| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "RULES LANDSCAPE PAINTING POETIC PRACTICE": |
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The Rules of Landscape Painting and the Poetic Practice of Xie Ling-Yun, 2002.
A review of Xie Ling-Yun's poem "Visiting the Southern Pavilion" in light of the generic rules of landscape painting.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
This paper will discuss the representation of the natural landscape in Xie Ling-yun's poem "Visiting the Southern Pavilion". It will be shown, through a comparative analysis of Chinese texts on landscape painting, that Xie Ling-yun's poem plays with, and is juxtaposed against, the generic rules of landscape painting. The poetic landscape, which appears to be a celebration of the beauty of summer, is actually a reflection upon mortality and suffering. From this perspective, Xie Ling-yun's poem may be seen to have philosophical depth lacking in most landscape painting.
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Landscapes Painting, 2002.
A review of two landscape paintings, "Landscape with Saint John on Patmos" by Nicolas Poussin and Paul Cezanne's "Mont Saint- Victoire".
1,900 words (approx. 7.6 pages), 8 sources, $ 71.95
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Abstract
This paper analyzes two pieces of art in terms of their content and design, as well as investigating the periods during which these pieces were produced. The two works that are explored are "Landscape with Saint John on Patmos" by Nicolas Poussin and Paul Cezanne's "Mont Saint- Victoire". Both images are of landscapes featuring mountains, yet the overall composition and execution of both pieces is remarkably different
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Painting a Poetic Image of War, 2000.
An analysis of the poem "Dulce et Decorum Est" by Wilfred Owen.
1,045 words (approx. 4.2 pages), 1 source, $ 36.95
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Abstract
This paper is an analysis of the similes, descriptive word choices, and sound patterns used in the poem ?Dulce et Decorum Est? by Wilfred Owen. The paper has an underlying metaphor that compares poetry and painting that is developed and carried through the entirety of the paper, with an emphasis on the emotional hues of the poem.
From the Paper
"Similes are used to lay the foundation colors, and create a tangible link between the incomprehensible scenes of war and everyday real life images. Few can imagine the true horrors of war without witnessing them first hand, so Owen creates two similes at the onset of the poem to set the scene in terms that the lay reader can envision. ?Bent double, like old beggars under sacks? (line 1) and ?Knock-kneed coughing like hags? (2) summon images of destitution, desperation, and weariness and help to portray the worn emotional state of the soldiers. Our first view of the unfortunate man suffering from the poison gas is of him ?floundering like a man in fire or lime? (12) providing a clear image of the exquisite suffering that he was enduring."
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Landscape in Chinese Literature, 2002.
A discussion of the relationship between landscape poetry and landscape painting in works by Xie Ling-yun and Fan K'uan.
1,650 words (approx. 6.6 pages), 4 sources, $ 62.95
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Abstract
In Chinese art and literature the representation of landscapes is frequently encountered. Over centuries, artists and poets have devised complex grammars that govern their depiction of the natural world. This paper will explore these grammars with respect to works by Xie Ling-yun, China's premier early landscape poet and Fan K'uan, one of the greatest of all Chinese landscape painters. Two respective works of this poet and painter will be discussed in order to demonstrate two singularly different approaches to the idea of the artistic representation of landscape.
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Thomas Cole's Painting: "The Architect's Dream", 2007.
This paper discuses Thomas Cole's painting "The Architect's Dream" (1840, oil on canvas) housed in the Toledo Museum of Art.
1,410 words (approx. 5.6 pages), 4 sources, APA, $ 46.95
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Abstract
This paper explains that the painting "The Architect's Dream" by American artist, Thomas Cole, masters historical perspective by combining structures from several epochs--Egypt, Greece, Rome and Europe--within the confines of a simple painting, thus depicting the evolution of architecture. The author points out that Cole, who was the founder of the Hudson River School, a group of artists that followed the style of American romanticism and realism, filled the landscape of this painting, accurately and in detail, with human structures of each age. The paper concludes that this piece of art from the romantic times is not so much a history lesson as it is a story of human ingenuity and spirit, which praises man's triumphs throughout the ages by giving tribute to the beauty of history's great accomplishments that still inspire humankind today.
From the Paper
""The Architect's Dream" is a large painting, about 8 feet long by 6 feet tall. Just looking at the different buildings throughout the eons is very enthralling. And so, I stood in front of this painting for at least ten minutes just taking in the sheer power of it. I imagined what it would look like IF someone actually built a city like the one Thomas Cole painted. I could see the romanticism in the expression on the Architect's face as he lays relaxed and wondering about his strewn books. I put myself in his position and tried to imagine looking upon such a dream city, but in reality."
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Legal Rules for Deciding Cases, 2006.
A debate on legal rules in case rulings.
2,250 words (approx. 9.0 pages), 4 sources, $ 89.95
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Abstract
This paper argues that issues other than legal rules often determine how cases are decided. It offers advance arguments to support this thesis. Counter arguments will be considered such as the formalist point of view of Roscoe Pound. However it will be shown that in fact issues such as whether the country is at war, or what race the defendant is, or what best serves the need to protect society are very likely to be more important than the rules in determining how cases are decided.
From the Paper
"The American Legal Realism perspective stipulates that issues other than legal rules often determine how cases are decided. This paper will argue that this is true, and will advance arguments to support this thesis. Counter-arguments will be considered, such as the formalist point of view of Roscoe Pound. However, it will be shown that in fact issues such as whether the country is at war, or what race the defendant is, or what best serves the need to protect society, are very likely to be more important than the rules in determining how cases are decided. In other words, pragmatic, ..."
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Rules, 2002.
Explains the meaning and importance of rules and considers what a world without rules would be like.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
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Abstract
This paper discusses what rules are and why they are made. It will also explain some of the personal rules and will exemplify what a world without rules would be like.
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Interpreting the Hague-Visby and Hamburg Rules, 2006.
This paper defines in detail the Hague-Visby and Hamburg rules while clarifying the maritime shipping laws of the Hague Convention.
3,880 words (approx. 15.5 pages), 5 sources, APA, $ 106.95
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Abstract
This paper focuses on the confusion over the exact definition of the Hague Convention, The Hague-Visby Rules Amendments and the Hamburg Rule. The writer of this paper explains in-depth the definition for each rule and how they affect the liability of maritime shipping carriers and what effects the amendments have on carriers while also examining the limitations placed, beyond the existing treaties, concerning liability.
Topics covered in this report include:
Introduction and Thesis
The Hague Convention
The Hague-Visby Rules
The Hamburg Rules
Liability of the Carrier
Basis of Liability
Limits of Liability
Liability of the Shipper
Special Rules on Dangerous Goods
Bills of Lading: Reservations and Evidentiary Effect
Guarantees by the Shipper
Conclusions
Bibliography
From the Paper
"Starting with the First Peace Conference at Hague, signed July 29, 1899, a maritime agreement was entered into force on September 4, 1900. This treaty provides for general rules of conduct for carrying Merchant Shipping throughout the world. However, the convention realized at the outset it was an incomplete and unrefined document with flaws that could be worked out through negotiations at later conferences to be held in the future.
Thus the Second Peace Conference at Hague, signed October 18, 1907 and entered into force January 26, 1910 further refined the Merchant Shipping Provisions."
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Dworkin, Coleman and Secondary Rules, 2005.
An overview of Dworkin's and Coleman's philosophies on secondary rules.
2,530 words (approx. 10.1 pages), 5 sources, MLA, $ 87.95
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Abstract
This paper discusses Dworkin's argument that secondary rules cannot be social rules, because they are not applied uniformly. He believes that they must be normative rules which have an underlying morality as their basis. It also looks at hoe Coleman argues that they are social rules and that the conventions of the U.S. legal system give judges the right to fine-tune laws to meet the convergent beliefs of society.
From the Paper
"In the U S Ronald Dworkin and Jules Coleman over the course of thirty years engaged in a debate about the source of the power of secondary rules. Dworkin argues that these cannot be social rules which exist because....."
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Stuart Davis's "Landscape with Garage Lights", 2003.
An analysis of modern painter Stuart Davis's "Landscape with Garage Lights" in an historical context.
954 words (approx. 3.8 pages), 3 sources, MLA, $ 33.95
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Abstract
This paper examines how, while much of art progressed toward abstraction in the early part of the twentieth century, Regionalist painting continued relatively the same. One artist, Stuart Davis, spear-headed the movement to paint the American scene in a imaginative new way. It looks at how one of his works, "Landscape with Garage Lights," is a prime example of this progression of art and how it proved to be a new benchmark in Regionalist painting. It also shows how, by rejecting earlier traditionalist beliefs and embracing modern influences, he comments on the urban American life with abstract forms and highly saturated colors, creating a truly unique and upbeat work of art.
From the Paper
"Matisse and the emergence of jazz also influenced Davis. Matisse helped pioneer the use of highly saturated colors in his works, and this concept did not go unnoticed by Davis. Although these saturated colors did not truly represent any real landscape, that did not stop Davis from making use of them. In Landscape with Garage Lights there are strong reds, oranges, blues, and greens. Every color seems to be of the variety that a child could easily pull out of his/her small box of Crayola crayons. However, this assortment of primary colors causes the work to evoke an upbeat response. This upbeat response can be compared to the rise of jazz music during the period. Jazz was a new, experimental, and colorful way to write and play music."
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Landscape Geography, 2006.
This paper discusses landscape geography in relation to culture and offers two Ontario examples.
1,800 words (approx. 7.2 pages), 5 sources, $ 71.95
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Abstract
The paper indicates the advantages of the subfield of landscape geography that is distinct from other sub-disciplines, discussing two Ontario examples that reveal how landscapes can shape more than one culture according to human relationships. The paper presents research/fieldwork towards inner city Toronto's landscape shaping 'homeless' culture and also how the Muskoka landscape influences local and visiting cultures. The paper examines how it is the same landscape but different phenomena, due to use/economic interaction with an environment.
From the Paper
"The study of landscape geography has involved a long struggle to distinguish its subject matter and approaches from those of physical geography. Landscape geographers make much not of local details within phenomena, but towards a good deal of theory to do with both a landscape's influence on culture and the aesthetics of geography. In some respects, landscape geography is like the study of ecology in attention to soil types, vegetation and the effects of land formations or waterways. There is much in common with fields of historical and human geography, too, in the attention given habitation, patterns of settlement or how local cultures have been influenced by terrain and climate."
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Urban Landscaping, 2006.
A look at how the human need to establish connections and communications translates into design rules for urban landscaping.
785 words (approx. 3.1 pages), 11 sources, APA, $ 27.95
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Abstract
This paper presents an analogy between mental connections and connections among urban elements that give rise to a city or piece of urban landscape. More specifically, the paper examines how the human ability and need to establish connections is an essential element of urban landscaping.
From the Paper
"Urban centers of activity are not entirely defined by structures such as a prominent building or a monument. They can be more fleeting or modest, such as flower stand or a shaded bench. Centers have to attract people for some reason, so a building or monument will mark a center only if there is a well-defined activity there as well Prominent buildings and monuments that also provide a center for human activities act as a focus for paths, and succeed. By contrast, architectural sites that do not reinforce human activity are unsuccessful, isolating themselves from the urban community."
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Landscape in Literature, 2003.
A comparison of the use of landscape in "Wuthering Heights" by Emily Bronte and "Tess of the D'Urbervilles" by Thomas Hardy.
6,925 words (approx. 27.7 pages), 15 sources, APA, $ 156.95
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Abstract
This paper provides an in-depth discussion on the use of landscape description in two novels: "Wuthering Heights" by Emily Bronte and "Tess of the D'Urbervilles" by Thomas Hardy. It focuses on the symbolic use of landscape, the position of man in the natural world and the effect that Darwin's theory had on the attitude towards nature and the effect that this had on Victorian writers. It shows how both Hardy and Emily Bronte found inspiration in their native landscape; Hardy from Dorset and Emily Bronte from the Yorkshire moors and how both novelists based their landscape descriptions either partially or wholly on their native region.
From the Paper
"Hardy features prominently as one of our great visualizers; he is a landscape novelist, and his descriptive passages are central to his fiction. He brings poetic techniques to his fiction, and writes using symbols and images. In Hardy, the sense of time and place is very strong. George Sampson points out that the landscape descriptions in Hardy?s novels take on more significance than do his characters: ?The most impressive character in his novels is not a person, but a place? Indeed, nature is frequently personified and given individuality in Hardy?s novels. Trees have ?inquisitive eyes? , the river speaks as though it were human: ?the river says, - ?why do ye trouble me with your looks?? , and the ?rhubarb and cabbage plants slept? ."
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People and Landscape, 2002.
Questions the relationship between people and landscape.
2,400 words (approx. 9.6 pages), 5 sources, $ 89.95
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Abstract
It is on this second level that this essay will be addressing the question of the relationship between people and landscape. It will be argued that the landscape serves human societies, in a sense, as a mirror that reflects our own values, prejudices and beliefs. As will be seen, this view of the landscape carries significant risks for both humans and the ecosystem as it often obscures our perception of the realities of the environment of which we are a part.
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St. Francis's Rule and St. Benedict's Rule, 2004.
A comparison and analysis of these two Christian rules, which explain how one should live one's life.
1,459 words (approx. 5.8 pages), 2 sources, MLA, $ 48.95
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Abstract
Both the Rule of St. Francis and the Rule of St. Benedict pertain to how to live a life in chastity and how to live a life with God. The major rules of both focus on the foundations of a life in being a God?s servant, particularly the apostolic way of life and that of belonging in a monastery. This paper explores these two rules and compares their major points.
From the Paper
"Though both rules focuses on the same principles of putting God in everything and that everything must be subservient to God, they however generally differ in the characteristics that they were implemented. St. Francis?s rules were highly set in terms of practice. Their implementation were more of severity in character especially on matters regarding appropriating temporal things to one?s self."
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