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Shakespeare's "Macbeth" and its Relation to History, 2000.
A discussion of the extent to which historical events in Scotland appear in Shakespeare's play "Macbeth".
1,760 words (approx. 7.0 pages), 7 sources, $ 56.95
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From the Paper
"In 1603, about the middle of Shakespeare?s career as a playwright, James VI of Scotland ascended the throne of England as James I. Instantly, the London of Shakespeare?s day was filled with an interest in anything Scottish. As they had for Queen Elizabeth before, Shakespeare?s company, King?s Men, performed plays for their new monarch. It was probably in his interest that Shakespeare turned to Raphael Holinshed?s novel, Chronicles of England, Scotland, and Ireland for his inspiration for Macbeth (Swisher 45-49). Although Holinshed?s text often seems dramatic and fanciful by today?s standards, it was the definitive historical text of Shakespeare?s time and its accuracy was unquestioned. The plot of Macbeth is derived from several significant events in Scottish history as told by Holinshed and dramatically combined and interpreted by Shakespeare to produce an enduring work of literature. "
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Characterization in Shakespeare?s "Macbeth", 2006.
This paper details the three aspects of the title character's personality which eventually leads to his downfall in William Shakespeare's play "Macbeth."
702 words (approx. 2.8 pages), 1 source, MLA, $ 25.95
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Abstract
This paper reviews and analyzes William Shakespeare's cleverly written "Macbeth" while focusing on the three aspects of the title character's personality that leads to his eventual downfall. The three character traits detailed in this paper are: Pride, tyranny and envy. By describing the title character as a proud warrior, tyrannical leader and envious man, Shakespeare proves Macbeth's actions as not only believable but also understandable.
From the Paper
"The first personality trait that Shakespeare reveals in Macbeth is pride. It is evident at the beginning of the play that the citizens of England regard Macbeth as a fearless fighter. While this is often a good trait, it leads to his downfall in two ways. First, Lady Macbeth is able to use his pride to coerce him into killing Duncan: "When you durst do it, then you were a man:/And to be more than what you were, you would/Be so much more the man." (I,vii,49-51). Lady Macbeth knows that pride is one of Macbeth's weaknesses, and she exploits it well. Macbeth's pride again gets the better of him when the witches tell him his fate for the second time. When Macbeth hears that he will be safe until the Birnam Wood rises up against him, his pride overcomes him, and he is not as suspicious as he should be: "That will never be./Who can impress the forest, bid the tree/Unfix his earth-bound root? Sweet bodements, good!" (IV,i,94-96). Macbeth's pride leads him to overconfidence, which leads to his downfall."
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Shakespeare?s ?Macbeth?, 2002.
This paper discusses Shakespeare?s ?Macbeth? for the perspective of the marriage relationship between Lady Macbeth and Macbeth.
1,540 words (approx. 6.2 pages), 1 source, $ 50.95
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Abstract
This paper explains that the marriage relationship between Lady Macbeth and Macbeth is ironically close, given their overwhelming personal ambitions. The author feels that their relationship disintegrates not because they lack love or respect for one another, but because they succumb, by the end of the play, to guilt and other personal psychological demons. The author relates that the porter?s joking about his drunkenness is an analogy for Lady Macbeth and Macbeth?s being drunk on power, as well as the clouding of their moral judgment.
From the Paper
"Macbeth?s soliloquy at the time of his wife?s passing is as full of sorrow as Macduff?s, but Macbeth also lapses into self-absorption and bravado. At first, he mourns his loss, saying ?She should have died hereafter,? (V, v, 19). Macbeth then begins the ?Tomorrow, tomorrow, and tomorrow? soliloquy, which reeks of hopelessness, despair, and nihilism. He feels that life is meaningless, and in so doing may be attempting to extricate himself from his own guilt. Lady Macbeth committed suicide because of her immense psychological trauma. Her husband transforms his guilt into self-righteousness and even after Lady Macbeth?s suicide he still feels invincible because of the witches? prophesy. Whereas Macduff incorporated his loss and pain into a healthy psychological makeup, Macbeth transforms his grief into denial."
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Shakespeare's "Macbeth", 2003.
This paper discusses the concept of ambition in Shakespeare?s
?Macbeth?.
880 words (approx. 3.5 pages), 1 source, MLA, $ 31.95
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Abstract
This paper discusses that in writing "Macbeth," Shakespeare attempted not only to describe, but also to define the very essence of ambition. The paper asserts that, in the play, ambition is inextricably intertwined with conscience. The author presents specific examples and character exploration and concludes that the meaning of ambition in Shakespeare's time was much more negative than in today's society.
From the Paper
"The second way in which conscience and ambition interact in Macbeth can be seen in Lady Macbeth, who is the most ambitious and Machiavellian character in the beginning and whom guilt seems to affect the most as the play progresses. She is not only restless and disturbed like Macbeth was after he had killed Duncan, but she actually goes mad and commits suicide, driven to utter despair and insanity by the thought of the innocents? blood on her hands. Evidence of this lies in her night-walking speech in the first scene of Act 5: ?Out, damned spot, out, I say!.. The Thane of Fife had a wife. Where is she now? What, will these hands ne?er be clean?? In comparison to what she tells Macbeth, as encouragement in the murder of king Duncan (Act 1 Scene7: ?I would, while it [the babe that milks me] was smiling in my face, / Have plucked my nipple from its boneless gums / And dashed the brains out, had I so sworn as you have done?), we see that her conscience is much stronger. Thus, her ambition and the guilt that came with it awoke her conscience instead of destroying it."
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Dissonance in Shakespeare's "Macbeth", 2002.
Examines marital, moral and fraternal manifestations of dissonance in "Macbeth" by William Shakespeare.
1,150 words (approx. 4.6 pages), 2 sources, $ 44.95
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Abstract
This paper reflects on three types of dissonance, including mental, literary and conflict, to define and describe the actions of the characters in Shakespeare's "Macbeth".
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The Effect of Evil in Shakespeare's "Macbeth", 2002.
This is a research paper written about the effect of evil on humanity in the play "Macbeth."
1,330 words (approx. 5.3 pages), 4 sources, MLA, $ 44.95
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Abstract
This paper is an analysis of Shakespeare's play "Macbeth." "Macbeth" is the study of an honorable man and the savior of his country, falling through the turmoil of evil and corruption and ultimately becoming an unnatural man, isolated from his kinsmen, and meeting his inevitable demise. It deals with the effects of evil in "Macbeth" on four different levels of destruction: that of the fallen man, that of his family, that of the state and that of the physical universe.
From the Paper
"Often in literature, the forces of evil play a major part in the downfall of the protagonist. As Lennox expresses to Macbeth: ?The night has been unruly: where we lay,/ Our chimneys were blown down, and, as they say,/ Lamentings heard i?th?air?, strange screams of death,/ And prophesying with accents terrible/ Of dire combustion and confused events/ New hatched to th? woeful time.? (Shakespeare 2.3 54-59) Ironically, he was telling of the horrors from the night before, when King Duncan was slain in his bed, while in actuality Macbeth had done the slaying. Shakespeare?s play Macbeth is a ?complex study of evil and its corrupting influence on humanity.? (Richards, 236) It is also the study of an honorable man and the savior of his country, falling through the turmoil of evil and corruption and ultimately becoming an unnatural man, isolated from his kinsmen, and meeting his inevitable demise. The evil unleashed by Macbeth expands into even more evils that effect humanity on all four different levels of creation: that of the fallen man, that of his family, his state, and of the physical universe."
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Shakespeare's "Hamlet" and "Macbeth", 1974.
This paper discusses Shakespeare's two tragedies "Hamlet" and "Macbeth", which relate life as a study of passion.
1,800 words (approx. 7.2 pages), 2 sources, $ 63.95
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From the Paper
"By all critics, at one time or another, William Shakespeare has been variously referred to as the ?master playwright?, brilliant in his portrayal of nearly every facet of action, plot, character; in short, a genius of dramatic expression rarely equaled in his or our time. It is a tribute of course that one-third of all books written is directly or indirectly related to this man. But I do not only wish to praise a man who has already been praised beyond this writer?s ability, but to expound on one of his themes frequently, and, again, brilliantly woven into many if not most of his plays. This being the theme of the supernatural, present, specifically, in Hamlet and Macbeth, which will provide the necessary backdrop for our discussions of the supernatural theme.
The use of the supernatural in Shakespeare?s works..."
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"Hamlet" and "Macbeth" by William Shakespeare, 1990.
A comparison of Shakespeare's Hamlet and Macbeth in terms of right to rule and storm imagery.
1,350 words (approx. 5.4 pages), 1 source, $ 47.95
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From the Paper
"Hamlet and Macbeth both portray usurpers as ruling kings, and in each case it is made clear that such rule is not to be tolerated either by the ruled or by the universe. Indeed, the fate of kings is tied to the order of the universe, and dissension and tension in one is reflected in the other. Yet, the issue is complex, and while the usurper has no right to rule, it is not always clear who has the right to prevent him from ruling. In Macbeth, the fate of the usurper is ordained, and his downfall at the hands of the wronged Macduff, who is the rightful king. Macduff has the right to retake his throne by force. The hesitation of Hamlet, much commented on by critics, may derive from the fact that while he knows Claudio to be a regicide, to kill Claudio would make him a regicide as well. In both plays, the usurpation of the throne leads to a more dangerous and..."
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Richard III in Shakespeare and History, 2005.
A compare and contrast paper of Richard III from William Shakespeare's drama and the historical figure in English history.
2,252 words (approx. 9.0 pages), 6 sources, MLA, $ 69.95
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Abstract
This paper compares and contrasts the historical from the literary Richard III, as portrayed by Shakespeare. There is a brief description of each portrayal as well as a short analysis of the two together. The representation by Shakespeare shows the villain-hero to be one that we both adore and abhor at the same moment, but the real Richard III was just as fascinating in his ability to twist the royal line to make himself king.
From the Paper
"Being so repulsive, Richard learned to use beautiful words and delicate language to disguise his face and to gain the trust and love of others by speaking sweetly to them. Lady Anne, mourning over the corpse of her father-in-law, was won over by his honeyed tongue. Richard not only slew her father-in-law, King Henry VI, but he murdered Anne's husband, Prince Edward, on the battlefields as well. Richard convinces Anne that it was her beauty that forced him into killing her beloved family. Anne, so swept up by his voice and, perhaps with the sight of an empty future, ends her resistance, stays her curses of him, and agrees to become his wife."
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Shakespeare's History Plays, 2002.
Looks at the similarities and differences in three of William Shakespeare's plays - "King Henry IV", "Richard II" and "Richard III".
1,876 words (approx. 7.5 pages), 3 sources, $ 60.95
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Abstract
By analyzing "King Henry IV", "The Tragedy of King Richard III" and "The Tragedy of King Richard II", the paper shows that the underlying message in Shakespeare's history plays seems to be that kings who are extreme in their execution of power provide a representation of a weak and vulnerable monarchy, whereas kings who apply a modicum of moderation to their exercise of power provide a representation of a strong and indestructible monarchy. The paper shows that King Henry IV is the epitome of a successful ruler, in the simple fact that he manages to remain alive at the end of the play and do what is best for the country and its people by continuing to fight the rebel armies until they have lost the ongoing battle with the monarch. This in and of itself suggests that he is able to find a delicate balance between being overly powerful and yielding to others under pressure. The paper shows, on the other hand, that King Richard II is unable to exert any power whatsoever, partly due to his fear of confrontation and partly due to his overwhelmingly pathological view of himself as being a Christ figure. It shows that Richard III is, as well, equally unsuccessful as a ruler because he exerts too much power as a result of a delusional likeness with Richard II?s antithesis, Satan.
From the Paper
"Likewise, Richard III also holds himself in very delusional esteem, though it is expressed in a different manner than with Richard II. Like Richard II, Richard III believes he is worthy of the throne despite being, by definition, an illegitimate ruler. However, this misleading conviction triggers murderous ?[p]lots [he has] laid? (I.i.32), including the murder of his brother Clarence, the murder of King Edward?s sons (including the heir to the throne, the Prince of Wales), and an incestuous scheme to marry the late King?s daughter, Elizabeth, in order to seem more fitting to be king. Undoubtedly, he believes wholeheartedly that he has been rejected and/or cheated by God, and that he is deserving of the kingship. His belief system allows his mental health to shatter in such a manner that leads way to an excessive use of force and power in order to obtain the things he so desires. His own delusional belief system leads the reader to deem it likely that Richard III is as much a Satan figure as Richard II is a Christ figure. The extreme self-views held by each of these kings guide them to act in highly radical manners that are not at all conducive to governing a successful monarchy."
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Shakespeare and History, 2006.
This paper examines Shakespeare's "Hamlet" to highlight the theme of revenge present.
675 words (approx. 2.7 pages), 0 sources, $ 26.95
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Abstract
The paper investigates the interdisciplinary topic of the practice of revenge as a social institution designed to protect the honor of the family. To accomplish this, the writer focuses on Shakespeare and historical studies. In Shakespeare's "Hamlet," the main character is acting against his nature from the moment he sees his father's ghost who commands "Tho art thou to revenge. Revenge his foul and most unnatural murder."
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?Macbeth? by William Shakespeare, 2002.
The paper examines Macbeth's ambition and desire for power and how it led to his eventual downfall.
1,320 words (approx. 5.3 pages), 0 sources, $ 44.95
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Abstract
?Macbeth?, written by William Shakespeare, is the tragic tale of Macbeth, a virtuous man, corrupted by power and greed. This desire leads him to murder the king but also leads him to insecurity. This paper analyzes his uncontrollable ambition and how these desires take control of his actions which lead to his ruin.
From the Paper
"Throughout the play, Macbeth?s character grows stronger as Lady Macbeth's will regresses. It even gets to where Macbeth will not include his wife in his villainous schemes, where at one time, it was Lady Macbeth who was implementing these schemes in his head in the first place. In a sense, the two characters switch roles. The turning point for Lady Macbeth is when she learns of her husband's slaying of Macduff's family. She realizes that this is all a result of her greed for power, power that led to the corruption of her husband and allowed her to create a monster out of a once, at least, worthy man. In this state, she turns to sleepwalking, which reveals her guilt. ?Out, damned spot! Out, I say! One, two. Why, then ?tis time to do't... The thane of Fife had a wife. Where is she now? What, will these hands ne'er be clean?...? This guilt and paranoia eventually leads to Lady Macbeth's violent death at her own hands."
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"Macbeth" ( Shakespeare ), "Doctor Faustus" ( Christopher Marlowe ) & "Prodigious Magician" ( Calderon De La Barca ), 1999.
Compares tragedies' depictions of evil & personal responsibility.
1,125 words (approx. 4.5 pages), 3 sources, $ 39.95
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From the Paper
"Visions of evil operating in this world serve as the subject mater for the dramatist, especially in an era when good and evil were seen more clearly as battling for the human soul directly, often personified as angel and devil. In the Elizabethan era, William Shakespeare in Macbeth and Christopher Marlowe in Doctor Faustus in England explored these issues in different ways, though each saw evil as manifest and physical as well as sometimes supernatural. In Spain, Calder?n de la Barca a few years later similarly expressed the palpable nature of evil in human life in his El m?gico prodigioso. The Marlowe and Calder?n works are both based on the Faust legend, while Shakespeare's play is based on a historical individual reported in Raphael Holinshed's Chronicles, though Shakespeare took many liberties with history as Holinshed presented it. The historical Macbeth.."
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Shakespeare?s Lady Macbeth, 2004.
This paper discusses the mental state of Lady Macbeth from Shakespeare?s ?Macbeth?.
1,850 words (approx. 7.4 pages), 2 sources, APA, $ 59.95
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Abstract
This paper, exploring Lady Macbeth?s words and actions, proves that she was a woman driven by ambition and power, thus rejecting the notion that she suffered from hysteria.The author points out that only when she did not completely consider the consequences, did she begin to fall apart. The paper concludes that ambition is not a neurosis, but as Shakespeare teaches, it can be deadly; Macbeth and Lady Macbeth are unable to cope with what they did.
From the Paper
"Our first bit of proof that Lady Macbeth is not hysterical but in her right mind occurs in her effectiveness in manipulating her husband. She doubts his manhood when he does not appear to be eager to commit murder. For instance, she tells him:
From this time,
Such I account try love. Art thou afeard
To be the same in thine own act and valour
As thou art in desire? (I.vii.38-41)
This statement reveals how tricky she can be. Her incredible commitment to carry through with the murder of the king is amazing beyond belief and her trickery is proof that she operating under her own conscious."
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Macbeth and Lady Macbeth, 2002.
An examination of the relationship between the character Macbeth and Lady Macbeth in William Shakespeare's play, "Macbeth".
568 words (approx. 2.3 pages), 1 source, $ 20.95
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Abstract
This essay discusses the changes in the relationship between Macbeth and his wife, Lady Macbeth in Shakespeare's tragic play, "Macbeth". It shows that as the events of the play progress, so too does their relationship progress from a loving one to an abnormal and unhappy relationship.
From the Paper
"In the beginning of the play, Macbeth and Lady Macbeth seem to be deeply in love with one another, as proven by such things as his referring to her as his ? dearest partner of greatness? and his wanting to go ahead of everyone to get to his home quickly. In the beginning of the play, Macbeth seems to be the ?lesser of two evils? as it may be, and Lady Macbeth seems to be domineering. After the murder of Duncan, Lady Macbeth tries to calm Macbeth down by telling him ?These deeds must not be thought?so it will make us mad?, which is ironic because her own thought so of the murder eventually drive her to suicide. Lady Macbeth begins to manipulate Macbeth and challenges his feelings of guilt and pity for King Duncan and replaces them with malicious and spiteful feelings ?look like th'innocent flower, but be the serpent under't?. Lady Macbeth now instructs Macbeth on how he should act, encouraging him to be deceitful to Duncan. Macbeth becomes so absorbed in his mixed feelings about the murder that he withdraws from the loving relationship that he had with Lady Macbeth in the beginning of the play."
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