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Roman Slavery and Roman Comedy, 2004.
An analysis of Roman literature's comedic view of enslavement.
822 words (approx. 3.3 pages), 2 sources, MLA, $ 29.95
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Abstract
This paper examines, through a literature review of such works as Plautus?s two comedies, ?The Pot of Gold? and ?Pseudolus?, how Roman drama is not a seamless construction of slave identity, or even a seamless construction of a world of upside-down power relations between master and servant. It shows how it is an uncertain negotiation of real life tensions where harsh realities and punishments of slaves existed simultaneously with portrayals of individuals in the Roman media of the day who were clearly human.
From the Paper
"Clearly, slavery in the ancient Roman world was socially stigmatized. However, what is so fascinating about the Roman?s version of this ?peculiar institution,? as slavery was often called in the American South, was that slaves did not occupy a stigmatized racial class, as they did in the American South. That is to say that in the racist, antebellum South, a free black man was still stigmatized by his race. However, in Rome, an individual who was a slave might be highly regarded as well as treated like chattel, if he or she possessed special educational or artistic skills. Slaves were often captured prisoners of war, and valued for their social contributions as well as socially despised."
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Ancient Roman Slavery, 2002.
A discussion of the ancient Roman slaves and the society they lived in.
1,150 words (approx. 4.6 pages), 7 sources, $ 44.95
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Abstract
This paper discusses the ancient Roman slavery hierarchy. It describes how the Roman slaves fit into the society as well as what the different types of jobs were, rom the best jobs all the way down to the menial jobs. The paper also outlines the treatment of Roman slaves at each position.
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Roman and Germanic Laws Regarding Slavery, 2006.
A comparison and contrast of the Roman and Germanic laws regarding slavery.
2,468 words (approx. 9.9 pages), 11 sources, MLA, $ 75.95
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Abstract
This paper is a study of the contrasts and comparisons of the laws regarding slavery adopted by the Roman and Germanic culture. The paper identifies how the idea of slavery was started and how it developed in both the Roman culture and the Germanic culture. It identifies how in fact, the Dark Ages were considered not so much a time of the end of a culture as they were a time where divergent cultures and peoples were migrating into each other's territories and enforcing the exchange of land and goods all derived from the merging of the Roman and Germanic ideas regarding slavery.
From the Paper
"In order to compare and contrast how the Ancient Romans and the Ancient Germanic peoples saw slavery, we must first understand why each culture practiced slavery. The ancient Romans had a complex civilization based on slavery. There were two levels of citizenship, patricians (aristocrats) and plebeians (the common people). At the height of its civilization Rome Empire had three slaves for every free person. Except for the poorest farmers living in country, slaves performed almost all-agricultural work."
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Slaves, Freedmen and Freedwomen in the Roman Society, 2005.
Examines the changes relating to slavery in Roman society.
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
The essay discusses changes over time in two aspects of Roman society and culture. The two aspects chosen are slaves and freedmen and freedwomen and are described in detail. The essay concludes with the discussion of how these two aspects of the Roman society are interconnected and related. Slavery and granting of freedom to slaves are mutually dependent.
From the Paper
"This essay discusses changes over time in two aspects of Roman society and culture. The two aspects chosen are slaves and freedmen and freedwomen. The essay concludes with the discussion of how these two aspects of the Roman society are interconnected. Slaves were very common in Rome particularly after the third century B.C. when Rome was involved on many wars and brought over captured people as war plunder. Those citizens of a captured city who could not pay a ransom were retained as slaves."
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Comedy In Los Angeles, 1995.
Discusses the business of comedy; specifically, comedy clubs. Focuses on three Los Angeles clubs: The Comedy Store, the Laugh Factory and the Improvisation.
3,375 words (approx. 13.5 pages), 6 sources, $ 119.95
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From the Paper
"INTRODUCTION
Comedy has become a major business over the last 20 years or so, and the proliferation of comedy clubs in major cities is a testament to this fact. Three of the seminal and more successful comedy clubs are found in Los Angeles--The Comedy Store on Sunset Boulevard, the Laugh Factory on the same street, and the Improvisation on Melrose Avenue. These clubs are known for featuring new talent, as places where established talent tests material, and as magnets for celebrities in the audience as well as on stage. Each has also been well-served by their respective owners' dedication to promotion. The venues have somewhat different approaches to the presentation of comedy acts and target somewhat different audiences. They have also been buffeted recently by a downturn in the comedy business, though they have ..."
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The Roman Theater, 2005.
This paper discusses the Roman theater using Terence's "The Brothers" as an example.
1,490 words (approx. 6.0 pages), 5 sources, MLA, $ 49.95
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Abstract
This paper explains that the Roman theater differs in many ways from the Greek theater. It explains that while Greek comedy is political and tries to tackle large issues, Roman comedy is of a more circumstantial, of everyday nature and may be versed with a lot of ethical ideas but it does not blatantly criticize the government or the Republic; nevertheless, the ethical valor of Roman comedy should not be overlooked. The author points out that Terence's "The Brothers", first performed at the funeral games for Lucius Aemilius Paulus in 160 B.C., is the only documented instance of dramatic performances at games outside the regular calendar of public festivals although theater historians believe that there may well have been others. The paper relates that Terence introduced the mixed-metre recitative for some passages instead of the single-metre as in Menander and Plautus; Terence's spoken scenes are all in iambic senarii, which is a six-foot line similar to the English blank verse but with an extra foot and is closer to ordinary speech.
From the Paper
"The facade in Roman comedy invariably consisted of three doors, which were the doors to three neighboring houses. In front of them, where the stage action took place, was a road. The stage also had one door on each side. These side entrances had a fixed conventional significance. The right hand entrance (from the audience's point of view) led to the city center and the left hand entrance led to the country. When characters entered through these entrances, they were announced by characters on stage prior to their actual entry. If two characters entered together, they usually did so in mid-conversation. When a single character entered, he/she usually uttered a monologue before being accosted by the people on stage. In both cases, the bystanders on stage made asides, commenting on the newcomers' conversation or monologue, before letting the newcomers be aware of their presence. "
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Slavery in the 21st Century, 2008.
A look at the existence of slavery in the 21st century in its traditional form of absolute subservience by a slave to a master and in an oppressive economic form characterized by virtual, if not actual, slavery.
1,080 words (approx. 4.3 pages), 5 sources, APA, $ 37.95
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Abstract
This paper reports that human rights groups have documented the existence of traditional slavery in Sudan, Mauritania, Saudi Arabia and Pakistan and of coercive labor systems in several Middle East countries, which are so exploitative that they have been condemned as virtual economic slavery. The author points out that, although the Arabian Peninsula in 1964 became the world's last region to officially abolish slavery, forty years later Saudi Arabia still has more than two-hundred and fifty-thousand slaves. The paper relates that Islamic doctrine provides religious justification for slavery and enables slave traffickers to flout laws prohibiting it. The paper also asserts that, although slavery does not exists in the United States, millions of migrant workers are subjected to coercive conditions and abusive treatment that are little better than slavery.
From the Paper
"Consequently, in objective terms, a human being who is not free to leave and has no influence on the conditions or length of their economic servitude is a virtual slave. They may have civil rights, but if they are rendered powerless to defend those rights, they are enslaved in a coercive system they cannot defy. They do not have to be bought and sold to be considered a slave, for when they are rendered no effective legal protection by any civil or religious authorities, they are a slave in everything but name."
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A Study of the "Book of Philemon" and the Issue of Slavery, 2004.
Looks at the "Book of Philemon" and how it deals with slavery and the way slavery should be approached from a Christian perspective.
1,270 words (approx. 5.1 pages), 4 sources, MLA, $ 43.95
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Abstract
This paper examines the three central characters of the "Book of Philemon" and analyzes the influence their Christianity had on the way they dealt with the social conflicts they encountered. In particular, the paper looks at how each of the characters handles the issue of slavery and its innate contradiction with ethical, moral, and Christian behavior.
From the Paper
"One of the major tenets of Christianity supports the belief that all individuals are the same in the eyes of God. This belief has to include slaves and the issue of slavery is the basic foundation for Paul?s letter to Philemon. Philemon was a wealthy Christian of Collosse who had at least one slave by the name of Onesimus. Onesimus apparently stole some money from Philemon and then ran away to Rome. (Halley 645) In Rome, Onesimus had an encounter with Paul, which eventually led to Onesimus? conversion. The problem that resulted as Onesimus? conversion and Paul?s solution to that problem is the heart of this brief letter."
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Racism and Slavery, 2005.
An examination of the history of slavery in America and an explanation why racism and slavery are clearly related.
1,221 words (approx. 4.9 pages), 1 source, MLA, $ 41.95
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Abstract
This paper explains that racism can exist and foster an environment and an attitude that sanction an institution like slavery. However, slavery itself can and has brought out the worst in people, including undiscovered feelings of supremacy over another race. It discusses how slavery has engrained in people's minds the thought that since such a practice is allowable and even easy to maintain, it must be right. The paper concludes that this concept may imply a new idea that slavery encourages racism, in as much as racism establishes slavery.
From the Paper
"In investigating this concept, we turn towards the past United States enslavement of black people. This particular institution of slavery seems to be aligned perfectly with and idea of dual causality. Its establishment was based in economic possibilities, and was fostered by a division among races. The first element mentioned finds its roots in the Renaissance and Commercial Revolution of Europe. With the rise of towns, the increased centrality of interests in commercial activities, the focus on capital strength, and the fall of feudalism, Europe reinvented its societies to become much more competitive, and focus its attention on individual's prosperity. From England specifically, came the already established aristocrats who ventured to the open land of America to expand their wealth. To do so required a cultivation of the land. Agriculture was the main venue towards wealth, however the already wealthy were not going to perform their own labor. As such, people of lower social statuses searching for greater prosperity, who ventured to the open America, found an opportunity to prosper, by becoming an indentured servant to the wealthy landowner. These servants, who were primarily young white men, would work for a sustained period and at the end of their required servitude, they would be granted land of their own."
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"Divine Comedy" and "King Lear", 2004.
A look at the theme of dark humor and satirical comedy in ?Divine Comedy? by Dante and ?King Lear? by William Shakespeare.
887 words (approx. 3.5 pages), 0 sources, $ 31.95
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Abstract
This paper discusses how, in these literary works, a notable characteristic is the authors? ability to weave in the aspect of dark humor, aptly using satirical comedy in order to criticize the rulers and leaders of their societies during their time. It explains how, in ?King Lear,? Shakespeare uses character profiles that fit the description of the antagonists and protagonists in political conflicts that were happening in Shakespeare?s society. It also describes how Dante?s work served as revelation to the people to witness the anomalies going on in their society.
From the Paper
"In Inferno/Hell, Dante is accompanied by Virgil as they go through the inner circles, called bolgia, where different offenders of the sins of humankind are suffering and are being punished for their sins. There are nine bolgias inside, where the first circle is the limbo, described as a place where people experience ?gentle sadness.? Inside the bolgias are people suffering from the sins of humankind: lust, gluttony, the avaricious and prodigal, sullen, heretics, violent people against the tyrants, gods, or goods, fraudulent people in love, flatterers, simonists, diviners, barrators, hypocrites, thieves, fraudulent counselors, sowers of scandals and schism, falsifiers, rebels, and traitors against kin, homeland, guests, and benefactors."
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American Black Slavery, 1973.
This paper reviews the origins of American slavery, conditions of slavery and blacks' service in the Union Army.
1,350 words (approx. 5.4 pages), 4 sources, $ 47.95
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From the Paper
"Unlike the Spanish, the English explorers brought no blacks with them on their expeditions to the New World. No blacks were present in the first English colonies in North America, neither in the lost colony of Sir Walter Raleigh, nor in the little settlement at Jamestown. It was 12 years after the founding of Jamestown that blacks first made their appearance there. In 1619, a Dutch ship, headed for the West Indies, dropped anchor. The captain was short of food and other provisions, and he wanted to exchange the blacks for supplies. He traded them not as slaves but as indentured workers, which meant that they had to work for a few years without pay. These 20 blacks became the first settlers from Africa to make their homes in an English colony. Five years later, in 1624, little William Tucker was born. He was the first black child to be born in what was to ... "
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Impact of Gothic Tribal Warfare on Late Roman Empire, 2001.
Foundations of Roman imperial security. Rome's Balkans' frontier. Origins of Goth migration. Roman-Gothic relations. Decline in effectiveness of Roman Army & victories of Goths.
3,150 words (approx. 12.6 pages), 11 sources, $ 111.95
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From the Paper
"This research paper examines the relations between the late Roman Empire and the Gothic tribes which pressed upon Rome's frontiers in the southeast Balkans in the late 4th century A.D. The focal point is the period covered by Ammianus Marcellinus in his The Late Roman Empire (A.D. 354-378) which culminated in a devastating defeat by the Goths of the Romans outside Adrianople in Thrace in 378. The vulnerability of the empire to barbarian pressures in this area was revealed by the Gothic wars of the mid-3rd century. Despite the efforts of its reforming Illyrian emperors of the late 3rd and early 4th centuries, which temporarily restored an uneasy peace on its Balkan frontiers, Rome found itself militarily overextended and internally weakened by a series of developments which rendered it incapable..."
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"Slavery and Freedom in the Rural North".
This paper discusses G. R. Hodges's "Slavery and Freedom in the Rural North," which discusses issues of slavery and the Civil War in New Jersey.
1,180 words (approx. 4.7 pages), 1 source, MLA, $ 40.95
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Abstract
This paper explains that New Jersey was typical of states in the North that were not wholeheartedly anti-slavery, and yet had many activists who were bitterly opposed to slavery. The author points out that, in the 17th century, slaves were brought into New Netherland (New Jersey) from Jamaica, Barbados, Curacao, and Antigua. The slave population continued to grow, and in the 1790s, several "gradual emancipation" bills were voted down in the New Jersey legislature, albeit "popular opinion and party newspapers cautiously shifted" towards an anti-slavery position. The paper concludes that, after the end of legal slavery and for a century after the Civil War, there were still vestiges of the "paternalistic cottager system" in which African-Americans worked for whites on isolated farms, reflecting the continued bitterness of the Civil War.
Table of Contents
Introduction
New Jersey History of Slavery
The Civil War and New Jersey
From the Paper
"After the war, despite the heroism that many black soldiers displayed in defeating the South, "New Jersey's white population remained hostile" to the idea of giving blacks full citizen rights (p. 194). The author, in his Epilogue, explains why it was not easy to rid New Jersey of slavery notwithstanding federal law that demanded the end of slavery: he writes that slavery in Monmouth was not a "fad" which could be easily "forgotten," but to the contrary, it was "a custom two centuries in the making" (p. 203)."
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Restoration Comedy, 2005.
Examines the 'comedy of manners' genre, with focus upon William Congreve and Richard B. Sheridan.
2,980 words (approx. 11.9 pages), 9 sources, MLA, $ 87.95
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Abstract
Within the larger framework of the comedic genre, Restoration comedy has suffered more criticism than any other type. Judged as immoral, unrealistic, and artificial by numerous literary critics from Lamb to Macaulay, Restoration comedy has often been misinterpreted as a senseless jumble of clever-sounding sentences and words. This paper shows, however, that just as it had it virulent critics, Restoration comedy also had its own share of defenders, including Walter E. Houghton and Robert D. Hume. Writing thirty years apart, both these literary critics maintained that the rejectionist criticism of Restoration comedy is founded upon the false premise that this particular strain of comedy is meaningless and unrealistic. However, this particular viewpoint is incorrect and emanates from a failure to comprehend the purpose of comedy, on the one hand, and the importance of evaluating artistic works from within the context of their own period, on the other. Therefore, as this research argues, while Restoration comedy, or the 'comedy of manners' genre is largely satirical, as seen through the works of Congreve and Sheridan and characterized by extreme exaggeration in the representation of mannerisms, one may interpret this particular genre as a realistic and serious social criticism, which sought to impact cultural and social values and mannerisms.
From the Paper
"The condensation of vice within characters gives the impression that the play is not rooted in any recognizable reality yet, as Weber argues, this reductio ad absurdum devise is a recognized and legitimate means of exposing these vices and taking them to their ultimate consequence, in an effort to reveal society, as it is, without disguise (Weber). Hence, in taking mannerisms and the exercise of particular vices to their extreme absurd limit, Sheridan is not undermining the realistic foundations of his work per se, but is exposing the amorality of its so-called moral base."
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The Evolution of the Roman Theater, 2005.
The history and development of the architecture of the Roman theater building. An in-depth look at how the ancient Romans borrowed heavily from the Greek example, but improved upon it to create a building that was uniquely Roman.
2,698 words (approx. 10.8 pages), 7 sources, MLA, $ 80.95
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Abstract
The paper discusses in great detail the evolution of the Roman theater, beginning from the Greek wooden origins to the stone monuments that became iconic with Roman architecture during the Republic and the Empire. A brief history of theater is discussed in the beginning of the paper, with special attention given to the religious implications of how theaters were originally set up. The importance of the orchestra and "skene" are given historical background, dating back to early Dionysian worship. The layout of the early Greek theaters are discussed, with a complete layout included that describes the circular performance area, the seating arrangements, background adjustments and a rudimentary stage. The rest of the paper deals with how the Romans, eager to take the art of theater from being a religious practice to more of an entertainment value for the masses, incorporated their own unique designs to the Greek theater layout to create a more efficient and clearly Roman design. Heavy attention is give to Vitruvius and his work " De Architectura" which provides a step-by-step process in which Roman theaters were built. Improvements are discussed from eliminating the completely circular stage to a half-circle, as well as creating an official stage that persists in modern theatrical performances. The paper takes each part of the theater and discusses the area extensively in terms of what the Romans did to improve upon or change from the early Greek models.
From the Paper
"Ancient Rome's concept of art and architecture was heavily influenced by the cultures that the Romans had conquered, but were in no way identical copies of the art that existed in those subjugated areas. The Romans excelled at taking artistic ideas from other civilizations and molding them into a form that could undoubtedly be identified as uniquely Roman. This technique can easily be seen in practice when one examines the Roman theater building. Roman theaters can be found throughout the area that used to be the Roman Empire, with remnants of theaters all over Europe and the Mediterranean. These theaters have details and building techniques that are exclusive to Roman designs, but when they are viewed in comparison with ancient Greek theaters, one can clearly see where the Romans received their inspiration."
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