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Walter Gropius and the Bauhaus Movement, 2007.
This paper studies Walter Gropius and looks at the role and significance of the Bauhaus Movement.
2,071 words (approx. 8.3 pages), 4 sources, APA, $ 65.95
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Abstract
In this article, the writer presents a brief biography of Walter Gropius's early life, including education and influences. The writer discusses the role played by the Bauhaus Movement in the Imperial Germany of the 19th and 20th centuries in addition to describing the contribution made by the Bauhaus style of Architecture in the United States. The writer concludes that Walter Gropius was without doubt one of the most important architects of the previous century. The writer maintains that his significance lies in having realized the necessity of combining the previously separate fields of art and craft early in his career and in bringing the art of designing closer to the realities of the industrial age.
Outline:
Walter Gropius's Life
Early Influences and Work
The First World War and Marriage
Weimer and Dessau
Exile, Harvard and Death
The Role of the Bauhaus Movement in 19th and 20th Century Germany
Background
Influence of the Bauhaus Movement in Germany
Bauhaus Style Contribution in the United States
Conclusion
From the Paper
"Even before of the end of World War I, Walter Gropius was invited to become the director of the School of Arts and Craft and the Academy of Fine Arts in Weimer. Walter accepted the position and took over as the director of the institutions in 1919 after the end of the War. It was a time of artistic confusion and architects and designers, as well as painters and sculptors who were mostly individual romantics seemed to be drifting directionless with their art. Amidst such confusion, Gropius knew exactly what to do: he was convinced that no distinction could be made between fine arts and practical crafts and immediately proceeded to unify the two schools, re-naming it the Staatliches Bauhaus Weimar. The move proved to be a pivotal moment in Gropius's life and modern architecture as it signaled the start of the Bauhaus movement. It was at Bauhaus, Weimer that Gropius introduced his new approach to design education that emphasized the principal of uniting art and technology that revolutionized modern design."
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Walter Gropius, 2004.
Biographical account of German-American architect, Walter Gropius.
2,336 words (approx. 9.3 pages), 22 sources, APA, $ 71.95
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Abstract
This paper looks at the life and architectural career of Walter Gropius, as well as German architecture and Gropius's contribution to architecture during his lifetime. The paper looks at Gropius's contribution to functionalism and abstraction and Germany's rejection of these schools of art.
From the Paper
"Germany?s high culture of the late medieval period was followed by a slow decline. In the seventeenth century the Thirty Year's War wrecked her material and political potential for more than a century. In the late eighteenth century, during a period of political importance, classic German literature was produced in the small princely courts. In the early nineteenth century, a thin layer of highly cultivated individuals began to produce Romantic poetry and music, at a time when Germany as a whole was pervaded by a depressing political reaction, which expressed itself in bitter opposition to economic freedom in the development of commerce and industry."
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Walter Gropius And The Bauhaus, 2002.
Discusses the history and aims of this movement.
2,250 words (approx. 9.0 pages), 8 sources, $ 79.95
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Abstract
Discusses the history and aims of this movement. The Bauhaus and work of architect Gropius as a response to German industrialization and commerical standardization. Ideology of this New Architecture. Need for artists or architects to recognize their obligation to the community. The German Craft Association. Life, work and influence of Gropius.
From the Paper
"Walter Gropius and the Bauhaus
In the first decade of the twentieth century, the Deutscher Werkbund or "German Craft Association" was formed with the expressed aim of improving the aesthetic quality of manufactured goods and industrial architecture while producing both less expensively (Adams, p. 477). The creation of this Association was very much a response to two complementary pressures. On the one hand, Germany was undergoing a period of rapid industrial development in which the factory and the machine were replacing the cottage and the craftsman's hands as the locus and source of production. On the other hand, a sense that many of the machine-made products and machine-serving buildings and other structures were of less aesthetic quality (and greater cost) than was desirable was also emerging."
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The International Style of Architectural Design, 2002.
Examines how architects Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier helped shape the modern city with their innovative styles .
1,400 words (approx. 5.6 pages), 4 sources, $ 53.95
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Abstract
What now seems repetitive was once radically innovative when architects, such as Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier, attempted to reshape the urban metropolis in order to reflect the aesthetic principles of an industrial, democratic age. This paper will examine the achievements of the three architects noted above. Their works will be examined with respect to both theory and practice. It will be argued that, while their legacy in the field of architecture remains controversial to this day, their contributions to the establishment of the International Style fundamentally altered the landscape of the modern city.
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Bauhaus, 2004.
This paper discusses the design movement called Bauhaus, which was initiated by German architect Walter Gropius in Wiemar, Germany, in 1919.
940 words (approx. 3.8 pages), 7 sources, MLA, $ 33.95
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Abstract
This paper explains that Walter Gropius applied classical architectural techniques to design theory, believing that there is no essential difference between the artist and the craftsman. Thereby, he introduced a completely new set of design principles called Bauhaus to art and crafts. The author points out that, though the Bauhaus movement was inspired by Cubism and Minimalism in design, it was still a unique, revolutionary movement. Some of the key features of this movement included less emphasis on detail and more on economic use of space. The paper relates that Bauhaus popularized functional design, a technique that focused specifically on the major functions of everything, including buildings, textiles, tables, and lamps to make them more easily accessible and usable. Color illustrations.
From the Paper
"Bauhaus artists included such prominent names as Mies van der Rohe, Paul Klee, Wassily Kandinsky and Oskar Schlemmer, who are responsible for bringing dramatic changes in the field of art and design. It is commonly believed that every change in design after the Bauhaus movement is inspired by the principles and techniques of this style. It can be rightly called the mother of all design movements in 20th century because till this day, we can see the impact of Bauhaus in the field of arts, architecture and crafts."
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"The Secret Life of Walter Mitty", 2002.
This paper introduces, discusses and analyzes the short story "The Secret Life of Walter Mitty," by James Thurber. It specifically summarizes the critical essay "Taking Care of Walter Mitty," by Ann Ferguson Mann.
620 words (approx. 2.5 pages), 1 source, MLA, $ 22.95
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Abstract
"The Secret Life of Walter Mitty" has become a comic American classic, full of humor and pathos. Walter is the classic henpecked husband who hides from the realities of his real world by devising elaborate and whimsical fantasies in his head. Throughout the story, he becomes a doctor, a fighter pilot, a naval commander, and a hero about to be executed, all to escape his continually nagging wife. Mann's essay sheds light on why Walter and his fantasy worlds are still so popular, along with some interesting theories about the cause of Mitty's daydreams
From the Paper
"Mann's essay claims Mitty does not fantasize as a result of his wife's nagging, but totally the opposite, his wife is driven to her constant nagging by his continuous inattention to her. "Nevertheless, a close examination of the structure of the story suggests that Mitty's problems with his wife and with the rest of the outside world could just as easily be the result and not the cause of his fantasies" (Mann 352). This is an interesting and novel look at a story that has been interpreted in many ways for decades."
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Sir Walter Raleigh and the Quest for El Dorado, 2002.
This paper emphasizes Sir Walter Raleigh's saga - from growing up in a poor home to winning the heart of Queen Elizabeth I.
1,622 words (approx. 6.5 pages), 8 sources, MLA, $ 52.95
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Abstract
7A valiant, charismatic and strikingly handsome explorer named Sir Walter Raleigh was doomed to spend his life chasing after glory, plunging into a great adventure and coming hauntingly close to dazzling success, only to flee for his life. This paper shows the strife and hardship Raleigh went through to find El Dorado, (the city of gold) for his queen.
Sir Walter Raleigh and the Quest for El Dorado
I. Origin of El Dorado
II. Quixotic Doradism
III. Who is Walter Raleigh?
A. Brief History
B. Early years
IV. The Quest to Win Back the Queen
V. A Long Treacherous Voyage
A. The Journey Begins
B. Unlike the Spanish
C. Getting Closer to Victory
D. More Proof, or so it Seemed
E. The Good Times; the Bad Times
VI. The Unjust Death
From the Paper
"The myth of El Dorado, the richest place on earth originated in 1541 from the Chibcha or Muiscas people. They had a sophisticated civilization in what is known today as Colombia. To celebrate a deceased Chibcha monarch, he was first greased with a sticky resin, and then gold was blown onto his naked body through mouth pipes similar to blowguns. The golden sovereign was then taken to the sacred Lake Guatavita, (known for its creation by a meteorite) where he was dipped into the water, releasing the glittering paint. Taken literally, El Dorado means ?the golden man.? The conquerors were on a quest not only to find the El Dorado, but the kingdom that was copious enough to use the precious ore as a sacred paint. "
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Walter Payton, 2003.
A biography of football player Walter Payton.
1,955 words (approx. 7.8 pages), 9 sources, MLA, $ 62.95
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Abstract
This paper examines how Walter Payton worked his whole life to be the best he could be. He broke records, overcame obstacles and accomplished many things in his life. It looks at how his achievements and ideals on and off the field have impacted Americans and the game of football forever. It also discusses how he showed his generosity through the Walter Payton Foundation and his support for other charities.
From the Paper
"Walter Payton has affected many children through his Walter Payton Foundation. He organized the Foundation in 1989. This organization working together with the Alliance for Children Foundation were able to do many generous things in 1998. They promoted adoptions by cosponsoring the Chances for Children Adoption Fair, with the Illinois Department of Children and Family Services(IDCFS). This directly led to the adoption of over fifty children(www.Payton34.com). They established a job training and placement program for children, aged eighteen to twenty-one, who are graduating from the IDCFS system. His organization also provided Christmas presents for over thirty-five thousand children who are wards of the state. They established College Scholarship funds for children who have been wards of the state. "
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Art, Aura, and the Work of Walter Benjamin, 2002.
This paper examines Samuel Weber's essay, "Art, Aura, and the Work of Walter Benjamin."
1,015 words (approx. 4.1 pages), 0 sources, MLA, $ 35.95
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Abstract
This paper looks at the effect that the printing press had in the spread of art and culture through the eyes of Walter Benjamin in Samuel Weber's essay, "Art, Aura and the Work of Walter Benjamin." Whereas Benjamin felt that mass reproduction was bad for the art world, he argues that the invention of the printing press allowed books to be read all over the world thereby changing the uniqueness of each painting. This paper also takes a look at the Mona Lisa, and explains that the ability to reproduce it is a positive thing, that, even though it's "aura," is no longer unique, many more people are now able to experience art.
From the Paper
"With the invention of the printing press, however, books could be manufactured quickly and cheaply, and were available to great number of people. Two people living hundreds of miles apart could read the same book and find the same words, the same illustrations on the same page. However, the printing press also took something away from books - the originality and artistry that the monks had poured into each unique volume. Walter Benjamin would say that the aura of the monks' volumes was withering away, while the aura of the mass reproduced books was flourishing."
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Thurber's 'The Secret Life of Walter Mitty", 2002.
This paper discusses the short story "The Secret Life of Walter Mitty," James Thurber's humorous classic about a man who fantasizes himself as a hero.
550 words (approx. 2.2 pages), 1 source, $ 19.95
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Abstract
The paper states that Thurber's 1947 story 'The Secret Life of Walter Mitty? was put in a British medical journal as a clinical condition, which manifested itself in compulsive fantasizing. The paper discusses that in his "real" life, Walter Mitty lives an ordinary, plain life under the control of an overbearing, critical wife. This paper concludes that story shows that fantasy is often a good alternative to reality.
From the Paper
"Walter is both fun and entertaining, he's easy to like and he lives in every one of us. Compared with Walter Mitty, his wife is more realistic. Unlike the female characters in much of literature, she is an independent lady and to some extent, controls Walter Mitty's life. She is no longer an oppressed figure. By creating an oppressed husband and a domineering wife, Thurber humorously and ironically criticizes the social system (under) which women should obediently do as men tell them."
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Walter Benjamin, 2006.
A review of 'The Art of Work in Age of Mechanical Reproduction' by Walter Benjamin.
863 words (approx. 3.5 pages), 2 sources, MLA, $ 30.95
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Abstract
This paper takes a look at the article 'The Art of Work in Age of Mechanical Reproduction' by Walter Benjamin. According to the paper, the article has justified the usage of mechanical equipments for the means of production of art works. The essay then goes on to discuss the duplication of art pieces. According to the essay, the promotion and propagation of art pieces through duplication has been a critical issue, and an issue of contention.
Outline:
Introduction
Debate
Conclusion
From the Paper
"Benjamin argues that experience of cultural imagery has been under dramatic influence of lithography and photography. The notion of originality relates necessarily to the idea of authenticity and to the work's authority, but with the technological revolution the issues of authenticity and originality has become irrelevant. Mass reproduction creates copies that possess an independence from the original; they can transcend the spatial and visual limitations of the original's physical tangibility and susceptibility to temporal and material's transformation with age and deterioration. As the art work's substantive duration ceases to matter, the art object loses its authority or its aura, the "unique phenomenon of a distance, however close it may be" (Benjamin Walter)."
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Walter Benjamin's "Theses on the Philosophy of History", 2008.
A discussion of various interpretations of history, with a focus on historian Walter Benjamin's 1940 book "Theses on the Philosophy of History".
2,820 words (approx. 11.3 pages), 9 sources, MLA, $ 83.95
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Abstract
This paper explains that, in his 1940 book "Theses on the Philosophy of History", Walter Benjamin, using the analogy of an Angel of History, warns that false interpretations of history can be as deadly as the historical tragedies themselves. The author points out that a means of avoiding this is not to emphasis and understand history as a rigid sequence of absolutely true events, which must be accepted as the definitive truth. The paper stresses that it must be remembered that history is written by the triumphant winners. The author discuses examples of history from the ancient Greeks to modern times to emphasize that human nature has changed very little over thousands of years: Intolerance still causes ignorance, which causes wars and kills people.
From the Paper
"The exploitation and abuse of women throughout human history is another refutation of the triumphalist conception of history. As Mohanty notes, even in modern times, women are still struggling for equality, for social movements such as women's liberation tend to trigger resistance because many people prefer the status quo and feel threatened by social change. For example, in recent years some feminist organizations have drawn increasing criticism from mainstream America due to strategies and tactics which seem too aggressive and divisive."
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Public Policy According to Walter Lippmann, 2004.
Analyzes journalist Walter Lippmann's 1922 work, "Public Opinion".
816 words (approx. 3.3 pages), 1 source, MLA, $ 29.95
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Abstract
Walter Lippmann, an influential journalist of the first half of the 21st century, wrote extensively on democracy and the nature of ?the public.? This paper discusses one of his most influential works, "Public Opinion", published in 1922, which details his lack of confidence in any democracy based on the trust and direct influence of the public.
From the Paper
"In short, Lippmann asserts than the average individual (and the collective public made up of those individuals), is wholly unqualified to make decisions about (or to exert pressure on their leaders concerning), public policy. This, he believes, is because public opinion is largely (if not entirely), based on internal stereotypes, and internalized external propaganda, factors that sway the very foundations on which any opinion is based."
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Walter Benjamin, 2007.
A discussion on the messianic references made in the works of Walter Benjamin.
2,199 words (approx. 8.8 pages), 5 sources, MLA, $ 68.95
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Abstract
This paper discusses the history of Walter Benjamin. The paper describes Benjamin as one of the most creative of modern Marxist theorists who is also renowned for his philosophical and sociological insights. It describes his work as being influential in various disciplines and more recently being the subject of debate in the postmodern and post - structuralist theoretical arena. Specifically, the paper discusses Benjamin's references to the Messiah in his works.
Table of Contents:
Introduction
The Historical Significance Of Messianic Thought
Conclusion
From the Paper
"In his work On the Concept of History, he states that "The tradition of the oppressed teaches us that the "emergency situation in which we live is the rule." (Benjamin, 1940) This statement clearly articulates a view which sees history, the "emergency situation", as the norm of all historic struggles against oppression. It is the rule or the norm and this implies that, from the point of view of material progress, there is no utopia at the end of the struggle but rather more of the same."
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Walter and Benetha in "Raisin in the Sun", 2000.
An analysis of the characters, Walter and Benetha, in Lorraine Hansberry's play, "Raisin in the Sun".
736 words (approx. 2.9 pages), 3 sources, $ 26.95
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Abstract
This paper takes a look at the differences between the two characters, Walter and Beneth, and their outlook on life.
From the Paper
"Lorraine Hansberry?s A Raisin in the Sun is a brilliant play about family, money, and power. The characters Walter and Beneatha have conflicting ideas on everything including; who the head of the family is and what it means to be successful, the role of women in society, and assimilation. ?A Raisin in the Sun is about dreams, ironically enough. And how those psychological projections of human life can come into conflict like any other product of that life.? Throughout history, we have been taught that you have to be flexible and compromise-especially in a family situation."
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