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"The Short Happy Life of Francis Macomber", 2008.
An analysis of Ernest Hemingway's short story "The Short Happy Life of Francis Macomber" .
1,914 words (approx. 7.7 pages), 8 sources, MLA, $ 61.95
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Abstract
This paper relates that the theme in Ernest Hemingway's short story, "The Short Happy Life of Francis Macomber", is that it is better to live a short and happy life with authenticity than to live a long and unhappy life without authenticity. More specifically, the paper looks at how, the character of Macomber does not live a happy life until he proves himself. The paper further explains that Macomber begins his life innocent and spoiled in a protected society, then becomes awakened to reality in the dangers of Africa, and ends self-fulfilled by achieving authenticity and happiness in a fatal world.
From the Paper
"In stage three of his initiation, Macomber achieves authenticity and happiness in a fatal world. He panics while shooting a large male, but the very fear that makes him run away from danger, teaches him, in less than twenty-four hours, how to face a charging buffalo with all the bravery of a seasoned hunter. When Macomber finds out that the buffalo is still alive, "for the first time in his life he really felt wholly without fear" for which "instead of fear he had a feeling of definite elation" (24). Ben Stoltzfus suggests that in choosing to face this challenge Macomber "asserts a new identity and, in putting cowardice behind him, he defines an authentic self". Macomber is no longer afraid; in fact he is eager to kill the buffalo. Hemingway describes Macomber's change as a "wild unreasonable happiness" which feels "like a dam bursting inside himself" (25). "
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"The Short Happy Life", 2005.
A look at the argument that Francis Macomber was not intentionally killed by his wife, Margaret Macomber, in the short story, "The Short Happy Life", by Ernest Hemingway.
889 words (approx. 3.6 pages), 0 sources, MLA, $ 31.95
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Abstract
This paper discusses how, in the short story "The Short Happy Life" by Ernest Hemingway, it becomes evident that Margaret Macomber did not intentionally kill Francis Macomber. It contends that, although it may seem that it was a conscious decision on Mrs. Macomber's part to shoot at her husband, the facts and situations presented by Ernest Hemingway in his writing prove otherwise.
From the Paper
" 'You know I don't think I'd ever be afraid of anything again,' Macomber said to Wilson. 'Something happened in my after we first saw the buff and started after him. Like a dam bursting. It was pure excitement.' " (Page 32). Unfortunately, this sudden confidence gain was not enough to save Francis Macomber from death. While on safari in Africa with his beautiful wife, Margaret, and their guide, Wilson, Francis makes a fool out of himself in front of his wife by running away from a lion instead of shooting it. Margaret Macomber takes his cowardliness very offensively, especially when it is her husband that is showing it. Margot even goes so far as to sleep with Wilson because she is so upset with Francis. However, all of this does not prove that she killed her husband on purpose. Francis has a seemingly successful buffalo hunt that proves to his wife that he is not a coward, which was enough reason in itself for Margot to not kill her husband on purpose. Ernest Hemingway, author of "The Short Happy Life", specifically states that Mrs. Macomber shot at the buffalo, which just happened to be very close to her husband's head. This fact, among other reasons, is evidence that Margaret Macomber did not intentionally shoot and kill her husband."
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Raymond Carver's "Short Cuts", 2005.
Analysis of the characters and theme in the collection of short stories in Carver's "Short Cuts".
1,474 words (approx. 5.9 pages), 2 sources, MLA, $ 48.95
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Abstract
This paper describes and analyzes the characters, plot, themes, and style of writing in select stories from Raymond Carver's "Short Cuts". The paper also describes director Robert Altman's adaptation of the stories in his film version, "Short Cuts," and explains Altman's interpretation of Carver's message is brought to its logical conclusion.
From the Paper
"The stories from the Raymond Carver collection Short Cuts frequently deal with the most elemental problems in human relationships. He chooses to examine people at their most personal and intimate moments. Oftentimes his stories expose the mental and emotional rifts that occur between people that should be able to communicate freely and openly, usually married couples. Many characters in Carver's work live in a state of isolation, despite the fact that they are physically in the presence of family and friends. They live their lives in mental and emotional seclusion; unable to articulate their thoughts and feelings to the people they are supposed to be closest to. His work reflects the isolation and longing for understanding that people everywhere feel intermittently throughout their lives."
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"Miss Marple: The Complete Short Stories", 2006.
A review of the Agatha Christie collection of short stories "Miss Marple: The Complete Short Stories".
750 words (approx. 3.0 pages), 0 sources, $ 26.95
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Abstract
This paper reviews and positively critiques Agatha Christie's "Miss Marple", focusing on the character of Miss Marple. The paper demonstrates how, despite being a quiet octogenarian who loves knitting, Miss Marple has the mind of a natural sleuth. After citing several examples from the stories to demonstrate this thesis, the paper concludes that the mysteries are fun, quaint and picturesque, which also inspire a love of the heroine and prove to the reader that crime need not be bloody to be interesting.
From the Paper
"This is important because most of the twenty mysteries in The Complete Short Stories revolve around very ordinary settings. The first short stories began at the Tuesday Club, a social club formed by Miss Marple and her fellow old ladies her a small, English country town. The club was originally founded purely for the pleasures of social gatherings-but soon this club's purpose becomes a place of discussion of a variety of mysteries that prey upon the minds and the members of the club."
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Caffeine and Short Term Memory, 2008.
A discussion on caffeine and short-term memory.
2,788 words (approx. 11.2 pages), 6 sources, APA, $ 83.95
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Abstract
This study discusses the question of whether caffeine actually does stimulate the nervous system in such as way that it improves short-term memory. More specifically, the study supports the hypothesis that a group of male students who drank caffeinated coffee prior to taking a short-term memory test will perform better in terms of accuracy and speed than a group of male students that drank decaffeinated coffee before the test. The focus of the study is on a single research question: "Does caffeine improve the short term memory in male college students?" The paper concludes with an evaluation of the efficacy of the study, noting that, from the results obtained in the study, one cannot determine that caffeine improves short-term memory.
Outline:
Introduction
Understanding Memory
Significance of Study
Hypothesis and Research Questions
Literature Review
Methodology
Results
Conclusion
From the Paper
"Memory refers to the way in which humans store information for retrieval at a later time. Memory is the key to learning. Memory begins with a stimulus that is received through the five senses. The brain receives the message and sorts the data according to similarities and differences to other information that it already has in storage. It categorizes the information and places it in a location so that the information can be retrieved at a later date.
"We have several types of memory, one is short-term memory and the other is long-term memory. Short-term memory might only last for a few minutes. A piece of information must enter short-term memory before it can enter long-term memory (Singleton, 2006). Working memory acts as the central processing hub for short-term memory. A stimulus might involve several types of information coming in. Working memory collects them and integrates them so that they can be forwarded to the proper locations in the brain. One example of working memory might be when a person smells smoke, feels heat, and hears a crackling noise. These pieces of information all come from different sensory organs. The working memory integrates them and sends them to the area of the brain where they will be interpreted (Singleton, 2006). These pieces of information might not mean danger when taken individually, but taken together; they will most likely be interpreted as danger."
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Short-Term Memory and Aging, 2008.
A discussion of the possible causes for short-term memory loss in old age.
2,550 words (approx. 10.2 pages), 11 sources, APA, $ 77.95
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Abstract
This paper addresses short-term memory loss among the elderly. The paper points out that the habit of viewing difficulties of short-term memory loss as normal in aging is countered by knowledge of the phenomenon as a frequent indication of changes in other memory functions. The paper mentions current models, which address short-term memory in relation to brain connectivity, such that impaired short-term memory may be read as a sign for other alterations in memory or brain function that are more significant. The paper looks into a variety of causes in order to gain a better conceptualization of a condition that is a frequent symptom, rather than a disorder all its own. The paper concludes that symptoms involving cognition and memory indicate something, and are not reducible to old models of steady decline, especially mental decline, in old age.
From the Paper
"An aging North American population and much research attention given to Alzheimer's and dementia have produced considerable knowledge of help in understanding other conditions of brain function including mental and nervous disorder. Grady, Furey Et Al (2001) examined altered brain connectivity and the decline of short-term memory of a sample of Alzheimer's patients and a normal control group. Alzheimer's disorder is increasing defined as a syndrome of dysfunctional connectivity within the brain whose most apparent indication is often much impaired short-term memory. Given the technology available to neurologists and neuro-psychiatrists of today, much more is understood of what happens to the memory of the Alzheimer's patient in addition to knowledge allowing us to know more of the normal or aging person who does not present the condition. Delays in cognitive processing due to Alzheimer's changes affect other aspects of memory. For instance, impairment in the functioning of the prefrontal cortex of means the patient cannot recognize a once familiar face, or the face of a caregiver or other individual that is seen daily."
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The Short Story as Genre, 2006.
A paper looking at whether short stories can be categorized as a genre.
4,006 words (approx. 16.0 pages), 8 sources, MLA, $ 108.95
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Abstract
This paper discusses the various definitions of short stories that have been put forth over time by authors and experts in the field of literature and considers whether these definitions adequately prove that the short story can be considered a genre. The paper discusses the features of a short story that these authors and experts describe but concludes that, after all is said and done, there is no definitive feature of a short story that puts it in a genre by itself.
From the Paper
"A standard definition would allow readers to distinguish the short-story genre from a multiplicity of other genres. Additionally, the definition would enable readers to recognize similarities between genres: tragedy, the essay, the sonnet, but also verse narratives, so-called natural narratives, myths, jokes, anecdotes, or news stories, novels, short novels, annals, long stories, scientific reports, and plot summaries. Still, no such definition seems to exist."
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Short Stories as Character Studies., 2002.
A look at the three short stories by Chinua Achebe and Jorge Luis Borges and the role of their characters.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
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Abstract
In this paper, three short stories are analyzed for character development. Referring to a short story by Chinua Achebe and Jorge Luis Borges, the author of this essay discusses a thesis statement. This thesis statement asserts that short story development depends on the psychological of the main characters of the three stories selected for this analysis.
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Hemingway's Short Stories, 2005.
A look at some of Ernest Hemingway's short stories and how they give insight into the human condition.
1,237 words (approx. 4.9 pages), 5 sources, MLA, $ 42.95
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Abstract
This paper takes a look at four famous short stories by Ernest Hemingway and explains how Hemingway uses the literature elements of character and environment as a means to develop the theme and intent of his stories. To illustrate this point, the short stories "Soldier's Home", "A Clean Well-Lighted Place," "A Farewell to Arms" and "The Sun Also Rises", are each examined in the paper.
From the Paper
"At the beginning of "Soldier's Home," the protagonist, Harold Krebs, has just returned from the horror of World War I. Although his friends and associates who also came back from the war much earlier have once again settled into daily life in the small Oklahoma town, Krebs is restless and anxious, unable to readjust to civilian life. His parents cannot understand why he cannot resume a "normal" life--getting a job, getting married, and settling down into traditional middle-American life. The environment, which he cannot accept, stifles him. He cannot fit the mold."
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Love in Nethaniel Hawthorne's Short Stories, 2005.
A literary study about understanding three female characters in the short stories of Nathaniel Hawthorne.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
In this paper, Hawthorne provides three different women within three different stories that promote the theme of unattainable love. The women in Hawthorne's short stories die or are invariably unable to love the central male protagonist, but have varying differences of character and destiny that isolate them from a consummation of love's conjoined ideology. The paper describes the way in which Hawthorne has forged tales of romance that deny love and romance to the men and women involved in these three short stories.
From the Paper
"This literary study will examine the role of unattainable women in three stories by Nathaniel Hawthorne. In this manner, Annie from "The Artist of the Beautiful", Georgiana in "The Birthmark", and Beatrice in "Rappaccini's Daughter" will be compared and contrasted. By examining the role of the unattainable and distant woman in relation to the plots in these tales, Hawthorne imbues the futility of romance in his short story works. In "Rappaccini's Daughter" the theme of unattainable love revolves around Giovanni and Beatrice, the daughter of the scientist Baglioni. The poisonous plants that the scientist creates have immunized Beatrice, and have had a harmful effect on Giovanni. The repulsion to Beatrice is instilled through her inaccessibility in the poisonous garden."
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Edgar Allan Poe?s Short Stories, 2005.
This paper discusses autobiographical elements in Edgar Allan Poe's short stories "The Black Cat" and "The Fall of the House of Usher".
1,840 words (approx. 7.4 pages), 4 sources, MLA, $ 59.95
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Abstract
This paper explains that Edgar Allan Poe's short stories "The Black Cat" and "The Fall of the House of Usher", which explored the inner workings of the mind, were unlike the general style of writing of the time. The author points out that Poe led a troubled life, which may explain why his writing is so complex and filled with tormented characters. The paper relates that many connections have been made between Poe and these two short stories because he chose to write them in first person thus giving the reader the impression that they are autobiographical; his use of first person narration also aids the underlying psychological subtext because the reader is being told a story and can evaluate the narrator along with the story he is telling.
From the Paper
"Poe's characters in "The Black Cat" and "The Fall of the House of Usher" are afflicted with mental instability which, similar to Poe, has been attributed to loss. Poe's father abandoned the family in 1810, and shortly after passed away. Poe's mother passed away in 1811, from tuberculosis which was very early in the author's life. Tomc believed the loss of his mother and wife, later in his career, created a lasting impression on his writing. The mental instability Poe acquired from the loss of his parents is reflected in both the narrator in "The Black Cat" and Roderick Usher from "The Fall of the House of Usher" although both characters react to the instability differently. In terms of mental instability the narrator in "The Black Cat" describes his self as being "more moody, more irritable, more regardless of the feelings of others.""
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Hemmingway Short Stories, 2002.
A look at the themes of love and conflict in "The Old Man and the Sea", "Indian Camp" and "The Short Happy Life of Francis Macomber" by Earnest Hemmingway.
1,150 words (approx. 4.6 pages), 7 sources, $ 44.95
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Abstract
This paper examines and analyzes love and conflict in the Hemingway short stories, "The Old Man and the Sea", "Indian Camp", and "The Short Happy Life of Francis Macomber."
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Short-term Study Abroad Programs, 2004.
An overview and evaluation of short-term study abroad programs.
3,390 words (approx. 13.6 pages), 7 sources, MLA, $ 119.95
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Abstract
This paper analyzes short-term study abroad programs based on the types of exposure students receive. Concise definition of short-term programs is given and advantages and disadvantages of programs are presented.
From the Paper
"In recent years, short-term study abroad programs targeted at elementary and secondary school students have become increasingly popular. Although no statistics have been gathered on this specific population, Hudzik and Larsen have noted the trends of junior high and high school language teachers, social studies teachers, athletic coaches and band directors accompanying students to study abroad. Some of these programs for young students are also organized by youth exchange organizations such as..."
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Edgar Allan Poe: Short Stories, 2008.
Compares two short stories "Metzengerstein" and "A Tale Of The Ragged Mountains" by Edgar Allan Poe.
1,375 words (approx. 5.5 pages), 7 sources, MLA, $ 45.95
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Abstract
This paper discusses Edgar Allan Poe's "Metzengerstein" and "A Tale Of The Ragged Mountains" by examining the relationship between symbolic imagery and the human psyche in these short stories. The author points out that in "Metzengerstein", Poe's uses the physical object of a tapestry to symbolize the acute madness that is befalling the protagonist Frederick Baron Metzengerstein. The paper then relates ways that Poe's literary techniques and devices are used for specific purposes in "A Tale of the Ragged Mountains". The paper concludes that, in both of these short stories, Poe is advocating the idea that what may appear to be is not always what it is.
From the Paper
"In addition to the short story "Metzengerstein," the similar use of a physical object to allegorize a character's psyche can also be seen in Poe's short story "A Tale Of The Ragged Mountains." Daniel J. Philippon (1998) discusses this specific literary technique of Poe's in his article "Poe in the Ragged Mountains' Environmental History And Romantic Aesthetics." Philippon explains how most of Poe's stories explore the internal landscape of his characters at the expense of the physical world."
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Realism in the Short Story, 2005.
An assessment of the view that the brevity and compactness of the short story form makes it more inclined to be at odds with the conventions of realism than the novel.
3,158 words (approx. 12.6 pages), 16 sources, MLA, $ 91.95
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Abstract
This paper discusses the way in which the short story as a literary genre has developed, with specific reference to the works of Chekhov, Mansfield, Hemingway and Carver. It refers this development back to the treatment of realism by these authors, examining how this differs from realism in the novel. It examines the devices of the above authors in order to portray a sense of reality that only the short story is capable of doing, through the very compactness of its form.
From the Paper
"By exploring the relationship between the subjective absent and the objective present, Chekhov achieved an indistinct reality that did not specify an ideology, yet represented a suggested reality. Hahn states thus: '[Chekhov] saw it as literature's task to depict 'truth, unconditional and honest' - the truth of life itself; but as he conceived that truth, there were no literary models for him to follow.' The Chekhovian short story is governed by a seemingly insubstantial middle ground, comprised of a uniting tone rather than plot; yet, the implied realism arises from the interplay between the tangible and intangible, and between competing temporal spaces within a compact unit."
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