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Sophocles' Antigone and Jean Anouilh's Remake, 2002.
This paper discusses Sophocles' Antigone and Jean Anouilh's remake of the Greek tragedy.
1,150 words (approx. 4.6 pages), 2 sources, $ 44.95
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Abstract
The paper shows that Anouilh's remake subordinated the themes connected to the duty to the divine -- which were so integral to Greek culture. Remaking the play in the context of World War II France, Anouilh focused more on the issues of integrity and political freedom. Disinterested in the notion of human rebellion again divine principle (which was Sophocles' preoccupation), Anouilh focused on the heroism of individual courage.
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Sophocles' "Antigone", 2008.
This paper discusses the conflict which arises between Antigone and Creon in Sophocles' "Antigone".
1,615 words (approx. 6.5 pages), 3 sources, MLA, $ 52.95
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Abstract
This paper explains that Sophocles'"Antigone" presents the trials and tribulations of one of Oedipus' daughters, Antigone, as she attempts to fulfill the obligations she feels towards the shattered family. The author points out that the conflict between Antigone and Creon is a conflict of perceptions. The paper relates that Creon believes that one's highest duty is to respect the rules, which govern citizenship, thus complying with all city laws and edicts irrespective of personal opinions and moral codes. The author stress that, Antigone, on the other hand, within the context of her moral code, believes that the laws of a state should be compliant with divine laws. The paper states that, since Antigone thinks that Creon's edict is deemed incongruous with divine law and disrespectful of blood ties, Antigone believes that obedience towards Creon's laws would be immoral and wrong so she disobeys them at the cost of her own life.
From the Paper
"Creon considers it unconscionable that someone would put their duties as a family member ahead of their duties as a citizen. "And a man who thinks more highly of a friend than of his country, well, he means nothing to me." A person who is capable of valuing his own family members over his fellow citizens has no worth as a citizen, which is the only measure of any significance as far as Creon is concerned. In his eyes, it is precisely our existence as good citizens that give value to our lives. As Howenstein explains, according to Creon, ruling is grounded in the incontestable power of the sovereign and the absolute subservience of his people."
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Sophocles?s "Antigone", 2004.
Analysis of the main characters, Antigone and Ismene, in Sophocles's story, "Antigone".
1,101 words (approx. 4.4 pages), 1 source, MLA, $ 38.95
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Abstract
This paper looks at how Sophocles depicts the sharply contrasting female characters in his story, "Antigone", by creating a situation where both the characters have identical interests and must deal with the same life challenges. The paper analyzes and compares the responses of each sister to the difficult life situation imposed upon her and describes their characters based upon this analysis.
From the Paper
"Sophocles? Antigone is a story that has several strong characters, each set up cleverly in order to demonstrate the role that personality traits and the strength of conviction in ideals plays in determining individual decisions. Thus, if Creon?s son Haemon serves as a contrast of wisdom to his own display of pride and arrogance, Antigone?s sister Ismene acts as a foil in defining Antigone?s character and strength of conviction in her ideals."
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Sophocles' "Antigone", 2005.
This paper discusses that the character Ismene in Sophocles' "Antigone" is the ideal representation of the mainstream view of women in early Greece.
1,245 words (approx. 5.0 pages), 2 sources, MLA, $ 42.95
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Abstract
This paper explains that the character Ismene in Sophocles' "Antigone"
believed that men were superior to women, and women should therefore make no attempt to oppose any man. The author points out that her actions are in opposition to the beliefs of her sister Antigone and her father Oedipus; instead, she has selects to abide by the beliefs of two people who are of little or no significance to her, Creon and Pericles. The paper stresses that Oedipus does not agree with his society and his daughter's concept of women's inferiority to men; his words contrast their beliefs by putting a woman on the same level as him, a man.
From the Paper
"In this play, Creon has become Oedipus's successor and has now been corrupted by his power as tyrant. The character of Creon in Antigone believes that women are inferior to men. He believes that under no circumstances should women behave in a way that challenges the superiority of a male. He presents this belief when speaking to his son Haemon. In the conversation between the two, Creon stated, "If we fall, better a man should take us down. Never say that a woman bested us.""
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Sophocles' "Antigone", 2005.
This paper evaluates if the protagonist Antigone in Sophocles' "Antigone" meets Aristotle's criteria for a tragic hero.
1,125 words (approx. 4.5 pages), 5 sources, $ 44.95
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Abstract
This paper relates that, while in some ways Antigone does not fit the Aristotelian definition of the tragic hero, in other ways she does. The author points out that, for this reason, some critics believe that Creon is the tragic hero in this play, though the issue remains unresolved and the discussion continues. The paper states that Aristotle's dramatic theory states that a tragic hero must be an important person with a character flaw, which causes him to make a great mistake leading to tremendous suffering and a fall from his high status.
From the Paper
"Antigone is the central figure in Sophocles' play of that name, making her the tragic heroine of the piece. In some ways, though, Antigone does not fit the Aristotelian definition of the tragic her, while in other ways she does. Raymond Williams indicates that there is something definite that can be considered tragic, differentiating it from other experiences: "Certain events and responses are tragic, and others are not" (Williams 14). In shaping his dramatic theory, Aristotle surveyed the drama of his time and developed certain concepts regarding the nature of the tragic hero. The tragic hero must be an important person with a character flaw that causes him to make a great mistake leading to tremendous suffering and a fall from his high status."
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Family vs. State in Sophocles' "Antigone", 2002.
An analysis of the characters in Sophocles' "Antigone".
1,086 words (approx. 4.3 pages), 0 sources, $ 37.95
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Abstract
The paper analyzes the play "Antigone" by ancient Greek writer and poet, Sophocles. The paper argues the position that the play emphasizes the meaning of family over the meaning of state, which are represented in the characters of Creon and Antigone.
From the Paper
"With multiple perspectives on the matter, even the Chorus of the play shows partiality to the oikos as well. After Antigone speaks of her imminent death, the Chrous replies by saying, ?And so you go with honor and praise below to the caverns of the dead; no sickness wasted you away, you do not pay the wages of the sword, but will go to death a law unto yourself? (795). The Chorus raises up honor and praises to Antigone for her support of the oikos, confirming that the Chorus does indeed support Antigone?s decisions. Shortly after, the Chorus once again raises the idea that the legacy of Antigone?s oikos may be the reason for her sorrow by saying, ??great has been your fall. Perhaps you are paying the price of your father?s sin? (825). Sophocles is employing yet another tool to associate the play with the importance of family."
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Sophocles?s ?Antigone?, 2004.
This paper discusses the use of prophecy in Sophocles?s ?Antigone?.
1,595 words (approx. 6.4 pages), 1 source, MLA, $ 52.95
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Abstract
This paper explains that, in ?Antigone?, prophecy solely exists to foretell doom and destruction, and a seer never appears to offer good news. The author points out that prophecy serves primarily as an alarm mechanism, alerting the main characters that their actions and their pride are leading to some inevitable, horrible downfall. The paper relates that other characters, in addition to Tiresias, possess some insight into the future, even those not called to the role of prophet; Creon?s son, Haemon, foretells his own death.
From the Paper
"Although Oedipus?s family suffers from their father?s curse, Antigone?s willingness to obey the gods over her king exhibits the kind of spiritual courage that can alter the course of the future. Antigone?s actions bring destruction upon Thebes, but they also serve as a wake-up call to all that is wrong with the quality of leadership in the state. Her actions were not predicted; the role of prophecy in "Antigone" affects Creon more than it does the title character. Antigone is only affected by the presaged, doomed fate of her father."
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Sophocles and "Antigone", 2001.
A discussion of the use and role of mythology in Ancient Greece with emphasis on Sophocles a Greek dramatist, and a discussion of his play "Antigone."
2,000 words (approx. 8.0 pages), 7 sources, $ 63.95
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Abstract
An analysis of the use of mythology by Sophocles. The author discusses the use of myths in Ancient Greece to define gods and their laws, showing the terrible consequences of disobeying them and forming the structure of society and politics. The author discusses Sophocles, a Greek dramatist and his use of myths and religious rituals. Included is an analysis of Sophocles' play "Antigone".
From the Paper
"Unlike his contemporaries, Sophocles based his tragedies on human actions and reactions, rather than on divine influence. He does not, however, ignore the gods or say they do not play a role. He uses them to show the human limits and possibilities. The Sophoclean gods thus are placed in the background of the plot, influencing it but not interfering in the course of action Greek dramatists often based their plots on myths, which are believed to reflect the national identity and various historic periods. Besides serving as lyric entertainment stories, myths were used to persuade and enlighten citizens in matters of politics, religion, and customary rituals (Bremmer, 58)."
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Sophocles' "Antigone", 2002.
An analysis of the characters of Sophocles' ancient play "Antigone".
1,620 words (approx. 6.5 pages), 2 sources, MLA, $ 52.95
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Abstract
This paper examines the characters of Antigone and Creon and discusses how they embody the two sides of a conflict that raises important questions about the precedence of duty to the Gods and to the State. It shows how the play is one in which the public and private realms clash. The focus of the paper is on how these characters represent these realms and how they are finally united.
From the Paper
"The entry of the Chorus establishes it as the reflection of the attitude of the populace. The first speech is a hymn to the recent victory in which the city repelled the attack by Polyneices and the Chorus is triumphant and sure of the city's continued good fortune. It is the voice of the city that praises the gods for delivering them from Polyneices' attack and displays the anger the people felt toward him. As Polyneices stood over the city prepared for victory Zeus, "who hates the most / the boasts of a great tongue . . . struck him down with hurled fire, / as he strove to raise the victory cry" (143-48). The Chorus, like the rest of the city, now sees the moment as one for celebration and wonders, as Creon approaches, what he wishes to propose. Creon's announcement of his vengeful plan toward Polyneices' body raises no overt objection from the Chorus. But, as Gellie notes, there is considerable visceral reaction to his edict. Although this procedure may have had "support in Greek law and in war-time practice" Sophocles stresses the "physical nastiness" of leaving bodies exposed and, political or religious concerns aside, "we are made to feel in our stomachs that this is no way to treat the body of a human being" (Gellie 33). "
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Euripides, Medea and Sophocles, Antigone., 2002.
A comparison of these Greek tragedies.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
This six-page paper looks at the aspects of Antigone and Medea and how their lives have changed through interactions of certain characters. The paper also looks at the human traits that are discussed by the bards that affect all mankind such as hatred, murder, love and depression.
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Euripides' "Medea" & Sophocles' "Antigone", 1988.
Compares two leading women characters in Greek tragedies.
1,350 words (approx. 5.4 pages), 2 sources, $ 47.95
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From the Paper
"Euripides' Medea and Sophocles' Antigone are two of the most famous women in Greek tragedy. It is the purpose of this paper to compare and contrast these two tragic figures. In the interest of organization, each woman will be generally analyzed and then the two will be criticized together.
Medea is generally considered to be Euripides' masterpiece, and it deals with a woman whose love turns to hatred when she is betrayed. Euripides is very skillful at shifting the audience's feeling for Medea throughout the play. In the beginning she is a woman who has sympathy because Jason has deserted her, who marries Glauce, the daughter of Creon.
Medea is revealed to be a woman of revenge. At first she plots to kill Jason, his new wife, and Creon, but she decides against that. "This much then is the service I would beg from you:(...)"
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Creon's Politics in Sophocles' "Antigone", 1998.
Why Creon does not fit the definition of a true politician as laid out in Plato's "Gorgias".
1,212 words (approx. 4.8 pages), 2 sources, $ 41.95
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From the Paper
"Creon, in Sophocles? Antigone, does not meet the standards of a true politician according to Socrates? definition from Plato?s Gorgias. Socrates discusses the art of a true politician in Gorgias and asserts that a true politician follows three credos: 1) to always do what its best for the state as derived from reason, 2) to improve the soul and 3) to present strictly the truth to the people whether they have a desire to hear it or not. The true politician is just and happy as a result of his adherence to these principles. Socrates despises those who practice the pseudo-art of rhetoric and he dismisses it as a tool used to implore pleasure and avoid the truth. Creon attempts to maneuver around the truth and pursue his personal will, contrary to the desires of the Greek gods. As a result of Creon?s incompetence and refusal to effectively use reason or compromise he loses several of his kin and is left without an effective legitimacy of governing."
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"Antigone" by Sophocles, 2006.
A review of the play "Antigone", written by Sophocles in 442 BCE.
1,010 words (approx. 4.0 pages), 1 source, MLA, $ 35.95
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Abstract
This paper studies the Sophocles play "Antigone" from 442 BCE. The author explores the play's dialogue, which is checkered with metaphors, similes and analogies, as was common for many works of Greek literature and mythology. In particular, the paper looks beyond the play's main storyline to its universal messages about life, people, beliefs and fate.
From the Paper
"In the early part of the play, Antigone and her sister, Ismene, are discussing a burial for their brother Polyneices. During this discussion Ismene is astounded that Antigone would even consider defying Creon's edict and performing burial rites for Polyneices. To her sister's refusal to be involved in such a deed, Antigone responds by declaring she will obey the gods before she will obey the earthly rule of Creon. The gods have allowed for a respectful burial of the dead regardless of earthly mandates, and by burying the dead you honor the gods."
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"Antigone" by Sophocles, 2005.
This paper is about the play "Antigone" by Sophocles.
675 words (approx. 2.7 pages), 3 sources, MLA, $ 23.95
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Abstract
This paper discusses the play "Antigone" by Sophocles. It is not a plot summary; instead it examines one of the central themes, the relative importance of divine law and man's laws. The paper also discusses the consequences of arbitrary laws.
From the Paper
"According to an essay by Frederick Kluth on his website, the action of the play begins with Antigone asking her sister Ismene to help her bury their brother Creon. The king of Thebes has announced his decision to outlaw the burial of Polynices because he is a traitor and an enemy. Ismene is afraid of King Creon and refuses so Antigone goes herself to bury Polynices."
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