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Tom Jones Finds Sophia, 2001.
This paper is an account of the amoral nature of the character "Tom Jones" in Henry Fieldings' classic novel of the same name.
1,778 words (approx. 7.1 pages), 5 sources, $ 57.95
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Abstract
This paper contrasts the selfless amoral actions and the motives thereof of Tom Jones with the other characters of Henry Fielding?s classic novel ?Tom Jones?, most notably with that of Blifil (Jones? rival suitor). This paper looks at exactly why the amoral doings of Jones leads to his attainment of Sophia (Greek for wisdom), and why the moral doings of Blifil do not. This is all explained as a conflict between morality which serves to augment the self and that of amoral action which is desire driven and thus lessens the effect of self-awareness. This unconsciousness then, that Jones lives in is proved to be wisdom; this fact is then proved through references from William Blake, Carl Jung, and Fredreich Nietzsche.
From the Paper
" Virtue and happiness (wisdom) oppose one another. Fielding himself writes in the first chapter of book fifteen of Tom Jones, ?? if by virtue is meant (as I almost think it ought) a certain relative quality, which is always busying itself without Doors, and seems as much interested in pursuing the good of others as its own; I cannot so easily agree that this is the surest way to human happiness?(601; bk.15, ch.1). The fulfillment of desire then, leads to happiness and true wisdom; this wisdom being an unconscious realization of the universe at large; a wisdom that is Sophia."
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"Tom Jones", 2002.
An examination of the themes of historical fictions and the fictions of history in Henry Fielding's "Tom Jones".
2,650 words (approx. 10.6 pages), 2 sources, $ 97.95
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Abstract
This paper analyses Henry Fielding's (1769) "Tom Jones", and argues that Fielding's writing presents the reader with a impossible maze of contradictions that work to criticize the history of Fielding's contexts. It is predominantly in the introductory essays to each chapter that Fielding provides hints about his criticisms of rationality, universal order, and the general beliefs that mark the Age of Restoration, including the King of England, Charles II. It is suggested here that Fielding's comic novel exceeds mere fiction by producing an intricately woven criticism of history and knowledge.
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Tom Jones and "The Man of the Hill", 2000.
An analysis of Henry Fielding's "The Man on the Hill" with a discussion of the themes of the story.
1,830 words (approx. 7.3 pages), 1 source, $ 58.95
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Abstract
An analysis of how the story of "The Man of the Hill", inserted in Fielding's "The History of Tom Jones", reflects light on the character of the main hero and helps to fulfill Fielding's purpose in revealing and ridiculing the pretensions, affectations and confusions.
From the Paper
"The Man of the Hill" appears about half way through Fielding?s long narrative of The History of Tom Jones. It could be that he is Fielding?s tool for saying to the reader, ?You?ve stuck with me this far. Trust me. The story of Tom Jones will not end so darkly as does the story of the lonely old recluse on the hill.? Fielding is, in essence, promising that Tom Jones is a much different sort of man, a man worthy of every attention of this providential godly author as well as the continued attention through however many hundreds of pages of his devoted readers. Fielding, in his role as God of the picaresque novel, provides us, in the episode of the Man of the Hill, with one more adventure that allows him to demonstrate the pretensions, affectations, confusions and frailties of humanity and to ridicule his own Creation."
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"Tom Jones" by Henry Fielding, 1993.
An analysis of the novel's moral vision as expressed in the development of the hero's character and conscience.
1,575 words (approx. 6.3 pages), 7 sources, $ 55.95
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From the Paper
"Much of the energy in Henry Fielding's novel Tom Jones is said to stem from the main character's imprudence, but the moral impact of the novel is often said to depend on the hero's attainment of prudence. The development of a sense of prudence in Tom Jones is effective precisely because he is so imprudent, and his imprudence is accepted because it derives from his innocence rather than from not caring about being prudent. Tom's position as hero is indeed justified because he is an innocent and because he learns from his experiences.
William Empson makes this point when he writes, "Tom Jones is hero because he is born with good impulses. . .". He may be imprudent, but it is a question of his motivation as much as behavior. Fielding is a comic novelist and is happy to show the hero's foibles as well as the good side of his nature, but in the..."
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Character Development of Uncle Tom in "Uncle Tom's Cabin", 1999.
1,425 words (approx. 5.7 pages), 0 sources, $ 47.95
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Abstract
This paper addresses the character of Uncle Tom in Harriet Beecher Stowe's novel, "Uncle Tom's Cabin" and how Tom is an example of how the author viewed the role of the diligent and loyal slave during the pre-Civil War era.
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Steven Spielberg's ?Indian Jones: Raiders of the Lost Ark? (1981), 2005.
This paper discusses the use of symbolism to portray the stereotype of the American male hero in Steven Spielberg's "Indiana Jones" trilogy, especially "Raiders of the Lost Ark" (1981).
1,625 words (approx. 6.5 pages), 9 sources, MLA, $ 52.95
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Abstract
This paper explains that not only are there actual symbols present in Steven Spielberg's "Indiana Jones" trilogy, especially "Raiders of the Lost Ark", such as Indiana's most feared enemy, the snake, but also the movies themselves serve as a symbol of American pop through the Hollywood's glorification and stylization. The author points out the symbolism in the main character Indiana Jones, played by Harrison Ford, who is a young, powerful educated man, coming from a civilized background with a catchy nickname "Indy", which all heroes must, and dressed in his classic American archaeologist attire of leather jacket and bullwhip. The paper concludes that the Indiana Jones trilogy continues to be an incredible success because it is so easy for the American population to relate to Indy, a hero who never failed, and because it reflects American pop culture of adventure, power and heroism.
From the Paper
"It is very possible for even one trailer that is a mere one minute and fifty seconds long, to encompass so many different symbols, that have significance all throughout the movie. The clip that portrays the most symbolism in the shortest amount of time is definitely the part of the movie when Indiana Jones finds himself fighting a town full of Arabs in the middle of a marketplace in Cairo, all in order to rescue Marion. First and foremost, this entire sequence is filmed to fully capture the role of having a damsel in distress, as Indy is fighting in attempt to save Marion. Secondly, a very apparent form of symbolism appears in the background of the shot, where the entire marketplace is full of Arabs who are all wearing turbans and sandals, a very stereotypical image of the people of the eastern culture living in that region. The most noticeable glorification of the American culture becomes very evident when Indy is facing a large Arab man with a sword, who is prepared to fight him."
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Margo Jones, 2007.
This paper discusses Margo Jones and looks at her contribution to regional theater.
2,634 words (approx. 10.5 pages), 7 sources, MLA, $ 79.95
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Abstract
In this article, the writer presents a detailed examination of Margo Jones and her contribution to bringing regional theater to Texas. The writer explores her life and work as a director and extrapolates that to the work she did to bring regional theater to Texas, culminating in her death at the age of 43. The writer notes that before one can understand Margo Jones' role and desire to bring regional theater to the state of Texas, one should have an understanding of who she was both personally and professionally. The writer then provides a background of her life. The writer concludes that Margo Jones was a woman in a man's world, who not only refused to sink into the shadows of the theater industry, but insisted on changing it for the better.
From the Paper
"Regional theater explores many of the Broadway productions using local talent and attracting audiences from nearby. Regional theater work is not as lucrative as being on Broadway but it can be just as fulfilling, however the funding is often difficult to come by for its launching. Often the process involves fund raising or the name of an already established artist behind the project or a combination of both elements. In the state of Texas regional theater was a struggling concept that did not take flight until director Margo Jones played a key role in bringing regional theater to the state, which sparked a nationwide movement that now boasts more than 400 regional theaters."
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Richardson?s ?Pamela? and Fielding?s ?Bridget Jones?s Diary?, 2004.
This paper explains that Samuel Richardson?s ?Pamela?, written more than 200 years before Helen Fielding?s ?Bridget Jones?s Diary?, yields surprising parallels.
770 words (approx. 3.1 pages), 2 sources, MLA, $ 27.95
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Abstract
This paper discusses that both ?saucy? women tell their stories through journals. The author believes that, though Bridget Jones is described as a thirty-something singleton in London, she clearly does not equal Pamela in emotional maturity. The paper contends that, whereas Bridget Jones is ostensibly free to make choices regarding her job and the men she dates and sleeps with, Pamela appears to have no choice but to submit.
From the Paper
"Richardson thus tackles many themes that would have been shocking to many residents of 18th century England. As Pamela herself chronicles her emotional growth, much of her musings stray into the erotic. Initially, she wonders how ?Love borders so much on Hate.? Eventually, she wonders at her growing attraction to Mr. B, and despairs over her inability to hate her brutish captor. Because she does not love Mr. B at first, there is a clear undercurrent of sexual conflict and eroticism to many of her writings."
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Margo Jones, 2007.
This paper explores Margo Jones' role in bringing regional theatre to Texas.
3,723 words (approx. 14.9 pages), 14 sources, MLA, $ 102.95
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Abstract
The paper discusses how Margo Jones was one of the most representative figures of the American theatre environment. The paper explains how aside from her pragmatic and practical contribution to the world of theater, she was also a symbol of success as a woman in theater. The paper points out that it represented a shift in the perspective which characterized women in the early 20th century. The paper discusses the changes and ideas Margo Jones implemented in the world of theater. The paper demonstrates how through her ahead of time considerations on the realities of play performances, she succeeded in integrating herself in the historical trend of the 1940s by adapting to the changes that were taking place throughout the world.
From the Paper
"Among her major contribution was the focus on regional theaters as a means of promoting and staging plays not so much at the national level, but rather at the level of local communities, with their direct involvement in the play staging. Moreover, this led to a reconsideration of the commercial aspect, which Margo Jones exploited in the benefit of her projects. She thus gave a new dimension to the notion of fund raising and financing in such a manner as to provide emerging regional theaters survive and flourish in the competition with traditional household names active on Broadway."
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Inigo Jones, 2005.
An examination on the life, times, influences and historical impact of Inigo Jones, a 17th century architect.
1,125 words (approx. 4.5 pages), 0 sources, $ 44.95
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Abstract
The paper is a brief discussion of Inigo Jones, a seventeenth century architect who rose to prominence in part by introducing Palladian conceits to the British Isles. The paper looks at his early life, his indebtedness to Andrea Palladio and his historical legacy. In particular, the paper notes his influence upon Christopher Wren. In the final analysis, Jones emerges as one of Great Britain's most important architects.
From the Paper
"The following paper will examine the life, times and impact of Inigo Jones, an architect whose contributions to the modern era of the field have too often been overlooked. The following paper will examine Jones' status as the leading English architect of the seventeenth century. The paper will also examine Jones' indebtedness to Andrea Palladio - specifically his treatises on architecture - and to classical Roman architecture. As the following pages will make clear, Jones' work is typified by distinctive Italian embellishments and flourishes that would have been otherwise impossible had he not been so deeply influenced by the grandeur and splendor of ancient Roman architecture."
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Inigo Jones, 2008.
A discussion on the life and work of Inigo Jones.
925 words (approx. 3.7 pages), 4 sources, APA, $ 32.95
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Abstract
This paper discusses the life of Inigo Jones, described by the paper as the first and perhaps the greatest of English Renaissance architects who left a profound influence on the course of British art and architecture. The paper begins by presenting a brief biography of Jones' life and then looks at his contribution to the court masque, as well as his relationship and collaboration with Ben Jonson.
From the Paper
" One of the reasons for the fall-out between the two was that Jonson took the intellectual content of his masques more seriously than anyone else. He was, by all accounts, convinced that the soul of the masque was of infinite value. He deeply resented the tendency at the time to accord greater respect to the decoration and the "mere mechanics" of a show (Lees-Milne 45). Jonson believed that Jones was getting more credit than he deserved for his contribution to the masque productions. His resentment towards his "friend" grew from "irritation to contempt to intense dislike" just as applause for Jones got louder. "
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Thom Jones?s ?Mosquitoes?, 2004.
This paper discusses the short story, ?Mosquitoes?, a social commentary by Thom Jones.
1,480 words (approx. 5.9 pages), 1 source, $ 48.95
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Abstract
This paper discusses how Thom Jones uses double meanings and symbolism in ?Mosquitoes? to convey his message. The author points out that, at first glance, the story seems to be normal enough: a doctor telling his experiences when he visits his brother; but the constant references to mosquitoes in the story mean more than meets the eye. The paper concludes that Jones, through his character, ?Bob?, states that humans are no better than animals and may be even worse. The worst of all are not the criminals, junkies, or prostitutes, but rather, the worst are the prosperous, upper-class people.
From the Paper
"Toward the beginning of Jones?s story, Bob is making his way to his brother Clendon?s house in Middlebury, Vermont. When he got there, he was surprised to find, what looked to be a mosquito infestation throughout the entire area. The infestation was intended by Jones to take on two different meanings. One was the obvious literal meaning of an infestation by mosquitoes and the other was an infestation by the people in the world that represents all that is evil in Bob?s mind. The symbolism here is perfect for a comparison. Not only do mosquitoes annoy and bother people but also they spread disease."
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Inigo Jones, 2005.
A biographical account of the life and work of 16th century English architect, Inigo Jones.
4,182 words (approx. 16.7 pages), 19 sources, MLA, $ 111.95
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Abstract
This paper details the life of Inigo Jones, talks about where he derived many of his architectural themes and style, discusses the influence he would have on future architects and architecture and explains how many of his structures would become key architectural landmarks in England.
Introduction
Roman Architecture
Inigo Jones
Architecture
Conclusion
From the Paper
"Inigo Jones was born on July 15, 1573, in the Parish of St. Bartholomew's, Smithfield. Much about his life remains unknown, including the derivation of his name, details about his mother, and most of his early training. A tradition exists that he was apprenticed to a joiner in St. Paul's Churchyard, but this is only a tradition, with no evidence to support it. The anonymous author of the account in one book holds that Inigo was "early distinguished by his inclination to drawing, and was particularly taken notice of for his skill in the practice of landscape-painting," though most give no credit to this account. Little is known about whatever job he was pursuing until he gave it up to travel to Italy."
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Burne-Jones And Edgar Degas' Paintings, 2002.
A comparison of two paintings by artists Burne-Jones (pre-Raphaelite) and Edgar Degas (realist).
900 words (approx. 3.6 pages), 7 sources, $ 35.95
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Abstract
This paper compares a painting by Pre-Raphaelite British artist Burne-Jones with an important work by Realist, Edgar Degas. Both paintings appeared in 1860-1970 decade and have something important to say about that era and the two painters.
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Jones vs. Clinton, 2002.
An examination of the legalities of sexual harassment in the Jones vs. Clinton Sexual Harassment case .
650 words (approx. 2.6 pages), 7 sources, $ 26.95
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Abstract
This paper focuses on the legalities of the Jones vs. Clinton Sexual Harassment case and states that legally the case did not constitute harassment.
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