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Virginia Woolf's "Professions of Women", 2006.
This paper discusses Virginia Woolf's "Professions of Women" in terms of women and work.
690 words (approx. 2.8 pages), 2 sources, MLA, $ 23.95
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Abstract
This paper explains that, in "Professions of Women", Virginia Woolf contended that in the future barriers to professional women and careers would be eliminated. The author reviews current views of Woolf's argument.
From the Paper
"In "Professions of Women", Virginia Woolf told a group of women that her own profession as a writer offered fewer experiences for women than any other. Woolf felt that she did not deserve to be called a professional woman."
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Virginia Woolf and Professional Women, 2007.
A looks at impediments for professional women in the early twentieth century according to "Professions for Women" by Virginia Woolf.
786 words (approx. 3.1 pages), 3 sources, MLA, $ 28.95
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Abstract
This paper discusses how Virginia Woolf can be remembered as a feminist and how she left behind a rich legacy of literature, among which were several passionate appeals regarding the rights of women. In particular, the paper examines Woolf's essay, "Professions for Women", and how it discusses the impediments facing professional women writers of her time. The paper shows that Woolf believed that these impediments were applicable to all women professionals, not just writers. Thus, the paper argues, that Woolf's essay should be seen as an early piece of feminist writing.
From the Paper
"Woolf refers to these impediments as "phantoms and obstacles." The phantom she refers to is what she calls the Angel in the House. This phantom is a personification of the social strictures that were imposed on women in Woolf's time. These strictures dictated that a woman should defer to men in every possible way. The name of the phantom probably derives from the fact that it advocates the behaviours which men would deem appropriately "pure" or "angelic" for women, and from the fact that one of the most important strictures was that women should remain within the domestic sphere - and certainly not venture into the professional sphere."
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Woolf's 'Death of the Moth' and "Professions for Women', 2006.
A review and analysis of Virginia Woolf's "Death of the Moth" and "Professions for Women".
1,125 words (approx. 4.5 pages), 2 sources, $ 44.95
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Abstract
"The following paper examines how people and moths have something in common, namely death. But of course there is more to it than that. Specifically, the paper delves into how there are different ways to die and how dying can take place over a lifetime through the steady erosion of intellectual curiosity and human spirit. "
From the Paper
"A review of Virginia Wolf's "Death of the Moth" and "Professions for Women" - or how people and moths have something in common "Death of the Moth" is one of the more lugubrious short works to be found in the English language. At its core, it is really a story about an insignificant specimen of life - a moth - which fights determinedly but hopelessly against the on-set of death. More than that however, Woolf's essay is a rumination on how such a tiny creature nonetheless seems able to encapsulate the fervidness and joy of a zestful existence; as she puts it, "What he could do, he did" (Woolf para.2). Sadly, like all lives - no matter how well-lived they may be - there is an end which cannot be avoided. Although it can be over-stated, Woolf seems to suggest in her closing that death is the great..."
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Virginia Woolf's Views on Women, 1996.
Author's feminst perspective in essays & fiction. Mother-daughter relationship, women writers, social & historical roles & restrictions, education.
3,150 words (approx. 12.6 pages), 11 sources, $ 111.95
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From the Paper
"Virginia Woolf was a writer who was much concerned with the general plight of women in literature in her era. Indeed, she showed considerable interest and concern with the place of women in her society and with the need for women to foster a solidarity with one another, making her a feminist in her point of view. Her feminism derived from her perception of the very real discrimination experienced by women throughout Victorian society, and the woman as artist also had to overcome a degree of prejudice against her and her work. At the same time, it is evident that women in the arts did achieve a certain freedom from the structures of society that other women could not, and Woolf herself is a clear example of this. Her personal life shows considerable divergence form the mores of her time, yet her..."
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Virginia Woolf, 2001.
This paper looks at women's liberation issues in Virginia Woolf's "A Room of One's Own".
2,085 words (approx. 8.3 pages), 2 sources, MLA, $ 65.95
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Abstract
This paper provides an in-depth biography of author Virginia Woolf. The author also discusses "A Room of One's Own" by Woolf and gathers some of Woolf's essays on women and literature. The writer discusses these essays in the light of modern women's liberation movements.
From the Paper
"Woolf lays out several conditions that are necessary for women to be able to write literature. They include leisure time, privacy, and financial independence. She contends it has been much harder for women to write literature because throughout history they have been deprived of these basic needs. The title comes from the line "a woman must have money and a room of her own if she is to write fiction."
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Virginia Woolf and Carol Gilligan, 2005.
An analysis of Virginia Woolf and Carol Gilligan's thoughts on women as the 'deviant sex' through the reading of two of their texts.
750 words (approx. 3.0 pages), 0 sources, $ 26.95
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Abstract
In the texts "Shakespeare's Sister" by Virginia Woolf and "Woman's Place in Man's Life Cycle" by Carol Gilligan, the authors provide their own interpretation of women's subjugation at different periods: Woolf had expressed her thoughts on suppression of artistic expression in the early part of the twentieth century, while Gilligan discussed hers in 1982. Given the backgrounds on each author's work, this paper posits that Woolf and Gilligan's works are written accounts of their interpretations of women suppression under the feminist framework. The paper explains that, although not explicitly nor directly addressed, both authors involve themselves in critical thinking about how women have continuously maintained their 'low class' statuses in society, despite the onset of modernization and the almost egalitarian nature of 20th century society.
From the Paper
"Given these conditions, Woolf argues, it is then inevitable that Judith and all women like her would thrive to become successful artists in the Elizabethan Age. The author expresses regret because society has not allowed women to aspire for what they would have successfully become: an artist who is in tune with her feelings, uninhibited from all external influences (specifically society's influences)."
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?Simple Poem for Virginia Woolf?, 2002.
A discussion on the poem "Simple Poem for Virginia Woolf" by Bronwen Wallace.
1,150 words (approx. 4.6 pages), 2 sources, APA, $ 39.95
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Abstract
This paper looks at the Bronwen Wallace's poem ?A Simple Poem for Virginia Woolf? and discusses whether there is a primary acceptance or primary rejection of the aspirations for women?s writing articulated by Virginia Woolf in her essay ?Women and Fiction?.
From the Paper
"We also see another trait in the poem that may be a reflection of the intellectual freedom. Woolf criticises many past female authors that have succeeded in the style they adopted, masculine in terms of standards and messages, Wallace is not compiling with any traditional standards, she has a style of her own. There are no rigid rhythms or rhymes, on strong patterns, indeed this poem may be seen as the reflections or ramblings of an everyday woman, yet is it still successful in the way it conveys a message."
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Virginia Woolf's "A Room of One's Own", 2006.
A discussion of chapters five and six of Virginia Woolf's "A Room of One's Own".
1,125 words (approx. 4.5 pages), 1 source, $ 44.95
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Abstract
Virginia Woolf's "A Room of One's Own" contains half a dozen excellent chapters, but it is the last two chapters, five and six, that this paper focuses upon. In so doing, the paper makes it apparent that Virginia Woolf believes a few things to be manifestly self evident: women must learn to speak for themselves, they must learn to think androgynously if they are to become their full selves, they must have money, and they must be prepared to push their way into the professions to acquire the independence they need to have a room of their own.
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Lesbian Voice in Works by Virginia Woolf, 2006.
Examines lesbianism in "Mrs. Dalloway", "To the Lighthouse", and "Between the Acts" by Virginia Woolf.
1,691 words (approx. 6.8 pages), 4 sources, MLA, $ 54.95
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Abstract
The traditional literary canon of the early 20th Century makes readily apparent the virtual disconnect between women and popular literature. An authentic female voice was a faint if at all audible contingent within what preceded modernist authors. Even rarer, were the voices of women who spoke against the normative restraints of their culture. The paper shows that the writings of Virginia Woolf offered significant contributions to this emerging literary demographic, both in the areas of women writing about women and, more specifically unique to her modernist experimentalism, the exploration of female-to-female intimacy. Woolf was a pioneer in her incorporation of these themes into her work. She creates characters who embody the struggle that she and other women experienced in early 20th century Britain. The paper shows that, beginning with her young protagonist, Clarissa, in "Mrs. Dalloway", Woolf explores the social constraints that limit agency and suppress these yearnings. The paper shows that with the later works of "To the Lighthouse" and her unfinished and posthumously published novel, "Between the Acts", lesbian desire is squelched by popular convention and its oppressive alienation robs her characters of the chance to possess the objects of their desires and withholds from them a social environment wherein it is plausible to assume a lesbian or woman-centered identity.
From the Paper
"The construction of character around the concept of artistic authorship is repeated in Between the Acts in a way that allows for art to function as a vehicle to express a marginalized or misunderstood subjective vision. This time, it is Miss La Trobe, the director and playwright of a community theatre exercise, who worked to transform their annual play into an opportunity to bring reflection and enlightenment to an otherwise limited congregation of intellectual commoners. Yet, her vision is grossly misinterpreted."
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Virginia Woolf, 2002.
A review of the life and work of writer Virginia Woolf.
4,789 words (approx. 19.2 pages), 17 sources, MLA, $ 122.95
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Abstract
This paper reviews Virginia Woolf and some of the ideas in her books. The writer claims Woolf was a writer who was much concerned with the general plight of women in her era. The paper explores a number of issues, starting with women in society, sexuality in her era and family relationships. The writer then takes a closer look at Woolf herself, exploring the society she lived in and Woolf as a writer and mother. The paper concludes that Woolf herself achieves with great difficulty what she would have society make easier for other women to accomplish.
From the Paper
"Woolf's personal life shows considerable divergence from the mores of her time, yet her writings also show that she was fully aware of the social restrictions faced by women in general. In her fiction, relationships between women serve as examples of how women can and do support one another in some cases, and undermine one another in others. Among these relationships are mother-daughter relationships which in part may derive from her own odd relationship with her mother and from her observation of other such relationships. The mother-daughter relationship is key in much of Woolf's fiction."
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Virginia Woolf"s "A Room of One's Own", 2005.
This paper is a book review of Virginia Woolf"s "A Room of One's Own".
1,125 words (approx. 4.5 pages), 1 source, $ 44.95
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Abstract
This paper explains that Virginia Woolf wrote "A Room of One's Own" in 1929. The author points out that the preface to the book informs the reader that this essay was based upon two papers Woolf, who had been invited to speak on the subject of women and fiction, read to the Arts Society at Newnham and the Odtaa at Girton in October 1928. The paper relates that both Newnham and Girton were tertiary institutions for women (part of Cambridge University) which were rare in those times.
From the Paper
"Virginia Woolf wrote "A Room of One's Own "in 1929. The preface to the book informs us that this "essay" was based upon two papers Woolf read to the Arts Society at Newnham and the Odtaa at Girton in October 1928. Both Newnham and Girton were tertiary institutions for women (part of Cambridge University) - which were rare indeed in those times. Woolf had been invited to speak on the subject of women and fiction. Apparently the project intrigued her and gained a momentum of its own, as we can see from the depth of her inquiry into the subject and the length."
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Virginia Woolf, 2002.
An analysis of the feminist writer, Virginia Woolf, including excerpts of some of her literary works.
1,200 words (approx. 4.8 pages), 9 sources, MLA, $ 41.95
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This paper discusses the writer, Virginia Woolf and outlines her strong feminist views which were derived from her perception of the very real discrimination experienced by women throughout Victorian society. The paper presents the writer as one who was much concerned with the general plight of women in literature in her era. Illustrated in this paper is the central theme of relationships between women as is evident throughout her fiction, specifically mother-daughter relationships.
From the Paper
"Virginia Woolf is noted for her novels, which feature a new type of literary style based on psychology and deem "stream-of-consciousness," but she is also known for her criticism and essays on literary subjects. The act of writing was an important human action for her, and she explored the meaning of this communicative process especially in terms of gender, in terms of the expression of women writers and the problems they encountered in finding their fictional voice. Woolf commented on the oppression and repression of women writers in her time and in so doing says much about the relations between men and women in society and specifically about the need for women to achieve freedom so they feel they can express themselves through writing in the same way men do."
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Virginia Woolf's "Mrs. Dalloway", 2005.
This paper discusses the stream of consciousness style, which Virginia Woolf uses in her novel "Mrs. Dalloway", as catharsis and self-revelation.
1,370 words (approx. 5.5 pages), 10 sources, MLA, $ 45.95
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Abstract
This paper explains that, in "Mrs. Dalloway", which is considered the
most schizophrenic of English novels, Virginia Woolf creates the character Septimus as the protagonist Clarissa's doppelganger to mirror Woolf's struggle with mental illness; stream of consciousness inexorably binds together Septimus, Clarissa and Woolf. The author points out that, as Woolf's multi-layered consciousness building becomes increasingly complex, so do her revelations about her characters, which are each a study in contrasts. The paper relates that all of Woolf's characters are broken souls and Woolf is quite evolved in understanding that misery is ultimately about self-absorption; therefore, it is understandable that, by focusing on the theme of madness, "Mrs. Dalloway" explores the enforced development of a society of outsiders.
From the Paper
"Clarissa Dalloway's character is drawn from Woolf's mother, who she described as an angel. She is aware that she is "an 'animated mirror' of the shallow world she reflects." Woolf shows us her thoughts about herself: "Nothing else had she of the slightest importance; could not think, write, even play the piano. She...loved success; hated discomfort...talked oceans of nonsense..." In this passage, we can hear Woolf stepping back to pass judgment, but still presenting the thought as Clarissa's: "How much she wanted it--that people should look pleased as she came in...""
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Virginia Woolf: An Analysis of 'The Waves', 2006.
A review of Virginia Woolf's book 'The Waves'.
1,575 words (approx. 6.3 pages), 5 sources, $ 62.95
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Abstract
This paper reviews 'The Waves' by Virginia Woolf. The paper analyzes how Woolf wove a series of dramatic monologues and interludes together in order to examine mortality, loneliness, transcendence and the meaning of friendship. In the process, she produced such a fascinating, explosive and soulful lexicon of the human condition that critics have struggled to adequately describe and convey the literary power of this magnificent book. The paper further discusses how the interludes enhance the impressionistic discourse in the book and serve to expand the consciousness of the reader, which is Woolf's primary intention.
From the Paper
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Virginia Woolf: "A Room of One's Own", 1992.
An essay discussing "A Room of One's Own" by feminist writer Virginia Woolf.
1,440 words (approx. 5.8 pages), 1 source, $ 47.95
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Abstract
In "A Room of One's Own", Virginia Woolf has much to say on the changing relationships among women, men, society and literary genres. The author of the paper shows that far more than simply the book form of Woolf's stirring, provocative lectures, it is practically a "feminist manifesto." This paper excerpts many passages from the book as "offset quotes." It then expounds, analyzes and comments on these examples of Woolf's work. The paper includes an analysis of Woolf's provocative concept of whether it's worse to be "locked out" or "locked in." Additionally, the paper discusses Woolf's (and society's) ideas relating to feminism and sexism and how these "isms" in turn relate to literature and the success or failures of male and female writers, particularly in the 19th Century.
From the Paper
"?So long as you write what you wish to write, that is
all that matters; and whether it matters for ages or
only for hours, nobody can say.?
This is among Woolf?s most moving passages. She is addressing a group of young women toward the end of her lecture, emphasizing the importance of women?s writings and encouraging everyone interested to give it a try. Behind these words is an even deeper message: you never know who you touch. What may seem like a completely insignificant act of one person?say the penning of a humble little sonnet?can by of lasting influence to someone else if it stays in that person?s memory. Even if the poet only wrote the sonnet for herself and thought it mediocre at best, someone decades or even centuries later might find inspiration in it. No one can say, even authors or poets themselves, what kind of impact their work might have in future generations. Only time can determine that."
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