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Two Stephen King Prison Films, 2001.
Compares characteristics of "The Shawshank Redemption" & "The Green Mile," both directed by Frank Darabont. Discusses prison life, central characters and directorial style.
675 words (approx. 2.7 pages), 3 sources, $ 23.95
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From the Paper
"The films The Shawshank Redemption and The Green Mile are linked not only by the fact that both were directed by Frank Darabont but by the fact that both were derived from stories written by Stephen King. These links give the stories similar sensibilities, and the directorial style is also similar for both films. In each case, a central character who might serve as an Everyman facing extraordinary situations must come to terms with his surroundings and with events that are beyond his control. Both films also take place in prison settings, though the settings are very different in most respects, including the time period. The Shawshank Redemption is set in a normal, mixed prison population, while The Green Mile is set on a death row in a Southern prison during the 1930s, a much bleaker vision of prison life, with the only exit for the inmates being through..."
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Novelist Stephen King, 2005.
This paper explores the question of similarities or links between the characters in the same novel, as well as in completely different novels, in the works of novelist Stephen King.
1,115 words (approx. 4.5 pages), 16 sources, MLA, $ 38.95
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Abstract
This paper explains that Stephen King is a most prolific writer in one genre, horror books; therefore, there cannot help but be similarities in some of the characters in his dozens of published works. The author points out that every time Stephen King writes or develops a character that is to represent complete and undeniable evil, he gives that character the initials R. F., such as, in "The Stand", he named the epitome of evil, Randall Flagg. The paper relates that another commonality is that several of the characters in Stephen King's novels and short stories are social misfits, which naturally make them prime candidates to experience the horrors of King's innermost imaginative thoughts, as in "IT" or the writer in "Delores".
From the Paper
"In the "Gunslinger", Roland, the main character, is practical and intelligent, which is the path most of King's characters take on. However, that is not an obvious "link" because very few people would read a novel in which the main character was not intelligent. It would make a boring book; therefore, King may not have purposely made this character as intelligent and practical as other "Dark Tower" characters. He may instead have created characters that were intelligent and practical because that is what sells books, and by coincidence, they all appear intelligent and practical."
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Stephen King, 2002.
A discussion on the author, Stephen King, focusing on whether he is a literary mastermind or just mad.
1,315 words (approx. 5.3 pages), 4 sources, MLA, $ 44.95
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Abstract
This paper presents a candid account of the writer's opinion of the author, Stephen King. The paper provides examples from some of his literary works, illustrating his claimed genius. King's substance abuse is discussed, pointing out the influence it had on some of his novels. The writer concludes that, despite what anyone might say - King himself included, Stephen King is a master of literary form and, most of all, a master of the game of storytelling.
From the Paper
"The genius that is Stephen King exists on many levels. The fact that he completed one of his highest praised novels, Cujo, well, higher than a kite, is brilliance in itself. If the man can write that well stoned out of his gourd, what could he do sober? Just looking at the cross-section of novels, short stories and even his new serial e-book, your average Stephen King fan will tell you ? the man can do anything. He is a literary god. But why? His alter ego, Richard Bachman, did not enjoy the level of success that Stephen King did. As the man, himself, asked, was it because the stories ?sucked like an Electrolux?? Of course not. We?re talking about Stephen King ? or Dicky Bachman, as he called himself. The entire idea of the pseudonym brings forth the question, why do some authors achieve the level of success that Stephen King has? Is it really their writing? Well, Richard Bachman or no Richard Bachman, Stephen King?s genius is evident in his every word ? ?luded, loaded or otherwise."
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Stephen King, 2004.
An examination of the style and development of the writing style of horror author, Stephen King.
2,541 words (approx. 10.2 pages), 5 sources, MLA, $ 77.95
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Abstract
This paper focuses on aspects of Stephen King?s writing and life. The paper examines how others see Stephen King as a master of the macabre, but King himself has an aversion to being labeled by any single genre. It shows how, in all his novels, King seems to echo the 20th century obsession with horror, where, rather like in "Frankenstein", the initial progress brought on by the Industrial Revolution has waned, and its darker side, like the horrors of nuclear war, hang over the earth like a threatening sword with a kind of doomsday scenario. It discusses that, if we trace the evolution of King as a writer from his early macabre days to his later fantasy novels, he seems to echo deep fears within us all, as we ultimately struggle through the darkness to reach love and light.
From the Paper
"Stephen Edwin King was born in September 21 st., 1947, Portland, Maine and soon after his birth his mother Nellie Ruth and his father Donald, separated. A product of a broken home, Stephen was brought up by his mother. His early life was spent shuttling between his father?s family in Indiana and his mother?s family in Massachusetts and Maine. The young Stephen graduated from high school in 1966 and showed early signs of his talent as a writer in the University of Maine from where he wrote a weekly column for the school newspaper. As a student, he became a supporter of the anti-war movement and supported a peaceful solution to the war in Vietnam. His mother encouraged him to be a writer, but she was also insistent that he get a teaching certificate, so that he could have a job to rely on, in case his writing career did not progress well. (The Observer, 17 September 2000). He married Tahita Bruce in 1971 and they both had to struggle hard for a livelihood. During this time he taught, worked as a janitor and wrote short stories-Later to be published in the book, ?Night Watch.?"
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Stephen King, 2007.
This paper discusses Stephen King, one of the most prolific and popular writers of the twentieth century.
1,269 words (approx. 5.1 pages), 2 sources, MLA, $ 43.95
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Abstract
The paper explains that Stephen King's abounding popularity has come from his mastery of modern horror fiction, especially in his nonfiction book "Dance Macabre." The paper discusses how Stephen King has managed to adapt an old literary genre - horror and gothic fiction - into a form that modern audiences have appreciated in the millions. The paper reveals that this, more than anything else, accounts for his fame and his longevity in the world of fiction. The paper describes King's background and his literary successes. The paper relates that currently, King is working on expanding his "Dark Tower" series into a Marvel Comic series due to be released in 2007.
From the Paper
"Born on September 21, 1947 in Portland Maine, King was raised by his mother--Nellie Pillsbury--after his father abandoned them when he was just two years old; "Ruth raised King and his adopted older brother David by herself, sometimes under great financial strain," (Wikipedia 2006). Nevertheless, King began his writing at a very early age; in fact, he is known to have written short stories on movies that he had seen, and for having sold these stories to fellow students. Once he was caught doing this, his teachers forced him to return the money. Still, already by grade school, King had partially satisfied his own measurement of what it means to be talented; he later wrote, "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented," (Wikipedia 2006). Clearly, King was well on his way to becoming a literary talent even by his own judgment."
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Alfred Hitchcock and Stephen King, 2003.
A comparison and contrast of the writing of Alfred Hitchcock and Stephen King.
1,840 words (approx. 7.4 pages), 10 sources, MLA, $ 63.95
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Abstract
A comparison and contrast of the writing styles of Alfred Hitchcock and Stephen King. It looks at how both are similar in presenting the everyday life and in terms of building suspense, sexual tension and the macabre. It also discusses Hitchcock's collaboration with screenwriters on the scripts for the films and King's prolific output as a novelist who is more graphic than Hitchcock.
From the Paper
"The writing styles of Alfred Hitchcock and Stephen King are similar in a number of ways. Both writers exhibit a writing style in which we find suspense, sexual tension, the macabre and inhibited or uninhibited character ..."
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Literature: Understanding the Biography of Stephen King and his Major Novel: The Shining, 2006.
An analysis of the life of Stephen King in relation to his novel, "The Shining".
1,125 words (approx. 4.5 pages), 5 sources, $ 44.95
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Abstract
This paper examines the biographical background to the life of Stephen King, which reflects the supernatural psychological premise of his novel "The Shining". The paper looks at how King's own workaholic issues reflect how he sees issues in the modern American family, especially through the Torrance family. In this manner, King depicts his own views of how families relate to each other within the supernatural fiction he represents.
From the Paper
In this literary study, the life and literary works of Stephen King will be analyzed in relation to his best selling novel: "The Shining". By understanding the major influences of horror literature that compelled King to write this novel, one can realize his affection for the mysterious, the psychological, and arcane. In realizing the life experiences of King and his literary approach to the telepathic and supernatural, The Shining is a clear example of the philosophy of horror and the psychological problems of the American family."
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Author Stephen King, 2005.
This paper discusses that the works of Stephen King, whose writings in the horror genre reflect today's society.
2,145 words (approx. 8.6 pages), 5 sources, MLA, $ 67.95
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Abstract
This paper explains that Stephen King, who has published hundreds of works which were often made into popular movies, writes what modern society wants to read. The author points out that King's work is significant not because of the genre that he writes in but because of the way he uses that genre to write about real issues and to explore real concerns. The paper relates that the deeper themes show people's desire to understand themselves on a psychological level, recognizing and exploring the good and evil in themselves while ultimately wanting to overcome their own flaws and to choose good over evil.
From the Paper
"This leads to a consideration of the types of issues that Stephen King explores in his work. Collings notes the close links between the themes explored and the concerns associated with current life. Collings suggests that "Carrie" and "Rage" both consider flaws in the education system, "Christine" is an exploration of people's love-hate relationship with cars, while "The Shining", "It" and "Rose Madder" deals with the failure of the American family. King himself also seems to recognize that his work deals with current issues, saying that all horror can be considered as serving as a barometer for the things that currently trouble a society. Certainly, considering the issues present in King's work is like compiling a list of the issues that trouble society."
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Stephen King's Novels "Apt Pupil" and "The Body", 2006.
A discussion of the theme of childhood in Stephen King novels, "Apt Pupil" and "The Body".
1,083 words (approx. 4.3 pages), 4 sources, MLA, $ 37.95
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Abstract
This paper examines how King represents the theme of childhood in his fiction as a platform of discovery for growth and how this growth, in turn, shapes the child's character profoundly. The writer discusses the journey of similar aged characters in "Apt Pupil" and "The Body". In the conclusion, the paper shows that, for Stephen King, the theme of childhood is important not so much as a value itself but as a platform for growth to another stage of maturity.
From the Paper
"One of the most common themes in literature is the growth of an individual from youth and innocence to maturity. Thus, when the theme of childhood is depicted in famous works such as Twain's The Adventures of Huckleberry Finn, the focus is often not so much on childhood itself but on the discoveries and experiences the main characters make that point the way towards maturity. This essay will argue that this approach to the theme of childhood can be seen in two texts from Stephen King's collection: Different Seasons. As will be seen, while in "The Body" the story focuses on a journey - told in retrospect - that symbolizes growth and an end of innocence in the primary character, in "Apt Pupil" the progress is not healthy growth but a movement towards evil and corruption."
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" Salem's Lot" by Stephen King, 1993.
Looks at the ways the author builds tension & uses it to develop his story.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
" This study will examine the ways that Stephen King builds tension in his novel Salem's Lot, analyzing three scenes which are successful and representative in terms of tension-building. The study will consider whether the scenes help the author develop his theme and/or story.
The horror story depends on tension, for tension is a matter of time and action passing. We know that some dreaded thing awaits the characters in a horror story --- and awaits us as readers insofar as we identify with the characters and their situation. But the tension is required if that waiting is to be effective as a device of horror. The reader must be teased, must be drawn into the story a step at a time, drawn nearer and nearer the dreadful horror, knowing he is being drawn and participating in his own fright with the author. The horror that eventually.."
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King Stephen of Hungary, 1997.
Life & career of leader crowned in 1000 A.D. Looking at religion, politics, rise to power, national unification, canonization and succession issues.
2,700 words (approx. 10.8 pages), 7 sources, $ 95.95
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From the Paper
"This paper is a biography of Stephen, crowned as the first king of Hungary on Christmas Day, 1000 AD. His coronation consolidated a collection of battling tribes into a recognized kingdom, aligned with the Roman pope. His monarchy lasted more than 900 years. Stephen, known as Istvan to his countrymen, established a series of reforms that set the pattern for Hungary's government. He also aggressively turned the nation into a Catholic country, wiping out the vestiges of paganism into which he himself was born. After his death, he was canonized as a Catholic saint, cementing recognition of his lasting influence in establishing Hungary as an important European power.
During the period at the end of the 10th century, Christianity had begun to take root throughout Europe. Though paganism was still strong, "the world around the Hungarians.."
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King Saul and King David, 2006.
An analysis of the leadership of the first and second kings of the kingdom of Israel, King Saul and King David.
2,776 words (approx. 11.1 pages), 9 sources, MLA, $ 82.95
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Abstract
This paper compares the leadership styles and abilities of King Saul and King David and explains how they were different as well as why it is King David's reign that is considered the golden era of the Kingdom of Israel.
From the Paper
"It is almost as if, and maybe there is some reality in it, that Saul had a dual personality. One which could love God with all his heart, but then another that was fanatical enough to kill others for no real reason, or disobey God so radically. One moment he could be proud of David, the next he would be jealous enough to kill him. Today he would be called pathological since he was abnormally defensive and over-reactive. He had the potential to be a great leader one that Israel and Heaven could be perpetually proud but instead he became a terrible figure who died a rejected man at his own hand, a victim of his own self-will."
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State Prisons Vs. Private Prisons, 2005.
This paper compares and contrasts the state prison and the private prison systems.
1,575 words (approx. 6.3 pages), 4 sources, $ 62.95
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Abstract
This paper is a brief comparison/contrast of state versus private prisons. As should become apparent, there are many problems afflicting the state prison system in the United States of America. That being said, the writer notes there are no guarantees that a private system will be the panacea some have felt it could and can be. In any event, the writer concludes that a conflation of the two might the best answer for America's woes.
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?Oedipus the King? and ?Death and the King?s Horseman?, 2002.
An analysis of two literary works, comparing the nature of parenthood as portrayed through the characters of the plays.
1,480 words (approx. 5.9 pages), 2 sources, MLA, $ 48.95
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Abstract
This paper examines the relationship of parents and children in Sophocles "Oedipus the King" and Wole Soyinka?s "Death and the King?s Horseman". The writer describes how Sophocles allows Oedipus? theme of parentage full stage in the play, while in Soyinka?s work, Elesin?s son, Olunde, contributes to the plot throughout the play.
From the Paper
"Although written some two thousand years apart, both ?Oedipus the King? and ?Death and the King?s Horseman? deal with a father?s shame and ultimate fate as a social outcast. One is a king, the other a king?s horseman, yet both are equally men of honor and social standing, bound by customs, cultures, and spiritual beliefs in the afterlife. There are no true villains in either play. The characters are simply human, with human frailties and vanities, but appear good at heart with good intentions. The nature of parenthood is important in each author?s theme. Sophocles?s Oedipus and Wole Soyinka?s Elesin are both fathers who inadvertently cast shame not only unto themselves, but to their children as well. Moreover, both fathers are concerned with the fates and their own personal role in fulfilling their place in this life and the life beyond death. Sophocles?s play centers on Oedipus? parentage, discovering in the end that he has unwittingly killed his own father and committed incest with his mother."
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"King Henry IV" and "King Henry V", 2002.
Examines fraud, theatricality and politics in Shakespeare's "King Henry IV" (parts one and two) and "King Henry V".
3,930 words (approx. 15.7 pages), 18 sources, MLA, $ 107.95
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Abstract
The falsification of the audience?s expectations and Hal?s miraculous emergence as a great English king, alongside the Hal-Falstaff relationship out of which the future king?s identity is gradually constructed, are the main critical puzzles in most studies of the William Shakespeare's "King Henry" series. The paper examines concepts of fraud and politics in parts one and two of "King Henry IV" and in "King Henry V". It discusses notions by literary critics such as Stephen who claim that Hal is one of Shakespeare?s most Machiavellian characters. The paper argues that Machiavelli?s Prince is not sufficiently cruel or sophisticated to be ranked with Prince Hal, despite the fact that Falstaff?s cry for help, voiced in his paradoxical accusation that the Prince has corrupted him, seldom succeeds in inverting the audience?s impression that Falstaff is Hal?s misleader.
From the Paper
"The concept of necessity, as it arises from the morality-patterned Phychomachia, reinforces providentialist notions, an idea first advanced by Tillyard but in a rather different context. Religious providentialism fuses the personal and political domains and Hal?s borrowing from the theatrical and diachronic anthropological deposit causes the interweaving of theatrical illusion with politics, thus displaying their common structural patterns. The fusion of religion, politics and theatre culminates in Hal?s gradual conversion to virtue, which is at once a milestone in Hal?s allegedly privileged relationship with God, a major political event, and a stock trick of Elizabethan drama."
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