| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "STAR WARS": |
| Term Paper # 107352 |
temporarily unavailable
|
|
|
|
"Star Wars" Culture, 2004.
A review of the phenomenon known as the "Star Wars" culture.
1,848 words (approx. 7.4 pages), 4 sources, MLA, $ 59.95
»
Click here to show/hide summary
Abstract
This paper presents a detailed examination of the "Star Wars" culture and its evidence that the cinema has a direct impact on America history through the phenomena that it causes. The writer explores the "Star Wars" movie from the 1970?s and argues that it is possible for a film to create an entire culture of existence, as was proven by this movie and its subsequent releases.
From the Paper
"Since the beginning of the silver screen millions of movie goers have flocked to theaters to be entertained by their favorite actors and directors. Some movies flop, while others make a profit and every once in awhile a movie is released that creates an independent culture of followers crossing all economic, social and racial boundaries. This was the case of the first Star Wars movie which was released in 1976 and created a multiple decade following of fans."
| |
|
Classical Heroes in Star Wars, 2008.
An analysis of the influence of Greek mythological heroes, Perseus and Heracles, on Alan Dean Foster's "Star Wars" heroes, Luke and Anakin Skywalker.
1,935 words (approx. 7.7 pages), 5 sources, MLA, $ 61.95
»
Click here to show/hide summary
Abstract
This paper examines how the journeys and triumphs of Luke and Anakin Skywalker, the main protagonists of Dean Foster's "Star Wars", can easily be depicted and compared to the heroic events of the mythological Greek hero. The paper maintains that the six episodes of "Star Wars" can be directly correlated to stories of Greek myth. In particular, the paper posits that Luke and Anakin are clearly analogous to the heroes Perseus and Heracles. It also adds that, as Jung identifies specific archetypes that are prevalent in a heroic journey, Anakin and Luke easily fit each pattern of the classic hero in the modern movie series. To conclude, the paper draws a parallel between the sci-fi and classical heroes in that each hero, being half-human, half-god, has the ultimate burden of confronting their own mortality.
From the Paper
"The journeys of Luke Skywalker, Darth Vader (Anakin Skywalker), and even their associates repeat the heroic pattern and archetypal events and heroes of Greek Mythology. Just like Perseus, Anakin shares similar the heroic traits. Both have the distinction of an unusual birth from virgin mothers though Perseus was born from parthenogenesis involving Zeus. Attempts were made to kill each of them at a young age. Similar to the way Perseus was raised by the fisherman Dictys, Anakin was spirited away to be an apprentice to Obi-Wan. As he began to grow strong with the force, Obi-Wan and the Jedi knights became skeptical of his strengths. Similar to the way the Gods did not believe Perseus was powerful enough because he is half human, Obi-Wan is concerned Anakin is not fully prepared in being a Jedi because he is too arrogant."
| |
|
Star Wars Culture, 2002.
A discussion of how Star Wars has created an entire sub-culture in American society.
2,145 words (approx. 8.6 pages), 4 sources, MLA, $ 67.95
»
Click here to show/hide summary
Abstract
This paper presents a detailed examination of the Star Wars culture and its evidence that the cinema has a direct impact on America history through the phenomena that it causes. The writer explores the Star Wars movie from the 1970s and argues that it is possible for a film to create an entire culture of existence as was proven by this movie and its subsequent releases.
From the Paper
"Since the beginning of the silver screen millions of movie goers have flocked to theaters to be entertained by their favorite actors and directors. Some movies flop, while others make a profit and every once in awhile a movie is released that creates an independent culture of followers crossing all economic, social and racial boundaries. This was the case of the first Star Wars movie which was released in 1976 and created a multiple decade following of fans. Whether the movie made the culture or the culture made the movie is arguable however, the impact the movie had on American society cannot be ignored. It is a classic study in human nature, wants and desires that began with the first rolling of credits."
| |
|
Jung, Freud and Star Wars, 2002.
Examining how the behavior of the characters of the "Star Wars" movie series fit well into Carl Jung and Sigmund Freud's social theories.
975 words (approx. 3.9 pages), 3 sources, MLA, $ 34.95
»
Click here to show/hide summary
Abstract
The Star Wars movies, especially the first three, are clearly a type of myth written to demonstrate archetypal personalities. The characters are driven by their behavior, which can be used to analyze their characters in terms of Jungian and Freudian theories. Theories regarding "self", Type A and Type B personalities. and "persona" are related to the characters of Lando, Luke, Han, Darth Vader and Jedi Knights.
From the Paper
"In the Empire Strikes Back, many of the characters are acting out of great personal need or personal striving, and many of them fit fairly well into Jung?s theory or archetype personalities.
The ?Self? is the highest form a personality can take, well integrated and centered. To become a self-actualized Self is Luke Skywalker?s goal and the final achievement of his mentor, Obi-Wan Kenobe. In an interesting twist, Darth Vader also sees himself that way. He believes self-actualization can be either good or evil, and finds evil more powerful and rewarding."
| |
|
"Star Wars", 2002.
This paper offers a technical analysis of the movie "Star Wars".
650 words (approx. 2.6 pages), 1 source, $ 26.95
»
Click here to show/hide summary
Abstract
This paper discusses the movie "Star Wars" and analyzes the cinematography, acting methods and production design that went into the making of this classic film. By discussing all of these elements, a more technical observation can be evaluated in learning how the movie was made back in the middle seventies.
| |
|
Freud and ?Star Wars?, 2005.
Applies Sigmund Freud's theory to a character from the movie, "Star Wars".
1,455 words (approx. 5.8 pages), 5 sources, MLA, $ 48.95
»
Click here to show/hide summary
Abstract
This paper presents a detailed examination of the main ideas of Sigmund Freud and how those ideas can be applied to the life of the "Star Wars" character, Darth Vader. The writer looks at some of the actions taken by the character and holds them against the theories of Sigmund Freud to explain Vader's personality and actions.
From the Paper
"The id, the ego and the superego were perhaps the most famous theories of Freud. Darth Vader demonstrates all three concepts in the movie series throughout his life. The id is demonstrated when he displays the instincts to love his son. He displays a sliver of good and right when he doesn't want to kill his own son. A seeming evil being with no feelings whatsoever suddenly develops the instinct to protect that son. It is human instinct and one he was born with which comes from Id."
| |
|
George Lucas' "Star Wars" Trilogy, 2009.
Analyzes the failures of protagonist Anakin Skywalker in George Lucas' "Star Wars" film trilogy.
1,220 words (approx. 4.9 pages), 2 sources, APA, $ 41.95
»
Click here to show/hide summary
Abstract
This paper relates the part of the story from George Lucas' "Star Wars" film trilogy about protagonist Anakin Skywalker becoming a Jedi Knight. The author explains that, within the films, there are elements of both classical and eastern philosophical beliefs. "The Force", which is the underlying force governing all things both good and bad, the paper states, resembles the eastern tradition of the Tao. The failure to remain loyal to his initial cause is based on classical Socratic philosophy; whereas, Anakin's transgression into Darth Vadar shows his failure in terms of ancient Hindu principles as well.
From the Paper
"Although not explicitly good and evil, these two forces are opposite in their origins. This shows that the world cannot exist without the concept of evil, or a darker force, which actually balances out the more beneficial force. This was the same for the concept of "The Force" within the "Star Wars" series. However, Anakin broke the tradition of Tao when he crossed over to the Dark Side. He was part of the force, which kept balance in the Universe. When he decided to leave his position of balance and move over into the Dark Side, he actually threatened the delicate balance of the concept of the Ying and the Yang."
| |
|
"Star Wars": The Movie, 2001.
A discussion on the story telling in "Star Wars" and on various aspects of fairy tales.
1,250 words (approx. 5.0 pages), 0 sources, $ 42.95
»
Click here to show/hide summary
Abstract
This essay analyzes the movie "Star Wars" in terms of it fairy tale stories. The author provides several examples of known fairy tales and discusses the relationship between fairy tales, culture and unconsciousness.
From the Paper
"Even who has ever seen the first ?Star Wars? movie knows that it has its, well, less then stellar, moments. A good deal of the dialogue could charitably be described as wooden. The special effects are fine, but beginning to look their age. There are some serious holes in the plot.
But none of this matters as much as it should for the simple reason that the film is a great piece of storytelling. Writer George Lucas has said about this film that ?I realized that there are really no modern fairy tales... I wanted to make a ... film that would strengthen contemporary mythology and introduce a kind of basic morality? and this is fact does capture what has made the film such a cult classic. By using the structure and much of the basic symbolism of traditional fairy tales, the film connected instantly with people?s sense of an archetypal quest."
| |
|
?Star Wars Episode IV: A New Hope?, 2002.
An analysis of the 1977 science fiction movie.
1,219 words (approx. 4.9 pages), 3 sources, MLA, $ 41.95
»
Click here to show/hide summary
Abstract
This paper introduces ?Star Wars Episode IV: A New Hope?, written and directed by Geoge Lucas in 1977 and famous for its futuristic outer-space plot and hand-to-hand combat sequences involving laser swords. The paper discusses the story-line, characters and the complexity of the story based on various mythologies.
From the Paper
"It is clear that this film is indeed the fourth episode, leaving out a large sum of information, and the viewer is left to piece together a great deal. One of the many back story elements is the issue of Luke Skywalker?s mysterious father, who according to his mentor, Ben Kenobi, was ?betrayed and murdered? by the equally mysterious Darth Vader.
The storyline takes place after a lengthy series of political events, such as the fall of a Republic, the rise of an Empire, and the beginning of a Rebellion. This all begins with the destruction of the galaxy?s Jedi Knights during a battle called ?the Clone Wars?."
| |
|
The Cultural Basis of Weapons Technology, 2002.
A discussion on modern weapons technology and the development of the "Star Wars" initiative in the United States.
3,150 words (approx. 12.6 pages), 14 sources, $ 115.95
»
Click here to show/hide summary
Abstract
This paper is a critical study of modern weapons technology and the development of the "Star Wars" initiative in the United States. The author of this paper evaluates the "culture" of technology and its relation to military defense developments, and critically assesses the implications of military initiatives with new technologies.
| |
|
Movie Comparison, 2008.
This paper compares the "Star Wars" (Episode IV) and "The Matrix" science fiction movies.
813 words (approx. 3.3 pages), 2 sources, MLA, $ 28.95
»
Click here to show/hide summary
Abstract
The paper examines the "Star Wars" (Episode IV) and "The Matrix" movies and shows how the two movies are not only similar in genre, but also share the themes of humanity in peril and the idea of the chosen one who will save all. The paper notes that both were made with young adult audiences in mind and points out that the first was made at the onset of the computer and Internet revolution, while the second was made when this technology was the norm, and the world had already began to question its merits.
From the Paper
"Star Wars' narrative is familiar to a wide range of audiences who have been prepared for it through fairy tales of childhood. The story is a very classic and uncomplicated tale of good versus evil. Most western audiences are familiar with the 'language' of fairy tales. There is also the theme of the 'chosen one' or the Messiah, and this is a characteristic that the film shares with the Matrix. The hero is a typical fairy tale character good, brave and possessing supernatural power. There many 'clues' that he is the good guy. He is young and blond. His clothes are made of natural fiber, white or warm earthly in color, as is his surroundings."
| |
|
Racial Identity in Film, 2005.
Explores the issue of racial identity within the films "Amistad", "Malcolm X" and "Star Wars."
1,800 words (approx. 7.2 pages), 4 sources, $ 71.95
»
Click here to show/hide summary
Abstract
In this paper, the basis of the three films studied here reflects the problem of history within racial perspectives. By analyzing the films "Star Wars", "Malcolm X" and "Amistad", the paper shows how post-structuralism reflect the problem of racial identity in modern cinematic perspectives. The intent to reflect a white hegemonic society may be unconscious on the part of the filmmakers, but surely, they do not accurately portend a multi-faceted truth in relation to the history they use in film production and direction.
From the Paper
"This study will examine the nature of race within the films Amistad, Malcolm X, and Star Wars. By understanding how film depicts racism through post-structuralism in histrionics, one can realize the errors of race that are depicted within these modern films. Through an analysis of racial identity through history and the historical perspectives that reshape these identities through film, the basis of race becomes erroneously vague is representing the voice of African Americans in a white hegemonic society. The issue of post-structuralism in history is the format of how films should be judged in relation to race issues. Though this 'lens' the various aspects of history, especially through various Anglo-Saxon historians does not portend an accurate identity and place for African Americans of the past."
| |
|
Nuclear Arms, 1989.
Discusses pros & cons of debate over offensive & defensive weaponry, research & development, Star Wars. Concludes with writer's personal pessimistic opinion.
1,800 words (approx. 7.2 pages), 8 sources, $ 63.95
»
Click here to show/hide summary
From the Paper
"The advent of nuclear weapons has fundamentally changed the nature of war. A nuclear war is often described as "unthinkable" because it would be so devastating. However, nations keep stockpiling nuclear weapons and constantly develop new types of nuclear weaponry under the auspices of preventing a nuclear war. The purpose of this research is to examine the offensive versus defensive nature of nuclear weaponry. The current nuclear policy--Mutual Assured Destruction--will be analyzed for its effectiveness in preventing war, followed by a discussion of whether defensive weapons can help protect nations.
Evolution of Nuclear Policy
A clearly defined policy regarding the use of nuclear weaponry was first articulated by the Kennedy Administration in response to Soviet development of intercontinental missile (...)"
| |
|
The Strategic Defense Initiative, 2008.
This paper explores the USA's controversial Strategic Defense Initiative, also known as "Star Wars".
2,058 words (approx. 8.2 pages), 11 sources, APA, $ 64.95
»
Click here to show/hide summary
Abstract
The paper looks at the Strategic Defense Initiative (SDI) and outlines its emergence, its re-emergence under the administration of George W. Bush, and why it proved so controversial. The paper utilizes a sociological perspective, assessing what fears and preoccupations in American society have allowed the costly and untested SDI to remain a viable policy option. The paper concludes that paranoia about America's place in the world relative to the Soviet Union and a sense that the United States is always under threat of imminent attack, have made the SDI seem like a worthy policy consideration for the United States of America. The paper includes an annotated bibliography.
From the Paper
"To begin with, Ronald Reagan's advocacy of the "Star Wars" program in 1983 was rooted in an almost-religious faith in technology and in the hope it offered; in short, he wished to replace the politics of fear with a new politics that would encourage the nation's citizens to place their trust in the ability of (military) technology to protect them from any nuclear holocaust. Obviously, military types (the ones who would be overseeing something as enormous as the SDI) loved it because "Star Wars" gave them pre-eminence in the grand scheme of things; further, politicians in Washington were drawn to the SDI (and remain so today) because it afforded a vision of an America impervious to the dangers of the world and invulnerable to events happening elsewhere - and also invulnerable to the pressures contingent with having to be accountable to others beyond their borders for foreign policy decisions."
|
|
|
