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Realism In Fiction, 2004.
This paper explores realism in fiction using Russell Banks' novel "Sweet Hereafter" as an example.
678 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
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Abstract
The paper examines the presence of realism in fiction and uses Russell Banks' novel "Sweet Hereafter" as an example. The paper defines realism in literature and includes the development of characters.
From the Paper
"Realism in fiction presents the reader with the unreality of fiction wrapped in an illusion of reality. Characters, plots and settings are plausible, suggesting that they could actually exist in real life. In most cases, realist authors have derived their stories from actual experiences and issues, so the ring of truth permeates them. Realism enables the reader to engage fully in the story because he perceives it as true."
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Realism in Fiction, 2008.
An analysis of three stories: Bret Harte's "The Outcasts of Poker Flat," Sarah Orne Jewett's "The White Heron," and Stephen Crane's "The Open Boat".
1,131 words (approx. 4.5 pages), 3 sources, MLA, $ 39.95
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Abstract
This paper analyzes three different American short stories: Bret Harte's "The Outcasts of Poker Flat," Sarah Orne Jewett's "The White Heron," and Stephen Crane's "The Open Boat". In particular, the author looks at the stories with regard to the different forms of realism in fiction - being naturalism, local color, and regionalism.
From the Paper
"Realism in fiction appears in several different forms, some of which can be illustrated by reference to different American short stories. The three primary categories of realism are naturalism, local color, and regionalism. In a broad sense, realism emulates reality closely and in great detail, with an emphasis on verisimilitude. Character is more important than action or plot. Social class is an important element that defines characters, and the speech of characters is in the natural vernacular. These elements can be seen in different degrees in Bret Harte's "The Outcasts of Poker Flat," Sarah Orne Jewett's "The White Heron," and Stephen Crane's "The Open Boat.""
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"Pulp Fiction" and Realism, 2002.
Analyses and discusses realism in relation to the film "Pulp Fiction", which was directed and written by Quentin Tarantino.
1,116 words (approx. 4.5 pages), 6 sources, MLA, $ 38.95
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Abstract
The essay is centered around the two main perspectives of realism. It discusses how both theories can be applied to "Pulp Fiction" and draws upon examples from the film.
From the Paper
"Since the start of films, theorists have discussed the cinematic medium in terms of its manipulative functions because the cinema was seen by many to be a natural tool for capturing reality. It has been shown that audiences may find a real presence from the footage they see on the screen. Rudolf Arnheim (1957), an American theorist, sought to ?refute the assertion that film is nothing but the feeble mechanical reproduction of real life.? (Arnheim, 1975;p18) The aim of this essay is to discuss realist theorists of film and look at how both sides may be applied to the film Pulp Fiction (1994) which was directed and written by Quentin Tarantino, production by Lawrence Bender and edited by Sally Menke."
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Assessing the American Spirit through Fiction and Non- Fiction, 2002.
Reviews both American non-fiction and American fiction works of art to support the notion that the American spirit is reflected in both types of literature.
1,150 words (approx. 4.6 pages), 4 sources, $ 44.95
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Abstract
One of the most poignant quotes in American literature comes from Donald Briscoe, who stated that "To understand American Literature, it is necessary to examine both its fiction and its non- fiction because the key to the American Spirit can be found in both." This paper assesses Briscoe's quote through addressing two works of American fiction and two works of American non- fiction with the intent of proving how the spirit of the American people is reflected in both types of literature.
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Fiction vs. Non-fiction, 2002.
A discussion of reading comprehension and the differences in comprehension of fiction versus non-fiction reading.
4,050 words (approx. 16.2 pages), 9 sources, $ 109.95
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Abstract
The paper starts with a general discussion of reading comprehension and its importance for academic success. Factors involved in reading comprehension, such as phonological memory and word recognition, are examined, as well as other influential forces, such as time limitation and silent reading are outlined. Then the topic of comprehension of fiction versus non-fiction material is explored through a review of the relevant literature.
From the Paper
"Literacy and reading comprehension are subjects that have been explored for decades. Through these explorations we have discovered that comprehension is an essential component in the ability of a person to succeed in academia and in life. Comprehension is defined as ?the act or action of grasping with the intellect?the capacity for understanding fully.?(The Dictionary) Comprehension is important because it allows us to gain knowledge of new concepts; without comprehension it would be impossible to learn anything.
"This discourse will present a literary review of the aforementioned topic so that we can understand comprehension and the effect of comprehension on academic success. The literature presented will seek to display this information in a manner that will inform and enlighten.
Reading comprehension covers a broad range of topics. For the purposes of this literary review we will seek to explain what comprehension is and the effect that fiction and nonfiction works have on comprehension. This review will use a wide range of sources including journals, digests and academic studies."
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Realism and Imagination in Short Fiction, 2002.
Discusses these two themes in "The Open Boat" (Crane), "Sonny's Blues" (Baldwin), "The Rocking-Horse Winner" (Lawrence) and "The Secret Life of Walter Mitty" (Thurber).
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
Describes the element of realism of fancy/imagination in four classic short stories: Stephen Crane's "The Open Boat," James Baldwin's "Sonny's Blues," D.H. Lawrence's "The Rocking-Horse Winner," and James Thurber's "The Secret Life of Walter Mitty."
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Commercial and Literary Fiction, 2007.
This paper examines "A Jury of Her Peers" by Susan Glaspell and "A Municipal Report" by William Sidney Porter as literary fiction and commercial fiction, respectively.
942 words (approx. 3.8 pages), 3 sources, MLA, $ 33.95
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Abstract
The paper examines "A Municipal Report", which is an example of "commercial" fiction and "A Jury of Her Peers", which is an example of "literary" fiction. The paper outlines the character developments, plots and themes in order to underscore how "A Municipal Report" is intended as a light-hearted, diversionary romp through a Southern town, while "A Jury of Her Peers" is a troubling look at gendered stereotypes in early twentieth century America.
From the Paper
"As our course textbook indicates, commercial fiction is written primarily to make money and is designed to take us away from the world of our troubles; it is, in other words, all about giving pleasure to a reader who is seeking distraction ("Chapter One: Reading the Story," 52-53). In "A Municipal Report," the character development of the story clearly reveals the commercial features of the work. For one thing, there really is no character development to speak of. Instead, the reader is confronted with stereotypes: the vain Californians, blustery and stammering Chicagoans, appallingly slow restaurant service somehow managed with the utmost courtesy, the pompous Brit, Wentworth Caswell, and the dilapidated "Negro" nearly as old as Ham. There is also, unfortunately, an element of racism inherent in the story's depiction of the "old negro" insofar as he often finds himself unintentionally humorous - such as on the occasion when he informs the narrator that the seats "is clean" because his hack has just returned from a funeral (Porter, sec.1-6). As a last point, Azalea Adair is the quintessential polite, elegant yet sheltered and impoverished Southern belle one would expect to find in post-Civil War America (Porter, sec.9-10)."
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Realism: Royal Politics at its Best or Worst?, 2005.
Realism is a very viable International Relations theory, as it is the way that the most powerful countries operate in today's society. This essay explains the theory of realism in depth.
2,500 words (approx. 10.0 pages), 3 sources, MLA, $ 75.95
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Abstract
Realism, one of the two schools most predominant in the study of international relations has a long and exhausting history. Unarguably, it has been the most dominant theory of world politics since the foundation of international relations. This could be for various reasons, but many argue because of the United States' persistent use of this theory in its governance. Many politicians and scholars have wrestled over the question of the limitations and insights (if any) of realism. However, realism remains very prominent today, one reason perhaps being that the value of realism as an analytical tool seems to become more relevant to policymakers in times of crises. This essay is dedicated to examining the history and debates surrounding the theory of realism, and concludes with the authors' personal opinion of the value of this theory. This paper examines all fields of realism, from classical, to modern, as well as neo-realism.
From the Paper
"Under the idea of maximal realism, when there are two equally powerful hegemons in place like was the case during the Cold War between the Soviet Union and the United States, there becomes an inherently unstable situation that is destined to collapse into a more stable state where one nation is more powerful and one is less powerful. Next, the theory of minimal realism holds that non-hegemonic states will ally against the hegemon in order to prevent their own interests from being subsumed by the hegemon's interests. Under the minimal-realism theory it is possible to have two equally powerful hegemons with whom a smaller entity may ally in turn depending on which hegemon better fits with the smaller entity's policies at the moment, creating a positive sum game for both sides, rather than a negative sum game like would be the case for maximal realism."
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Latin American Magical Realism, 2007.
This paper provides a contrasting study of the role of women in Latin American magical realism in 'The House of the Spirits' by Isabel Allende and 'One Hundred Years of Solitude' by Gabriel Garcia Marquez.
1,255 words (approx. 5.0 pages), 2 sources, MLA, $ 42.95
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Abstract
In this essay, the writer discusses that in both 'The House of the Spirits' by Isabel Allende and 'One Hundred Years of Solitude' by Gabriel Garcia Marquez, females figure prominently in the authors' narratives of magical realism. The writer notes that in both novels, the struggles of the main female protagonist exist on a literal level of story and have a symbolic level of significance beyond the story, about the nature of politics or the nature of women, respectively. The writer concludes that Allende ultimately seeks to question the reasons for man's inhumanity to men, and women, in a political reality, and uses magical realism to heighten the consequences of her character's actions and cruelties, while Marquez relates his tale of a fictional village and family exclusively in the register of the fantastic and the surreal.
From the Paper
"True, some of the actions of Allende's characters may be heightened by supernatural narrative motifs such as the matriarch Clara's ability to see into the future, but these plot points have ramifications beyond those of the psychological, symbolic, or merely mystical. For example, in a parallel of the terror that will come to Chile, Esteban hits his wife, and Clara takes a vow of silence, and never speaks to him until he dies. This act of defiance, although taken to an extreme in the novel, can also be read as a heightened example of a difficult relationship between husband and wife, and how the oppression within a patriarchal family structure mirrors the politics of the land."
"In contrast, Marquez's female archetypes lack the complex psychology of Allende's females, existing in the material dimension alone rather than on simultaneous spiritual and material planes."
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Kate Chopin and Historical Realism, 2005.
Examines themes in two works by Kate Chopin to show realism from her time period.
785 words (approx. 3.1 pages), 2 sources, MLA, $ 27.95
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Abstract
The significance of life. Responsibility to the soul. The eternal rights of women. Freedom. These are only a few of the themes addressed in "The Awakening" and "The Story of an Hour" by Kate Chopin. The paper shows that, without a doubt, Kate Chopin wrote of issues that appear to be before their time, yet it is exactly this insight into life during the Victorian era that makes her writing significant. The paper shows that b presenting her themes superimposed on life's events of her era, she illustrates that short fiction can give us insight into various historical periods. Historical fiction can provide contemporary readers a glimpse of realism from the past.
From the Paper
"In "The Story of An Hour" Kate Chopin brings to the reader's attention one of the methods women in her era achieved their personal freedom - the untimely death of their husband. Divorce and separation in our era has easily replaced the morbid need for a husband to die in order for the woman to become herself. In Chopin's time, women usually had no method to support themselves without a husband; women who left their husbands were often looked upon by society as being unfit women. "The Story of An Hour" gives us a brief insight into Mrs. Mallard's longing desire for freedom."
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Science Fiction, 2002.
A paper exploring the meaning of the term "science fiction" and various literary works and films which have impacted readers and viewers.
2,965 words (approx. 11.9 pages), 8 sources, MLA, $ 87.95
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Abstract
A paper written in question-and-answer form where science fiction as an art in literature and films is explored. Subjects covered are works which have impacted viewers and readers over the years, themes of these works and dystopias. Example of questions are: Who are some of the great writers of the past in Science fiction?, What exactly is science fiction as compared to horror, mystery, or adventure novels?, What is the movie "Fahrenheit 451" about? and many more.
From the Paper
"(14) What is the society in Fahrenheit 451 like? Everyone is told they are part of a larger family. They are all cousins. This Utopian society is actually a dysfunctional one in which people are hunted down on TV for any violation of the rules. In one scene everyone in a neighborhood is ordered outside the home to look for a runner. The people obey and stand outside their homes as ordered. It is reminiscent of a scene in China during President Ford's visit when an unexpected snow fell in the middle of the night. Block monitors alerted the people and everyone was out with brooms to clear the sidewalks. This is what a totalitarian society can do. It can provide what the state wants and control the actions of their people. Some people will accept this type of society but most will find it stupefying."
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Science Fiction, 2008.
An analysis of the three different eras of science fiction.
1,004 words (approx. 4.0 pages), 7 sources, MLA, $ 35.95
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Abstract
This paper discusses how setting in science fiction is a key element, as it is in all fiction, though the way it is used and the emphasis given to it among the various elements of fiction may differ. In particular, the paper discusses how, in his anthology "Masterpieces", Orson Scott Card divides science fiction somewhat arbitrarily into three categories according to era ("The Golden Age," "The New Wave," and "The Media Generation"). The paper then examines the style and settings of each of these eras with reference to different novels.
From the Paper
"Setting is important in the structure of the novel Count Zero by William Gibson. The setting is the future, but it is not a distant future. It is rather a projection of the present into what Gibson sees as the next logical step as the use of the computer makes the cyberspace that Gibson named in an earlier book into a parallel reality set alongside the "real" world in which we live. Both worlds have evolved in the direction of increasing corporate control accompanied by further surrender of individuality and autonomy on the part of the human inhabitants of the planet. "
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Science Fiction, 2004.
This paper discusses science fiction, an interesting genre because it blends the fantastic elements of life with some of the ordinary elements of life.
1,190 words (approx. 4.8 pages), 7 sources, MLA, $ 40.95
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This paper explains that science fiction is a genre often associated with the impossible or the unreal, but a closer inspection reveals that there is often more truth in science fiction than we would guess. The author points out that novels such as ?Frankenstein? and ?The War of the Worlds? introduced the world to science fiction in astonishing ways by looking into the future and making the unbelievable real. The paper relates that contemporary science fiction such as ?1984? and ?2001: A Space Odyssey? still operate on those same levels of discovery bordering on terror.
From the Paper
"Frankenstein?s attitude and curiosity certainly reflected those of Shelley?s time. This can be seen when he becomes ?solely wrapped up? (Shelley 36) in his search to discover a way to produce life. Strangely, he decides that in order to study the origins of life, he must ?first have recourse to death? (36). Frankenstein was not satisfied with studying anatomy. He also felt compelled to ?observe the natural decay and corruption of the human body? (36). As a result of this he spent days and nights in ?vaults and charnel-houses? (36-7). Victor was wildly possessed and was determined to continue with his experiment at any expense."
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Science Fiction in the United States, 2008.
A discussion of the history of science fiction in the United States.
1,000 words (approx. 4.0 pages), 5 sources, MLA, $ 35.95
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Abstract
This paper examines how science fiction in the United States has gone through three main periods: Introduction, Golden Age, and Post-War Era. The paper points out that, in the United States, the beginning of science fiction was vague, starting in the nineteenth century. The paper then takes a look at Edgar Allan Poe as one of the first American science fiction authors. The paper concludes that, although the genre of science fiction had a humble beginning, in a short period of time it surfaced into an extremely popular type of literature.
From the Paper
"Therefore there was an interim in the immense success that science fiction had experienced in the Golden age. However, immediately when the war ended, there came "another boom time for science fiction." Major writers who were involved in the war began writing again. Many talented new writers came into the spotlight. Magazines that made it past the difficult times of World War II were now more popular than ever (American). Some authors of this time period were A.E. Van Vogt, J.G. Ballard, Ray Bradbury, Poul Anderson, and Frank Herbert. Post-war science-fiction authors had some new approaches in their works. Most of their works became about predictions of future societies on Earth, the consequences of space travel, and "imaginative explorations of forms of intelligent life and their societies in other worlds" (Science Merriam). Ray Bradbury was a key figure from the post-war era. He was one of the most illustrious science-fiction writers of his generation. Even though Bradbury's works verged on fantasy, most of them are considered science fiction. Two of his most famous works were The Martian Chronicles and Fahrenheit 451. The Martian Chronicles was a series of linked short stories, and Fahrenheit 451 began as a short story named "The Fireman. A major change occurred in the science-fiction industry when the paperback industry overtook the "pulp" magazine's "exclusive hold on science fiction" (American). This significantly increased the popularity of science fiction."
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Science Fiction in Film and Literature, 2002.
A paper which explores of the way science fiction is presented in film and literary form.
2,270 words (approx. 9.1 pages), 7 sources, MLA, $ 70.95
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Abstract
The paper explores the theme of science fiction in film and literature since its beginnings with Jules Verne's writings at the end of the nineteenth century. The paper shows how the best science fiction, both literary and filmic, explores issues of the individual in society, the nature of what it means to be human, and the morality of human decision making. While science fiction may be set in the future, it speaks to its contemporary audience about their problems and concerns. Science fiction works studied in this paper include Aldous Huxley's "Brave New World", George Orwell's "1984", Fritz Lang's 1920s film "Metropolis" and the film "Blade Runner", directed by Ridley Scott.
From the Paper
"Novels like Brave New World and 1984 were written in reaction to totalitarian regimes of the time and so used a possible future to comment on a real present. In his novel 1984, George Orwell warned of the seductions of government thought control as he saw them developing in the Soviet Union and elsewhere because of the tensions after World War II, and while the world never reached the state of control seen in that book, it did tend in that direction in response to threats, real and perceived. Huxley extended ideas about government control and psychological testing from his time into the future. Evgeny Zamiatin's We is another novel about a totalitarian regime, a reaction to the same political realities of the 1930s and 1940s."
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