context
Genre
Given Circumstances
Geographic Location
Date
Economic Environment
Social Environment
Religious Environment
Previous Action
Plot Analysis
Character Analysis
Mrs. Alving
Theme
Language
Scenography
From the Paper
"The pastor Manders condemns all of the following practices: divorce, adultery, premarital sex, alcohol abuse, drug abuse, and lying. His opinions reflect the sexist foundation of the religious environment. He condemns Engstrand for his decision to marry the "fallen" Joanna for money, but sees nothing wrong with Mrs. Alving marrying her husband, a far more reckless young man, because of the financial benefits for herself and her family. He also condemns Mrs. Alving's decision to leave her husband, despite the abominable way he treated her, stating that "it is not a wife's part to be her husband's judge."
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Jasper Becker's "Hungry Ghosts", 2006.
An analysis of Jasper Becker's book, "Hungry Ghosts" and the points he makes about Mao Zedong's responsibility for the famine of 1958-1962.
1,800 words (approx. 7.2 pages), 1 source, $ 71.95
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Abstract
This paper reviews Jasper Becker's "Hungry Ghosts", a book detailing the Chinese famine that occurred during the Great Leap Forward. The paper considers four main points made by Becker concerning Mao's responsibility for the famine: a reliance on pseudoscience, a faulty industrial policy, fear and intimidation that inhibited truth telling and failure to act once the truth was known. Each of these is considered in turn and Becker's argument regarding each is critiqued.
From the Paper
"In his ground-breaking study, "Hungry Ghosts: Mao's Secret Famine", British journalist Jasper Becker depicts what is clearly one of the most tragic events in all of human history: the heretofore little known and misunderstood Chinese famine that resulted from Mao Zedong's Great Leap Forward from 1958-1962. He outlines the events which led to the massive starvation of an estimated 30 million people as Mao's government pursued an agricultural-industrial revolution based on pseudo-scientific fantasies about manufacturing and production, and backed by state-sponsored violence and intimidation designed to fabricate for official records what was not and could not be realized in actual practice."
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"Girlhood Among Ghosts", 2002.
An analysis of the Maxine Hong Kingston's "Girlhood Among Ghosts".
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This study will be completed by analyzing Maxine Hong Kingston's short story Girlhood Among Ghosts, and seek to understand the elements of cultural diversity I two culture society. By understanding the themes, setting, and the imagery that comes up within this short story, we can see the how this author creates her characters in this format.
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Review of "Ghosts in the Nursery", 2004.
A review and discussion of the issues presented in an article entitled "Ghosts in the Nursery".
904 words (approx. 3.6 pages), 1 source, APA, $ 31.95
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Abstract
This paper discusses an article about the mother-infant bonding process entitled "Ghosts in the Nursery: A Psychoanalytic Approach to the Problems of Impaired Infant-Mother Relationships". The paper discusses the issues presented in the article including mother-infant bonding, impaired relationships, childhood trauma, parental disengagement and resistance to therapy. The paper also discusses treatment for these problems as well as how important to the mother/child-bonding process it is to break negative patterns brought on by the past.
From the Paper
"The ghosts referred to in "Ghosts in the Nursery: A Psychoanalytic Approach to the Problems of Impaired Infant-Mother Relationships" are the uninvited guests or intruders who interfere with the establishment of mother-infant bonding. As phrased by the authors in every nursery there are ghosts. They are the visitors from the unremembered past of the parents. The problem is that these intruders from the past can often hamper, even cripple, the security and development of infants. This paper will discuss issues presented in the article including parental disengagement, parental motivation..."
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"Ghosts", 2002.
Discusses human relationships in Paul Auster's "Ghosts".
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This paper explores Paul Auster's novella "Ghosts" and describes why the thesis of this story is how human beings can never truly get close to each other.
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"Balkan Ghosts", 2002.
A book report on "Balkan Ghosts" by Robert Kaplan.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This paper will cover the book "Balkan Ghosts" by Robert Kaplan and will discuss the topic of Balkan history that it reveals in this story. The story is a travel guide of sorts to understanding the complex nature of Balkan politics in the region and to see how racial hatred has been accumulating over the years in this region.
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Ghosts in Literature, 2002.
A study of the ghost characters in literary works of "The Spanish Tragedy ? and ?Hamlet?.
3,090 words (approx. 12.4 pages), 2 sources, MLA, $ 90.95
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Abstract
This extensive paper presents a detailed exploration of ghosts in the stories of "The Spanish Tragedy" by Thomas Kyd and Shakespeare?s ?Hamlet?. It demonstrates how the writers use the ghosts as the pivotal character that guides and drives the action of the story. The paper describes that plots of each story revolves around the death of someone who comes back as a ghost, and seeks revenge for their murder.
Table of Contents:
Abstract
Introduction
Similarities
Differences
Conclusion
References
From the Paper
"Throughout history writers have used unusual methods to illustrate points if their work that they want the reader to understand. In two classic works of literature a ghost was used to provide many of the needed details to the story that would have been unknown otherwise. In ?The Spanish Tragedy ?and in ?Hamlet? there were ghosts to provide the foundation for many of the stories actions. Without the ghosts much of the things that occurred would not make any sense to the reader. While they each uses a ghost for the purpose of information provision the ghosts and the use of the ghosts have differences as well as similarities."
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Henrik Ibsen's "Ghosts" and Fyodor Dostoyevsky's "The Grand Inquisitor",, 1994.
This paper describes and compares conflict between society and the individual in Henrik Ibsen's play "Ghosts" and section from Fyodor Dostoyevsky's novel "The Grand Inquisitor", .
1,350 words (approx. 5.4 pages), 2 sources, $ 47.95
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From the Paper
"One of the major themes in world literature is the conflict between society and the individual, with society poised to enforce its requirements and its proscriptions on individuals to enforce conformity, while the individual feels constrained and would break out to a life of greater self-expression if he or she could. Different writers have portrayed this conflict in different ways, and those who have offered solutions to this conflict have also offered varying answers. This theme is depicted in Henrik Ibsen's "Ghosts" and Fyodor Dostoyevsky's "The Grand Inquisitor", and both writers create a clear-cut choice in the situation without "solving" the problem. Ibsen hints that the proper answer for society would be to encourage the individual and that to do otherwise will in the long run be a detriment to society itself, while Dostoyevsky leaves the choice ... "
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