| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "TRANSFORMING LANDSCAPE": |
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Transforming the Landscape, 2002.
How immigration to Toronto has changed the face of the city.
1,900 words (approx. 7.6 pages), 3 sources, $ 71.95
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Abstract
This paper examines immigration, particularly recent immigration, to the city of Toronto. It includes statistical analysis of immigration trends in Canada and Toronto, as well as fieldwork into the presence of immigrants in the High Park neighborhood of Dundas Street and Roncesvalles Avenue.
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Landscape in Chinese Literature, 2002.
A discussion of the relationship between landscape poetry and landscape painting in works by Xie Ling-yun and Fan K'uan.
1,650 words (approx. 6.6 pages), 4 sources, $ 62.95
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Abstract
In Chinese art and literature the representation of landscapes is frequently encountered. Over centuries, artists and poets have devised complex grammars that govern their depiction of the natural world. This paper will explore these grammars with respect to works by Xie Ling-yun, China's premier early landscape poet and Fan K'uan, one of the greatest of all Chinese landscape painters. Two respective works of this poet and painter will be discussed in order to demonstrate two singularly different approaches to the idea of the artistic representation of landscape.
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The Rules of Landscape Painting and the Poetic Practice of Xie Ling-Yun, 2002.
A review of Xie Ling-Yun's poem "Visiting the Southern Pavilion" in light of the generic rules of landscape painting.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
This paper will discuss the representation of the natural landscape in Xie Ling-yun's poem "Visiting the Southern Pavilion". It will be shown, through a comparative analysis of Chinese texts on landscape painting, that Xie Ling-yun's poem plays with, and is juxtaposed against, the generic rules of landscape painting. The poetic landscape, which appears to be a celebration of the beauty of summer, is actually a reflection upon mortality and suffering. From this perspective, Xie Ling-yun's poem may be seen to have philosophical depth lacking in most landscape painting.
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Landscape Geography, 2006.
This paper discusses landscape geography in relation to culture and offers two Ontario examples.
1,800 words (approx. 7.2 pages), 5 sources, $ 71.95
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Abstract
The paper indicates the advantages of the subfield of landscape geography that is distinct from other sub-disciplines, discussing two Ontario examples that reveal how landscapes can shape more than one culture according to human relationships. The paper presents research/fieldwork towards inner city Toronto's landscape shaping 'homeless' culture and also how the Muskoka landscape influences local and visiting cultures. The paper examines how it is the same landscape but different phenomena, due to use/economic interaction with an environment.
From the Paper
"The study of landscape geography has involved a long struggle to distinguish its subject matter and approaches from those of physical geography. Landscape geographers make much not of local details within phenomena, but towards a good deal of theory to do with both a landscape's influence on culture and the aesthetics of geography. In some respects, landscape geography is like the study of ecology in attention to soil types, vegetation and the effects of land formations or waterways. There is much in common with fields of historical and human geography, too, in the attention given habitation, patterns of settlement or how local cultures have been influenced by terrain and climate."
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Landscape in Literature, 2003.
A comparison of the use of landscape in "Wuthering Heights" by Emily Bronte and "Tess of the D'Urbervilles" by Thomas Hardy.
6,925 words (approx. 27.7 pages), 15 sources, APA, $ 156.95
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Abstract
This paper provides an in-depth discussion on the use of landscape description in two novels: "Wuthering Heights" by Emily Bronte and "Tess of the D'Urbervilles" by Thomas Hardy. It focuses on the symbolic use of landscape, the position of man in the natural world and the effect that Darwin's theory had on the attitude towards nature and the effect that this had on Victorian writers. It shows how both Hardy and Emily Bronte found inspiration in their native landscape; Hardy from Dorset and Emily Bronte from the Yorkshire moors and how both novelists based their landscape descriptions either partially or wholly on their native region.
From the Paper
"Hardy features prominently as one of our great visualizers; he is a landscape novelist, and his descriptive passages are central to his fiction. He brings poetic techniques to his fiction, and writes using symbols and images. In Hardy, the sense of time and place is very strong. George Sampson points out that the landscape descriptions in Hardy?s novels take on more significance than do his characters: ?The most impressive character in his novels is not a person, but a place? Indeed, nature is frequently personified and given individuality in Hardy?s novels. Trees have ?inquisitive eyes? , the river speaks as though it were human: ?the river says, - ?why do ye trouble me with your looks?? , and the ?rhubarb and cabbage plants slept? ."
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People and Landscape, 2002.
Questions the relationship between people and landscape.
2,400 words (approx. 9.6 pages), 5 sources, $ 89.95
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Abstract
It is on this second level that this essay will be addressing the question of the relationship between people and landscape. It will be argued that the landscape serves human societies, in a sense, as a mirror that reflects our own values, prejudices and beliefs. As will be seen, this view of the landscape carries significant risks for both humans and the ecosystem as it often obscures our perception of the realities of the environment of which we are a part.
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Landscape in "Last of the Mohicans", 2006.
This paper discusses the landscape vividly described in James Fenimore Cooper's classic novel, "The Last of the Mohicans."
1,120 words (approx. 4.5 pages), 1 source, APA, $ 38.95
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Abstract
The writer of this paper details why the landscape in this novel is a central character and is described in spiritual terms rather than physical ones. There is an emotional tone of foreboding and the landscape is always described in terms that dwarf the actual characters in the book. The paper shows how the author opts for the factual when describing the landscape, and delves into the mythic symbolism that can be found in certain descriptive passages.
From the Paper
"These descriptions are in keeping with the nature of a frontier as the area where things come together with their conflicting forces. The force of the colonists is to tame the frontier. The force of the indigenous natives is to keep it as it is. The landscape of the frontier itself becomes symbolic of both groups of characters in opposition to each other. In this way it actually becomes a personification of each."
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Landscape and Nation in Literature, 2002.
Examines the relationship between landscape and aation in Bronte's "Jane Eyre" and Milton's "Paradise Lost".
1,150 words (approx. 4.6 pages), 2 sources, $ 44.95
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Abstract
In literature, landscape and nation can be reflections of the owner, of the prevailing level of spiritual or figurative health of the owner or community and are direct connections between the characters and the society in which they live. Two works, Milton's "Paradise Lost", and Bronte's "Jane Eyre", employ landscape as a reflection of the characters. Social movements of pre-industrial England, were to shy away from the press of the urban areas, to describe them in terms of stark limitations where the soul could not grow - literally and figuratively. In the countryside, however, there is both beauty and isolation that symbolize a person's soul and path in life. Nation is used in literature to imply the unifying precepts upon which a life is built but it is also used at times as a symbol of imperialism. Nation is the archetype that guides all behaviors and makes all behaviors variations on their theme it is also that which justifies the manipulation of the land - nation is Manifest Destiny. It is the purpose of this paper to explore the relationship between landscape and nation in "Jane Eyre" and "Paradise Lost".
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Landscape in Two Chekov Tales, 2002.
Looks at the symbolism of landscape in "The Lady with the Dog" and "Gooseberries" by Chekov.
650 words (approx. 2.6 pages), 4 sources, $ 26.95
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Abstract
Landscape in literature provides the structure of symbolism and motif that drives novels and stories. Chekov's use of landscape provides, in many ways, some of the richest literary symbolism of the 19th century. It is the purpose of this paper to examine the use of landscape within the context of two of Chekov's stories, "The Lady with the Dog" and "Gooseberries".
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John Berryman?s Poem ?Winter Landscape?, 2005.
A paper examining the "shape" of John Berryman's poem "Winter Landscape".
1,666 words (approx. 6.7 pages), 1 source, MLA, $ 54.95
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Abstract
This paper explicates "Winter Landscape" line by line, examining the construction of the poem - how it moves through the story - and Berryman's use of imagery and repetition to explore themes of human history and ultimately death.
From the Paper
"In addition to choices of form and meter, there are also decisions to be made as to the shape of a poem. Is there a linear progression through the piece as in Coleridge's Lime Tree Bower? Is the poem modular with each unit or strophe capable of standing alone as in Stevens' Blackbird? At first reading, John Berryman's "Winter Landscape," an ekphrastic work based on Breughel's painting "Hunters in the Snow," appears to be linear with three men returning to a village after a hunting expedition. However, through the repetition of images, Berryman turns the poem back on itself into a circle, a move which provides the reader with the clear progression afforded by a linear journey but also with a sense of satisfaction and completion through this final circular transit."
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Landscape Architecture, 2005.
A review of landscape architecture from a religious mythological perspective.
1,125 words (approx. 4.5 pages), 2 sources, $ 44.95
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Abstract
This paper answers several questions about gardens and landscape architecture, beginning with the mythology of the Garden of Eden, which is depicted as nature and human life in an unsullied form, not yet marked by sin and with the different species living in complete harmony. According to this paper, it is harmony that is the hallmark of the garden at this stage, and the garden in Western culture is often seen as a locale to which the individual can return to capture some of that sense of a connection to the natural world and a link to God.
From the Paper
"The Garden of Eden is depicted as nature and human life in an unsullied form, not yet marked by sin and with the different species living in complete harmony. Indeed, it is harmony that is the hallmark of the garden at this stage, and the garden in Western culture is often seen as a locale to which the individual can return to capture some of that sense of a connection to the natural world and a link to God. In Christian mythology, Sin is the daughter of Satan, but she will also bear him a son, Death."
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50 Years of the Niagara Escarpment Landscape, 2005.
A brief history of the landscape between Mississauga and the Niagara Escarpment.
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
This brief essay explores the past 50 year history of the landscape between Mississauga and the Niagara Escarpment. Of particular interest is the introduction of land use planning restrictions established to quell the pit quarrying and aggregate operations who by 1962 had begun blasting into the brow of the escarpment; forever scaring the natural environment.
From the Paper
"The landscape between the University of Toronto Mississauga campus and the Niagara escarpment has changed dramatically over the past 50 years. Much of this change is the result of two distinct elements; progress in the form of growing aggregate companies meeting regulation in the form of the implementation of the "Niagara Escarpment Plan" ("Niagara Escarpment Plan")."
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Stuart Davis's "Landscape with Garage Lights", 2003.
An analysis of modern painter Stuart Davis's "Landscape with Garage Lights" in an historical context.
954 words (approx. 3.8 pages), 3 sources, MLA, $ 33.95
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Abstract
This paper examines how, while much of art progressed toward abstraction in the early part of the twentieth century, Regionalist painting continued relatively the same. One artist, Stuart Davis, spear-headed the movement to paint the American scene in a imaginative new way. It looks at how one of his works, "Landscape with Garage Lights," is a prime example of this progression of art and how it proved to be a new benchmark in Regionalist painting. It also shows how, by rejecting earlier traditionalist beliefs and embracing modern influences, he comments on the urban American life with abstract forms and highly saturated colors, creating a truly unique and upbeat work of art.
From the Paper
"Matisse and the emergence of jazz also influenced Davis. Matisse helped pioneer the use of highly saturated colors in his works, and this concept did not go unnoticed by Davis. Although these saturated colors did not truly represent any real landscape, that did not stop Davis from making use of them. In Landscape with Garage Lights there are strong reds, oranges, blues, and greens. Every color seems to be of the variety that a child could easily pull out of his/her small box of Crayola crayons. However, this assortment of primary colors causes the work to evoke an upbeat response. This upbeat response can be compared to the rise of jazz music during the period. Jazz was a new, experimental, and colorful way to write and play music."
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"Portrait of the Poet As Landscape", 2008.
An analysis of "Portrait of the Poet As Landscape" by Abraham Moses Klein.
1,898 words (approx. 7.6 pages), 0 sources, $ 60.95
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Abstract
The paper explains how A.M. Klien's title "Portrait of the Poet As Landscape" is suggestive of the loss of self and alienation from this world of falseness and that it reflects on the life of the poet. The paper then portrays the poem's apt images of bitter social critique, sardonic irony, self-flagellation and some good humor.
From the Paper
"The title does not use an article. The word landscape is left undefined, so where and who is the poet? He has blended into a landscape bereft of himself like a child blundering through a strange country, never knowing why. The title is an effacement, and the poem commences and continues as such with apt images of bitter social critique, sardonic irony, self-flagellation, some good humor, but in the end a nihilistic plunge into the depths he deprecates."
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Themes of Morality and Landscape in Literature, 2002.
This paper discusses the similarities in concepts of morality and landscape in literature from three different centuries.
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
This paper explores thematic similarities of landscape and morality in William Bradford's "History Of Plymouth Plantation" (1646), Jonathan Edwards' "Sinners in the Hand of an Angry God" (1741) and Saul Bellow's "Looking for Mr. Green" (1951).
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