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"Robinson Crusoe" and "Foe", 2003.
A discussion about whether "Robinson Crusoe" by Daniel Defoe and "Foe" by J.M Coetzee can be considered intertextual novels.
1,885 words (approx. 7.5 pages), 6 sources, MLA, $ 60.95
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Abstract
This paper argues for the fact that both these were intertextual novels. It explains that 'Foe' has strong intertextual links with 'Robinson Crusoe' as well as other Defoe novels. It shows how "Robinson Crusoe" also has its foundations firmly set in other stories, despite it being heralded as the 'first' desert island adventure.
From the Paper
"Robinson Crusoe by Daniel Defoe has often been heralded as the very first ?desert island? adventure, much emulated and reproduced. Foe by J.M. Coetzee is just one of these pastiches, bringing an original and feminine angle to the Robinson Crusoe story. Foe is very different from the normal imitations of Robinson Crusoe, which usually just plant Daa different character in the same plight as Crusoe. In his take on the classic castaway story, Coetzee has actually planted his own character into the same situation as Crusoe ? the very same island in fact, with Crusoe still there. He has planted his own character into the story itself, not just a similar situation. Coetzee then removes a character from the original story (Friday) and plants him in a completely different situation (away from the island and into ?civilized? life), inverting the usual treatment that writers give to the story. Obviously, Foe is a novel relying entirely on the plot of another story as its base and so is filled with intertextual references, however to what extent does Robinson Crusoe, the story that originated the genre of island adventures, contain obvious references to other books? As J. Paul Hunter begins his critique on Eighteenth Century Fiction: ?No book comes into the world altogether naked, new, or alone. Every text has a past and a history of its own, and its friendships with people and other books identify the place it seeks in the world and establish its relationship with potential readers.? (Before Novels, p.ix) Robinson Crusoe must therefore have absorbed some influences. No author writes entirely independently, without being influenced in any way by their society and the literature around at the time. However, it can be difficult to identify any single distinct influences. Interestingly though, some of the sources of inspiration for Defoe when writing Robinson Crusoe, despite it being acknowledged as the ?original? castaway story, are easily identifiable, leading to the argument that although Robinson Crusoe was seen much as the first book of its kind, intertextuality is still very much in evidence."
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"Foe" and "Robinson Crusoe", 2005.
This paper examines J.M. Coetzee's "Foe" and Daniel Defoe's "Robinson Crusoe" and discusses the idea of colonialism.
2,250 words (approx. 9.0 pages), 8 sources, MLA, $ 79.95
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Abstract
The paper explores the theme and impact of colonialism as it is portrayed in J.M. Coetzee's "Foe" and Daniel Defoe's "Robinson Crusoe." The paper focuses on the theme of European colonialism.
From the Paper
"Basically an extension of Daniel Defoe's "Robinson Crusoe" J M Coetzee's "Foe" recounts the story of Susan Barton's experiences on a deserted island with Crusoe and Friday and her attempt to get Foe to write an account of these experiences. In Coetzee's story we see a transformation of colonialism and its ideology into one of existential meaninglessness in "Foe.""
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"Robinson Crusoe", 2002.
A character analysis of Robinson Crusoe from the book "Robinson Crusoe" by Daniel Defoe.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This paper will discuss the nature of the character Robinson Crusoe by Daniel Defoe, and how the he grows in the story. By understanding the theme of the character at the beginning of the story, we can take a look and see how Defoe ends the story in the character development of his main character. By understanding this progression, we can take a good look at what Robinson Crusoe learns from his journey.
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Robinson Crusoe, 2002.
A analysis of Robinson Crusoe's faith in God in the book, "Robinson Crusoe", by Daniel Defoe.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This is an examination of the relationship between Robinson Crusoe and God in the novel, "Robinson Crusoe". It looks at Crusoe's perception of God over the course of his adventure. It examines the effects of his faith in God and in Providence.
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Conversion and Narrative in "Robinson Crusoe", 2006.
An examination of the conversion and narrative in Daniel Defoe's "Robinson Crusoe".
3,249 words (approx. 13.0 pages), 17 sources, MLA, $ 93.95
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Abstract
In this paper the author looks at the biographical typology of the conversion narrative, the structurally and thematically fixed point of the conversion, the consistent intrusion of a double perspective and the allegories of spiritual progress that appear in Daniel Defoe's "Robinson Crusoe". He analyzes these points to show that they all provide the narrative with moments of coherence and meaning. The author looks at "Robinson Crusoe" not as a spiritual autobiography, or even properly a conversion narrative; but as a tangential account of Crusoe's life which intrudes only along the margins of the narrative, with flashes of coherence and pattern that serve to set off the general experience of the narrator. He looks at this as an experience which tends toward wandering, indirectness and confusion. In conclusion, the author states that the beginning of the novel "Robinson Crusoe" is actually the end of the novel where the course of human life is only touched by completeness and in doing so Defoe is cleverly telling the reader about the confusion of human experience.
From the Paper
"The genius of Defoe's novel partly lies in the association of these two antithetical narrative structures into a single narrative. Defoe had his eye on the Puritan conversion narrative but also on the earlier long fiction of the seventeenth century, the romance. The conversion narrative, in particular the spiritual autobiography, often appears to lend the narrative pattern and coherence. The adventure or romance narrative offers Defoe not only a structure for the piling on of wonders and variety, but undercuts the coherence and meaning inherent in the conversion narrative, and ultimately the patterning of history or biography in any sense. Spiritual autobiography fails to supply an organizing principle for Crusoe's life, despite the narrator's attempts, because Crusoe's underlying "malaise", his integral restlessness, 2 constantly thrusts his life out of the enclosures imposed by the conversion event."
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"Robinson Crusoe", 2002.
A review of Daniel Defoe's classic novel, "Robinson Crusoe".
1,520 words (approx. 6.1 pages), 1 source, APA, $ 50.95
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Abstract
This paper summarizes "Robinson Crusoe" by Daniel Defoe and analyzes the castaway story. It provides details of his years as a castaway building and inventing his own civilization. The paper illustrates the strength and wisdom of the man ?Robinson Crusoe? in his ultimate drive to survive and return home.
From the Paper
"Young Robinson Crusoe told his parents that he wished more than anything else to go to sea. His father bitterly opposed the idea, and then warned his son that ?if I did take this foolish step, God would not bless me - and I would have leisure hereafter to reflect upon having neglected his counsel, when there might be none to assist in my recovery.? These words proved prophetic."
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Order and Disorder in "Robinson Crusoe", 2007.
A discussion of the themes in Daniel Defoe's masterpiece "Robinson Crusoe."
8,604 words (approx. 34.4 pages), 5 sources, APA, $ 181.95
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Abstract
This paper analyzes various themes found in Daniel Defoe's "Robinson Crusoe", including the concept of order and disorder as it appears in the work. Following a plot summary and brief biography of Defoe, the paper focuses on the opposition between these two concepts, pointing out the alleged ordered and disordered elements in the novel. The reviewer then considers the conflict between order and disorder in the varied spheres of the the work. Quotes from the novel are used to support the reviewer's hypotheses. The paper concludes by pointing out the influence of "Robinson Crusoe" on modern literature.
From the Paper
"From the very beginning of the novel, the reader is encountered with sharp contrasts, foreshadowing the unfolding of the plot. Indeed, Robinson Crusoe seems to deal in extremes. It presents a world where one state counters its very opposite. We will see that the primary idea of order strictly opposing disorder is portrayed time and again throughout Robinson Crusoe. Indeed, the book seems to set its main themes in polarities. Our study will concentrate on the three focal instances of order and disorder, that is, those partaking of nature and its forces, of spirituality and morality and of society and politics."
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?Robinson Crusoe?, 2006.
This paper reviews and analyzes the title character in Daniel Defoe's classic novel "Robinson Crusoe."
2,340 words (approx. 9.4 pages), 6 sources, MLA, $ 71.95
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Abstract
This paper delves into the themes of capitalism and economics that are clearly evident in Defoe's novel. The writer of this well-researched paper describes why this particular novel has been and continues to be used by many economic theorists as a tool to illustrate the ideals of homo-economics. This paper details the numerous passages in the novel that point to Crusoe's blatant capitalist tendencies. Robinson Crusoe, has a home and family, yet he leaves them in order to improve his own economic condition. The writer of the paper contends and explains how Crusoe's island gives him total autonomy to realize his economic goals. This paper also examines the manner in which Crusoe puts a price on love and intimacy. For Crusoe, women have only one important role to play and it is an economic one.
From the Paper
"What might at first appear to place Robinson Crusoe in the somewhat special category of "Travel and Adventure" does not, then, altogether does so. The plot's reliance on travel does tend to allot Robinson Crusoe a somewhat peripheral position in the novel's line of development, since it removes the hero from his usual setting in a stable and cohesive pattern of social relations. But Crusoe is not a mere footloose adventurer, and his travels, like his freedom from social ties, are merely somewhat extreme cases of tendencies that are normal in modern society as a whole, since, by making the pursuit of gain a primary motive, economic individualism has much increased the mobility of the individual."
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"Robinson Crusoe" and Religion, 2004.
An examination of the suggestion that Daniel Defoe's "Robinson Crusoe" is a profoundly religious novel by aligning it with the puritanical culture in which it is inextricably steeped.
1,443 words (approx. 5.8 pages), 5 sources, MLA, $ 47.95
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This paper examines Daniel Defoe's "Robinson Crusoe" and focuses on a range of distinctive puritanical motifs by exploring the 'profoundly religious' climate that saw the emergence of this pioneer of fiction. It looks at how the novel essentially takes the form of a spiritual biography whereby Defoe?s prodigal embodiment in Crusoe follows a pattern of punishment for the disobedience to his father, repentance and consequently deliverance from his affliction on the island. It also explores how it is by means of this design that Crusoe grows in spiritual faith to become the mythical hero who possesses an immediate resonance of association in the twenty-first century?s heritage of the English novel.
From the Paper
"This idea of religious father and prodigal son may be traced back to Defoe?s The Family Instructor that was published in two volumes shortly before Robinson Crusoe. This example of Puritanical guide literature was primarily for didactic purposes and would have been recognised amongst Defoe?s contemporaries. The 1715 volume presents a boy who tires of his father?s attempts to Christianise and tether him, debatably portraying an embryonic Crusoe. Such treatise helped in forming the minds of fiction?s first creators, but Robinson Crusoe actualises the symbolic aspects of life observed by a puritan."
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Master Robinson Crusoe & A Lonely Mariner, 2005.
A review of Daniel Defoe's novel 'Robinson Crusoe' .
1,595 words (approx. 6.4 pages), 0 sources, $ 52.95
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Abstract
This paper takes an in-depth look at the life of the character Robinson Crusoe. With themes of religion, family, society, and internal conflict; The reader gains an understanding of Crusoe's character, beliefs and desires and how his personality develops through his trials and tribulations.
From the Paper
"Daniel Defoe's novel 'Robinson Crusoe' is a critically acclaimed work of literature that embodies a developmental consciousness within its characterization, as well as a multi-faceted thematic scheme intrinsic of the eighteenth century novel. Defoe enables his reader's the ability to extrapolate hidden themes and vital aspects of characterization through detailed accounts of the voyages and adventures that the protagonist, Robinson Crusoe, experiences within the course of his lifetime. More specifically; on page 153 of the novel, with the discovery of footprints in the sand on Crusoe's beach, Defoe illustrates a dichotomy within Crusoe's character which must be acknowledged in order for the reader to most aptly understand the depth of the novels characterization. Through the usage of quotations and textual analysis, Crusoe's dichotomy will be analyzed and interpreted in order to help find consistencies within Crusoe's attitudes and desires throughout the text, as well as develop and deepen the reader's sense of Robinson's character."
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Robinson Crusoe and Morality, 2002.
This paper addresses Robinson Crusoe's sense of justice as well as his charitable behavior, both of which are notably lacking in the first part of the novel.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
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Abstract
This paper addresses Robinson Crusoe's sense of justice as well as his charitable behavior, both of which are notably lacking in the first part of the novel. As Crusoe gains more experience with people, he realizes how kind humanity has been to him, although he still retains the belief in authoritarian rule that, in his youth, he resented.
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Religion as Theme in "Robinson Crusoe", 2002.
Analyzing the importance of religion in the life of the characters in Daniel Defoe's novel "Robinson Crusoe".
2,487 words (approx. 9.9 pages), 0 sources, $ 75.95
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The paper presents the theme of religion as a major driving force behind all decisions made by the characters in "Robinson Crusoe". The writer shows how religion is linked with the theme of civilization and its juxtaposition with barbarism. Throughout the novel, Robinson is faced with decisions to make - those his father would approve of and those his heart wishes to follow. The storyline is presented in great detail and examples of these decisions are mentioned and analyzed.
From the Paper
"In the novel Robinson Crusoe by Daniel Defoe, the theme of religion is linked with the theme of civilization and its juxtaposition with barbarism. Thus the tension introduced in the beginning of the novel is also the major theme throughout. This is the tension between adventure and security. If faced with a choice between the two, the correct choice is security. Adventure is associated with barbarism, while security is one of the characteristics of a middle class, religious lifestyle. The wish for adventure and the hazards that such a wish brings, is demonstrated first through Robinson?s two brothers, and then through the mishaps that befall Robinson himself. After both of his brothers disappear, Robinson himself ?disappears? from the life and society he knows to face many very uncomfortable misfortunes."
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Robinson Crusoe, 2005.
This is an argumentative essay on "Robinson Crusoe."
1,356 words (approx. 5.4 pages), 6 sources, MLA, $ 47.95
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This paper is an argumentative essay which argues that Robinson Crusoe's perception and treatment of the natives on the island is emblematic of ethnocentrism, that is associated with British imperialism.
From the Paper
"The story of "Robinson Crusoe" by Daniel Dafoe demonstrates British imperialism and ethnocentrism. The story is based on the real-life adventures of a Scottish Sailor named Alexander Selkirk who quickly faded from memory as Defoe's fictional Crusoe became a great success. Shipwrecked on an island of savages, Crusoe encounters an exceptional savage he attempts to tame and turn into an ideal servant of his."
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Capitalism in "Robinson Crusoe", 2006.
A look at the way that Daniel Defoe's novel, "Robinson Crusoe" deals with the theme of capitalism.
966 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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This paper explains why the protagonist in the famous novel by Daniel Defoe "Robinson Crusoe" is often used as a symbol of individualism that led to the rise of capitalism.
From the Paper
"The fact that Crusoe gets rid of his social ties early in life is indicative of his capitalistic nature. He believed that he did not need emotional ties to bind him to one geographical location or one specific profession. He thus breaks free of his family for purely classic reason of homo economicus i.e. to improve his economic condition. -that it is necessary to better his economic condition. "Something fatal in that propension of nature" forces him into a life of adventure and takes him away from boring life of "settling to business". Crusoe first starts as a plantation owner and there his relationship with a slave Xury is worth mentioning in connection with capitalism. Despite his claims of abhorring capitalistic bourgeois, Crusoe treats every resource in exactly the manner a capitalist would. Xury is a brave and loyal slave, yet Crusoe sells him to another trader as soon as an opportunity arises. He doesn't dwell on relationships which indicate that Xury was simply seen as a commodity and not real human being. While we agree that Crusoe was reluctant to sell Xury and that latter had agreed to the terms determined by the Portuguese trader, yet the fact remains that Crusoe did not crave human company at all. Aristotle had once said that a man who doesn't require company and is self-sufficient for himself is either a beast or a god. In this novel, we notice that Crusoe was behaving more like a capitalist beast when he shuns all company and still considers himself happy."
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