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"Sonnet 126" by Petrarch, 2008.
An investigation into premise and images of "Sonnet 126" by Francesco Petrarch.
1,404 words (approx. 5.6 pages), 6 sources, MLA, $ 46.95
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Abstract
This paper looks at one of Francesco Petrarch's most challenging poems, his "Sonnet 126" or "Canonziere". The paper discusses the form and structure of Petrarch's poem and suggest that the work is, at least in part, inaptly named: It is not really a "sonnet" at all as such an item is characteristically defined. The paper also describes the premise of the song and discusses the major images and metaphors in the poem.
From the Paper
"Drawing from our class notes, we know that Petrarch, if sonnet 89 is any indication, would much rather be a prisoner of love than a man free of the entanglements of love. Seen in that light, he is a man who happily confines himself to a prison of his own making for a woman who either does not wish to love him or cannot love him. When observing how Petrarch idealizes Laura, and when one considers how he relentlessly employs the first person, it is hard not to arrive at the conclusion that the writer is really writing about himself as a love-struck bard. Ultimately, Petrarch has made a virtue out of being a love-struck suitor condemned to fall short of receiving the love of his "Laura" in his lifetime."
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"Sonnet 126", 1999.
A literary analysis of William Shakespeare's 126th sonnet.
1,085 words (approx. 4.3 pages), 0 sources, APA, $ 37.95
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Abstract
This essay goes through each of the twelve lines contained within this sonnet, which expresses the author's love to a young man, giving a detailed analysis of the techniques employed by William Shakespeare. A brief historical commentary increases the understanding of this particular sonnet among Shakespeare's others. A general summary of techniques and the significance of this sonnet concludes the essay.
From the Paper
"Over his life, Shakespeare wrote a total of one hundred and fifty-four sonnets; one hundred and twenty-six of these were to a young unidentified man. These sonnets indicate the level of love that Shakespeare felt for this young man. Yet, his love was a petrarchan love; unrequited and fated never to develop. The one hundred and twenty-sixth sonnet that Shakespeare wrote was the final piece written to the young man. His writing takes on an almost prophetic tone in this sonnet as Shakespeare bids his love farewell."
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Petrarch's "Sonnet 31:" An Explication, 2005.
An explanation of "Sonnet 31" by Petrarch.
678 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
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Abstract
This paper is an explication of "Sonnet 31" by Petrarch. The paper analyzes the rhetorical devices used in the poem.
From the Paper
"The best way to fully grasp the meaning in a poem seems to be to look at it line by line and discern the significance of the various rhetorical devices that comprise it. Sonnets are a unique case specifically because the very structure of a sonnet tends to induce the structure of its meaning. Thus the three quatrains and se stet that comprise the sonnet can be looked at individually, as well as for what they impart to the poem as a whole."
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Shakespeare's Sonnets, 2006.
This paper discusses William Shakespeare's sonnets, especially sonnets 29 and 116.
2,145 words (approx. 8.6 pages), 5 sources, MLA, $ 67.95
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Abstract
This paper explains that Shakespeare modified the traditional Petrarchan sonnet format into what is now called English or Shakespearean sonnet, which he used for all of his 154 sonnets. The author points out that, when reading a Shakespearean sonnet, it is important to know that he intended each quatrain and the couplet to be read as distinct from the others because each contains a particular idea that the speaker is trying to express; however, the poem requires that all of the lines be part of a single movement. The paper reviews sonnets 29 and 116 to demonstrate Shakespeare's skill as a writer and his flare as a user of language when he speaks to his audience through the medium of poetry. The paper includes several quotations from sonnets 29 and 116.
From the Paper
"The appeal of this sonnet for the average person is that everyone has felt lost and lonely in the world and a true friend can make all the difference in the way we feel about ourselves and our lives. Anyone can appreciate the sentiments conveyed here without necessarily knowing the circumstances under which the poem was written. As mentioned earlier, this is one of the many poems addressed to a young man. According to Thomas M.Greene, "The poetry reflects a sense of inner depletion, emptiness, poverty, which the friend is asked or stated to fill up.""
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Shakespeare: Metaphysical Aspects in Sonnets, 1993.
Examines a number of sonnets from Shakespeare's sonnet cycle, deciphers them, explains how they are constructed and explores the ways in which they anticipated the Metaphysical movement in poetry.
2,025 words (approx. 8.1 pages), 2 sources, $ 71.95
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From the Paper
"In the study of literature, the term "Metaphysical" refers to a type of poetry initiated by John Donne in the early seventeenth century--it is characterized by "conceits," elaborate, sustained metaphors (Abrams, 1993, 1081). In his use of such conceits, a Metaphysical poet "displays his own ingenuity but may express a deep vision of the world and the strands of analogy that seem to hold it together" (Abrams, 1993, 1081). Although William Shakespeare wrote and published his sonnet cycle before Donne's Metaphysical poetry was published, there are traces of what could be argued to be Metaphysical images and conceits within Shakespeare's work. This research will examine a number of sonnets from Shakespeare's sonnet cycle and decipher them, explain how they are constructed, and explore the ways in which Shakespeare anticipated the Metaphysical movement."
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The Evolving Sonnet, 2007.
This paper discusses sonnets of different ages.
750 words (approx. 3.0 pages), 4 sources, MLA, $ 26.95
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Abstract
In this article, the writer notes that for every age of poetry there has been a form of sonnet. The writer points out that the most well-known style of this poetic form is the Elizabethan sonnet, made famous by William Shakespeare. The writer then relates that the Victorian sonnet, while less well-known by the general public, was a favored form by an equally famous writer, Elizabeth Barrett Browning. The writer notes that the existence of the modern sonnet demonstrates the durability of this poetic form, as demonstrated in the work of Karen Volkman. The writer maintains that although the sonnet has evolved since its inception it remains a lovely and viable poetic form today.
Outline:
Elizabethan Sonnet
Victorian Sonnet
Modern Sonnet
Conclusion
Works Cited
From the Paper
"Like Shakespeare's sonnets, Browning's poetry is very personal, although in this case the author's audience is known. The cycle selected for this assignment, "Sonnets from the Portuguese," addresses Browning's husband, relating her feelings in return for the affection that he shows to her."
"The first eight lines of Sonnet XXV represent the first stanza of the Petrarchan sonnet. They do not ask any question; rather, they state a fact: the poet's narrator was miserable until she met the man she loved. The final six lines, representing the sestet, expand upon this theme. Although Browning is often criticized as being excessive and sentimental, this style of writing characterized the period."
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"Holy Sonnets", 2004.
An analysis of "Holy Sonnets" written by John Donne, a prominent metaphysical poet.
1,378 words (approx. 5.5 pages), 1 source, MLA, $ 46.95
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Abstract
This paper discusses and compares two sonnets from "Holy Sonnets" by John Donne. Sonnet 1, ?As due by many titles I resign?, and Sonnet 10, ?Batter my heart, three-personned God?, are two particular sonnets from the Holy Sonnets, which employ the use of metaphysical conceit. Both sonnets reveal the speakers struggles in maintaining a relationship with God. The paper examines Donne's style, which separates him from others because of his rebellion against the highly conventional imagery of the Elizabethan lyric of his time.
From the Paper
"The imagery of violence in both sonnets clearly depicts the speakers? great effort in reaching a righteous relationship with God. The speakers in both sonnets are asking God to restore their faith even if it requires the use of force and violence. Although this imagery is more dominant in sonnet 10, it is still a similarity that is worth noting. Sonnet 1 major imagery of violence is apparent when the speaker asks, ?Why doth the devil then usurp on me? / Why doth he steal, nay ravish that?s thy right? (9-10). The speaker distresses why God is not willing to ?steal? back nor ?ravish? (which literally means rape) him from the devil?s hold. The violent image of rape is what the speaker calls upon himself in order to become righteous. Likewise, Sonnet 10 claims, ?Nor ever chaste, except you ravish me? (14). The request to be ?ravish? seen in the two sonnets is a metaphysical conceit meant to compare the sexual violence of being raped to that of God?s taken charge over one?s life and exercising his power and control. Additionally, the imagery of violence is taken to a physical level when the speaker in sonnet 10 solicits God to ?knock?, ?break?, and ?burn? in order to be made new. The Christian idea of being borned again ?make new? is associated with physical endurance, which is viewed as a way to be redeemed by both speakers. Thus the imagery of violence in the two sonnets shows the desire of the speakers to become acquainted with God."
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The Sonnet, 2005.
This paper compares William Shakespeare's "Sonnet 55" and Christina Rossetti's sonnet "In an Artist's Studio", which both deal with similar ideas of memory and art but from a much different perspective.
965 words (approx. 3.9 pages), 0 sources, MLA, $ 34.95
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Abstract
This paper explains that "Sonnet 55" has the form of most of Shakespeare's sonnets with fourteen lines, ten syllables per line in iambic pentameter and has an ABAB, CDCD, EFEF, GG rhyme scheme. The author points out that Rossetti's "In an Artist's Studio" qualifies as a sonnet because it has fourteen lines and is written in iambic pentameter; however, its rhyme scheme does not fit the Shakespearean, Italian or Spenserian styles. The paper relates that Rossetti's sonnet takes an entirely different perspective from Shakespeare's in that Rossetti writes from the point of view of a third, objective party. The author concludes that "Sonnet 55" is the more straightforward of the two sonnets with its obvious form and simple content.
From the Paper
"What makes Sonnet 55 so notable - and memorable - is not just its claims that it will give its subject immortality, although such a claim may almost seem like an intriguing self-fulfilling prophecy. Because Shakespeare was also a playwright and because printed manuscripts were not as common in his era as they are currently, it was of some importance that poems be easily memorized. The rhyme and the iambic pentameter of the sonnet form allow it to be quite easily remembered and recited. Its cadence seems to demand that it be read aloud."
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Petrarchan Sonnet 90, 2007.
An examination of Petrarchan sonnet 90, "She Let her Gold Hair Scatter in the Breeze."
935 words (approx. 3.7 pages), 2 sources, MLA, $ 33.95
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Abstract
This paper analyzes Petrarch's sonnet "She Let her Gold Hair Scatter in the Breeze" (Petrarchan sonnet 90). It describes the images portrayed in the poem, as well as the flow of the stanzas. The paper describes the tone of the sonnet and discusses what this portrays. The paper gives examples from the sonnet to illustrate its points and themes.
From the Paper
"Another translation of these lines, which is mentioned due to the fact that it makes the meaning slightly clearer, is as follows: "and should she not be such now, the wound is not healed by unstringing the bow." (Spiller 52) In other words the wound or hurt that the unrequited love has created in the protagonist is not healed, even though the love itself is gone or the "bow is slack". The loss of the love one or her distancing herself from him has in effect not stemmed or reduced the intensity of his passion and love for her. In contrast, as has been suggested throughout this analysis, the distance from the loved one has in fact increased the intensity of desire and love. The poem therefore explores the intensification of desire through distance and loss. It should also be noted that the metaphor of the bow and arrow and the classic allusion to love that this image suggests, also helps to express the central meaning go the poem."
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Shakespeare's Sonnets 57 and 58, 2002.
This paper briefly discusses the nature of the overall sequence of Shakespeare's Sonnets and then, based on readings of their structure, proceeds to analyze the thematic connection between Sonnets 57 and 58.
2,749 words (approx. 11.0 pages), 5 sources, MLA, $ 82.95
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Abstract
In this paper, a connection is drawn between Shakespeare's Sonnets 57 and 58, which are one of a number of thematic pairs that occur within the larger sequence of poems, to show that the Sonnets not only function as a pair, but that the order in which they occur in the Quarto of 1609 is essential to their meaning.
From the Paper
"Shakespeare's Sonnets 57 and 58 are one of a number of thematic pairs or small groups that occur within the larger sequence and subsequences of poems. Indeed the similarity between them is significant enough that one might wonder on first reading if one does not render the other redundant. But close reading of the poems shows that they not only function as a pair but that the order in which they occur in the Quarto of 1609 is essential to their meaning."
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Shakespeare's Sonnets, 2002.
A look at the characteristics of William Shakespeare's collection of sonnets.
1,490 words (approx. 6.0 pages), 6 sources, MLA, $ 49.95
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Abstract
Shakespeare's collection of 154 sonnets are analyzed for uniformity and genre. The paper shows that information about the sonnets is somewhat sketchy and incomplete. Scholars disagree on the order in which he wrote the sonnets, the identities of the people to whom he referred in the sonnets, and even whether or not he intended the sonnets to be autobiographical.
From the Paper
"The sonnets address universal themes such as love, jealousy, and, interestingly, concerns about aging and the effects of the passage of time on one?s life. In Sonnet 2, for instance, the persona encourages a friend in the bloom of youth to have children to carry on his beauty before age steals it away. In Sonnet 73, the persona laments his own old age. These two sonnets have several factors in common. Both are addressed to the same young friend?or perhaps lover?of the persona, both focus on the ravages of age, and both employ the symbolism of nature. There are, however, some major differences. While Sonnet 2 deals with renewal, Sonnet 73 clearly foreshadows the persona?s impending death; and while Sonnet 2 essentially appeals to the selfish emotion of vanity, Sonnet 73 is about a selfless love."
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Henry Howard's Sonnet 12, 2002.
An analysis of Henry Howard's (Earl of Surrey) Sonnet 12: "Alas So All Thinges Nowe Doe Holde Their Peace" and his contribution to sixteenth century English poetry.
3,650 words (approx. 14.6 pages), 7 sources, $ 133.95
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Abstract
This essay will explore, through an analysis of Surrey's Sonnet 12 ("Alas so all thinges nowe doe holde their peace"), the significance of Surrey's work in the context of sixteenth century English poetry. It will be argued that Surrey's greatest contribution in this regard was not in terms of poetic talent. His sonnets do not leave the reader "breathless" in admiration as do so many of Shakespeare's. Similarly, although his sonnets are often modeled on works by the Italian master Petrarch, they are generally considered inferior to the Italian originals. Rather, as will be seen, Surrey's contribution to English poetry was as an innovator. In terms of both form and content his sonnets - including the one discussed here - assimilate and revise existing Continental (Petrarchan) forms within an English context for an English audience. Includes annotated bibliography.
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Shakespeare?s ?Sonnet 130?, 2005.
This paper analyzes William Shakespeare's "Sonnet 130", one of his most popular and unique sonnets.
775 words (approx. 3.1 pages), 1 source, MLA, $ 27.95
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Abstract
This paper explains that William Shakespeare's "Sonnet 130" is his joke, which becomes a true token of love when read between the lines. The author points out that Shakespeare depicts his lover's attributes with very non-traditional and realistic references that come across as very insulting, which undermines the Petrarchan form of love poetry that generally viewed love in an idealized way and often idolized the lover. The paper relates that the joke becomes a rather serious issue with its last couplet when, by recognizing his lover's ordinary characteristics and loving her this much anyway, he reinforces the depth of his love.
From the Paper
"With "Sonnet 130," Shakespeare uses this type of comparison but in a very unique and memorable way. Coral lips, rosy cheeks, and eyes the are bright as the sun are mentioned in this poem, but they are a joke that forces us to see real beauty in real life. Love is often blind but it does not need to be and Shakespeare show us how love can be honest and beautiful in its own way. In the end, Shakespeare is suggesting that love and lovers do not need to be as beautiful as these love sonnets make them to be true love."
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Shakespeare's Sonnets, 2006.
A discussion regarding some of Shakespeare's sonnets.
1,575 words (approx. 6.3 pages), 4 sources, $ 62.95
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Abstract
This paper discusses Shakespeare, who usually known for his plays, also wrote over one hundred and fifty sonnets. The paper takes a look at how, in some of these sonnets, like the beautiful and ethereal Sonnet 18, "Shall I Compare Thee to a Summer's Day?" we find Shakespeare following the Petrarchan model of regarding the beloved as the Donna Angelicata. However, in Sonnet 130, "My Mistress' Eyes are Nothing Like the Sun," Shakespeare clearly moves away from the earlier model and presents a lover that is both more realistic, and human.
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Death Sonnets, 2004.
Two sonnets on death by John Donne and John Keats are compared and contrasted for content and style. These sonnets reflect the deep-seated views of the poets.
1,507 words (approx. 6.0 pages), 3 sources, MLA, $ 49.95
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Abstract
?Death Be Not Proud? by John Donne and ?When I Have Fears? by John Keats are both sonnets about death. This paper explains how Donne treats death as the gateway to eternal life and presents a well-reasoned argument, which supports this thesis. Keats, on the other hand, treats death as a final nothingness. In a poem filled with imagery, he states that he is unprepared for death.
From the Paper
" ?Death be not Proud? by John Donne and ?When I have Fears? by John Keats are two poems that have striking comparisons and contrasts. Both are sonnets about death written by poets who were preoccupied with the subject. Keats had seen his mother and later his brother die from tuberculosis and was himself suffering from the terminal disease. [1] Donne was known to be preparing for his death for quite some time before he actually died. He had written two ?death-bed hymns? long before his death and had even preached his ?own funeral sermon?. [2] This poem too reflects his preoccupation with his own death when in the fourth line he says, ?nor yet canst thou kill me?. However the outlook of the two poets is completely different. Keats is worried about dying and looks upon death as a final ?nothingness?. Donne on the other hand scorns death, treating it as a gateway to eternal life."
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