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Society's View of Women from Hedda Gabler and Medea, 2002.
A paper discussing Euripides' and Ibsen's view of women from 'Medea' and 'Hedda Gabler', respectively.
1,310 words (approx. 5.2 pages), 2 sources, MLA, $ 44.95
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Abstract
The following paper discusses many themes revolving around the role of women in these two works. They include marriage and adultery, anger coping and revenge. The themes are compared and contrasted with both works.
From the Paper
"The play Hedda Gabler by Henrik Ibsen and the play Medea by Euripides have independent-minded women as central characters. Hedda Gabler and Medea refuse to conform to standards set forth by society regarding their roles as women. Ibsen and Euripides show the restrictions and biases society places on Hedda Gabler and Medea by exploring the themes of marriage and revenge. Hedda Gabler takes place in Norway in the early 1900s, while Medea takes place in ancient Greece. Regardless of the setting, society?s treatment of Hedda Gabler and Medea is similar. The similarity in the treatment of both women illustrates the universality of sexism. As women, Hedda Gabler and Medea are expected to adhere to different roles and standards than the men in their lives. Ibsen and Euripides use the lives of Hedda Gabler and Medea to show how stereotypes and sexist beliefs contribute to society?s treatment and view of women."
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| Term Paper # 26775 |
temporarily unavailable
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Hedda Gabler in Relation to Her Suicide, 2003.
A look at the character of Hedda Gabler from Henrik Ibsen's play.
1,711 words (approx. 6.8 pages), 7 sources, MLA, $ 55.95
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Abstract
In the work, "Hedda Gabler" by Henrik Ibsen, the main character, Hedda, commits suicide, while still pregnant with her unborn child. This paper is a character analysis of Hedda Gabler. It examines the reasons for Hedda's behavior and justifies it in her mind. Ethical issues, such as suicide, are also addressed.
From the Paper
"In the last moments of Hedda?s life thoughts of being mother, being trapped in a dull marriage, and the increasing threat of sexual assault and rape by Judge Brack raged through her mind. She could only see the bad things in life. She could not see the devotion to her from Tesman. She could not see the admiration the others had for her. She saw her life in a cage without control. That would not do. In her mind, suicide was the only way to escape the marriage, pregnancy, and impending affair."
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"Hedda Gabler", 2002.
An analysis of Henrik Ibsen's "Hedda Gabler".
1,245 words (approx. 5.0 pages), 0 sources, APA, $ 42.95
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Abstract
The paper analyzes the play "Hedda Gabler" of the Norwegian author Ibsen, and is one of the most celebrated works of the postmodern literature. This paper focuses on the title character Hedda Gabler and her aristocratic ways. It includes a synopsis of the play and a description of costuming and stage design.
From the Paper
"Hedda Gabler is the Norwegian author Ibsen?s one of the most celebrated works of the postmodern literature. Originally, the play had been intended for stage. Therefore in personal opinion, a stage production would not only retain the original flavor but also bring out the best. This production aims to highlight the underlying themes through a focus on costumes as outward manifestations of personality of the characters."
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Views of Spartan Women, 2005.
An analysis of views on Spartan women, specifically Aristotle's views.
900 words (approx. 3.6 pages), 6 sources, $ 35.95
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Abstract
The paper discusses Aristotle's view of Spartan women, that they constituted a formidable challenge to the patriarchal ideal. Aristotle expressed two main objections to Sparta: the city's failure to curtail women's freedom and to regulate women's ownership of private property. The paper further discusses how Sparta, in his view, represented a failure because it did not conform to his hierarchy of gender relations. The paper explores other sources that provide an image of Spartan women, which illustrates not just their equality with men in all domains, but their superiority over men as well.
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Plato's Views on Women, 2005.
This paper describes and analyses Greek philosopher Plato's views on women, specifically in terms of his books such as "The Republic".
2,430 words (approx. 9.7 pages), 6 sources, MLA, $ 74.95
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Abstract
This paper documents Plato's attitude towards women with evidence and dialogues regarding his ideas about the place of women in an ideal society. It looks at how Plato's view of women seemed to change over his career and how he favoured equal education for them in the "Republic". It also discusses how although he believed that, on average, women were of lesser intellectual talent, he admitted that many women were better than many men and that everyone should be given a chance to prove him or herself.
Outline
Plato's Ideal State
Plato's Thoughts on Women in "The Republic"
Guardians
A Feminist View
Respect
Conclusion
From the Paper
"Early in book 5, Socrates sets out his plans for having both male and female guardians. The focus here is essentially a repeat of what is said in previous books: the education is to be the same and the military training should not differ. In effect, all that applies to male guardians should, broadly, apply to female guardians. Plato conceives of the guardians as a distinct class and basically says that there is the ruling class of guardians, who are politically and socially sexless. While he maintains that men and women certainly have different natures, Plato highlights the point that this does not mean that they cannot do the same or similar tasks and have the same roles in the society. He illustrates this point by an example where he compares bald men and those with hair, to men and women. The different nature in the bald or hairy has little effect on their social incorporation, and so neither should this differ when discussing women."
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Aristotle's View of Women, 2002.
Presents Aristotle's views of women and some feminist responses to these views.
650 words (approx. 2.6 pages), 5 sources, $ 26.95
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Abstract
This eight-page undergraduate paper examines Aristotle's view of women. Aristotle held a very repressive view, although he intended most of his discussion in a general way. Feminist responses to his view are included.
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?Hedda Gabler?, 2002.
A character study of "Hedda" in Henrik Isben?s play, "Hedda Gabler".
1,352 words (approx. 5.4 pages), 4 sources, MLA, $ 45.95
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Abstract
This paper examines how the power of human sadness is illustrated in Henrik Isben?s play, "Hedda Gabler", and how ,by employing dramatic techniques, Isben is able to create a complex character inHedda. It analyzes how Isben supplies us with many insights into Hedda?s character and how, through powerful devices such as circular conclusion, symbolism and imagery, we are able to piece together aspects of Hedda?s personality that might have led her to commit suicide. It looks at how her pain and loss of control push her to believe that the only solution is removing herself from the situation.
From the Paper
"Another aspect of the play that the casual observer might miss is Hedda?s true character. Many might simply pass her off as a spoiled snob, but upon closer inspection, Hedda is a woman that was suffering. In fact, Mary Kay Norseng notes that the ?evil? aspects of Hedda?s behavior are more provocative than her pain, but that her pain provides the key to her ?inner logic of her character? (Norseng). Norseng even goes as far to say that Hedda?s suicide ?is not inextricably intertwined in the roots of her past. It is a whim of the present? (Norseng). Norseng also adds that a common misunderstanding about suicide is that it is a selfish act."
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"Hedda Gabler", 2002.
An examination of the play "Hedda Gabler" by Ibsen focusing on Hedda's journey of self-destructive independence.
785 words (approx. 3.1 pages), 1 source, MLA, $ 27.95
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Abstract
In the play "Hedda Gabler" by Ibsen, the main character Hedda's ultimate goal is her independence. This paper shows how ultimately, however, her quest for independence leads to her destruction.
From the Paper
"There are several characters in the play ?Hedda Gabler? by Ibsen who have a delusive view of life. Hedda Gabler lives in a world of her own creation. Hedda believes she is an independent woman who will never be at the mercy of others. Throughout the play, Hedda asserts her independence by attempting to control and manipulate other characters. Hedda?s misconstrued view of reality regarding her own independence serves to impact her life in self-destructive ways."
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Henrik Ibsen's "Hedda Gabler", 1994.
This paper analyzes Henrik Ibsen's "Hedda Gabler" as realistic social drama from a feminist perspective: Plot, characters, themes, symbolism, deconstructionist critique, women's roles and gender equality.
3,375 words (approx. 13.5 pages), 12 sources, $ 119.95
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From the Paper
"Henrik Ibsen, creator of the "realistic" school of drama that has dominated the 20th Century theater agenda, has travelled a curious path of critical review. Reviled at first writing of his dramas. in the popular press and satirical cartoons as the sour old man of scandal and shame (, he was then canonized for the "social significance" of his realistic dramas by the "Ibsenites" - not the least being George Bernard Shaw, whose The Quintessence of Ibsenism has seemingly been the most-often heard First and Last Word on the subject of what Ibsen's plays are supposed to mean. "Fools belabored him and fools defended him; he was near to being suffocated and done for in the fog of balderdash," wrote the acerbic critic H. L. Mencken fifty some-odd years ago and fifty some-odd years after the majority of Ibsen's realistic plays were written ... "
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The Tragedy of "Hedda Gabler", 2005.
An assesment of Ibsen's "Hedda Gabler" as a tragedy.
675 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
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Abstract
This paper is an assesment of Henrik Ibsen's play "Hedda Gabler" as a tragedy. It looks at Hedda's tragic flaw and contends Hedda is only a tragic figure in the superficial sense, and that she is heroic and independent on another level.
From the Paper
"Ibsen's Hedda Gabbler is on its most superficial level a tragedy as Aristotle would have defined it in Poetics. On the surface it seems that Ibsen has provided his audience with a tragic hero in Hedda with a tragic flaw in her quest to prove her own independence and with a point of no return in the moment that he decided not to tell Ejlert that she actually has the manuscript that he has lost. These are most certainly the makings of tragedy ..."
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Ibsen?s 'Hedda Gabler', 2000.
A discussion of Henrik Ibsen's 'Hedda Gabler' and the theme of the antagonists? lust for control throughout the play.
2,070 words (approx. 8.3 pages), 1 source, MLA, $ 65.95
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Abstract
A discussion of the play 'Hedda Gabler' and its main character Hedda and its themes. The author examines Hedda's choices-- slave to Brack, her life or freedom. He finds that her choice--a shot in the temple--shows that she has finally gotten control of a human destiny, her own. It also discusses the use of setting in the play in each and every scene as the set reflects Hedda?s life situation.
From the Paper
"The use of setting and staging in Isben?s Hedda Gabler is vital in following the theme of the antagonists? lust for control throughout the play. Before Hedda has even entered the stage her commands are being fulfilled; chintzes have been removed and the formal parlour prepared for callers. Miss Tesman?s early morning visit finds a nervous servant on the point of weeping, afraid she won?t suit the new young mistress (432). Before even seeing her, the audience has been prepared for her harsh disposition; Hedda?s control is made known and the stage is being set for her entrance."
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"Hedda Gabler", 2002.
A critical review of Ibsen's play, "Hedda Gabler".
970 words (approx. 3.9 pages), 2 sources, MLA, $ 34.95
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Abstract
The purpose of this paper is to discuss the play, ?Hedda Gabler? by Henrik Ibsen. Specifically, it compares the character of Hedda to another character in the play, Thea Elvsted. Similarities and differences between the two characters are illustrated through a synopsis of the play.
From the Paper
"Ibsen once said, ?Before I write down one word, I have to have the character in mind through and through. I must penetrate into the last wrinkle of his soul? (Gill). This is extremely clear in his play, Hedda Gabler, which some critics have called his best, and others have called one of his worst. The characters in this play make the play what it is. The setting is the same room for almost the entire play. It is the people who populate the rooms who really matter."
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Hedda Gabler and Equus, 2006.
A comparison and contrast of Hedda Gabler and Equus.
900 words (approx. 3.6 pages), 0 sources, $ 35.95
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Abstract
This paper discusses that even though Equus and Hedda Gabler seem to be different in so many ways, it much more important for readers to note that they are similar in significant ways. On the surface similarities between the plays seem scarce. The paper goes on to discuss how glaring differences between the two pieces are obvious particularly the era and the style of each play. Equus is written in the seventies, the frank tone conventionalized words of that era and the references to sexuality and curse terms indicate that the play is relatively recent.
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"Hedda Gabler", 2002.
A reader's report on the play "Hedda Gabler" by Henrick Ibsen.
2,400 words (approx. 9.6 pages), 6 sources, $ 89.95
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Abstract
This paper examines the play "Hedda Gabler" by the noted playwright Henrick Ibsen. This is a critical essay that examines the play in detail, including a brief biography of Ibsen, a brief synopsis of the play, character descriptions, a historical setting and other factual information.
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