| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "SISTERS STRANGERS WOMEN SHANGHAI COTTON": |
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"Sisters and Strangers: Women in the Shanghai Cotton Mills", 2002.
An examination of the book "Sisters and Strangers: Women in the Shanghai Cotton Mills" by Emily Honig.
1,957 words (approx. 7.8 pages), 0 sources, $ 62.95
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Abstract
This paper contains a critical book review of the title, along with a discussion of the personal value of the book. Emily Honig's book is the story of women who worked in the Shanghai cotton mills from 1919 through 1949, but the paper shows how the story is really about the women themselves, and how they survived the harsh working conditions by creating a sisterhood ? working together to help each other while surviving harsh and intolerable conditions.
From the Paper
"The author's thesis is stated clearly in the Introduction. She hopes to prove that the women of the Shanghai mills were extremely class conscious, and this class consciousness had to be transformed and eliminated before the women could rise up together and demand reform. She notes, "I began my study by focusing on issues that precede the role of women in the labor movement and in the Chinese revolution: the nature of work, social relations within the workplace, the formation of the working class, and the transformations women underwent as they became members of an urban industrial proletariat" (Honig 2). The author also states her beliefs early in the book, when she notes, "Modern industrial capitalism in twentieth-century China, as in England and the United States a century earlier, was built on the intersection of textile manufacture and female and child labor" (Honig 1). She goes on to elaborate on this assertion throughout the book, exploring the exploitation of women in the mills, and its connection to the Shanghai labor movement. "
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"Sisters and Strangers", 2002.
This paper introduces, discusses and analyzes the book "Sisters and Strangers: Women in the Shanghai Cotton Mills, 1919-1949" by Emily Honig.
1,682 words (approx. 6.7 pages), 4 sources, MLA, $ 54.95
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Abstract
This paper reviews this interesting historical period through the eyes of the author and contains a critical book review of the title, along with a discussion of the personal value of the book. It shows how the story is really about the women themselves, and how they survived the harsh working conditions by creating a sisterhood ? working together to help each other while surviving harsh and intolerable conditions.
From the Paper
"The author states her thesis early in the book, when she notes, "Modern industrial capitalism in twentieth-century China, as in England and the United States a century earlier, was built on the intersection of textile manufacture and female and child labor" (Honig 1). She goes on to elaborate on this thesis throughout the book, exploring the exploitation of women in the mills, and its connection to the Shanghai labor movement (Honig 3). Women's jobs were clearly compartmentalized in the mills, and many of the women were little more than girls, who the mangers found easier to control, and earned less money than men. The author interviewed many people who worked in the mills, and one manager remembered, "'Originally most of the assistants in the mills were child workers'" (Honig 51). Women from certain regions also tended to work in certain sections of the mill. For example, Women from Subei often performed tasks that had originally been performed by men, since they were stronger than some of the other workers. The Subei women usually did not work at weaving, which was considered more skilled and detailed than many of the other jobs. Each chapter is constructed to not only allow the reader to understand what the women went through each day in the mills, but also introduce the surroundings, the history, and the sociology of Shanghai that all played into the women's work in the mills. Each observation by the author either makes a point, or moves the book forward, making the reader eager to find out what will happen next, while clearly focusing on the thesis that women and children were the backbone of the industry, and the backbone of change in the end."
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Sisters in Literature, 2002.
This paper analyzes the use of sisters as a literary device in Geraldine Jewsbury's novel The Half Sisters, and Christina Rossetti's narrative poem "Goblin Market".
2,670 words (approx. 10.7 pages), 3 sources, MLA, $ 80.95
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Abstract
The paper looks at these two works from the middle of the nineteenth century as they use the device of a pair of sisters for exploring the nature of women and expanding their audiences' understanding of women, their capacities, and the limitations placed on them by convention. The paper brings examples from the writing to illustrate this point.
From the Paper
"As Armstrong puts it, there is deliberate cruelty in the "way in which the fruit is offered as a saleable commodity and arbitrarily withdrawn" so that "it has to be bargained for, but it belongs to a mystified economy to which both girls are inevitably subject" (Armstrong 349). The world of men is, like the invisible world of the goblins, incomprehensible to women and they are forced to accept the bargain on the terms offered by men. Laura gives in to her own desire for pleasure and accepts the terms of the goblins at face value. The seeming gift of fruit that does not have to be paid for, of course, entails a hidden cost that Laura, if she only paid attention to the example of Jeanie, should have understood. But women also lack full and explicit knowledge and thus Jeanie's example, while it is strong enough to motivate Lizzie, does not really satisfy their curiosity which is the motive that, almost as much as greed, compels Laura to go against her sister's common-sense advice."
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"The Makioka Sisters", 2002.
A review of Junichiro Tanizaki's "The Makioka Sisters".
1,726 words (approx. 6.9 pages), 1 source, MLA, $ 55.95
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Abstract
This paper examines how the four sisters in Junichiro Tanizaki's "The Makioka Sisters" are parts of an allegorical account of the decline of Japan's old upper-class merchant families in the face of rising modernism and nationalism. Each of the sisters, largely depending on her age and placement in the family, symbolizes a different aspect of the change in the social order. It looks at how Tanizaki manages to develop these allegorical roles for his principal characters without sacrificing any of their validity or interest as individual beings whose thoughts and actions retain the reader's full attention. It also shows how despite the fact that each sister functions in the allegory in a different way, none of them is a simple character with traditional or modern traits that make it easy to sum up her symbolic meaning in a few words.
From the Paper
"The principal allegorical function of the sisters begins long before the novel opens, of course, in the simple fact that their father had only daughters to inherit from him. He had also been somewhat careless with money and had greatly reduced what there was to inherit. But even this attitude, which was responsible for the kind of upbringing his daughters had, has an allegorical function in that he had never believed that things could change. Thus, even though the early signs of change must have been everywhere in the first part of the century, his daughters were brought up believing that the pattern of life they knew so well would last forever."
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"The Magdalene Sisters", 2004.
An analysis of Peter Mullan's 2002 movie, "The Magdalene Sisters".
2,389 words (approx. 9.6 pages), 7 sources, MLA, $ 73.95
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Abstract
This paper discusses Peter Mullan's 2002 movie, "The Magdalene Sisters" depicting the dark side of Irish culture, church and history. The paper explains that from the late nineteenth to the late twentieth century, the Sisters of Mercy in Ireland ran profitable asylums for women. The paper claims that the laundry businesses allowed the convents to earn money while keeping socially scorned women behind bars. The paper contends that far from being a place of spiritual refuge, the Magdalene laundries often became torture houses closely resembling concentration camps. The paper explores how Mullan illustrates that spirituality was completely overrun by cruelty, greed, torture and manipulation. The paper states that the brutality shown on screen reveals a chilling behind-the-scenes glimpse of what actually did occur regularly in Magdalene asylum laundries.
From the Paper
"The culture that supported such institutions was an inherently sexist one, as many of the interred women committed no offense other than having shamed their families or being attractive. Although a fictionalized account, The Magdalene Sisters shows what mental and physical abuse generally occurred behind the doors of Magdalene asylum laundries. "In fact, there are reports that, according to some survivors, the abuses depicted in The Magdalene Sisters actually fall short of the worst that really happened," (Greydanus). The Magdalene laundries, which were operated by the Sisters of Mercy throughout Ireland, were finally shut down for good in 1996. However, during their century of operation, countless women suffered abuses similar to those depicted on-screen by Scottish writer-director Peter Mullan."
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"A World of Strangers", 2002.
A book review of "A World of Strangers: Order and Action in Urban Public Space," by Lyn H. Lofland.
1,370 words (approx. 5.5 pages), 1 source, MLA, $ 45.95
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Abstract
This is a critical report of Lyn Lofland's "A World of Strangers: Order and Action in Urban Public Space,"an interesting study of urban neighborhoods, and what makes them the way they are today. The paper shows how Lofland contends that neighborhoods are far different today because of the growth of cities. We live in a neighborhood of strangers, and our interactions with them cause little or no discourse or meaning. It shows how the author of the book makes it clear from the beginning that her premise is about the people who inhabit the cities of her topic, and not so much the cities themselves.
From the Paper
"Lofland also discusses the threat we feel from strangers, and how we react to this implied threat. In today's society, strangers are often a threat, and so we tend to avoid them at all costs, especially in public situations. The person standing across from us on the subway platform could be the man of our dreams, or an axe murderer looking for his next victim. We are afraid of strangers because of the autoimmunity of our society, and our cities. There are many different types of avoidance behaviors people exhibit when strangers surround them, such as in terminal waiting for a bus or a plane, or at a social engagement where they know none of the others in attendance. People go to fairly elaborate measures to ignore strangers in these situations, such as reading books, sitting in one spot and ignoring everyone around them, and moving from place to place investigating everything in the room so they are never in one place long enough to make contact with anyone else. These avoidance mechanisms say a lot about our society, and how we are all strangers to one another."
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"Strangers on a Train" and "Vertigo", 2007.
This paper argues that "Strangers on a Train" and "Vertigo" are the quintessential Hitchcock films.
3,304 words (approx. 13.2 pages), 4 sources, APA, $ 94.95
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Abstract
This paper examines the universal and enduring appeal of Alfred Hitchcock's films. The author defines two films in particular -- "Strangers on a Train" and "Vertigo" as the quintessential Hitchcock films. The author contends that although Hitchcock's films may no longer have the capability to shock their audience, they feature several recurring plot devices that capture the imagination. These plot features include an ingenious criminal scheme, the use of doubles, a guilty person who manages to cast suspicion upon a non-guilty person, and an amoral person being punished. The films "Strangers on a Train" and "Vertigo" demonstrate Hitchcock's best use of those devices.
Outline:
Introduction
Discussion
Conclusion
From the Paper
"Alfred Hitchcock's thrillers, though filmed half a century ago, have maintained their ability to keep an audience enthralled. Part of the initial impact of Hitchcock's thrillers is that they were groundbreaking, and they offered a vision of the ugly side of humanity that had not been explored in cinematic media. However, a modern audience does not experience the same shock at those revelations that the original audience experienced. Therefore, the permanency of the movies' appeal must be attributed to something besides the shock factor. Many attribute the lasting greatness of Hitchcock's thrillers to Hitchcock's use of several important cinematic themes."
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Alfred Hitchcock's "Strangers on a Train", 2007.
This paper explores the use of double images as they relate to the details of the plot in Alfred Hitchcock's film "Strangers on a Train".
2,735 words (approx. 10.9 pages), 0 sources, $ 81.95
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Abstract
This paper discusses that, in "Strangers on a Train", Alfred Hitchcock does not state openly the theme but rather gives the viewer clues in his frequent use of double images. The author points out that a double image in the film signals that the viewer is about to see an enactment of opposites in the characters of the story, which are not necessarily visible physically but often indicate the character's internal qualities. The paper explains that double images in "Strangers on a Train" signal conflict about to occur in the story (especially relating the characters), represent the protagonist's inner thoughts, fears and desires, and represent Bruno as part of the dark side of Guy's psyche.
From the Paper
"When Bruno suggests that they each have someone to get rid of--he his father and Guy his wife--and that they should "exchange murders," Guy doesn't take him seriously. He thinks Bruno is eccentric. As Guy gets off the train, he laughingly says he agrees with everything Bruno suggests. Guy leaves his unique cigarette lighter behind on the train, possibly because he is so anxious to escape from the odd, obnoxious, and overbearing Bruno. The lighter has embossed "double" tennis rackets crossing each other and the inscription "A to G." The image suggests that doubles are a metaphor for double-crossing."
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John Higham?s ?Strangers in the Land?.
This paper is a book review of John Higham?s classic, ?Strangers in the Land?, a discussion of the United States? so-called ?melting pot?.
1,200 words (approx. 4.8 pages), 1 source, MLA, $ 41.95
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Abstract
This paper explains that John Higham, in his ?Strangers in the Land?, states that, although the United States prides itself on being a country open to newcomers and strangers, this diversity has created a great deal of conflict between the peoples who have made up and continue to make up the American nation. The author points out that the very fragility of American identity, given that America is a constructed nation upon soil that once belonged to an alien, native people, has made the characterization of what is American all the more important and the voices that give rise to nativism all the more strident. The paper relates that anti-immigrant sentiment was directly linked to unemployment, ultimately resulting in the passage of anti-immigration acts directed against ?others? such as, for example, Chinese immigrants in 1924.
From the Paper
"The book "Strangers in the Land" looks at the ways distinct groups have tried to claim and prove that they belong, by comparing themselves to other groups and deeming themselves to be favorable based on other group?s perceived differences and un-American status. Higham does not characterize such behavior as mere prejudice. Rather he calls it ?nativism,? a particular and particularly noxious and dangerous form of prejudice. Nativism, according to the author, is distinct in its economic and political effects from personal prejudice directed at ethnic and racial groups. Nativism is anti-stranger, it says, you are not like us, you are not like one of us, our nation."
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"The Rez Sisters", 2001.
An analysis of the themes of community and empowerment in Tomson Highway's "The Rez Sisters".
2,331 words (approx. 9.3 pages), 2 sources, MLA, $ 71.95
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Abstract
This paper examines how through a group of seven native women, Tomson Highway's "The Rez Sisters" portrays themes of empowerment and community development. It looks at how a group of six native women, all sisters in one way or another, develop from the animosity of bickering "bitches" to a close community, tied together by their gender, circumstances and ancestry. It explores how through their journey to The Biggest Bingo in the World the women are empowered to achieve a common goal, taking responsibility for themselves and for each other.
From the Paper
"United with a common goal they are then faced with a common problem. Emily points out they "are all welfare cases" and have no money (58,59). They turn to Pelajia, who does have some money, to help (59). Pelajia suggests they apply to the band office to ask the chief for a loan to fund their trip because the winnings could go towards paving the roads and solving all the problems of the band (59). The "grand and ridiculous march" to the band office that encompasses the entire stage, is the women's first surge of communal energy and self-empowerment (60, Pell paper). Again, Nanabush, the spirit of Native Culture, trails merrily along with the women as they march (60). Elated by their newfound empowerment the women are shocked at the chief's refusal (60)."
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Heart: The Wilson Sisters, 2006.
A review of the careers, music and stylings of Ann and Nancy Wilson, the sisters behind the women's rock band, Heart.
900 words (approx. 3.6 pages), 6 sources, MLA, $ 31.95
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Abstract
This paper studies the lives of Ann and Nancy Wilson, sisters who started their musical careers with a folk background but became leading figures in the rock world with their band Heart. The author traces the women's meteoric careers through a review of their albums. The paper also discusses the band's influences and their influence on the music industry as a whole.
From the Paper
"The band was founded in 1963 by the group's bassist, Steve Fossen, and by brothers Roger and Mike Fisher from Vancouver, British Columbia. Originally named "the Army," the band later changed its title to "White Heart" and then simply to "Heart" in the early 70s. A romantic involvement between Ann Wilson and Roger Fisher brought the former member into the group. Her sister, Nancy, followed in 1974, through a romantic relationship with Mike Fisher, who at that time was the band's primary sound engineer. Later, Howard Leese and Michael Derosier joined the band as keyboardist and drummer, respectively."
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?Summer Sisters?, 2002.
A review of the book ?Summer Sisters? by Judy Blume.
1,454 words (approx. 5.8 pages), 2 sources, MLA, $ 48.95
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Abstract
This paper examines the book ?Summer Sisters? by Judy Blume which revolves around the friendship between Vix and Caitlin and causes two opposite worlds to collide. It looks at how the character of Vix is given the opportunity to escape from the drudgery of her life in poverty and her controlling mother, Tawny by the offer to spend the summer at summer at Martha?s Vineyard by the privileged Caitlin and how next five summers at Martha?s Vineyard not only expose her to boys, sex and fun, but also give her a taste of the infinite possibilities that were once beyond her imagination, such as going to Harvard. It provides a brief background to Judy Blume and looks at how she writes with a pithy, simple style, making her stories easy to read for the majority of readers.
From the Paper
"In this work, Blume presents a vast array of men and women, representing a full spectrum of gender roles. The most striking characters who seem to defy the prescribed roles of their gender are Phoebe, Caitlin?s mother and Caitlin, who walks in her mother?s footsteps. The very first impression Blume conveys of Phoebe is one of an unorthodox mother: "Phoebe, dressed in faux Indian clothes? including her boyfriend of the moment, a guy with long, silvery hair?" (11). Furthermore, she had convinced Lamb, Caitlin?s father, of having an open marriage that ultimately did not work (Blume 34). In these aspects, Phoebe represents the image of a new woman who does not stay within the confines of a traditional prescription of a wife or mother."
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Dubois and Ruiz' "Unequal Sisters", 2007.
This paper reviews the feminist book "Unequal Sisters: A Multicultural Reader in U.S. Women's History", edited by Ellen Carol Dubois and Vicki Ruiz.
1,440 words (approx. 5.8 pages), 2 sources, MLA, $ 47.95
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Abstract
This paper explains that Dubois and Ruiz in their book "Unequal Sisters: A Multicultural Reader in U.S. Women's History', which is a compilation of a multiplicity of perspectives of feminist historians of a variety of periods, ethnic groups and racial groups, attempt to ameliorate some of the past oversights of the women's rights movement that denied the equally important components of race and ethnicity in defining many women's lives. The author points out that, for women of color, their struggle to make peace with themselves and with their American identities cannot be fully subsumed into the traditional feminist categories of gender or race. The paper relates that this collection of essays instead argues for a relational understanding of the nature of race and gender, which means that each person is composed of categories, such as male/female, Anglo/Latino, that gain meaning only in the inter-relationship of these categories.
From the Paper
"The essays include a number of ethnic groups, including African-American, Latina-American, Chicanas, Asian-Americans, and Native Americans in their subject matter. Early on, it becomes clear that the lives of black women in particular were written out the second-wave feminist debate. While many white feminists of the 1960s and 1970s such as Betty Friedan (1963) defined their feminism as an ideology that gave them the intellectual justification to seek work outside the home, most Black women have always worked, either as slaves, as noted by Deborah Gray White's essay on "Female Slaves: Sex Roles and Status in the Antebellum South" and Jeanne Boydston's "To Earn her Daily Bread"."
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Big Brothers Big Sisters, 2002.
An overview of the functions of the Big Brothers Big Sisters organization.
1,150 words (approx. 4.6 pages), 7 sources, $ 44.95
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Abstract
This paper is about the Big Brothers Big Sisters organization. It examines what kinds of children need mentors, what kind of activities mentors do with children and what effect this interaction has on the children and the volunteers.
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The Bronte Sisters, 2004.
An analysis of three novels by the three Bronte sisters: Anne, Charlotte and Emily.
1,350 words (approx. 5.4 pages), 3 sources, MLA, $ 47.95
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Abstract
The paper offers an analysis of three novels by the three Bronte sisters (Anne, Charlotte and Emily) that demonstrates the struggle of women in the Victorian era trying to achieve equality and the right to express intellectual and sexual feelings.
From the Paper
"Sisters Anne, Charlotte and Emily Bronte were all authors whose works often revolved around women's issues with respect to living in a patriarchal society. Women in the era in which the sisters wrote were often limited to roles of wife, mother or family caretaker and were seldom able to express their own feelings or emotions. This was particularly true in relations with men and in expressions of sexuality."
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