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'The Secret Sharer' and The Invented Leggatt, 2006.
A review of 'The Secret Sharer' by Joseph Conrad.
3,380 words (approx. 13.5 pages), 2 sources, MLA, $ 96.95
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Abstract
This paper takes a look at the book, 'The Secret Sharer' by Joseph Conrad. The paper focuses specifically on the character 'Leggatt'. The paper argues that 'Leggatt' is an invented, imaginary person. According to the paper, Leggatt has been invented by the captain to justify the choices he made on that first journey as captain, when he chose to reject his young self and adopt a more mature and responsible self.
From the Paper
"Another important point to consider is how the story is told, with this impacting on the story. The story is narrated by the captain, looking back on his time with the ship. This reflective approach emphasizes that it is the captain's experience that is important, more so than the events themselves. Having the captain reflect on the experience also emphasizes that it was a significant event in his life. However, this reflective approach does not mean that the events have to be true. After all, they are important to the captain for what they mean to him and what they represent. This supports the idea that the events described are fictional. They are effectively a myth that the captain has invented to understand himself and how he changed on that first journey. It has been noted though, that he did not change because of what happened on the trip. Instead, it was a normal trip where the captain took on his role, assumed responsibility, and accepted full authority. The story of Leggatt is the myth that the captain has invented to explain how he changed. It is his way of reconciling what he did with a created story that turns a personal experience into a set of events that represent the experience. In this way, the captain has made his coming of age experience a literal experience that others can also understand."
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"The Secret Sharer", 2000.
This paper free-associates the meaning behind the story, "The Secret Sharer." It discusses the evolving relationship of the Captain and Legatt, which include his realization of the affect his actions can have on the lives of others.
930 words (approx. 3.7 pages), 3 sources, $ 33.95
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Abstract
This paper examines the story "The Secret Sharer," and presents the thesis that perhaps Leggatt and the Captain shared a portion of their identities. The paper covers the captains growth, from a young man, when he was first made captain, and some of the choices he made during these earlier years, through events that shaped and influenced his later years.
From the Paper
"This story throughout showed a Captain?s growth and process through his right of passage, from being an inexperienced and uncertain young man to being an in-charge ship?s Captain. He learned not only how to be a captain, but also discovered who his inner self was. He learned to make moral decisions as well as decisions pertaining to the running of the ship without fear of what the shipmates would think. Although in his youth he had much more wisdom than the Captain of the Sephora who had the experience of thirty and seven years, but never became a confident man who believed in himself, because he acted as a coward and then lied about Leggatt who had witnessed his cowardice, in order to preserve his own reputation."
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?The Secret Sharer?, 2002.
A critical analysis of Joseph Conrad's formalist approach to writing in his novel, ?The Secret Sharer?.
1,760 words (approx. 7.0 pages), 1 source, MLA, $ 56.95
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Abstract
This paper examines the use of narration, tone and the symbolism in Joseph Conrad's novel, ?The Secret Sharer?. It states that the effectiveness of the novel lies in his method of story telling, while still emphasizing the meaning beyond the story itself.
From the Paper
""The Secret Sharer "by Joseph Conrad is a story with universal themes relating to human nature and the journey to find oneself that every human takes at some stage in their life. Conrad offers readers a story in the form of a series of events while keeping the emphasis on the journey these events represent. In this way, Conrad makes the universal themes clear, the story an effectively told tale communicating a theme that has universal relevance."
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Joseph Conrad's "The Secret Sharer", 2001.
An essay examining elements of plot, character development, symbolism and themes found in Conrad's short story.
1,605 words (approx. 6.4 pages), 4 sources, $ 52.95
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Abstract
This essay discusses and analyzes Joseph Conrad?s short story The Secret Sharer. The author describes Conrad?s life as a sailor and its influence on the tale. The relationship between the two main characters, the unique plot, symbolism, issues of morality and justice, and general themes are also explored. A critical review of the story concludes the essay.
From the Paper
"In a discussion and analysis of Joseph Conrad?s short story ?The Secret Sharer? (1910), it is important to begin with a look at the author?s life to better understand the foundation for the vivid details in this seaman?s tale and how Conrad?s personal experiences certainly influenced the language used and plot in this work. Joseph Conrad was of Polish origin and born in 1857, and he lived in Poland until he was seventeen years of age. In 1874 Conrad left Cracow for France to learn the fundamentals of seamanship and a second language. At the age of twenty Conrad moved to England with the intention of becoming an officer on British ships, and he spent the next twenty years working at sea. He soon mastered English as his third language and then became a British subject around 1886. Although a common sailor at first, Conrad advanced quickly through the ranks, became a ship?s captain at the relatively young age of thirty-one, and spent three years in the Far East on a series of voyages. By the age of forty Conrad was in declining physical health and retired from the sea forever, and he worked as a popular and successful English novelist until his death in 1924."
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?The Secret Sharer?, 2002.
Discusses the theme of the journey within in Joseph Conrad's novel.
1,059 words (approx. 4.2 pages), 1 source, MLA, $ 37.95
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Abstract
At the helm of a nameless ship, a young man referred to only as Captain, over-comes the challenges of his first command when he meets face to face the darker side of self within a fugitive he secretly rescues from the dark night sea. The paper shows that in ?The Secret Sharer,? Joseph Conrad explores the insecurities of a young sea captain who feels not only a stranger to the ship and its crew, but to himself. The story takes place in the late 19th century aboard a merchant ship in the Gulf of Siam, a lonely and isolated area of the world, which Conrad uses to help accentuate the Captain?s own feelings of isolation and uncertainty. The paper explains that the major theme of Conrad?s story is the conflict between obeying societal laws and yielding to instinctual survival decisions, law verses outlaw. The Captain sees within the fugitive, Leggatt, a part of himself yet unexplored. The paper concludes that Leggatt becomes a catalyst for the Captain in his search for the courage to take command and responsibility of not only his ship, but life itself, thus, his rescue of Leggatt becomes the rescue of himself.
From the Paper
"Symbolically, both are outcasts, Leggatt from society due to his crime, and the Captain from his command due to his self-doubt. The Captain feels such an affinity for Leggatt that he hides him in his cabin, sharing his food, his clothes, and even his bed. He also shares his secret feelings of doubt and inadequacy, thus, bonding on a psychological and spiritual level with Leggatt. They become simpatico, communicating more with eye contact and gestures than words, causing the Captain, the narrator of the story to express, ?What could I tell him that he did not already know? (Conrad 1997)? The Captain even deludes the skipper of the Sephora when he comes aboard looking for Leggatt, the Captain?s secret sharer, and it is then that the urgency to plan Leggatt?s escape befalls them."
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Doubles in Literature, 2000.
A comparison of use of split-characters in Conrad's "Secret Sharer" and "Heart of Darkness" and Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde."
900 words (approx. 3.6 pages), 2 sources, $ 31.95
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Abstract
"With respect to the use of "doubles," Joseph Conrad's The Secret Sharer and Robert Louis Stevenson's Dr. Jekyll and Mr Hyde share more similarities than either of those works share with Conrad's Heart of Darkness.
From the Paper
"With respect to the use of "doubles," Joseph Conrad's The Secret Sharer and Robert Louis Stevenson's Dr. Jekyll and Mr Hyde share more similarities than either of those works share with Conrad's Heart of Darkness. In both Secret and Jekyll, the doubles clearly reside in one man and the doubles are clearly delineated--one good and the other evil. In Heart, on the other hand, one could make an argument that both Kurtz and Marlow have doubles within them, but in both Kurtz's and Marlow's cases those doubles are less delineated than in the main characters of Secret and Heart. Still, in both cases, the exploration of doubles finds that within each man there is a force for evil that does battle with the force for good. While the doubles advance the stories in all three cases, the more fascinating aspect of the issue is the psychological and what it shows in each story about the evil..."
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Sight and Blindness, 2002.
A look at the concepts of sight and blindbess in "Oedipus the King" and "The Secret Sharer".
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
This paper examines sight and blindness in "Oedipus the King" by Sophocles and "The Secret Sharer" by Joseph Conrad. These two texts both rely on sight and blindness as a central metaphor. The emphasis is not on eyesight but rather on insight or seeing one's true nature.
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Three Short Stories, 2002.
This paper compares three short stories: ?The Kiss? by Anton Chekhov, ?How to Tell a True War Story? by Tim O?Brien and
?The Secret Sharer? by Joseph Conrad.
1,465 words (approx. 5.9 pages), 3 sources, $ 48.95
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Abstract
The paper discusses that these three stories shed light on the subject and technique of contrast and irony in their own unique manner: ?The Kiss? by Anton Chekhov focuses on contrasting emotions, ?How to Tell a True War Story? by Tim O?Brien deals with duality of thoughts and ?The Secret Sharer? by Joseph Conrad draws our attention symbolically to contrasting sides of one person. The paper author believes that these stories help us understand that nothing in this world is static and thus emotions, people and thoughts can be highly unpredictable.
From the Paper
"Similarly, in another short story titled, "How to Tell a True War Story", by Tim O?Brien, we come across another type of contradiction. This contradiction deals with conflicting thoughts that emerge in the head of a soldier who has witnessed the brutality of a war. The author wants us to know that even one static experience can generate a wide range of conflicting emotions and thoughts. The death of Curt Lemon on the battlefield is that one unchangeable experience which gives rise to many moving, evolving and changing emotions. These emotions are at times poignant while at others they reveal a different aspect of war and thus become slightly positive in nature. "
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The Symbolic Representation of the ?Other?, 2006.
This paper focuses on symbolic similarities in Joseph Conrad's "The Secret Sharer," William Shakespeare's "The Merchant of Venice" and Miguel de Cervantes' "Don Quixote."
1,455 words (approx. 5.8 pages), 3 sources, MLA, $ 48.95
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Abstract
This paper analyzes the theme of the physical self and the metaphorical other which represents the conscious and unconscious selves of the protagonists in all three works of writing. This paper details how the Captain in "The Secret Sharer," Shylock in "The Merchant of Venice" and Quixote in "Don Quixote" have struggled to control these particular facets of their personalities. The writer of this paper examines how the three were either able to overcome this struggle or were eventually defeated. This paper clearly details the characteristic traits and events that led to the main characters' self realization. Shylock is primarily characterized as a man motivated by money and power, whose physical self is motivated by greed, while his metaphorical self was motivated by revenge. Don Quixote's character is similar to that of Shylock's. The writer contends and explains how in the same manner as Shylock, Don Quixote allowed his other self to emerge, thereby making him an insane individual, no longer able to distinguish between illusion and reality. The Captain is depicted as man who is not able to fully experience the kind of life that his metaphorical self desires, yet he nevertheless achieves it by helping the character of Leggatt achieve his freedom.
From the Paper
"Conrad's psychological portrayal of the Captain became more explicit as the story neared its end. The Captain was not able to fully experience freedom and a carefree life, the kind of life that his metaphorical self desired, but he nevertheless achieved it by helping out Leggatt achieve his freedom. Moreover, wish-fulfillment was achieved when he let go of the symbolic white hat, which the Captain described as "marking the spot where the secret sharer of my cabin and of my thoughts, as though he were my second self...a free man, a proud swimmer striking out for a new destiny." His metaphorical self recognized, the Captain sought a better life by living his own life meaningfully, in his own way. Through this, he had achieved true self-actualization, for he was able to recognize the benefits and limits of both his physical and metaphorical selves."
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"Doubles" in Literature, 2002.
This paper discusses the use of "doubles" in Joseph Conrad's "The Secret Sharer" and "Heart of Darkness" and Robert Louis Stevenson's "Dr. Jekyll and Mr Hyde".
1,085 words (approx. 4.3 pages), 2 sources, MLA, $ 37.95
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Abstract
This paper describes that in the use of "doubles", Joseph Conrad's ?The Secret Sharer? and Robert Louis Stevenson's ?Dr. Jekyll and Mr Hyde? are more nearly similar than either of those works are like Conrad's ?Heart of Darkness?. The author points out that in both ?Secret? and ?Jekyll?, the doubles reside in one man and the doubles are clearly delineated, one good and the other evil, but in ?Heart? both Kurtz and Marlow have doubles within them.The paper explains that the psychological issues of the uses of doubles in the three works are twofold: How is it that a man comes to be made aware of the evil within himself, and how does he respond when that confrontation takes place?
From the Paper
"Conrad's The Secret Sharer is easily the most complex of the three stories, for it can be taken as the portrayal of both the double externalized and internalized. Clearly, in either case, Leggatt is meant to be the evil side of the young captain. The captain is kin to Marlow in that both set off on a journey, internally and externally, in relative innocence, and both end up far more aware of the evil in the world."
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Contradictions in Realistic Fiction, 2002.
A discussion of the sense of reality in ?The Kiss? by Anton Chekhov, ?How to Tell a True War Story? by Joseph Conran and ?The Secret Sharer? by Tim O'Brien.
1,439 words (approx. 5.8 pages), 3 sources, MLA, $ 47.95
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Abstract
This paper reviews the above novels and looks at how truthful perceptions are hard won by the characters in each case. It examines how the protagonists in each story do not first perceive themselves or the world in a way that is commensurate with reality and how through the juxtaposition of reality and the character?s dreams, a sense of truth is created and a sense of a character?s final coming to terms with some self-knowledge is created at the narrative?s closure. It looks at how all three protagonists swim in a sea of contradictions between a truth that can never be expressed or known to the outer world and to the strife they feel within themselves. In all three short stories, the true depths of the character?s inner turmoil are never completely revealed to all. No one ever understands how much ?The Kiss? meant to the soldier, O?Brien?s soldiers never say quite what happened to their comrades during the Vietnam War and Leggatt leaves the tale a mysterious ?floppy? had on shallow water.
From the Paper
"Tim O?Brien?s ?How to Tell a True War Story? also creates ironic juxtaposition between perceived reality and what is actually true. In this case, the juxtaposition is between the characters? real experience of war and the propaganda the characters were fed before they began to fight the war in Vietnam. As in Chekhov?s short story, this juxtaposition ultimately proves embittering to the protagonists. The narrator of O?Brien?s narrative states that ?in the end, really, there's nothing much to say about a true war story, except maybe ?Oh.? True war stories do not generalize. They do not indulge in abstraction or analysis.? "
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?Pledged: The Secret Life of Sororities?, 2005.
A look at how Alexandra Robbins spills secrets in her book "Pledged: The Secret Life of Sororities".
1,350 words (approx. 5.4 pages), 1 source, MLA, $ 45.95
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Abstract
This paper reviews the book "Pledged: The Secret Life of Sororities" and examines how Robbins takes the information she had acquired in a year about sororities, ties it up in a pretty package and allows the reader to make judgments on sorority life while keeping her opinion and thoughts extremely non-biased. It shows how Robbins is able to divulge in what she learns, reenact real situations through detailed dialogue and still leave the reader stimulated with enough curiosity by the end that they want to follow up on the characters.
From the Paper
"Robbins' book is comprised of about 75 percent vignettes and 25 percent authorial voice. The vignettes Robbins uses are essential in understanding what the opinions of the main characters are and also gives a general idea of how the other sisters feel and are affected by situations. By using so much dialogue, Robbins put the reader in the room with the characters and gives them a chance to feel as though they are flies on the wall. The only time Robbins interjects into the scene is to explain something that a "normal" or non-Greek affiliated person would know or to explain to you exactly what is happening in the scene between the sisters."
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Legal Case: Trade Secrets, 2008.
Looks at a legal case regarding trade secrets, conflicts of interest,
and covenants not to compete.
1,130 words (approx. 4.5 pages), 13 sources, APA, $ 39.95
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Abstract
This paper explains that, as employees have access to trade secrets, they pose the threat of stealing the secrets when they leave the business. Thus, American law allows the employer to protect his interests through the somewhat limited enforceability of covenants not to compete. The paper then points out that, while these covenants have been used for many years, new issues have emerged as the economy has become more flexible with employees frequently changing jobs and with businesses being sold to successor companies. The paper goes on to analyze the test case of "Riamonde v. Van Vlerah" (1975) whereby the Ohio courts uphold covenants to not compete thus protecting trade secrets. The paper includes references to several other cases as well.
From the Paper
"In trying to balance the reasonable rights of the employer to protect trade secrets and the right of the employee to work, Ohio courts seem most inclined toward what might be called the "Express Consent" approach. A successor employer can enforce a non-compete agreement only if it meets three requirements. First, the employer must show that employees expressly consented not to compete against the successor employer. This could be shown by either of two means: (1) the non-compete provision must state that the covenant is an asset of the predecessor employer, and must state that it can be transferred to the employer's successors and assigns."
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Victoria?s Secrets, 2006.
This paper examines the company Victoria Secrets, its goals and its strategic advantages in terms of the competition.
1,136 words (approx. 4.5 pages), 2 sources, MLA, $ 39.95
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Abstract
In this paper the author thoroughly examines the profile and properties of the lingerie company Victoria Secrets. The author starts with a summary of the beginnings of Victoria Secrets. He tells us that its founder Roy Raymond could not find a present for his wife and saw an opening in the market. The author proceeds to expand on how the company grew and constantly changed its perspectives on the market, based on the acceptable fashions of each time period. The paper also looks at the marketing ploys of the company, from advertising through to store design, which has made it the most successful lingerie business there is today. Finally the author confirms Victoria Secrets success by stating it has given the customer a lifestyle which incorporates the product.
From the Paper
"With the transformation of the business, its goals also changed. Working on the thought that while bought and wore underwear, they aspired to buy and wear lingerie, the first move was do away with Raymond's goal of having the stores' as some sort of shopping haven for male shoppers. Wexner, along with Senior Vice President, Dan Finkleman realized that while men gave lingerie as gifts, it was women who bought 90% of their own intimate apparel and therefore the company made female customers the sole focus of all its efforts. The main goal of the company in this respect was and is image. Dan McGinn aptly summarizes this and other goals in his case study of the company. He says, "It started with the name Victoria, which conjures up 19th-century England. To further emphasize the veneer of European luxury, catalogs listed the company's headquarters in London, even though it was really in Ohio. And the products themselves stood apart from traditional department store offerings." Another one of the company's major goals was to avoid mistakes made by other lingerie producers, particularly stories such as Frederick's of Hollywood."
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Victoria Secret's Men's Line, 2007.
Presents a marketing plan for the launch of Victoria Secret's new men's line called Lil' Devil's .
5,810 words (approx. 23.2 pages), 12 sources, APA, $ 139.95
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Abstract
This paper explains that Victoria's Secret, the leading specialty retailer of lingerie, is planning to market Victoria's Secret Lil' Devil's line of menswear. The launch of this menswear division is expected to be one of the largest in the history of men's intimate apparel. The author relates that Victoria's Secret will create new 'designer' men's underwear and sleepwear with the same great design, unusual fabrics, wonderful colors and large variety of choice for every occasion, which have made their women's line the market leader. The paper extensively discusses the elements of the market mix, segmentation, strategies and control mechanism and specifically relates these issues to the launching of this new menswear range.
Table of Contents:
Final Marketing Plan
Organizational Overview
Product Description
S.W.O.T.T. Analysis
Strengths
Weaknesses
Opportunities
Threats
Trends
Market Research
Segmentation
Positioning
Product Life Cycle
Marketing Mix
Budget
Twelve - Month Marketing Budget
2005
Control Mechanisms
From the Paper
"To ensure a successful launch of our new men's line of undergarments we need to carefully market the new products. Victoria's Secret believes that a three-step process of marketing research will help us achieve our goal of selecting the best strategies and tactics. The first step of the research is to have our marketing teamwork closely with our product development department. The product development department will be able to educate us on the various products, including comfort features, fabrics, and available styles and colors."
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