| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "SAINT PETER CATHEDRAL": |
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Saint Peter's Cathedral, 2002.
A history of Saint Peter's Cathedral in the Vatican.
1,018 words (approx. 4.1 pages), 5 sources, MLA, $ 36.95
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Abstract
This paper discusses Saint Peter's Cathedral, situated in the Vatican, Italy. Saint Peter's Cathedral, also known as the Basilica of Saint Peter, stands in what was once the Circus of Nero in Rome, where Saint Peter was crucified in 61 A.D. In around 200 A.D., an altar was constructed at the site and Saint Peter's body was buried beneath it. It examines its architecture and history, the way it was, the way it has changed over time and the way it is today. It looks at how it serves as the home church for the Pope and is a glowing testament to the art and architecture of the Renaissance, one of the most influential periods in world culture.
From the Paper
"Saint Peter's contributed to the art world in many ways. Artists were in great demand to paint the many walls and ceilings, and contribute to art works to be placed in the cathedral, so many artists were kept busy in Italy during the time, thereby increasing the awareness and employment in the arts. There are also many mosaics is the church, so a wide variety of artisans were kept busy for decades decorating the massive structure. Art flourished during the Renaissance, and Saint Peter's kept artisans busy, and helped them develop new methods for their crafts, as Michelangelo did when he created the iron beam system to support the massive concrete dome (Editors)."
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Saint Peter and the Saint Peter's Basilica, 2008.
This paper discuses Saint Peter, his deeds and the architecture and symbolism of Saint Peter's Basilica.
2,230 words (approx. 8.9 pages), 4 sources, APA, $ 69.95
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Abstract
This paper explains that the Basilica of Saint Peter in Rome reflects the acts of Saint Peter, serves as a model for all the great Churches in Italy and provides a deep historical and religious framework for Christianity. The author points out that Saint Peter is one of the most significant icons of the New Testament. The paper notes that the first Basilica of Saint Peter, finalized in 324 and which was designed in the form of a cross, became worn through the ages and reconstruction was inevitable. The author explains that reconstruction of the new Saint Peter's Basilica, begun in 1503, involved Donato Bramante, who implemented a Greek style cross design, followed by Antonio da Sangallo, who added the Baroque features to the interior, Michelangelo, who contributed his awesome dome, and Bernini, who designed in 1667 the square directly outside the Basilica.
Table of Contents:
Saint Peter's Profile
The Deeds of Saint Peter
Saint Peter's Burial
History of Saint Peter's Basilica
Architecture of Saint Peter's Basilica
The Deeds of Saint Peter Reflected in Architecture
From the Paper
"Jesus christened Peter with the name, Cephas. In translation, Cephas means 'The Rock'. The inference of this name clearly describes the role that Saint Peter played as a primary leader during Jesus' life. As a disciple, Peter witnessed a great deal of miracles and promoted the salvation of Christianity through example. Along with apostles James and John, Saint Peter remained close to Jesus and advised him on many issues. Peter was present for many of Jesus' trials and miracles, documented as the main apostle at Jesus' transfiguration, the revival of Jairus's daughter from the dead and the Agony of the Garden of Gathsemane."
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"The Denial of Saint Peter", 2002.
A review of "The Denial of Saint Peter" by artist Hendrick Terbrugghen.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
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Abstract
This paper analyzes "The Denial of Saint Peter" by the Dutch artist Hendrick Terbrugghen. The author focuses on the artist's use of line, color, light and dark, area, texture, perspective, volume and assesses their effectiveness.
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Chartres Cathedral in France, 2008.
Looks at the famous stained glass windows of Chartres Cathedral in France.
935 words (approx. 3.7 pages), 4 sources, APA, $ 33.95
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Abstract
This paper describes the famous stained glass windows of Chartres Cathedral in France. The paper describes the cathedral's gothic style, the set of windows in the west facade, the rose windows that can be found in different parts of the cathedral, and the Blue Virgin Window in the ambulatory area. The paper also describes the guilded windows in the cathedral, noting that, more than with most cathedrals, Chartres Cathedral's windows area often marked to show the donor, and this is true of the so-called guild windows, or windows donated by the trade guilds.
From the Paper
"The South Rose is seen with five lancet windows and dates from the 1230s. The Rose Window itself shows the Glorification of Christ, with Christ blessing surrounded by Four Evangelists and angels, then the elders of the Apocalypse, then the arms of donors to the cathedral. The left lancet shows Evangelist Luke over Prophet Jeremiah. The second lancet shows Evangelist Matthew over Prophet Isaiah. The central lancet shows the Virgin and Child."
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Chartres Cathedral, 2002.
A look at Chartres Cathedral in France and its significance as a gothic cathedral.
1,150 words (approx. 4.6 pages), 8 sources, $ 44.95
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Abstract
A study of the Chartres Cathedral in France which creates a ideal depiction of the gothic form of architecture and is shown in reference to the same.
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The Duomo Cathedral, 2007.
An overview of the history and architecture of the Duomo Cathedral in Florence.
1,995 words (approx. 8.0 pages), 1 source, MLA, $ 63.95
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Abstract
One of the most distinguishing aspects of Florence's skyline, the dome of the cathedral (Duomo), Santa Maria del Fiore, is a paragon of Renaissance architecture. The result of years of hard work, which was filled with more that six centuries of often-tragic history, the building was originally designed by Amolfo di Cambio in 1294. This paper examines the Duomo Cathedral, by considering its architectural structure, form, and style, while also giving some reflection to popular trends and beliefs during the cathedral's construction, and the ways in which these changed and shaped its architectural form.
Outline:
Introduction
Historical Timescale
Conclusion
From the Paper
" Although the cathedral is basic architectural design was created by Amolfo di Cambio, who was also the designer of the church of Santa Croce and the Palazzo Vecchio, and the internationally famous and symbolic cupola crafted by Renaissance genius Filippo Brunelleschi (1377 - 1446), its final finishing work was not completed until the late 19th century. However, throughout the six hundred period between the cathedral's beginnings and its completion, numerous structural and decorative works took place that have tremendously enriched the history of this incredible monument. "
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The Labyrinths of Grace Cathedral, 2007.
This paper describes and analyzes the labyrinths at Grace Cathedral, located in San Francisco.
900 words (approx. 3.6 pages), 1 source, MLA, $ 31.95
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Abstract
This paper looks at how the outdoor labyrinth at the Grace Cathedral mimics the design of the archetypal 13th century labyrinth at the Chartres Cathedral in France. The author points out that the terrazzo in the Grace Cathedral provides a cold, hard and unyielding counterpart to the otherwise rosaceous, curvilinear, forgiving labyrinthine pattern and the open-air setting suggests nature worship, inviting visitors to contemplate spiritual truths outside of the confines of a religious building. The paper concludes that the Grace labyrinth exemplifies the interfaces between nature and art, between decoration and art and between structural and artistic forms.
From the Paper
"The space in which the Grace Cathedral labyrinth is contained is expansive yet it is also contained within a definite boundary. On the property of the Church, the labyrinth is nevertheless accessible at all hours of the day. Open hours mirror the open setting and open air. Because the labyrinth is on terrazzo, it feels distinctly man-made. It doesn't feel natural at all; it has no connection with the feeling of running through the woods or hiking. Having to remain in the lines and only go forward is one of the labyrinth's paradoxes: it is curvilinear and seemingly loose but it is also tight and restrictive."
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Cathedral of Notre Dame de Paris, 2002.
Examining the history of the Cathedral of Notre Dame de Paris and what impact Victor Hugo's book "The Hunchback of Notre Dame" had on its revival.
951 words (approx. 3.8 pages), 2 sources, MLA, $ 33.95
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Abstract
This paper looks at the impressive 700 year history of the famous Cathedral of Notre Dame in Paris. It examines the origins of its construction and how architectural tastes have changed over time, influencing different improvements made to the building. It links this history to the novel written by Hugo known as "The Hunchback of Notre Dame" and how through his novel, the Cathedral became famous again. It shows that through this fame, the Cathedral was given a face-lift.
From the Paper
"More than seven hundred years old, the Cathedral of Notre Dame de Paris exemplifies Gothic architecture. Those who visit it cannot fail to be awed at the magnificent structure, which bears her history proudly, now restored to her former grandeur. Many millions of people in the last century have never set foot in its soaring halls, yet they feel that they know it, because they have read Victor Hugo?s monumental novel, Notre Dame de Paris, or The Hunchback of Notre Dame. The Cathedral inspired Hugo to write his moving book, but the book in turn provided an incentive for the Cathedral to be restored from the ravages of the past. The histories of building and book are intertwined."
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The Notre Dame Cathedral, 2002.
An examination of the architecture of the Notre Dame Cathedral in Paris, France.
2,856 words (approx. 11.4 pages), 11 sources, MLA, $ 84.95
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Abstract
This paper looks at how the Notre Dame Cathedral includes a number of unique elements in Gothic architecture as well as being characteristic of Gothic cathedral architecture in other ways. It discusses how it contains massive sculptures and huge windows with designs suggesting different theological and iconographic references. It analyzes how these iconographic representations demonstrate shifts in the way human being related to the Church and to God at the time the cathedral was built.
Outline
Introduction
Gothic Art and Notre Dame
Windows
Portals
Conclusion
From the Paper
"One of the ornamental types found in Notre Dame is the rayonnant style, or the radiant style, which dominated the second half of the thirteenth century. Among the most prominent examples of this style are the two great rose windows in the north and south transept faHades of Notre Dame. The huge north rose window is the work of the master builder Jean de Chelles, and it is a masterpiece of architectural ingenuity. Nearly the entire mass of wall opens up into stained glass, and this is held in place by an intricate armature of stone tracery that practically has the tensile strength of steel. The Gothic passion for light is seen in a most daring and successful effort to subtract all superfluous material bulk just short of destabilizing the structure and to transform the hard substance into insubstantial, luminous color. This vast and complex structure of stone-set glass has maintained its structural integrity and equilibrium against the disintegrative forces of nature and time for seven hundred years, showing the genius of the builder."
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St. Etienne Cathedral in Bourges, 2005.
Gothic church architecture and the St. Etienne Cathedral in Bourges, France.
1,125 words (approx. 4.5 pages), 4 sources, $ 44.95
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Abstract
The paper is on the history and design of St. Etienne Cathedral in Bourges, France, which is a good example of gothic church architecture. The constuction of the cathedral is examined and the paper discusses typical French Gothic style.
From the Paper
"St. Etienne Cathedral in Bourges, France is a good example of gothic church architecture. This edifice, along with Cathedral Chartres, is the first cathedral of the high-Gothic era and was the starting point for the typical French Gothic style. Construction on the cathedral began in 1195, and the choir was completed in 1214, the nave between 1225-1250, and the west facade sometime in the 1270's. The north tower fell in 1505 and was rebuilt in 1542 ("Cathedral, Bourges No. 1" paras. 1-2). The plan of the cathedral is simple and was derived from the plan for Notre-Dame de Paris. At least, the exterior is so derived, while the interior is quite different from that more famous cathedral. The basic structure involves double-sided aisles, and it is double ambulatory and has no transept. The volume of the nave is the same as the cathedral at Chartres, with a width of 15 meters and a height of 37.."
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"Cathedral" and Gender Roles, 2007.
This paper discusses how gender roles are demonstrated in the story "Cathedral" by Raymond Carver.
1,034 words (approx. 4.1 pages), 1 source, MLA, $ 36.95
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Abstract
In this article the writer introduces, discusses and analyzes the short story "Cathedral" by Raymond Carver. Specifically, it examines how gender roles and social class figure into the overall theme or message of the story. The writer points out that gender and social class play a pivotal role in this short story. Further, the writer notes that the central themes of the story revolve around these issues and the ultimate meaning of the story indicates that the narrator, Bub, has come to terms with his own prejudices about social class and disability, and there is hope he will be more open and caring in the future. The writer concludes that the message in this story is that men and women build walls between each other because of their gender, and those walls really do not need to exist at all.
From the Paper
""Cathedral" is really a story about isolation and gender roles, or about how men and women see gender roles differently. The narrator is a cold and unfeeling man who isolates himself from the world by alienating himself from his wife and anyone else. He is not open to new ideas, such as poetry or socializing with a blind man. His wife however, is more open to new ideas, but because she loves her husband, she allows him to stifle her and her creative urges. She plays her own role, too, by acting as the "perfect" wife - cooking meals, cleaning up, doing the dishes, etc. She makes the meal when the blind man comes to visit, while the narrator makes the drinks. That is another indication of their strict gender roles."
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"Cathedral", 2002.
An analysis of "Cathedral" by Raymond Carver.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
This paper will discuss the story "The Cathedral" by Raymond Carver and uncover the themes that are related to the story. By realizing the literary means that he sues to convey this tale, we can see how the development of characters, the use of themes, and its structure can be determined.
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The Canterbury Cathedral, 2002.
An analysis of the stained glass windows of the Canterbury Cathedral of England.
2,400 words (approx. 9.6 pages), 7 sources, $ 89.95
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Abstract
This paper is a critique on the stained glass windows of the Canterbury Cathedral of England providing an in-depth analysis of the Beckett windows, the Royal windows and the windows of the North Choir Aisles.
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The Grace Cathedral, 2002.
A look at the building of the Grace Cathedral.
2,400 words (approx. 9.6 pages), 8 sources, $ 89.95
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Abstract
This paper depicts the building of the Grace Cathedral and the spiritual meaning that it has for the people who visit it.
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Blindness in "Cathedral", 2003.
A description of the emotional blindness of the narrator in short story "Cathedral" by Raymond Carver.
690 words (approx. 2.8 pages), 1 source, MLA, $ 23.95
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Abstract
This paper examines Raymond Carver's short story "Cathedral" and focuses on the function of the narrator and of the blind man. It analyzes the narrator's realization of his own emotional and intellectual blindness.
From the Paper
"Raymond Carver's short story Cathedral is narrated by a man who finds it all but impossible to be in the presence of Robert, a blind friend of his wife's. This unnamed narrator, a man in middle life married to a woman who has ..."
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