| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "THOMAS COLE PAINTING ARCHITECT DREAM": |
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Thomas Cole's Painting: "The Architect's Dream", 2007. This paper discuses Thomas Cole's painting "The Architect's Dream" (1840, oil on canvas) housed in the Toledo Museum of Art. 1,410 words (approx. 5.6 pages), 4 sources, APA, $ 46.95 »
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Abstract This paper explains that the painting "The Architect's Dream" by American artist, Thomas Cole, masters historical perspective by combining structures from several epochs--Egypt, Greece, Rome and Europe--within the confines of a simple painting, thus depicting the evolution of architecture. The author points out that Cole, who was the founder of the Hudson River School, a group of artists that followed the style of American romanticism and realism, filled the landscape of this painting, accurately and in detail, with human structures of each age. The paper concludes that this piece of art from the romantic times is not so much a history lesson as it is a story of human ingenuity and spirit, which praises man's triumphs throughout the ages by giving tribute to the beauty of history's great accomplishments that still inspire humankind today.
From the Paper ""The Architect's Dream" is a large painting, about 8 feet long by 6 feet tall. Just looking at the different buildings throughout the eons is very enthralling. And so, I stood in front of this painting for at least ten minutes just taking in the sheer power of it. I imagined what it would look like IF someone actually built a city like the one Thomas Cole painted. I could see the romanticism in the expression on the Architect's face as he lays relaxed and wondering about his strewn books. I put myself in his position and tried to imagine looking upon such a dream city, but in reality."
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Thomas Cole: American Painter., 2002. This paper focuses on the life and work of Thomas Cole. 650 words (approx. 2.6 pages), 2 sources, $ 26.95 »
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Abstract Cole was one of the very few painters who gained world fame and recognition for their landscapes. The painter hails from England, but since he stayed in America for most part of his life, he was always known as an American painter. Cole was not only inspired by nature but his work also reflects an interest in poetry and literature.
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Thomas Cole, Painter, 2002.
650 words (approx. 2.6 pages), 3 sources, $ 26.95 »
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Abstract Thomas Cole was trained as an engraver of the woodblocks used for printing calico. In 1823, Cole followed his family to Pittsburgh and began to make detailed and systematic studies of that city's highly picturesque scenery, developing a procedure of painstakingly detailed drawing. Cole's rapid rise to fame in the early 19th century marked a sudden shift in American taste. With the emergence of Cole, landscape rather quickly supplanted figure painting as the most important expression of American artists, a position it retained throughout most of the 19th century.
From the Paper BAD ABSTRACT: ABSTRACT IS NOT AN ABSTRACT
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Dreams and Dreaming, 2004. An overview of the process of dreaming and what dreams really mean. 2,253 words (approx. 9.0 pages), 6 sources, MLA, $ 69.95 »
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Abstract This paper attempts to define what exactly a dream is, whether it is a story that evolves in the mind in a single flash of inspiration, moving from beginning to end in a few seconds, or whether there more to it than mere fantasy. It examines how many researchers, both past and present, have given numerous definitions for what dreams are and how they can be interpreted.
Outline
The Mechanics of Dreaming
The Sleep Cycle
Body Dynamics
The Healing Power of Dreams
Dream Deprivation
The Meaning of Dreams
From the Paper "Thanks to these dream researchers, it is now known that there is a regular cycle of sleeping and dreaming during each period of sleep. For most people, a night of sleep begins with certain rituals; sleep then is supposed to come in an instant. Within the first few minutes, the temperature of the body falls, and brain waves begin their regular alpha rhythms, indicating a relaxed state. In Stage One, the muscles lose their tension, breathing becomes more even, and the heart rate slows. In Stage Two, random or nonsensical image may float through the mind, mimicking the dream state. In Stage Three, the body continues its process of slowing down; the muscles lose all tightness, breaths come slowly and rhythmically, the heart rate decreases and blood pressure falls. In Stage Four, the body and the mind are at their most restful periods and may last for many hours."
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Dreams and Dream Research, 2006. This paper looks at the sleep cycle and studies dreaming. 2,261 words (approx. 9.0 pages), 6 sources, MLA, $ 70.95 »
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Abstract In this article, the writer discusses what exactly a dream is. The writer ask whether it is a story that evolves in the mind in a single flash of inspiration, moving from beginning to end in a few seconds, or if is there more to it than mere fantasy. The writer discusses the sleep cycle and the act of dreaming and notes that many researchers, both past and present, have given numerous definitions for what dreams are and how they can be interpreted.
Outline:
The Mechanics of Dreaming
The Sleep Cycle
Body Dynamics
The Healing Power of Dreams
Dream Deprivation
The Meaning of Dreams
From the Paper "A 2000 study at the University of Michigan found that the human body's dreaming condition is much like the fight or flight response in waking life, which gears the body up to confront a threatening situation. Yet the brain simultaneously signals the spinal cord to hold the body completely rigid. Science is still attempting to exactly determine what
physical function dreaming has for humans, but since the 1950's, researchers have made remarkable advances in the study of sleep and dreams.
"The cycles of sleep are a fairly new discovery, but in the years since researchers finally cracked the code of sleep, much has been learned about how the human body reacts when one dreams."
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To Dream or Not To Dream, 2001. A paper discussing the "American Dream," and how it has been denied to certain people throughout history. 1,111 words (approx. 4.4 pages), 3 sources, $ 38.95 »
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Abstract A paper discussing the "American Dream," and how it has been denied to certain people throughout history. The author relies on literary quotes to make the case that, in various points in American history, racism, poverty, and many other factors have conspired to deny the American Dream to groups of people.
From the Paper "In the world today and throughout the past three centuries, millions of people have turned to America as the ?land of promise? where happiness is guaranteed and dreams are realized. The ?American dream? differs somewhat for all people but is built around the principles of being financially successful and having the opportunity to meet one?s goals in life. As this ideal has become more prevalent throughout the world, it has also become more elusive and difficult to obtain. This dream and guarantee that America supposedly offers is too often smothered by societal structure and philosophies, which impose limitations upon and create barriers against those seeking a better life; consequently, millions are left hopeless with their burning passion for life nearly extinguished."
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Natural Law According to Thomas Hobbes and St.Thomas Aquinas, 2000. The following essay discusses the existence and meaning of natural law. 1,380 words (approx. 5.5 pages), 2 sources, APA, $ 46.95 »
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Abstract The following paper examines why many theorists reject the existence of natural law as well as why many agree to its being defined as a set of innate moral principles which are common to all human beings. It is the aim of this paper to identify and discuss the important similarities and differences that exist between the two theories making reference to the theories of Thomas Hobbes (1588 - 1679) and St.Thomas Aquinas (1224/25 - 1274).
From the Paper "Aquinas proposed that the essential quality setting human beings apart from the rest of the animal world was that of reason. In a development of Aristotle's theory.Aquinas asserts that all men naturally possess an internalized divine spark of reason,which serves as the guide to an autonomous and responsible decision making process."
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Painting and Legacy, 2004. A look at the art and influences of the painters, Lawrence Alma-Tadema, Thomas Cole, and John Singleton Copley. 1,181 words (approx. 4.7 pages), 7 sources, MLA, $ 40.95 »
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Abstract This paper examines how painting, like all art forms, is a product of the period in which it was produced and how artists have also been known to set the pace for other artists, anticipating political and cultural changes. In particular, it explores the work of Lawrence Alma-Tadema, a British artist known for his depiction of Rome; Thomas Cole, an Englishman who moved to America; and John Singleton Copley, an American who relocated to London. It examines how, through their work, Cole and Copley share a cultural background of American society during the Revolutionary period and how both men studied and honored the European roots of their art. In contrast, it shows how Alma-Tadema does this and goes beyond to celebrate the culture in which he found himself.
From the Paper "Thomas Cole was an Englishman who moved to America in order to paint the landscapes of the west. Primarily a landscape artist, Cole was considered to be a painter of the ?romantic? era, a time when pastoral scenes were requested as an alternative to the heavy (dark) portraits and traditional paintings of the baroque and Renaissance periods. Barbara Novak argues that the term, ?Romantic? has been generalized specific to describes American landscape art (59). The romantic era was characterized by a ?softening? of effects and social norms, prior to the more strict style of the Victorian era. The course of empire, consummation, is a landscape of an ancient Greek city. Filled with the symbols of opulence, the feel for this painting is one of overabundance, to the point of decadence."
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Thomas Fleming's "The Purchase of Louisiana", 2007. This paper is a book report describing Thomas Fleming's "The Purchase of Louisiana", which details the diplomacy and rivalry surrounding President Thomas Jefferson's success in obtaining the Louisiana territory. 850 words (approx. 3.4 pages), 1 source, APA, $ 30.95 »
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Abstract This paper states that Thomas Fleming's strong research in preparation to writing "The Louisiana Purchase" indicated that the United States wanted to gain control over access to the Mississippi River to be able to ship goods through to Spain and to provide safe harbor for American ships servicing the southern states. The author points out that Fleming argues that possibly Napoleon was willing to sell the Louisiana territory because he was more interested in diverting his attention to the unconquered areas of Egypt and India rather than the undeveloped areas of Louisiana. The paper stresses that the Louisiana Purchase was a victory with the rival French, established the U.S. as a world power and gave Americans a vast new and different land in which to acquire new lifestyles.
From the Paper "It is obvious from the book that after the "Quasi War" or the undeclared war with France, relations were at a definite strain. These battles fought only at sea and lasted from 1798 to 1800. The tensions manifested themselves with France when they began seizing American ships and goods that were trading with the British. The hostilities between the U.S. and France became a major cause of frictions and physical confrontations primarily due to the greed over land and power that permeated the world at the time."
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The Poetics of T. S. Eliot and Dylan Thomas, 2005. This paper compares the personalities and traditions in the poetics of T. S. Eliot and Dylan Thomas. 1,205 words (approx. 4.8 pages), 2 sources, MLA, $ 41.95 »
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Abstract This paper explains that the poetics of Dylan Thomas and T. S. Eliot demonstrate the manner in which Thomas challenges and re-figures the previous aesthetic ideas of Eliot. The author points out that, whereas Eliot views tradition as a cultural accumulation of literary works within which the writer participates, Thomas shatters these historical bonds. The paper relates that, although both authors strive to achieve an emotional complexity and depth in their work, Thomas refuses the sublimation of the poet's personality to the literary medium by embracing the medium itself with the entirety of his personality and composition as an act of celebration rather than repression. The author underscores that, through his playful love of all the elements and structures of language, Thomas is able to achieve an emotional depth rooted in the medium of literature without the sacrifice of the poet's personality.
From the Paper "The value Eliot places upon tradition necessitates the depersonalization of the poet and the perfection of the medium of language to sufficiently express the concentration of the past and its convergence with the experience of the present. The personal experiences and emotions of the poet are too subjective to contain the enormity of what the present represents to literary history, so therefore he must engage in "a continual surrender of himself as he is at the moment to something which is more valuable." The poet is envisioned as a catalyst that collects and transforms his emotions and experiences into a new compound that is greater than the sum of its parts."
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Thomas Gainsborough, 2004. An analysis of the life and works of artist Thomas Gainsborough. 1,367 words (approx. 5.5 pages), 6 sources, MLA, $ 45.95 »
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Abstract This paper presents a brief biographical background of the English artist, Thomas Gainsborough. The paper explains that, although Gainsborough was famous for both portraiture and landscapes, he preferred landscape painting and only painted portraits for a living. The paper focuses on Gainsborough's "M/M Paul Governor and daughters Elizabeth and Dorothea" as an example of the realistic and lifelike nature of his portraits.
From the Paper "The Yale Center for British Art houses some fine examples of period art, including Thomas Gainsborough's M/M Paul Governor and daughters Elizabeth and Dorothea. According to the Yale Center website (http://www.ycba.yale.edu), the center was presented by Paul Mellon, class of 1929 and houses the largest and most comprehensive collection of British art outside of the United Kingdom. This fact alone was the motivating factor for my selecting the Yale Center in New Haven, Connecticut. The collection of British painting and other artistic mediums contributed to an outstanding exhibition that demonstrates what the Elizabethan period epitomized. There are 1900 paintings and over 100 sculpted pieces housed in the collection. The entire collection is reflective of the founder, Paul Mellon's artistic interests and taste."
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Clarence Thomas, 2005. Discusses the nomination and confirmation process of Clarence Thomas to the U.S. Supreme Court. 1,881 words (approx. 7.5 pages), 12 sources, MLA, $ 60.95 »
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Abstract This paper describes the controversial nomination and confirmation of Supreme Court Justice, Clarence Thomas. The paper looks at some of the organizations that opposed Thomas's nomination, the role of the American Bar Association in the selection process of Supreme Court justices, their evaluation of Thomas, and the intense controversy surrounding Thomas's nomination. The paper also examines the positions and the role of different interest groups throughout the controversy, as well as the conduct of journalists reporting on the story.
The American Bar Association
Conservative Victory Party and Citizens United
Alliance for Justice
Democratic Caucus
African American Women in Defense of Ourselves
The Press
From the Paper "The nomination of Clarence Thomas launched a great deal of concern among liberal interest groups. Like Robert Bork, Clarence Thomas was an unashamed conservative. During the Thomas confirmation hearings, the traditional liberal African American special interest groups, such as the National Association for the Advancement of Colored People (NAACP), moved away from other liberal groups to support the nomination of only the second African American to the Court (Herrnson, Shaiko & Wilcox 1998)."
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Gospel of Thomas, 2002. An argument for the Gospel of Thomas. 1,150 words (approx. 4.6 pages), 3 sources, $ 44.95 »
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Abstract This is a study on the use of Gospels of Thomas in a time where, if the gospels of Luke, John, Mark and Mathew were newly circulating at the same time, how the choice for Thomas' Gospel will be made. The argument presented will tell how the Gospel of Thomas was a better way than the Old Testament in bringing the message of God the common people. With the advent of Thomas as the 'twin' of Jesus and the creation of this gospel was a good change for the Church and is supported here.
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St. Thomas Aquinas' Contribution to Christian Theology, 2002. Discussion of the Thomas Aquinas' contributions to Christian theology. 650 words (approx. 2.6 pages), 3 sources, $ 26.95 »
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Abstract St. Thomas Aquinas contributed a great deal to the entirety of Christian Theology both during and after his life; particularly in his writings. St. Thomas, as he is referred to in short, was an astute Biblical scholar who was as devoted to the faith in human reason as he was in God. St. Thomas' tome, Summa Theological, is, literally, the summation of his understanding of theology. In this work Aquinas single-handedly justified and 'proved' the whole of the spiritual nature, the soul, God, and a Christian life. It is the purpose of this paper to discuss the contributions of St. Thomas Aquinas to Christian theology and his impact upon Christianity itself.
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Dylan Thomas and Symbolism, 2006. Examines symbolism in the poems written by poet, Dylan Thomas. 1,588 words (approx. 6.4 pages), 4 sources, MLA, $ 51.95 »
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Abstract When one examines the early poems of Dylan Thomas, the contents and techniques of his volumes, with a few exceptions, beckon symbolic gestures. Conversely, other works by Thomas, also rich with symbolism, contain contrasts in diction and leave one to wonder if his critics are correct. Though to classify Thomas in any way might seem a futile task, the aim of this paper is to provide an examination of the similarities and contrasts of symbolic representations found in his early poems and in the poem "There was a Saviour." The paper shows that while the early poems of Thomas are a cornucopia of symbolism paralleled in content and style, "There was a Saviour" contains an exposition and subtexts that rarely meet in any similar fashion.
From the Paper "In the analysis of "There was a Saviour," the peculiarity of its language compels us to set about constructing a meaning for it, and allows us to wonder how it is that the diction contain many contrasts not only within its own reading, but among his other poems. The poem in its entirety presents considerable difficulty. Even the syntax is difficult. The striking thing about the syntax is the peculiarity of the tenses and pronouns. Unlike the linear fashion that his other works exhibit, in reading "Saviour" it is difficult to make out what point in time we are supposed to be made aware of."
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