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Made-for-Television Movies, 2006.
A discussion regarding made-for-television movies and how they affect the home-viewing market.
1,511 words (approx. 6.0 pages), 2 sources, MLA, $ 49.95
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Abstract
This paper discusses made-for-television movies and the impact they have had or not had on the cinema, and home-viewing market. The paper further examines the role of the producer, and discusses the differences between theatrical release producing and television producing. The paper also takes a look at the success of the telemovie on pay-TV as opposed to free-to-air broadcasts.
From the Paper
"In terms of the budget, there are large differences between a feature film and a made-for-television film. The cost of "blockbuster" feature films keeps spiraling upwards - at last count, the most expensive films are hovering around the 200 million dollar mark just to produce. Made-for-television productions (depending on quality) will rarely breach the three million-dollar mark, with some coming in as low as 750,000 USD. These costs are kept low by short shooting times, with the average shooting time for a 2-hour Movie of the Week a mere three to four weeks in length with a 30-day preproduction time. A high-profile undertaking, such as HBO's Angels In America, or a film shot overseas, may touch the six million mark, but such cases are the exception rather than the rule. Considering that the major networks who finance these undertakings are reporting combined revenue of up to twenty billion dollars a year, it is easy to see why made-for-television movies are a cheap, attractive option for them. "
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The Martial Arts in Movies and Television, 2002.
This paper defines and reviews the history of martial arts in movies and television.
2,435 words (approx. 9.7 pages), 20 sources, APA, $ 74.95
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Abstract
This paper discusses that martial arts not only is the art of warfare but also has a philosophy based in an elaborate blend of ancient codes of conduct, ethics and a spirituality that appears to be a fusion of Daoism, Zen Buddhism, and Confucianism. This paper states that, making the leap from East to West, this merger of physical and spiritual mastery has become a booming industry in the U.S. resulting in action films and T.V. shows that, besides being a series of highly choreographed fight scenes, also conveys ethical messages, codes of conduct and spiritual direction. The author is concerned that many people are being exposed to the martial arts without any ethical grounding at all; thus a generation is learning the physical aspects of the martial arts without the ethical or spiritual code that has historically been taught alongside it and has no concept of how to take the right action in the face of a dilemma, of delayed gratification or of respect to others.
Table of Contents
Introduction
History of the Kung Fu Film
Bruce Lee and His Successors
Martial Arts in Film and on Television Today
Conclusion
From the Paper
"Bruce Lee has been credited as the one who officially brought martial arts to the film industry in the United States. Although born in San Francisco, Lee spent most of his childhood making films in Hong Kong and did not return to the U.S. until he was 18 years old. Thus, he began to develop and teach Jeet Kune Do (?way of the intercepting fist?) and to infuse his philosophy into the films he was in, ?which was his ultimate goal in movie-making?. Unable to break through the racial barrier in Hollywood, Lee went back to Hong Kong to become a superstar there. Only after achieving success did Hollywood notice him, resulting in "Enter The Dragon" (1973), the only Hollywood-backed film he would star in."
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Product Placement in Movies or Television, 2006.
A review of the article "Benefits to Corporate America" by Samuel Turcotte.
993 words (approx. 4.0 pages), 1 source, MLA, $ 35.95
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Abstract
The writer details the main points from the article by Turcotte. The paper explains that product placement is when a product is used by actors in films or in television shows. The paper discusses the benefits of product placement in movies and in television programs, as seen in the article. The writer concludes that Turcotte's article is excellent, but that because of the rapid changes in how movies are being distributed in the past few years, Turcotte may have to review his findings in light of the mass distribution of DVDs within six months of a movie's original release.
Table of Contents:
Implied Endorsements
Far Reach (Long Life & Global)
Low Cost
Low Clutter
High Profile
Optimum Viewing Environment
A Captive Audience
From the Paper
"One of the most important benefits a corporation can gain is by having a star imply endorsement of their product by using it in a film. Most specifically, big name stars almost never appear in U.S. television advertisements but if they are seen using a company's product in a "reality like" situation in a film, Turcotte notes that it has been shown that the audience is more likely to believe that this action might imply the star's endorsement of the product than if the star were to do a paid advertisement."
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African-American Movie and Television Images, 2002.
This paper explores the image of African-Americans in movies and television and their impact on socialization.
3,145 words (approx. 12.6 pages), 16 sources, APA, $ 91.95
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Abstract
This paper presents an extensive chronology of the manner in which African-American have been presented in movies and on television. This paper states that despite the attempt to portray American culture accurately, the media lags behind in regards to the changes in morality and values held by the American people, especially in the portrayal of minorities. The author feels that because television is an intense carrier of socialization, there needs to be much more research to assess the impact of these images on the psyche of black youth.
Table of Contents
Background Information on U.S. Media and Television
The American Audience
Four Functions of Media
The Image of African-Americans on Television
Roots of the Distorted Images of African-Americans
The Birth of Television Images
Life on Television Study
The Neilson Rating System
Televisions Impact on Socialization
Socialization and Comprehension in Childhood
Studies with Children and Television
From the Paper
"The Anglo-Saxon beliefs, which were brought to this country, showed the beginning of racial prejudice in this country. White was seen as pure, clean, good, reflecting the spiritual light; and black was seen as impurity, filth, evil and spiritual darkness. Those people who were prosperous and self-sufficient were the spiritual elect, and those who were enslaved were seen as damned. These beliefs carried on in the South, with the mythology of the happy slaves who were content to serve the master as the ultimate fulfillment of their lives. This became one of the many justifications for slavery and exploitation of blacks. During the Reconstruction period, images of a lazy, slow-witted blacks with loose morals and fondness for alcohol were used to reinforce institutionalized and social racism."
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Television and Cultural Plagues in America, 2005.
A discussion about how television and movies are responsible for many of America's social and cultural problems.
2,584 words (approx. 10.3 pages), 6 sources, MLA, $ 78.95
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Abstract
This is an opinion paper which states that the root of many of America's social and cultural problems stem from television and movies. The paper examines different social problems - teenage sex and promiscuity; drug and alcohol abuse; and guns and violence. The paper provides examples of 'lewd' or unsuitable TV shows or movies to explain the point. The writer concludes the censorship and control is necessary to stop these trends.
The Link Between Television and Cultural Plagues in America
Televisions and Irresponsible Sex in America
Television and Drug Use
A Culture of Guns and Violence in America
Bibliography
From the Paper
"These studies are particularly relevant today, given the controversy surrounding hip-hop star Eminem's lyrics. Eminem's lyrics constantly involve topics such as parental murders, rapes and suicide, and children are huge fans of his music. Should his music be regulated if studies show that children actually do engage in violent acts because of the lyrics? Or is that a violation of Eminem's First Amendment rights?
I feel that sociological violence is, obviously, a dangerous trend. However, regulating music, movies and television implicates serious First Amendment challenges that truly are not the best way to achieve the end of a society with less pathological and sociological violence.
The best way to control violence is not to restrict what children can and cannot see and hear. Rather, restrict access to violent weapons. If a child sees an Eminem video with a gun or a movie with a serial killer, it is highly unlikely, given Topics Magazine's research, that he or she would emulate the violence. However, given the American Psychological Association's research, we should still not dismiss the effects of the media on sociological violence."
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Children and Television Violence, 2007.
This paper describes the effect violence in the media, mainly television and movies, has on children and society as a whole.
1,268 words (approx. 5.1 pages), 5 sources, MLA, $ 43.95
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Abstract
In this article, the writer goes into detail about the three main components that affect children concerning violence on television. The writer notes that these effects can last a lifetime and greatly impact society as a whole. The paper then discusses the catharsis theory,which claims that televised violence does not have negative effects as other researcher have claimed. The writer concludes that the accumulated experimental findings on the effects of TV violence do not support the catharsis theory and its conclusions.
Outline:
Aggressive Attitudes and Behaviors
Becoming Desensitized to Real World Violence
Developing a Fear of Being Victimized by Violence
Conclusion
The Catharsis Theory
From the Paper
"The first step in learning aggressive attitudes and behaviors is accepting violence as a way to solve problems. On television, violence is the attractive, effective, and preferred solution to most conflicts. Violence is usually portrayed as justified, that is, the good guys win and the bad guys lose. Problems are usually solved rapidly and violently, and violent or other anti-social behaviors go unpunished. The good guys are very often no more appropriate role models for young children than the villains themselves. The result is that many American children are more familiar with violent, aggressive, and anti-social approaches to solving problems. For some, television at its worst, is a terrible influence on a child's mind, an influence that upsets moral balance and makes a child likely to have aggressive behavior as it warps his or her perception of the real world. Some psychologists and psychiatrists feel that continued exposure to such violence might unnaturally speed up the impact of the adult world on the child. This can force the child into a kind of premature maturity. As the child matures into an adult, he can become bewildered; have a greater distrust towards others, a superficial approach to adult problems, and even an unwillingness to become an adult."
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The Impact of Movies on Juries, 2001.
This paper examines how courtroom scenes in movies have an effect on true jury selections.
1,400 words (approx. 5.6 pages), 8 sources, $ 46.95
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Abstract
This paper discusses how certain movies and television shows today that portray trials adequately and correctly to the public viewers but there are some details that are incorrect. The author discusses the correct way of selecting a jury, examining witnesses and introducing evidence into a trial, and looks at particular films which may affect the general public?s opinion of a trial by jury, such as ?My Cousin Vinny? and ?The Rainmaker?.
From the Paper:
"Movies and television display correct as well as incorrect details about the process of a trial by jury. The public?s perception can be easily influenced by watching movies and television that present incorrect details of trials. By learning the actual and correct process of a trial by jury, the public will become more informed of the errors presented in television and movies."
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American Television in the 1980s, 2004.
This paper discusses the problems of American television in the 1980s, television's cultural history, the postmodern television consumer culture as explored in DeLillo?s ?White Noise? and Wallace?s ?Girl with Curious Hair", and television sports.
2,630 words (approx. 10.5 pages), 5 sources, MLA, $ 79.95
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Abstract
This paper explains that the decade of the 1980s is seen as the explosion of television culture in terms of the proliferation of networks and the availability of programming through the cable. The author points out that Wallace and DeLillo are both concerned with postmodern characters that are absent internal selves, or rather, characters that seem to be informed of behavior primarily through the use of television. The author believes that sports on television now seems to be as dysfunctional as the nuclear family: a series of different schedules with a lot of hype, dreams or delusions of grandeur, with no meaningful connection to the simple love of the game.
Table of Contents
Cultural History of American Television
The Postmodern Television Consumer Culture: ?White Noise? and ?Girl with Curious Hair?
Television?s Impact on Sports
From the Paper
"The FCC continued to be the regulating body that determined what would be permissible for the American public to view. However, the Reagan administration that preached supply-side economics, believed that deregulation was the best method of growing the economy given the many slow-downs that dominated the 1970?s. ?For FCC chairman (Reagan appointee) [Mark] Fowler, the only kind of regulation that was legitimate came from the market itself, and he made this clear to gleeful industry executives from his earliest days in office? (Steyer 137). Fowler also acknowledged that such regulation should be at the hands of media and broadcasting executives because they had first hand knowledge of what Americans really wanted to see. Ironically, it seemed that the Reagan administration passively promoted a liberal media that looked for alternative methods of programming even though the business executives would assess its effectiveness and its decency."
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Aussies Americanize, 2002.
This paper presents a discussion about the Australian television, music and movie trends.
1,400 words (approx. 5.6 pages), 6 sources, $ 53.95
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Abstract
This six-page paper presents a discussion about the Australian television, music and movie trends. As the world continues to globalize we se an ever increasing melding of styles and the mediums in Australia have been getting decidedly more American with each passing year. The author takes us through several examples of music, television and movie situation where the Americanization of them has become evident.
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Radio and Motion Pictures: Precursors to Television, 2004.
This paper is a description and analysis of how radio and motion pictures influenced the development of television.
1,375 words (approx. 5.5 pages), 5 sources, MLA, $ 45.95
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Abstract
This paper discusses how radio and the movies undoubtedly paved the way for television. Without them, people would not have been acclimated to the moving pictures, broadcast sound, and home entertainment that television offered. It explains how, without the radio serials and the news, there would have been little incentive for most people to go to the expense of purchasing a television and then getting into the habit of watching it regularly. Without radio and the movies to pave the way, television may not have succeeded.
From the Paper
"First came the movies. People across the world were first introduced to the magic of motion pictures in the late 19th and early 20th centuries, after the technology to produce them was developed by Thomas Edison. Up until this time, the only type of entertainment available to people that even came close to the type offered by the movies was live, on-stage productions. With the advent of motion pictures, people were able to see people perform the same piece on screen, over and over again. That was really the beauty of the movies--if people liked what they saw, they could see it again in exactly the same form as the first time they saw it."
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The History of Television, 2003.
Looks at the history of the television from its inception in 1872 to the digital television of today.
2,201 words (approx. 8.8 pages), 4 sources, MLA, $ 68.95
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Abstract
This paper examines the main stages of the invention and development of the television set. It looks at how the birth of television was the result of several inventions from several different men and started back around 1872 during what is called the "Mechanical TV Era" when the first series of images were viewed in one continuous string using a stroboscopic disc. It follows its development through the world's first public demonstration of a mechanical television apparatus in 1926 and the advent of color television in the 1950's to the digital television of today and its convergence with computers.
From the Paper
"In 1963 Instant replay is invented and introduced into televised sports, adding a new dimension when it's featured in a telecast of an Army-Navy football game. In 1964, it becomes a standard technique and goes on to become controversial in the NFL. FCC issues its first cable regulation: Operators are required to black out programming that comes in from distant markets and duplicates a local market station's own programming, if the local station demands it. There are about 1 million homes wired for cable in the U.S. at the time. In 1965 Color TV becomes an every day appearance as NBC leads the way and begins to use the phrase ?The Full Color Network" By the end of the year, 96% of NBC shows are broadcast in color, along with all major programs, sports events, and specials. In 1968 TV manufacturers turn out 11.4 million new TV sets, up from 5.7 million TV sets that were made in 1960. "
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Television Media in France, 2006.
This paper explores television media in France and how it has changed over time.
1,817 words (approx. 7.3 pages), 11 sources, MLA, $ 58.95
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Abstract
The paper discusses the development of the television media in France and examines the ownership of the television channels, including the role of the government in controlling the television media. The paper looks at the program content, such as the different genres of shows featured on television including which are most popular and offers examples of specific television shows and their ratings. The writer illustrates this and notes how the phenomenal rise distinctly reflects the mushrooming of available channels. The paper also provides a brief comparison of the similarity between the television content in France and America.
Contents:
Development of the Television Media in France
Ownership
The role of the Government in Controlling the Television Media
The Program Content...
Examples of Specific Television Shows and Their Ratings
Recent Developments in the Television Media...
A Brief Comparison...
From the Paper
"Ever since the dawn of television since the initial part of 1970, broadcasting in France was controlled by a public service culture and an administrative philosophy. Under the strict administration of the Minister of Information, and subsequently of Culture and sometimes of Communication, broadcasting was managed by a single functionary, the Office of French Radio and Television -- ORTF. Till 1968, the body was fully funded by license fees and enjoyed the status of a unique triple monopoly on signal transmission, programming content and production. Commercial broadcasting was disallowed on the justification that it would result in mediocre programming or disparities among viewers. This initial phase of broadcasting was marked by extremely high authoritarian broadcasting and television was considered as a tool for promotion of culture and education and was not believed to fulfill the preferences of the majority. Accountability was absent and little audience research. Government used the medium to justify its political moves and controlled news content. President Georges Pompidou declared in 1970 that the television was the voice of people of France at home and overseas implying that television was supposed to symbolize the opinion of the legitimate Government and the cultural resources of the French nation."
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Fox Television Network, 2006.
The impact that the Fox Television Network has had on broadcast television.
2,370 words (approx. 9.5 pages), 5 sources, APA, $ 72.95
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Abstract
This paper examines Fox Television Network and compares it to the three major networks in broadcast television, ABC, CBS and NBC. This network has produced a number of shows that have made television history. The paper looks at the history behind the formation of the network in 1986 by Rupert Murdoch, whose intention was to form an independent television network to compete with the three major networks, and the story behind its success. The paper also discusses Rupert Murdoch's background and his media company, Fox Corporation. Criticisms of Fox News Network and the Fox News Channel are also mentioned. The paper concludes that the network has a reach almost as great as the other three networks in terms of the amount of the country served and is certainly ahead of the smaller networks.
From the Paper
" The Fox Television Network is often simply referred to as Fox, and the company and related companies are owned by the Fox Entertainment Group as part of Rupert Murdoch's News Corporation. The network was launched in 1986 and has produced and shown a number of series since that time. The network took a long time to achieve sufficient standing to be considered a threat to the three major networks, meaning ABC, CBS, and NBC. Since the launch of Fox, two other national broadcast networks have been launched, UPN and the WB, or Warner Bros. Network. These companies are competing for audience and advertisers at the same time as broadcast television is losing audience to cable and other media, and many are uncertain of how long broadcast television will continue in its present form or what form it might take in the future."
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Digital Television and the Law, 2004.
An analysis of digital television and a comparison of digital and analog television.
3,714 words (approx. 14.9 pages), 20 sources, MLA, $ 102.95
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Abstract
This paper discusses digital television, comparing it to analog television. The paper presents an explanation and assessment of the current laws and mandates regarding digital television in America and in the United Kingdom. The paper explores the technology involved and provides examples of several cable companies that offer digital television.
From the Paper
"Though some providers of digital television like Sky claim that weather conditions do not affect the clarity of images on digital television, this fact has been demonstrated as not being true. Weather does affect digital images and there is a certain amount of corruption present. In fact, though the images are better than those of analogous television, the limitations of the compression technology that is used for digital television is apparent in the manner in which ?digital artifacts? or ?after images? as they are better known occur on the television when the picture changes much too fast, or even when other channels are fighting for the same bandwidth at the same time. Digital television must not be confused with ?high definition? television; in fact digital television occupies the same number of lines of 625, as the analogous television."
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Television, 2002.
This paper discusses the effects of television on society.
1,850 words (approx. 7.4 pages), 8 sources, MLA, $ 59.95
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Abstract
This paper examines the effects of television on society. This paper examines how television affects people?s perceptions of gender and racial inequity. The author explores how the same medium that limits our perceptions of gender and race can also provide a platform to challenge these stereotypes, looking at whether television has helped to create and perpetuate perceptions of gender and race.
Table of Contents
Introduction
Thesis Statement
Television and Perceptions of Gender
How Children form Ideas about Gender
Perpetuating Gender Myths through Entertainment Programming
Gender Portrayals on Prime Time News
Racial Stereotypes on Television
Television Shaping the Perception of Black People
Television Stereotyping Asian-Americans as the Model Minority
Television's Role in Colonial Domination of American Indians.
Conclusion and Change
Bibliography
From the Paper
"According to data from the Nielsen Media Research, children aged 16 and younger have, on average, spent more time watching television than going to school. Preschoolers spend an average of nearly 30 hours a week watching television. Communications scholar Susan Witt suggests that children spend more time watching television than they spend on anything else except sleeping (Witt). Given that figure, it should be no surprise that most children will form their first durable ideas about gender roles based on images from television."
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