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Romance and Satire in ?As You Like It?, 2004.
An examination of the themes of romance and satire in Shakespeare's play, "As You Like It".
3,587 words (approx. 14.3 pages), 8 sources, MLA, $ 100.95
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Abstract
William Shakespeare?s play, ?As You Like It,? provides us with colorful characters and hidden meanings as reality becomes a blur in the satirical forest of Arden. This paper discusses how the search for freedom combined with exile, the hunt and the passion of love, leads us, as well as the characters, on a journey of discovery. It explains that, through his interesting mix of characters, Shakespeare combines the elements of romance and satire to reveal the beauty of love and the sometimes absurd behavior of lovers. The writer also points out that, while mocking the pretentious, Shakespeare celebrates genuine love in the mystical garden of Arden.
From the Paper
"Bednarz suggests that Shakespeare focuses on alternatives to the way Jonson mocks morality. Jonson vigorously attacked the pretensions of romantic comedy while Shakespeare responds in larger ways and ?As You Like It? provides us with an excellent example of Shakespeare?s talent in this area. Arden represents the world in which this fairy tale can exist. Arden also provides Shakespeare the perfect setting for his satire. The pastoral setting mirrors reality, and is a place where things are not quite normal. Arden is a place where fiction becomes reality. The garden of Arden allows Shakespeare to twist ideas and situations. As a result, Arden becomes a romantic world shaded with satire."
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Horace, Juvenal, and 18th Century Satire, 2004.
A discussion of the distinction between Horatian and Juvenalian modes of satire as exemplified in 18th century literary writings.
4,039 words (approx. 16.2 pages), 9 sources, MLA, $ 109.95
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Abstract
This paper analyzes the influence of Roman satirists, Horace and Juvenal, on 18th century satire. The paper examines the differences of these two modes of satiric writing. Juvenalian satire is harsher, more pointed, and often attacks particular people with an invective attack. Horatian satire is gentler, involving raillery as opposed to railing. The paper puts both these forms of satire into context and discusses the relevant points that arise from John Dryden's text, "Discourse on Satire," in relation to the topic. The paper then analyzes examples of these modes of satire as shown in Alexander Pope's "The Rape of the Lock," which can be seen as Horatian satire, and Jonathan Swift's "A Modest Proposal," which is more Juvenalian. The paper emphasizes how neither of these two texts gives a particularly clear example of the Horatian and Juvenalian forms of satire.
From the Paper
"Echoes of the works of Roman satirists Horace and Juvenal can be found, often in combination, within various early eighteenth-century (Augustan) satirical works, including Alexander Pope's mock epic The Rape of the Lock (1714) and Jonathan Swift's essay "A Modest Proposal" (1729). Pope's The Rape of the Lock is closer, overall, in terms of its satirical tone and content, to the comparatively gentle and subtle satirical style of Horace, than to the more direct, less subtle or gentle style of Juvenal. However, Swift's "A Modest Proposal", which is neither subtle nor gentle in its social critique, is arguably closer, overall, in both content and tone to the types of works created by Juvenal. Neither work, however, is sufficiently parallel in its style, tone, content, or other characteristics, to the works of either Horace or Juvenal, to warrant its being judged either more "Horatian" or more "Juvenalian" than the other: both works contain elements of both Horatian and Juvenalian satirical styles and modes. Therefore', both Pope's and swift's works to be examined within this essay might be more accurately described as instead being combinations, or juxtapositions, of Horatian, Juvenalian, and other satirical styles; i.e., the results of miscellaneous eighteenth century influences and other influences on their respective authors as well (such as, for example, Pope's social and artistic ambitions, or Swift's acerbic wit and strong personality (Nokes (1987) 101-11; 179-84)."
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Romance in the 21st Century, 2002.
A discussion of the modern norms, customs and practices of romance.
1,090 words (approx. 4.4 pages), 3 sources, MLA, $ 38.95
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Abstract
The paper analyzes how romance has changed over the centuries and explains why these differences have occurred. Romance, as it is practiced today, is compared to how it was practiced in the past. The paper concludes that these changes indicate a moral decay in society, relationships, dating and romance.
From the Paper
"The romantic free spirit is most evident in 21st Century writings and among older generations. Baby boomers are more apt to be romantic in the 21st Century because they were born in a time when chivalry was very much alive. Women were courted with roses and candy. Men opened doors. Of course, it is important to clarify that men courted women. It was considered improper for women to court men?furthermore it was unnecessary."
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Nathaniel Hawthorne's "The Blithedale Romance", 2002.
Discussion of the plot and the theme of polarities in Nathaniel Hawthorne's novel "The Blithedale Romance".
1,900 words (approx. 7.6 pages), 6 sources, $ 71.95
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Abstract
Nathaniel Hawthorne's "Blithedale Romance", is the first person narration of a man bent upon joining a world that has no need of him by imposing an arbitrary order upon his reality. Blithedale, is a novel of polarities. Just as Coverdale imposes order on reality, Zenobia, the feminine voice of creation, understands reality as a fragmented thing that cannot have order forced upon it. We see in the novel oppositions in communities, in social order, and in place. But, Hawthorne also gives us a richly crafted story about what it is that defines community and the common spirit or communal soul. The romance, of this book, is not just that of man and woman, but of the romantic ideals of society and of order. Coverdale, who is the namesake of the primary translator of the King James bible, is a man bent upon making the world be what he wants it to be. Hawthorne's, The Blithedale Romance, provides the reader with a set of beliefs, ideals, and aspirations, that become ideologies that actually mask reality thus pitting the utopian hopes of Blithedale against actual human behaviors - which makes for a difficult conflict at best.
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Jane Austen's Social Satire, 2007.
This paper discusses how radical Jane Austen's social satire is in "Northanger Abbey".
1,568 words (approx. 6.3 pages), 1 source, MLA, $ 51.95
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Abstract
In this article, the writer discusses that although the literary genre of satire, whether politically or socially oriented, is often associated with liberal politics, Jane Austen's novel "Northanger Abbey" demonstrates that satire can also be fundamentally conservative in its political and social aims. The writer points out that Austen's satire in the form of a novel upholds conventional English notions about gender, literature, class, and social mobility by demonstrating the folly that occurs when female propriety, the correct attitude to literature, and class boundaries are transgressed. The writer concludes that Austen frowns upon anything that is disruptive or might change the English social and religious author as eulogized so eloquently by the character Henry.
From the Paper
"The correct way to read gothic novels is in moderation, neither at the extremes of belief or disbelief of Catherine or Thorpe, and never as models of how society could or should function. Catherine misreads novels because she is immoderately seeped in female influence, in her books and friendships, and John Thorpe misreads novels because he does not care about the arts, good manners or refinement, and is merely trying to elevate his class and financial status through marriage--social mobility through marriage and an ostentatious appearance of course is another sin for Austen. Austen only approves of the sober, male judgment and upholding of class, religious, a moderate but approving attitude towards the arts, and national values, as espoused in the views of Henry."
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Satire in English Literature, 2001.
This paper compares 3 major works of satire in English literature - "Moll Flanders" "Gulliver's Travels" and "Rape of the Lock"
970 words (approx. 3.9 pages), 4 sources, $ 34.95
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Abstract
This paper explains how satire was one of the most common tools used by writers and poets in the 17th and 18th centuries to either attack the political regime of the time or to highlight the ridiculous traditions of the society. It compares and contrasts three literary works which used this form of expression for political and social purposes.
From the paper:
"It was a tradition in the English Literature during the seventeenth and early 18th centuries that poets and writers would often use the technique of satire either for political purposes or simply to highlight the idiosyncrasies of the society. In this regard many major English literary figures used satire in their work but while some of them used it to create a light humorous situation, others would give it a very harsh tone, which resulted in some serious problems with those who were targeted in the work."
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Seven Qualities of Satire, 2002.
An overview of the literary device of satire and its different qualities.
775 words (approx. 3.1 pages), 5 sources, $ 30.95
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Abstract
This paper is on the topic of satire, and although all individuals are exposed to this form of composition or literary device, it is also the case that there is a more rigorous and formal approach taken by literature scholars on the subject. The focus of this analysis is largely exegetical. A discussion will be made both in terms of the historical use of this form of expression, but also with respect to the particular qualities and attributes which go into defining the topic and subject of satire.
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Jonathan Swift's Use of Satire, 2006.
An in depth discussion of Johnathan Swift, and his use of satire within his works and criticisms.
920 words (approx. 3.7 pages), 3 sources, MLA, $ 32.95
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Abstract
This essay explores Jonathan Swift's use of satire as exemplified in several of his works. The author proposes that Swift used satire in order to criticize the aristocrats and governments prevalent within early 18th century England and Ireland. Also considered are Swift's personal background, his emotional state and the historical context in which he lived and their contribution to his sardonic style.
From the Paper
"By definition, satire; as it pertains to literature, is a work in which wickedness, vice or folly is attacked through irony, derision, or wit (American Heritage Dictionary). However, after reading the quote I have provided on the title page, you can see that Swift's view of satire embodies a complexity that our modern day dictionaries simply cannot encapsulate. Swift's famous quote on satire challenges people to think of the ways in which we conceive our identities; usually by making comparisons and contrasts with others. Yet, in our most deeply buried layers of character, there are visions of the "other" by which we anchor our separateness; our notion of discrete identity. It is within Swift's infamous text; A Modest Proposal, that we see his complex views of satire utilized in creating an essay that ambiguously criticized the aristocrats, and governments prevalent within early 18th century England and Ireland."
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"Romeo and Juliet": A Comedic Satire, 2004.
This is a comprehensive research essay incorporating several other resources, with full works cited included, which argues that "Romeo and Juliet" is neither a romance nor is it a tragedy, but that it is a comedic piece of literature.
2,798 words (approx. 11.2 pages), 16 sources, MLA, $ 83.95
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Abstract
Using literary critics and text-based information, this paper argues that in "Romeo and Juliet" there is a lack of tragic elements, an abundance of comedic scenes, that most critics overlook the lack of "romance" in the relationship of the protagonists, and that Shakespeare never intended 'Romeo and Juliet" to be a romance or tragedy.
From the Paper
"William Shakespeare?s Romeo & Juliet is most notably regarded as the quintessential romantic tragedy, but this view is superficial, at best. While some literary critics would argue that Romeo & Juliet is a tragedy in the classic sense, adhering to Aristotle?s principles of what a tragedy should be, other critics have concurred that the structure of Romeo & Juliet falls more into the category of comedy and / or satire. The issues which cause critics to fight over the true genre of the piece may be seemingly obscure and minute, but, under close examination, it becomes quite clear that in literature as classic as Shakespeare?s, it is in the detail that the meaning is found. James Forse contends with the Neo-Classicist critics of the Eighteenth Century who ?adjudged Romeo & Juliet as a flawed tragedy which lacked Aristotelian unity of plot and action, the character flaws essential to tragic protagonists, and a sense of the inevitability of tragic outcome? (122). Harold Wilson, on the other hand, disagrees, stating that, ?The play?s tragic theme is unified by Petrarchan notions of ?noble death?: the lover?s suicides represent the triumph of love over death? (31). Thus he attempts to defend the play?s tragic intent and nature. If a critical reader examines this work, it will be difficult for him or her to find reasons for defining themes like ?true love? and ?fateful destiny? by the tale of Romeo & Juliet as so much of the general public does today. Shakespeare?s Romeo & Juliet is neither a tragedy nor a romance, but is, rather, a comedic satire meant to be didactic in nature."
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Modern Romance, 2001.
A look at the changes in the depiction of romance in literature.
6,125 words (approx. 24.5 pages), 14 sources, $ 144.95
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An in-depth look at the changes of romance and love in literature. The author describes the literary romance of the past and compares it to the present, displaying the changes that have taken place over the years.
From the Paper
"A man, a woman, a compelling glance across a crowded ballroom, an attempt to quell the burgeoning passion felt by both, her developing relationship with his children, dashed hopes re-ignited, some sort of tragedy or treachery, and possibly even a lunatic first wife either mysteriously killed or locked up in an attic - - these liberally spiced with a detailed description of her wardrobe (or lack of one) and the hair styling which transforms her from shabby little governess to beautiful woman - - have traditionally been the stuff of romance novels. But, times have changed and love has been swept along on the inexorable tide. Gone are the ball gowns (along with the balls) the first wife isn't conveniently dead (but annoyingly present and demanding child support), and passions are generally openly indulged rather than denied. The course of true love has taken a few detours over the past 30 years or so."
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The Use of Satire, 2004.
This paper discusses the use of satire in Alexander Pope?s poem, ?The Rape of the Lock?, and Jean Baptiste Moli?re?s play, ?Tartuffe?.
810 words (approx. 3.2 pages), 2 sources, MLA, $ 28.95
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Abstract
This paper explains that, in ?The Rape of the Lock?, Pope satirizes the human condition, and, in ?Tartuffe?, Moli?re satirizes the religious. The author points out that Pope's ?The Rape of the Lock?, written in the traditional the heroic couplet form, is considered one of best illustrations of what is termed a mock-epic poem. The paper relates that, in ?Tartuffe?, Moli?re also uses satire to comment on society; through the exaggerated characters of Tartuffe and Orgon, he exposes religion and gullibility.
From the Paper
"Pope also takes a shot at male mentality. For instance, men are depicted as shallow as women are. The Baron devises new ?strategems? (3:120) to achieve his own ends. After he successfully attains the lock of hair, he exclaims, ?The glorious prize is mine!? (3:162) This scene reveals the lack of character of men who seek only to achieve a prize."
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Romance in Hawthorne's "Rappaccini's Daughter", 2000.
Examines the genre of romantic literature, specifically through Nathaniel Hawthorne's "Rappaccini's Daughter". Hawthorne's definitions of romance are used to evaluate the novel. Other literary criticisms of the work are also examined
2,295 words (approx. 9.2 pages), 1 source, $ 70.95
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Abstract
Nathaniel Hawthorne is one of the most authentic voices on the genre of romance in the history of American Literature. This paper examines his definitions of what makes a romance and evaluates "Rappaccini?s Daughter" to try and decide whether or not it fulfills Hawthorne?s own requirements.
From the Paper
?Romance, ahhh, sweet Romance. The word conjures up visions of valiant knights battling horrifying dragons to save strikingly beautiful maidens, of wine, candlelight and roses, of heated love affairs between two people brought together by destiny yet forbidden by society to carry out this twist of Fate, of the magical experiences of love that all of us fantasize about. But is this what romance is? Perhaps all of these visions fall into the category of romance, but they certainly cannot define it fully.?
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Satire in "The Adventures of Huckleberry Finn", 2006.
Explains how Mark Twain uses satire in his book to negatively comment on American society.
838 words (approx. 3.4 pages), 1 source, MLA, $ 29.95
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Abstract
The paper analyzes two places in the novel where Twain uses satire and explains what he is trying to prove through this use of irony. The first paragraph serves as an introduction to the piece and the second and third detail specific instances where Twain utilizes his satirical method. The fourth paragraph concludes the essay by summarizing the ideas within it. The paper includes quotations from the novel.
From the Paper
"Satire is a technique in which a writer uses humor, irony, or exaggeration to expose the wrongs of another group or individual. Mark Twain uses satire in his novel, The Adventures of Huckleberry Finn, to communicate the problems with nineteenth century American society. Behind the seemingly uncomplicated adventures of a young boy, Huck, and a runaway slave, Jim, Twain subtly uses humor and irony to reveal and hint at ways to correct society's mistakes. Two cases in which Twain utilizes this method are the feud between the Shepherdson and Grangerford families, and the mob scene in Alabama."
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Satire in "Gulliver's Travels", 2005.
Analyzes the theme of satire in "Gulliver's Travels" by Jonathan Swift.
1,350 words (approx. 5.4 pages), 0 sources, $ 53.95
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Abstract
In this paper, Jonathan Swift's "Gulliver's Travels" reflects the class status, intellectual elitism and government in England in a satirical format. The different adventures that Gulliver takes reflect the aspects of surrealism and dream-like qualities that deter the arrogant sense of reasoning that many British elites, such as Gulliver, felt about their own intellectual, political and class based initiatives in the world. The paper shows that this relativism of thought and reasoning is the major objective of Swift's satire, as he sought to reflect deeper, symbolic meanings behind each and every one of the stories adventures.
From the Paper
"This study will analyze the precept of satire, which reflects a deeper form of social criticism in Gulliver's Travels by Jonathan Swift. By understanding the basic societal issues that Swift faced in his day, such as class status, intellectual elitism, and government in England, one can realize how his humor is depicted in the characters of his book. In essence, this novel is humorous on a surface or comedic level for the cynical reader, but relates a far deeper satire in depicting corruption and deviancy on the part of 18^th century English nobility. The beginning of this novel reflects Gulliver's society and the middle-upper class upbringing, which he was raised."
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Jonathan Swift's Satire, 2005.
An analysis of Jonathan Swift's treatment of satire in "Gulliver's Travels".
1,380 words (approx. 5.5 pages), 1 source, MLA, $ 47.95
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Abstract
This paper examines Jonathan Swift's satiric treatment of war in his novel, "Gulliver's Travels" and targets of his satire including political and religious institutions and aspects of human behavior, with numerous examples from the text
From the Paper
" In Gulliver's Travels Jonathan Swift launches an elaborate satire on many aspects of human behavior as well as against the political and religious institutions of his day. His assaults against thinly veiled and therefore easily ..."
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