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?Toms, Coons, Mulattoes, Mammies, and Bucks?, 2002.
A review of ?Toms, Coons, Mulattoes, Mammies, and Bucks?, a book by Donald Bogle on African-American images in the film industry.
1,280 words (approx. 5.1 pages), 1 source, $ 43.95
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Abstract
The paper analyzes the book which is an exploration into the history of African-American images in the film industry, from silent films to 20th Century blockbusters. The paper shows how Bogle discusses the type casting of blacks into the categories described in the book?s title, as well as how he takes his investigation deeper into an examination of the American film industry as a whole, and addresses social, historical, and cultural contexts in which we must examine all screen productions.
From the Paper
"Bogle provides much-needed insight into the origins of black film characters. First appearing on the screen in 1903, the ?blackface? had already become the standard representation of the African-American on stage. Character typing and stereotyping began early in Hollywood; by the 1920s the major ?boxes? to which black characters could fit had been created and, according to Bogle, still remain. At first it seemed that the author would overanalyse and generalize each role just to make it fit one of the ?boxes.? But soon it became obvious that Bogle, rather than placing modern politically correct interpretations on decades-old films, makes clear what should be obvious even to the occasional filmgoer."
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Character Development of Uncle Tom in "Uncle Tom's Cabin", 1999.
1,425 words (approx. 5.7 pages), 0 sources, $ 47.95
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Abstract
This paper addresses the character of Uncle Tom in Harriet Beecher Stowe's novel, "Uncle Tom's Cabin" and how Tom is an example of how the author viewed the role of the diligent and loyal slave during the pre-Civil War era.
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Sports in Thomas Hughes?s "Tom Brown's Schooldays", 2002.
This paper discusses sport as presented in Hughes?s novel, "Tom Brown's School Days", which was written in 1857, and is the story of young Tom Brown, a student at the public school called Rugby School.
1,675 words (approx. 6.7 pages), 5 sources, MLA, $ 54.95
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Abstract
This paper explains that the schoolboys at Rugby, as might be expected, play rugby football, which is quite different from American football. The author points out that competitive games are a large part of their schooling at Rugby, but they do not take the place of schooling; they are extra-curricular activities meant to tax the body as well as the mind and to keep the boys hale and healthy. The paper concludes that, today, sports in college are "big business?; whereas, in Tom Brown's day, sports were about the pride of the school and learning lessons that could be used later in life, such as teamwork and leadership skills.
From the Paper
"The book was extremely popular when it was published in 1857. Hughes essentially recreated the life he knew playing Victorian sports atschool, and readers identified with his writing ? especially young men. No one had ever written a story like this before, although several "university" novels followed "Tom Brown's" success. Hughes followed up his wildly successful book with another, "Tom Brown at Oxford," which was not nearly as popular, since so many other authors had written similar novels by the time it came out in 1861."
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The Mulatto as a Crossroads, 2001.
An analysis of two plays - "Blood Knot" (Athol Fugard) and "Dream on Monkey Mountain" - and how mulattos are reflected in both.
2,262 words (approx. 9.0 pages), 2 sources, MLA, $ 70.95
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Abstract
This paper uses Derek Walcott's "Dream on Monkey Mountain" and Athol Fugard's "Blood Knot" to discuss how the mulatto figures in post colonial discourse. It examines the tragic figure of the post colonial mulatto who is caught between black and white, without knowing which race he belongs to. The paper shows how both playwrights reflect their opinions and perspectives of mulattos in their plays.
From the Paper
"In colonial discourse race is a mask for class, and class is a mask for being. Since the mulatto doesn?t know which race he belongs to, he cannot know his true being. For Walcott, in his Overture, the struggle of the mulatto is the ?wrestling contradiction of being white in mind and black in body, as if the flesh were a coal from which the spirit like tormented smoke writhed to escape?(Walcott, 12). Walcott explores the problems of this opposing binary through his character of Corporal Lestrade, in Dream on Monkey Mountain. Athol Fugard takes this examination of the mulatto psyche even further through his character of Morris in Blood Knot."
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Harriet Beecher Stowe's "Uncle Tom's Cabin", 2005.
This paper discusses the antithetical Christian aspects of Harriet Beecher Stowe's "Uncle Tom's Cabin".
840 words (approx. 3.4 pages), 0 sources, $ 29.95
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Abstract
This paper explains that, in "Uncle Tom's Cabin", employing the gothic genre as the epitome of evil that slavery can bring, Stowe rewards the bad Christian with a full life and the good Christian with a miserable end. The author points out that Uncle Toms die and those who ignore the Bible, like Cassy, are rewarded; The Christian laws that Stowe urges one to practice are inverted. The paper relates that, while this inversion does seem contrary to her purpose, it is the horror of this scenario that works with her main argument against slavery: Christianity and the keeping of slaves are antithetical.
From the Paper
"Throughout his stay on Legree's plantation, Uncle Tom keeps his faith in God, and his death is the result. Singing a Methodist hymn, Tom is interrupted by his new master who declares on page 384, "I have none o' yer bawling, praying, singing niggers on my place...I'm your church now." Even when threatened for his religious beliefs, Tom doesn't abandon them, constantly turning to his bible for relief from hardship he faces. Later, after a long period of habitual suffering, Tom ponders whether, "it was vain to serve God, that God had forgotten him." In the end, such questioning makes Tom's Christian conviction even more pronounced, for it serves as a catalyst for his spiritual visions."
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Stereotypes in "Uncle Tom's Cabin", 2008.
A look at the recent criticism leveled at Harriet Beecher Stowe's "Uncle Tom's Cabin", regarding the book's stereotypical portrayal of African-Americans
1,222 words (approx. 4.9 pages), 1 source, MLA, $ 41.95
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Abstract
This paper examines some of the stereotypes found in "Uncle Tom's Cabin", with particular focus on the main character of Uncle Tom. The paper argues that the character of Uncle Tom is represented as a stereotype of an old, suffering and obedient servant, faithful to his white masters no matter what, but that there is also a philosophy of resistance in the passivity that he exudes. Furthermore, this paper argues that it is in the depiction of African-American women that many stereotypes can be found. Finally, this paper attempts to answer the following question: do the negative aspects of this novel outweigh its moral message?
From the Paper
"Uncle Tom's Cabin actually consists of two stories told in parallel. It begins with a financial crisis of the Shelby family whom are forced to sell some of their slaves. Eliza, the slave who is a maid in the house overhears this plan, which includes the sale of her child, and escapes with her husband and young son. We follow their long and dangerous escape route that eventually leads them to Canada. Uncle Tom, although he has a family on the plantation, does actually get sold to a family in New Orleans. He is very pious and accepting and soon becomes very faithful to his new owner much like he was to the one who sold him. The family is eventually won over by Uncle Tom and his calm, assuming manner, that both the father and the daughter become ardent supporters of abolishment. "
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"Uncle Tom's Cabin", 2002.
Looks at the impact Harriet Beecher Stowe's book "Uncle Tom's Cabin" had on American society.
5,800 words (approx. 23.2 pages), 28 sources, MLA, $ 139.95
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Abstract
This paper discusses the transformation of the novel "Uncle Tom?s Cabin", by Harriet Beecher Stowe into a cultural icon. It looks at how the creation and recreation of the text by its readers, adapters and its foremost opponents, helped to polarize the abolitionist debate. The paper suggests that the responses to and adaptations of the text of "Uncle Tom's Cabin" provided a means by which the novel assumed a principal role in American culture through various media--the theatre, film, posters, paintings, follow-on writings, essays and press coverage. Finally, the paper suggests that the articulation and reconstruction of the text by its readers brought on a range of social and political meanings and results.
Background: The Origins of a Living Document
Introduction
North and South Polarized
Critics Respond
The Abolitionist Debates
The Tom Caricature
The Greatest Impact
From the Paper
"In what way did this text change the traditional relationship between reader and the novel? The reader became the author, interpreter, director, actor, witness and part and parcel of the story. The story, instead of being about life, became life, and life in turn became its own version of the story. In this context of slavery, religion, melodrama, and family crisis, Uncle Tom?s Cabin can be viewed as a cultural pattern instead of an isolated work. Almost as soon as it was published as a novel, Stowe's story was adapted for the American stage; from 1852 until well into the twentieth century, adaptations of Uncle Tom's Cabin were among the most popular productions that a theater company could stage. Stowe, however, never condoned nor participated in developing the productions, nor did she earn any money from these adaptations."
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Tom Clancy and the Techno-Thriller Genre, 2002.
Examines the literary genre of the "techno-thriller", particularly the novels of Tom Clancy.
1,400 words (approx. 5.6 pages), 6 sources, $ 53.95
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Abstract
This paper includes brief summaries of three Tom Clancy novels and compares and contrasts them. A brief background of Tom Clancy himself is included, as well as an explanation of how he originated the "techno-thriller" genre.
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Stowe's Characterization of Uncle Tom, 2002.
The paper looks at Harriet Beecher Stowe's main character in her book "Uncle Tom's Cabin."
1,570 words (approx. 6.3 pages), 0 sources, MLA, $ 51.95
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Abstract
This is an analysis of Harriet Beecher Stowe's novel, "Uncle Tom's Cabin." The author draws several comparisons between Uncle Tom, the main character, and symbol of slavery, and Jesus Christ, the symbol of Christianity. Stowe wanted to show the world what a cancer slavery was, and how it went against Christian values, in the hopes of swaying people to join the cause of the abolitionists.
From the Paper
"Stowe's "collection of sketches" were clearly written to show her readers that Christianity and slavery were antithetical - and in the end, the icon of Christianity in the novel is beaten down by the personification of all that is evil about slavery. Stowe's portrait of Tom emphasizes his boundless goodness, his unconditional love for all of mankind, his willingness to turn the other cheek, his loyalty to his masters - earthly and heavenly - and his drive to always evolve into a better Christian man. Tom's vision of Christianity is the same as Christ's - that salvation and final judgement must be laid at the feet of God, and that all men are brothers who should do to others what they would have done to themselves."
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Tom Jones Finds Sophia, 2001.
This paper is an account of the amoral nature of the character "Tom Jones" in Henry Fieldings' classic novel of the same name.
1,778 words (approx. 7.1 pages), 5 sources, $ 57.95
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Abstract
This paper contrasts the selfless amoral actions and the motives thereof of Tom Jones with the other characters of Henry Fielding?s classic novel ?Tom Jones?, most notably with that of Blifil (Jones? rival suitor). This paper looks at exactly why the amoral doings of Jones leads to his attainment of Sophia (Greek for wisdom), and why the moral doings of Blifil do not. This is all explained as a conflict between morality which serves to augment the self and that of amoral action which is desire driven and thus lessens the effect of self-awareness. This unconsciousness then, that Jones lives in is proved to be wisdom; this fact is then proved through references from William Blake, Carl Jung, and Fredreich Nietzsche.
From the Paper
" Virtue and happiness (wisdom) oppose one another. Fielding himself writes in the first chapter of book fifteen of Tom Jones, ?? if by virtue is meant (as I almost think it ought) a certain relative quality, which is always busying itself without Doors, and seems as much interested in pursuing the good of others as its own; I cannot so easily agree that this is the surest way to human happiness?(601; bk.15, ch.1). The fulfillment of desire then, leads to happiness and true wisdom; this wisdom being an unconscious realization of the universe at large; a wisdom that is Sophia."
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Religion in "Uncle Tom's Cabin" and the "Communist Manifesto", 2001.
This paper discusses the way in which religion was used to help maintain power with reference to two works: "Uncle Tom's Cabin" and the "Communist Manifesto".
1,800 words (approx. 7.2 pages), 3 sources, $ 57.95
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Abstract
The following paper looks at two works: "Uncle Tom's Cabin" and the "Communist Manifesto". The way in which religion was used to help maintain power will be discussed with reference to these two works. The fundamental similarities and differences between these two books will be drawn upon.
From the paper:
" Although Uncle Tom?s Cabin by Harriet Beecher Stowe and the Communist Manifesto were written at about the same point in history, they are markedly different books. Although one was a fictional novel and one a philosophical treatise, both works influenced their countries to a greater or lesser degree during a civil war, and surprisingly similar views regarding religion are either expressed or implied in both works. This paper will look at how the two works discuss or reveal how religion was used to help maintain positions of power."
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Tom Stoppard's "Travesties", 2006.
A look at the life and career of playwright and author, Tom Stoppard, and his critically acclaimed play, "Travesties".
2,229 words (approx. 8.9 pages), 6 sources, MLA, $ 69.95
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Abstract
This paper begins with a brief biographical sketch of the life of Tom Stoppard, outlining his adolescent years in Japan, his university education and his career accomplishments. The paper also explains how Stoppard's early works led to the writing of his play "Travesties" and how Stoppard would mix humor with seriousness and moral concern when he wrote. Finally, the paper examines and analyzes "Travesties", explaining the central concept and theme running throughout the play.
Outline
Thesis Statement
Tom Stoppard: The Man
The Early Works as a Background for Travesties
The Close Up Look at Travesties
From the Paper
"Although there does not exist a book with the title of "Travesties," that was written by Tomas Straussler, now known as Tom Stoppard the worldwide acclaimed playwright and author, there is indeed his stage play with this title. The critically acclaimed play had its first performance by the Royal Shakespeare Company on June 10, 1974, at the Aldwych Theater in London and has played to packed houses throughout the world for several years following its debut and indeed is still performed by younger theater groups particularly in the United States on the university levels."
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"Uncle Tom's Cabin", 2001.
This is an analysis of Harriet Beecher Stowe's novel, "Uncle Tom's Cabin."
2,375 words (approx. 9.5 pages), 6 sources, MLA, $ 72.95
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Abstract
This paper is an in-depth examination of the novel,"Uncle Tom's Cabin." The author gives us some background about Harriet Beecher Stowe and puts the novel into historical context. The paper examines the different characters in the novel and discusses what role they played and what they represented in history. Some of the characters discussed include Uncle Tom, Aunt Chloe, Eliza and family, Shelby's Ophelia and Simon Legree. The author uses these characters to give an authentic depiction of the slaves and the whites, both northerners and southerners, and the challenges that they both faced during this period in American history. The authors uses examples from the novel to illustrate his points as to the accuracy of the novel's portrayal of slavery and during the period prior to the Civil War.
From the Paper
"The value of the partially white slave is touted again with the Eliza character. She is able to speak clearly and in complete sentences. Described as "beautiful [with] black hair as fine as silk in glossy curls- a delicately formed hand and a trim foot" (Stowe p 5). A blush on her cheek is discernible so this is a clue as to her skin tone as well. Stowe must use this character to solicit empathy from the post Civil War reader regarding the fate of her son. If Aunt Chloe and Uncle Tom's children had been the ones to be sold, sympathy would not have been so easily offered. All mothers regardless of their hue were attached to their children. Uncle Tom's cabin is not able to make this argument. It would not have appealed to the wider audience. Much has been discussed about the African characters but what about the Caucasians. Is the rendering accurate?"
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"Uncle Tom's Cabin" by Harriet Beecher Stowe, 2005.
This paper is based on Harriet Beecher Stowe's "Uncle Tom's Cabin." The paper attempts to show what the reality of slavery was indeed like.
900 words (approx. 3.6 pages), 2 sources, MLA, $ 31.95
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Abstract
This paper presents a character study of the main characters of "Uncle Tom's Cabin." The paper argues that Aunt Chloe, as opposed to Uncle Tom, is the more realistic depiction of a southern slave.
From the Paper
"Harriet Beecher Stowe's "Uncle Tom's Cabin" is universally understood to be one of the most important and deeply penetrating books of its time. Published during episodes of the National Era, "Uncle Tom's Cabin" is often credited, in part, for the tensions that led to the American Civil War. Stowe wrote the work as a reaction too the Fugitive Slave Act under which it became illegal for anyone to give aid or assistance to a runaway slave."
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?Uncle Tom?s Cabin? by Harriet Beecher Stowe, 2002.
A study of several themes and characters in the book "Uncle Tom's Cabin" by Harriet Beecher Stowe.
980 words (approx. 3.9 pages), 1 source, $ 34.95
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Abstract
The paper discusses the character Uncle Tom in Harriet Beecher Stowe's "Uncle Tom's Cabin" and describes him as an almost Christ-like character. It also discusses the central theme of slavery and how it is justified through the 'white' characters of the book. The paper shows how, by using repeated references to Christianity and the Bible, Stowe appeals to the reader?s sense of morality that should transcend stereotypes.
From the Paper
"Perhaps Stowe?s message in using Quakers as the benefactors is the emphasis on true Christian values. Juxtaposed against a false sense of religious superiority that most slave owners perpetuated, the Quakers exhibit kindness and compassion to all people. Stowe, in her final chapter, tells the true story exemplifying the kindness of the Quakers. These are benevolent qualities they share with the protagonist, Tom. When Eliza and her son and husband are all reunited under the care of the Quakers, Stowe paints a picture of a true home, where they feel ?free,? even rich."
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