| Papers [1-3] of 3 | Search results on "ROSEBUD": |
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"The Dobe Ju/'hoansi" and the "Rosebud Sioux", 2002.
A review of Richard Lee's The "Dobe Ju/'hoansi" and Elizabeth Grobsmith's "Lakota of the Rosebud" with an emphasis on the different cultural traits.
1,150 words (approx. 4.6 pages), 2 sources, $ 44.95
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Abstract
This essay examines Richard Lee's The "Dobe Ju/'hoansi" and Elizabeth Grobsmith's "Lakota of the Rosebud". We learn how the Dobe Ju/'hoansi are a tribe of fierce and independent people who live on the border between Namibia and Botswana. Lee focuses on several cultural traits among the Dobe Ju/'hoansi, especially their hunting techniques, sexuality and religion. Grobsmith, meanwhile, shows us the culture of the Rosebud Sioux Reservation and its people. We see many similar similarities and differences with the Dobe Ju/'hoansi.
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"Rosebud", 2005.
Examines the meaning behind the word "rosebud" in the film "Citizen Kane" by Orson Wells.
1,245 words (approx. 5.0 pages), 2 sources, MLA, $ 42.95
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Abstract
The film "Citizen Kane" by Orson Welles, creates its deep inner meaning by displaying its characters in numerous interrogations and situations from the past. Not only are we presented with an excellent use of lighting, cuts, and angles, but also a great use of the technique of time distortion. This paper looks at how the word "rosebud" is interwoven throughout several scenes by describing the scene and the meaning behind the word. The paper includes many quotes from scenes in the movie.
From the Paper
"Rosebud is used to show how Kane had an unsatisfying childhood that lead to an adult life filled with sadness due to his inability to love or be loved. The film uses this symbol to pronounce that wealth and power cannot create everything we need to get by. Kane is never loved, nor can he show love. He never learns these key elements of life because he is always given material items to purchase his happiness."
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"Citizen Kane", 2002.
An analysis of the narrative structure of the film "Citizen Kane".
1,525 words (approx. 6.1 pages), 5 sources, $ 57.95
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Abstract
This paper will examine the narrative structure of "Citizen Kane" in order to demonstrate something of the work's multifaceted complexity. It will be argued that, although a chronological reading of the film may suggest that the narration proceeds, with diversions, to an eventual discovery of the "rosebud" at film's end, this may also be seen as another blind narrative alley in a film which denies a full perspective of the character at its heart.
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