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Romanesque and Gothic Architecture, 2002.
A comparison of the styles and features of Romanesque and Gothic architecture.
2,014 words (approx. 8.1 pages), 7 sources, MLA, $ 63.95
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Abstract
This paper examines the architectural styles prevalent in Romanesque and Gothic times. It looks at unique characteristics and features of each of these periods and compares the two. It looks at how these two architectural styles were influenced by each other. Some of the famous building and constructions of each period is mentioned and explored - French Gothic cathedral of Notre Dame and the Romanesque style Saint-Sernin Church in Toulouse.
From the Paper
"Romanesque architecture flourished in Western Europe from approximately 1050 to 1200. It was influenced by Roman building techniques, particularly the use of the rounded arch and the grave simplicity and dignityof mood of classical structures. In England, it was frequently called Norman, as it was introduced to Britain by the conquering French in 1066."
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Romanesque and Gothic Architecture, 1999.
Examines medieval styles as expressed in churches, such as the theological aspects, materials, structures, impact on pilgrims, light, form and technology.
2,250 words (approx. 9.0 pages), 6 sources, $ 79.95
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From the Paper
"Romanesque and Gothic, the great architectural styles of the Middle Ages, evolved in the context of church architecture. Out of the desire to create grander and more beautiful structures that spoke of the glory of God, the resources and skills of the age were heavily devoted to the design and building of these churches. The Romanesque style drew on many sources and reflected enormous advances in building technique. Stone vaulted ceilings, narrower piers, increased width of the naves, and new arrangements of interior space characterized the Romanesque effort. When these technological strands had come together the Gothic manner improved on them. Earlier advances in vaulting were used by the Gothic architects to create thinner piers and lighter walls that could be fitted with numerous windows, thereby producing a wholly new type of interior. Each style had its own..."
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Gothic Architecture and Renaissance Architecture, 2005.
A comparative analysis of Gothic and Renaissance architecture.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
This paper compares Gothic architecture and Renaissance architecture, showing the change that came over architecture with the shift from the more massive and decorated style of the Gothic to the cleaner classical lines of the Renaissance, a period which also borrowed from the Moslem style to make new use of the dome, as in religious buildings by Brunelleschi.
From the Paper
"Gothic architecture developed from the Romanesque style and emerged in the twelfth century. It prevailed until the Renaissance beginning in the fifteenth century. Gothic architecture was marked by size and elaborate decorations. However, Gothic architecture was first defined in terms of a change in Romanesque church architecture diagonal ribs were added to the groin-vault, as was first seen at the Abbey Church of St. Denis near Paris (Frankl 1). In part because of its origins, Gothic architecture has long been associated with France and is considered a French style, though in fact, others used it as well. Gothic architecture is probably represented for many people by Notre-Dame de Paris, a facade known from countless stories and other representations as well as for itself. "
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The Symbolism of Gothic Architecture, 2005.
An analysis of the development of Gothic architecture, considering symbolism, imagery and technical innovations.
1,970 words (approx. 7.9 pages), 5 sources, APA, $ 62.95
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Abstract
This paper begins with the symbolic spacial layout of Gothic architecture and relates it to medieval society in general. Also discussed is the cruciform shape of Gothic cathedrals and the symbolism of the cross. The paper also catalogues the main imagery found in Gothic churches and how it relates to the architecture, including windows and light symbolism. Finally, historical interpretations in churches are discussed such as the "New Jerusalem" and the "Garden of Paradise".
From the Paper
"Despite the romantic observations of Schlegel and Laugier, seeing a forest in the cathedral, Frankl again makes the sober comment that "as far as we know, the architect of Durham did not ask himself how he could give a vault the form of a tree-top, so that it should represent paradise: it was only after the Gothic style had logically developed within the terms of the 'law according to which it had been born' . . . that the house of God became vegetal in form." In an essay on the symbolism of Gothic architecture, it is important to point out, lest we get carried away, that technological innovations were the impetus for a good deal of what came to constitute the style as such. "
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Gothic Architecture, 2007.
This paper explores the rise of Gothic architecture in the Romantic Period.
815 words (approx. 3.3 pages), 3 sources, MLA, $ 29.95
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Abstract
The paper discusses the movement away from classical designs in the Romantic Period. The paper describes the new taste for Gothic architecture that was a response to science and technology that challenged old views and ideas of reality. The paper looks at John Vanbrugh's Blenheim Palace, Horace Walpole's magnificent Strawberry Hill residence and Hagley Park's Gothic ruin as examples of the Gothic style in the 18th century.
Outline:
Introduction
Blenheim Palace
Walpole's Strawberry Hill
Stuart's Sham Gothic Ruin
From the Paper
"Between 1750 and 1850 in Europe, a new artistic style arose and prospered in Europe, one which is now referred to as the Romantic Period. This period originated toward the end of the 18th century in Germany, where critics wished to distinguish between "modern" traits and "classical" traits, such as those found in ancient Greek and Roman art forms. At this time, many artisans and supporters of the arts in Europe, particularly in England where Romanticism in literature began, revolted against the observable regularity of classical art and moved instead toward a style that had its beginnings some four hundred years before during the Medieval Era."
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Gothic Revival Architecture, 2002.
This paper discusses that the Gothic style was used by the Ecclesiologists in their Gothic Revival church architecture.
2,525 words (approx. 10.1 pages), 4 sources, $ 93.95
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Abstract
This paper explains that the Gothic style was more or less successfully translated to the construction of the Christ Church Cathedral of Montreal. The author points out that, originally, this style was developed in England in the early part of the nineteenth century and became a defining style in Canadian architecture from the 1840's to the early twentieth century.
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Gothic Architecture's Emphasis on God and the World, 2007.
An analysis of Gothic style in churches in the high and late Medieval period.
917 words (approx. 3.7 pages), 5 sources, APA, $ 32.95
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Abstract
This paper describes Gothic architecture of the high and late Medieval period. It particularly focuses on the style of the Abbey Church of St. Denis near Paris, discussing its linear design, light and color. The paper discusses the style of Gothic churches and how their design (such as their arches and linear patterns) is aimed at causing the viewer to look upwards towards God.
From the Paper
" One is left to imagine how such structures impressed visitors of centuries ago, many of them illiterate or otherwise uneducated, for whom at least popular Christianity and Roman Catholic Church authority were extremely important psychological bearings. The unusual, often very pale light of larger Gothic churches is much promoted by wall surfaces that can seem like transparent curtains towards a feeling of weightlessness with higher reaches of a structure featuring many smaller windows but with the observer's eye naturally drawn to what are often large panels of light afforded by stained glass windows of different kinds. Windows are often seen of the 'lancet' design that appear singly, or grouped together in rows, in some churches giving the impression of a kind of fortress lined by vertical slits, part of the upward verticality that all such churches feature. When examining Gothic church architecture one locates far more than understanding of the power or authority of Rome, in what can be a strong insight into the medieval mind, in a view of society as was thought to be logical and proper, and in other insights into just what Gothic cathedrals have meant, some of them through time and into the present, for the residents of dozens of European cities for whom the landmark cathedral has offered constant reminders of another dimension that is decidedly a-material, and yes, a sense of the principal church as the proper orientation point for human society in a manner that lingers."
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Gothic Architecture, 2006.
A review of the urban planning of medieval towns.
1,517 words (approx. 6.1 pages), 7 sources, MLA, $ 49.95
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Abstract
This paper takes a look at gothic architecture and the urban planning of medieval towns, focusing specifically on Mont- Saint-Michel on the islet of Mont Tombe. According to the paper, aside from the intrinsic military value of Mont-Saint-Michel, the place served also as a social, cultural and political arena.
From the Paper
"Of particular interest in the study of Gothic architecture is the structure standing tall on the islet of Mont Tombe - Mont-Saint-Michel. Before understanding the architectural wonder of this sacred shrine, one must first know the history relevant not only to the place itself but in most areas during the Medieval Period. Since this era has been considered fraught with battles and warfare, building of churches, cathedrals or any holy place at that time was not only in consideration of the religious fervour but in deference to military strategies as well. Religious structures did not serve only as places of worship but of defense or withstanding of attacks from marauding invaders. Mont-Saint-Michel is by any means not an exception since aside from serving the spiritual needs of the inhabitants; its military value was very much taken into consideration."
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Gothic Architecture, 2001.
Elements of the style & its evolution; churches.
1,350 words (approx. 5.4 pages), 6 sources, $ 47.95
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From the Paper
"Gothic architecture is viewed in two different but complementary ways. On the one hand the Gothic style was the result of daring builders who took preexisting elements from Romanesque architecture, experimented with them, improved upon them, and produced new technological forms. On the other hand, the great churches were reflections of the heavenly city as a "gem-encrusted, translucent, shining vision (Kostof 331). These two ways of looking at the Gothic are really one, however, since, as Kostof puts it, "technology needs a vision to become a style" (332-33). The new manner of building might have occurred anyway since the principal elements--the pointed arch, the vault rib, the flying buttress, stained glass--had all been used in other places prior to the 1130s. But the immense expenditures and the radical change in style would not have been justified if there..."
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Early 19th Century Architecture, 2002.
A paper that explains the American revival of Greek and Gothic architecture.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
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Abstract
This paper compares and contrasts the reasons people were attracted to Greek Revival and Gothic Revival architecture during the first half of the 19th century in America.
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Gothic Design, 2006.
A review of the history of Gothic architecture and interior design.
2,475 words (approx. 9.9 pages), 2 sources, $ 97.95
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Abstract
This paper discusses interior design during and after the Gothic revival of the late eighteenth century, noting that True Gothic architecture originally developed from the Romanesque style, emerging in the twelfth century. According to the paper, this style dominated until the beginning of the Renaissance in the fifteenth century. Gothic architecture is noted for size and elaborate decoration. However, Gothic architecture is first defined in terms of a change in Romanesque church architecture when diagonal ribs were added to the groin-vault, as is first seen at the Abbey Church of St. Denis near Paris.
From the Paper
"Gothic architecture developed in the twelfth century and was revived several times, notably with a major revival beginning in the eighteenth century and spreading throughout Europe and to America. Gothic interior design was included, though it changed over this time and was often more an evocation of the Gothic rather than an actual copy of the original style. From the mid-eighteenth century until the rise of Fascism in this century was a long era in Italian history during which certain trends cold be observed that linked the decades together. At the beginning of this era, Italy as a country did not exist. "
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Cathedrals in French Middle Ages, 1994.
Examines Romanesque & Gothic religious architecture (styles, techniques, materials, themes) as expressions of Roman Catholic beliefs in monotheistic God & role of humans in universe.
3,375 words (approx. 13.5 pages), 14 sources, $ 119.95
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From the Paper
"The word "cathedral" comes from the Latin root "cathedra," literally, a bishop's throne (King 105-107). The Middle Ages in France, particularly the latter days of the medieval era, were virtually rife with cathedrals and religious architecture. This was the era of the Roman Catholic Church, a time when God was with mankind everywhere; when king and peasant alike acknowledged the religious authority of the Pope (albeit sometimes grudgingly); when "the history of the world is the history of the Lord extended through the lengthy annals of human life" (Focillon, Gothic 75). Miracles, angels and saints were a literal part of a medieval Frenchman's worldview. So were demons, devils, Apocalypse and Last Judgement. The cathedral, the bishop's "throne," in its art and architecture was the "encyclopedia in stone" of that worldview (Mirsky 140). More.."
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Architecture and Religion, 2002.
A look at Gothic, Romanesque and Georgian styles of architecture.
1,650 words (approx. 6.6 pages), 4 sources, $ 62.95
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Abstract
This seven-page undergraduate paper has selected six in groups of three, two and one respectively buildings which contrast strongly in their architectural style but are similar in type in that they are all places of worship. These buildings are characterized within their broader contexts of use and social significance. Moreover the architectural/aesthetic evaluations of these chosen buildings are presented.
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Timber in Tectonic Architecture, 2006.
An explanation of tectonic architecture and how this form of architecture can make use of timber.
2,245 words (approx. 9.0 pages), 7 sources, MLA, $ 69.95
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Abstract
This paper explains what tectonic architecture is, examines the trend towards this form of architecture, discusses its history, describes the different modes of tectonic architecture and looks at the role that timber can have in tectonic architecture. The paper further explains why a return to tectonic architecture is an environmentally sound move and why timber is an appropriate material to use in tectonic construction.
From the Paper
"There is a growing movement towards tectonics in architecture, a return to the basic form and styles of the old schools of architecture. This movement has occurred as a result of the current tendency to reduce architecture to scenography. Architecture at the end of the 20th century has mostly been treated as a large commodity, with attention to cultural details minimized. Kenneth Frampton says that "among the seductions of the scenographic is the fact that the results are eminently amortizable, with all the deleterious consequences that this attitude entails for the future of the environment." Architecture of this century has been subject to the concept of spatial invention as an end in itself, with abstract art and visual obscurity the high points. The movement back to using the structural unit as the essence of architectural form is gaining strength."
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Islamic Architecture, 2008.
An analysis of the ways in which Islamic architecture has influenced the architectural styles of other religions.
2,936 words (approx. 11.7 pages), 12 sources, MLA, $ 86.95
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Abstract
This paper discusses the origins of the distinctly Islamic architectural style. The paper begins by discussing Islamic history and then goes on to discuss how Islamic architecture has set a standard for religious architecture that has influenced other religious groups and contributed to various architectural styles evident to this day. Additionally, the paper also discusses how Islamic architecture has more recently been influenced by the West, not for religious architecture, but for office buildings and residential units.
From the Paper
"In the Islamic tradition, the idea of the dome was developed with religious connotations. The first centralized Ottoman mosque was created at Diyarbakir in 1521 with four semi-domes and not mere vaults. The four corner areas are surmounted by four small cupolas, while the central dome is supported on four piers. This is the logical conclusion to the mosques of earlier times. The squareness of the mosque at human level represents earthliness, and the domes represent the heavens, much as the square and the circle do in Chinese architecture. The two-centered arch forms a spiritual limbo in the design. The interior is spacious and well-lit, another reference to the heavens (Goodwin 178)."
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