| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "RIAA INTERNET MUSIC DOWNLOADS": |
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RIAA - Internet Music Downloads, 2005.
A review of issues surrounding downloading music from the Internet.
1,221 words (approx. 4.9 pages), 7 sources, MLA, $ 41.95
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Abstract
This paper takes a look at music downloads. The paper reviews how music is downloaded via the Internet, and various issues relating to music downloads. The paper also discusses whether this is illegal or not.
Outline:
Introduction
How Music is Downloaded from the Internet
The Threats of Music Downloading
Music Downloading : Why is it Illegal?
Conclusion
From the Paper
"At first, it may seem that ease of downloading music from the Internet will produce nothing but positive impact to the consumers. They will be able to get and enjoy music for free. They will be able to share music to their friends without limits or boundaries. However, the fact remains that copying or downloading music from the internet is piracy. It is copying without proper consent from the real owners. It is copying and reproducing without notifying the people who have shed great efforts in producing such music. Thus, honor, credibility and integrity of the consumer is being wage. "
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Music Downloads, 2007.
An analysis of the ethical and legal implications of downloading music for free off the Internet.
755 words (approx. 3.0 pages), 5 sources, MLA, $ 26.95
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Abstract
This three page paper presents a discussion about the downloading of music off of the Internet. The writer argues that it has a tremendous impact on society and the music industry by decreasing profits to the musicians and music centers. It discusses the ethical implications of downloading music for free and discusses laws that are necessary to prevent this.
From the Paper
"Why should artists continue to write new songs, perform on stage and put them to cd if they are not going to be paid for their efforts? Would you go to work if at the end of the week you didn't get a paycheck? Downloading music instead of paying for the cd or privilege will have long reaching affects on society. It will discourage artists from producing new material and it will teach future generations that stealing is okay as long as one doesn't get caught. Both of these options have negative impacts on society. "In a period of lackluster sales, illegal downloading isn't the only factor affecting the depressed music industry. Disgruntled consumers have contributed significantly to the decline in retail music sales. Retail music sales, valued at $12.5 billion in 2005, are predicted to fall to $10.5 billion by 2010, according to a recent Mintel report (Spotlight, 2006).""
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Illegal Music Downloads, 2005.
This paper reviews three articles about the illegal downloading of music.
675 words (approx. 2.7 pages), 3 sources, MLA, $ 23.95
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Abstract
This paper is an article review on three articles about why file sharing is so popular and how record companies can address this problem.
From the Paper
"According to an article by John Healey and Jeff Leeds in the Los Angeles Times, record companies are losing the battle to shape the public's definition of theft or violation of copyright laws. As a result, record companies are considering a desperate strategy aimed at increasing their chances of financial success. Record companies are planning to bombard students, parents, teenagers and other users of the Internet who illegally share or download copyrighted music with lawsuits, alleging millions of dollars in damages resulting from copyright violations."
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The Music Industry and the Internet, 2003.
This paper discusses the early history of the battle by the music industry against the downloading of copyright music from the Internet and argues against the position of the industry.
2,115 words (approx. 8.5 pages), 12 sources, APA, $ 66.95
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Abstract
This paper explains that, despite the enthusiastic participation of some recording artists such as the Dave Matthews Band and Courtney Love, the Recording Industry Association of America (RIAA) has brutally attacked file sharing programs, such as Napster, which allow the downloading of music from the Internet, by arguing that the availability of music on the Internet is destroying record sales. The author points out that the industry's use of "fake files," which attempted to halt Internet music downloading, was an almost laughable endeavor, but intentionally damaging a consumer's computer was not so humorous. The paper relates that, in 1999, a law was passed, which declared that recorded music was the property of the company that recorded the music, not the artist; this outraged many artists.
From the Paper
"The Dave Matthews Band broke ground by releasing the first single from their 2001 album "Everyday" through the now defunct file-sharing program Napster. Napster, an Internet based file-sharing program, gave its users the ability to search for and download music (in MP3 format) to their computers by directly tapping into another user's computer. The program gained popularity rapidly, with millions of users at its peak in 2000 and 2001. When the Dave Matthews Band premiered "I Did It" through Napster, the album debuted at number one, and generated the highest first-week sales the band had experienced thus far."
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Downloading Free Music, 2005.
A look at how free music downloads online have dramatically impacted several industries, including CD and record retailers.
5,515 words (approx. 22.1 pages), 7 sources, APA, $ 134.95
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Abstract
This report looks into data regarding downloading of free music on the Internet in the business setting of music distribution and music retailing. The report also looks at perspectives from the government and recording industry, as well as legal cases that have sprung up around this issue, focusing on principles of copyright law. The report presents both sides of the issue and pays attention to how the issue of downloading music for free over the Internet has affected internal and external business environments in terms of the ability to adapt to change, as well as the ability to control pricing.
Statement of Purpose
Setting of Problem
History of Problem
Scope of Project
Importance of Project
Definition of Terms
Review of Literature
From the Paper
"The problem originated in copyright law. There have been many technological innovations over time that have changed communication and distribution, and have also changed industries associated with communication and distribution. The music retailing industry as well as the recording industry should be familiar with change, since these
industries have gone through many different media over history: the vinyl record, the 8-track cassette, the audio cassette, and the compact disc are a few innovations that have kept the industry in a position to react to change as well as controlling change. This is mainly because in this history of technological development, music retailers and recorders have had the luxury of price control. There have been some bands over time who have tried to fight the establishment and sell their CDs without markup for between eight and ten dollars, but despite these few aberrations, the industry remained firmly in control of pricing throughout most of the twentieth century."
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Digital Downloading and its Impact on the Music Industry, 2008.
A detailed description of the effects that digital music distribution has on the music industry.
2,375 words (approx. 9.5 pages), 9 sources, APA, $ 72.95
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Abstract
This paper discusses the music recording industry and how it has been impacted by digital music distribution. The paper relates that the early success the music labels had against the initial music file downloading sites were short lived, and legitimate digital downloading sites have since prospered. The paper then argues that major recording labels are suffering from the decline in CD sales, not because of music pirating, but because they refuse to recognize that consumers demand digital music downloading for its convenience and portability. The paper further emphasizes that digital music distribution and retailing is the future of the music industry and every relevant party seems to recognize this, except the music industry itself.
Outline:
Overview
Restructuring of the music Industry
New distribution model & Itunes
Online distribution variations
Conclusion
From the Paper
"The music industry, in spite of its ineptitude and obstinacy over the past decade regarding digital music downloading, is finally realizing that whether it embraces downloading services such as iTunes and others, it must evolve with the digital age or face irrelevance. In order to compensate for the loss of revenues, the recording music industry has been examining their base revenues in order to determine if digital downloads can compensate completely for the decline in sales of CDs. Two of the major record labels, Sony and BMG, have even merged in order to expand their catalogues (Recording, 2007). There have been efforts made to encourage EMI to merge with one of the remaining three major record labels but thus far these remaining major record labels have resisted further consolidation. However, EMI undertook its own internal restructuring by merging its two main record labels in the US market during the first half of 2007 and Warner Music was sold during 2004 creating even more churn in the industry (Recording, 2007). Yet, perhaps the most visible change is the industry is the downsizing or disappearance of retail music stores, which has begun to accelerate."
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Downloadable Music, 2004.
A look at the legal and ethical problems of downloadable music technology.
1,472 words (approx. 5.9 pages), 7 sources, MLA, $ 48.95
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Abstract
This paper provides an overview of the various technologies that exist to enable people to download music from the Internet, including P2P, home CD burning, and music piracy. It looks at the problems this technology brings with it, both legal and ethical, and suggests ways around these problems.
From the Paper
"The music industry is undergoing a global technological revolution which has been induced by the introduction of Peer to Peer (P2P) file sharing, and the proliferation of recordable CD equipment which his now within the financial reach of the average consumer. Either of these influences alone could have been absorbed by the recording industry. The presence of a P2P service which was limited only to sharing files between computers would have been convenient and innovative fun. If consumers could only put personal music tracks on portable disks, the convenience would have expanded the reach of the individual?s music collection, much the same way that personal cassette recorders did in the 1970?s. Although the music industry was worried about personal cassette recording abilities of the past, the inherent poor quality of personal recordings meant that the demand for studio recordings remained high."
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Negative Impact of Popular Music and Music Videos, 2003.
Investigates the negative impact of popular music and music videos on youth in the United States today.
3,623 words (approx. 14.5 pages), 10 sources, APA, $ 100.95
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Abstract
The music industry spends enormous amounts of money to create music videos that will make a profit, and the one ingredient they have consistently found that helps sell their products is violence; this violence is usually directed toward women. The AAP notes that there is a paucity of research concerning the impact of such gratuitous violence on children and adolescents. To this end, this paper demonstrates this relationship through a critical review of the literature, followed by a summary of the research and recommendations in the conclusion.
From the Paper
"The definitions concerning what constitutes entertainment and what is protected by the 1st Amendment do not necessarily address the underlying problems of violence in the media and sometimes only serve to merely contribute to the statistical haze that surrounds an already complex situation. The recent appearance of national leaders on MTV attests to the importance and power of music videos in shaping the nation?s conscience. Further, while many non-black observers feel that rap music is just ?so much noise generated by angry black youths,? rap music or simply ?rap,? is in actuality a reflection of the current affairs within the communities in which it is performed. Rap is a ?genre of rhythm-and-blues music that consists of rhythmic vocals declaimed over musical accompaniment. The accompaniment generally consists of electronic drum beats combined with samples (digitally isolated sound bites) from other musical recordings? (Bowman, 2003). From this perspective, rap is an extension of the Black Power movement of the 1960s, and has embodied the essence of the young black culture. The first rap recording was made in 1979 and the genre rose to prominence in the United States in the mid-1980s. Although the term rap is often used interchangeably with hip-hop, the latter term encompasses the subculture that rap music is simply one part of. The term hip-hop derives from one of the earliest phrases used in rap, and can be found on the seminal recording ?Rapper?s Delight? (1979) by Sugarhill Gang. In addition to rap music, the hip-hop subculture also comprises other forms of expression, including dance methodologies, art, vocabulary (in the form of slang) and fashion affectations. Despite these contributions to the popular culture, many observers suggest a connection between the music and personification of violence evinced in music videos and rap as a factor contributing to the incidence of violence by young people in the United State today."
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Music Piracy, 2004.
A look at the arguments for and against the desirability of unrestricted music downloads on the Internet.
2,107 words (approx. 8.4 pages), 10 sources, APA, $ 66.95
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Abstract
This paper examines how the recent development of computers, the Internet, and music compression technologies, such as MP3, have given a totally new dimension to music privacy and how free music downloads and the exchange of music files over the Internet has reached such daunting proportions that the music industry considers it the single biggest threat to its very survival. It discusses whether downloading of music from the Internet should be unrestricted and free by looking at both sides of the issue. While doing so, recent court cases about music piracy in the United States and Australia are also examined.
Outline
The Beginnings of Music Downloads on the Internet
The Napster Lawsuit and Its Aftermath
Current Scale of Internet Music Downloads
Ethics of Free Music Downloads
Arguments For and Against
Recent US and Australian Court Cases
Conclusion
From the Paper
"Napster attracted the ire of the music recording industry, which filed lawsuits (A&M Records Inc. et al versus Napster) against the company in the US courts in 2001. A Californian district court ruled against Napster, ordering it to close its file-transferring service. Ultimately, the ninth circuit appeal?s court upheld the decision of the district court against Napster in 2001. On appeal, the US Court of Appeals for the Ninth Circuit upheld the decision in a landmark ruling in 2002 that forced Napster to close down its file-transferring Website and file for bankruptcy. (?Napster Lawsuit,? 2002 Findlaw) The court ruling, however, was far from a death-blow to the free downloading business on the Internet as there were a number of grey areas in the court?s ruling that did not lift the cloud of confusion about the application of copyright laws on the Internet."
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The Internet and the Music Industry, 2004.
This paper argues that music downloads and online radio have a positive effect on the music industry.
2,725 words (approx. 10.9 pages), 5 sources, APA, $ 81.95
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Abstract
This paper explains that online radio, which simply rebroadcasts the content from existing, traditional radio stations or is solely virtual, has done the music industry much more good than harm because it is able to expose a greater diversity of people to artists and a greater diversity of artists to people. The author, using statistics, points out the correlation that the more you burn from the Internet, the more CDs you buy; therefore, the author seeks other causes for the lagging sales in the music industry, such as the recession, competition from other forms of entertainment, consolidation of radio stations, the ever-increasing CD prices, and even cellphones. The paper relates that the music industry?s legal campaign against downloading is being circumvented by new technology, such as ?Grouper?, which only allows users to ?stream? songs from a peer and, thus, operates legally under the ?private performance? section of the copyright law.
Table of Contents
Introduction
History of Online Radio
History of Music Downloads
Effects of Online Radio on the Music Industry
Effects of Music Downloads
Current Legal Status of Downloading
From the Paper
"As technology increased, so did the popularity of file sharing software like Napster. Although the use of such file-sharing software to download non-copyrighted material is not illegal, the propensity was for users to download copyrighted materials (?File Sharing?). For the last few years, the legalities of file sharing have made the issue one of the central debates. Record companies and musicians argue on both sides of the issue. Most, however, feel that unauthorized music downloads infringe on their livelihood and have negatively affected the profitability of the music industry as a whole. However, this may not be true."
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Music Websites, 2007.
This paper discusses building a music website and focuses on sheet music downloads.
1,246 words (approx. 5.0 pages), 3 sources, APA, $ 42.95
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Abstract
In this article, the writer looks at a music business being considered for expansion to the web. The business in question is a sheet music download service. The writer notes that there are currently numerous businesses on the World Wide Web that provide sheet music to consumers through mail order and instant downloads. The writer points out that these companies have been capable of creating a presence that is adequate for a minimal audience, but that does not attempt to reach to all people across the globe. The writer concludes that it is evident that in order to be competitive, the business under consideration will have to provide a site to the consumer that offers a greater scope of music, as well as the inclusion of new technologies.
Outline:
Introduction
Comparison of Sheet Music and Download Sites
Similarities
Attention
Time at the Site
Global Exposure
Conclusion
From the Paper
"Musicnotes.com provides digital sheet music, guitar lesson videos and free sheet music downloads for public domain music of the past. The website for the company is simply constructed, with the best sheet music of 2004 being posted on the first page. The site also offers music for piano, country, Christian, Broadway and movie music. All downloads require software that is easily obtained at the site for no cost, and the company provides free blank music sheets for composition."
"The site for musicnotes.com is quite simple, with links to other areas of the site posted at the top of the page, and current music offerings that have been popular comprising the remainder of the page."
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Guillaume Dufay Music from Medieval and Renaissance Music, 2006.
An examination of Guillaume Dufay's music and its origins.
34 words (approx. 0.1 pages), 6942 sources, MLA, $ 17.95
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Abstract
In this paper the author looks at what Guillaume Dufay's music meant in terms of music history. The author starts with a look at the Gregorian chant from Medieval times which was the main form of sacred music, how it developed and what it gave to modern music. The paper continues with a look at the other forms of music that have developed over the years and contributed to the work of Guillaume Dufay. In particular the author highlights the development of church music in the Renaissance period which, as he points out was the basis for Dufay's music compositions. The author discusses the life and works of Dufay's music as a move towards a clearly defined tonal and functional harmonic structure. The author believes that this helped prepare one of the most important stylistic developments in music of the following century. In conclusion the author reminds us that we are lucky to have the musical pieces that have been curated and restored. A number of Dufay's as well as other composers from that era had masterpieces destroyed because of the political climate.
Outline:
Table of Contents
Introduction
Gregorian Chant
Motet
Troubadour Influence
The Development of Musical Notation
Polyphony
Machaut
Guillaume Dufay a Biography
Dufay's Music
Dufay and Faux-bourdon
Dufay's Motets
Conclusion
From the Paper
"Dufay began composing at a time when musical style was in a period of relative stability and changing that style was not readily accepted. Dufay cannot be thought of as one of the great revolutionaries in Western music; the term 'originality' in the classic sense of the word was not familiar to him. This is not to say, however, that Dufay was in any way lacking of originality or he was in any way reactionary. Quite to the contrary, he played an integral role in the development of faux-bourdon and the cyclic mass. He was one of the first composers to handle four-voice texture with any kind of convincing skill before the end of the 15th century. Furthermore, his attempt to move towards a clearly defined tonal and functional harmonic structure helped prepare one of the most important stylistic developments of the following century. Dufay's works and compositions have come to be known as the supremely polished works of a long period of slow and serene stylistic change."
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African Music's Influence on Pop Music Culture, 2005.
An ethno-musicological study of African music's influence on western society's popular music culture.
675 words (approx. 2.7 pages), 4 sources, $ 26.95
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Abstract
The paper by examines various western artists, such as Paul Simon and David Byrne, and shows how African music plays an important part in how popular music is interwoven within the western musical tradition. The paper concludes that western music in North America has been greatly influenced by the music of South Africa and other traditional musical traditions from the African continent.
From the Paper
"This ethno musicological study will examine the various African music influences that have become imbued within western pop music culture. By examining various western artists, such as Paul Simon and David Byrne, one can realize how African music plays an important part in how pop music is interwoven within the western musical tradition. In essence, western music in North America has been greatly influenced by the music of South Africa and other traditional musical traditions from the African continent."
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Program Music v. Absolute Music, 2006.
This paper examines the Verdi aria "Ave Maria" from "Othello," highlighting the debate between program and absolute music.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
The paper outlines the importance the aria holds for the opera and for music in general. The paper then outlines the debate depicting how music ought to be considered. Finally it considers whether the aria better fits one or the other of the arguments. The conclusion of the paper is that program music better explains the piece.
From the Paper
"In Verdi's "Ave Maria," from "Othello," Desdemona sings what is perhaps the opera's greatest addition to the storyline already laid out so brilliantly by Shakespeare. In a lilting, soaring soprano, Desdemona presents this liturgical prayer for the humble, the innocent and the oppressed in such a beautifully supplicant manner that the listener feels her purity and honesty pouring through her tender prayer. The story wins the listener over to the character, particularly as the music is juxtaposed to the hard declamations of the evil Iago. Though the character has a name that is purposefully indicative of demons, and the tragedy that befalls her later in the opera stems from the misunderstanding of her connection to evil, the listener knows from the moment that Desdemona has sung the "Ave Maria" that the character is pure of heart and gentle of spirit."
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The Case of Napster.
This paper discusses the case of Napster, an Internet music sharing company, which was forced by the courts and by the Recording Industry Association of America (RIAA) to cease operations.
2,455 words (approx. 9.8 pages), 9 sources, MLA, $ 74.95
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Abstract
This paper explains that the Recording Industry Association of America (RIAA) argued that Napster was infringing on copyright and illegally copying, distributing or ?bootlegging?, and downloading the copyrighted products of musicians. The author points out that the problem of pirating copyright material is not new; but the combination of the Napster technology, the Internet, and the ability of individuals to burn their own CDs off the Internet made pirating very easy, with digital sound quality just like the store bought merchandise. The paper relates that Napster, which is now owned by Roxio, Inc., the software inventor of many well-known CD-burning programs, is a subscription-based service that charges 99 cents per downloaded song; other peer-to-peer networks seem still to be striving.
From the Paper
"Napster offered its users the opportunity to access music files held on every other users? hard drive. This, in turn, meant that users could download to their hard drive, and then burn to a Compact Disc (CD) if they so desired, literally hundreds of thousands of pieces of music. This threatened the producers of music (the musicians) and the copyright holders, the media companies, such as AOL Time Warner, Vivendi Universal, EMI and others. The revenue they generate by selling Compact Discs and tapes was threatened because Napster users could now obtain music and compile a music library without actually purchasing product from the companies themselves."
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