| Papers [1-15] of 21 :: [Page 1 of 2] | | Go to page : 1 2 —> | Search results on "PULP FICTION": |
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Studies of ?Pulp Fiction? and ?Being John Malkovich?, 2002.
The paper looks at the two films, ?Pulp Fiction? directed by Quentin Tarantino, and ?Being John Malkovich? directed by Spike Jonze, and the ways in which they use narrative structure and surrealism to tell their stories.
2,637 words (approx. 10.5 pages), 13 sources, MLA, $ 79.95
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Abstract
The writer first looks at "Pulp Fiction," by director Quentin Tarantino, a prime example of a film that utilizes a multiple narrative structure. The film has three narrative stories that are signaled by inserted captions, and told in "episodes" that are shown non-chronologically. The writer then studies "Being John Malkovich", a film set entirely in a surreal story world that runs by its own rules.
From the Paper
"Surreal is defined as "having the intense irrational reality of a dream" and surrealism as "the principle of . . . producing fantastic or incongruous imagery or effects . . . by means of unnatural juxtaposition and combinations" (Webster, 1164). These definitions precisely describe the techniques utilized by Kaufman when putting together the dialogue and other aspects of narration for this movie. The viewer is literally buffeted by bizarre effect after bizarre effect, realizing very quickly the world of "Being John Malkovich" has its own rules of logic. For example, as Craig enters the filing office for his job interview, the secretary simply cannot understand what he is saying and mistakes his name and every comment that he makes. Craig attempts to correct her, but fails miserably. During his interview, Craig learns that the secretary's distorted hearing is considered truth, as the boss believes he has a speech impediment based on his secretary's misperception. That is simply the way the world is. As illogic after illogic piles up, the sum total is a dream world, one that certainly comes close to a nightmare for Craig, who represents the viewer's point of view."
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"Pulp Fiction" and Realism, 2002.
Analyses and discusses realism in relation to the film "Pulp Fiction", which was directed and written by Quentin Tarantino.
1,116 words (approx. 4.5 pages), 6 sources, MLA, $ 38.95
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Abstract
The essay is centered around the two main perspectives of realism. It discusses how both theories can be applied to "Pulp Fiction" and draws upon examples from the film.
From the Paper
"Since the start of films, theorists have discussed the cinematic medium in terms of its manipulative functions because the cinema was seen by many to be a natural tool for capturing reality. It has been shown that audiences may find a real presence from the footage they see on the screen. Rudolf Arnheim (1957), an American theorist, sought to ?refute the assertion that film is nothing but the feeble mechanical reproduction of real life.? (Arnheim, 1975;p18) The aim of this essay is to discuss realist theorists of film and look at how both sides may be applied to the film Pulp Fiction (1994) which was directed and written by Quentin Tarantino, production by Lawrence Bender and edited by Sally Menke."
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The Language of 'Pulp Fiction' Culture as a Myth, 2000.
A Barthesian reading of popular culture, centered around a promotional poster for the film "Pulp Fiction".
1,794 words (approx. 7.2 pages), 3 sources, MLA, $ 57.95
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Abstract
A brief examination of the movie "Pulp Fiction" from the aspect of language and its impact on culture.
From the Paper
"However, the danger and sophistication that are ever-present in the poster can only really be appreciated when related to the third myth, that of 'cool'. Danger in itself is not a myth, it is a definite fact of life that, in real-life, is taken seriously as a truth. But when the danger is removed from the individual then the cool aspect of danger can be perceived as a myth. Ultimately we know that smoking is bad for one's health, but when one is separated from it, the act becomes cool, we also know guns are extremely dangerous yet again once we can take that step away and they are no immediate threat to us, they can be perceived as cool. This removal that is necessary in order to establish the element of cool is achieved in an interesting way in the poster. Rather than being just a poster, the edges have been made to look worn and there are stylised wrinkles in the paper. The purpose of this is to enhance the illusion of this image that makes up the poster as being the cover of a 'trash novel'. We realise that in actual fact these images that we have been examining are being portrayed by the film company as fiction. "
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"Pulp Fiction", 2002.
This paper discusses and analyzes the making of the cult classic film "Pulp Fiction", written and directed, as an independent film.
1,595 words (approx. 6.4 pages), 4 sources, MLA, $ 52.95
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Abstract
This paper discusses that the classic film "Pulp Fiction", by Quentin Tarantino, is a testament to independent filmmaking and helped set the stage for many other independent filmmakers to follow. The author feels that the film could not have been made through a traditional studio because Tarantino likes to work independently, the film was too violent and sexual to be a mainstream film. The author states that the movie helped create Tarantino's reputation in Hollywood and revamped the careers of Bruce Willis and John Travolta.
From the Paper
""Pulp Fiction" has become a cult classic film, with fine performances by John Travolta, (his first major role in many years), and Samuel L. Jackson. The film follows three distinct story lines. The first is the storyline of the date between hit man Vincent and his boss's wife; then, there is the boxer who is supposed to throw a fight, and finally the cleaning up of a hit man's mistake. The film weaves back and forth between present and past, and literally ends where it begins, in the diner where hit men Vincent and Jules began the story."
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The Film: ?Pulp Fiction", 2006.
This paper analyzes the representation of violence in the film "Pulp Fiction".
1,405 words (approx. 5.6 pages), 3 sources, APA, $ 46.95
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Abstract
This paper explains that "Pulp Fiction", a symbol of iconography, is a classic Hollywood tale in which the director and co-writer Quentin Tarantino utilizes a variety of scenes and cinematographic techniques to depict violence by showing the clash between good versus evil and exhibiting some of the ironies existing within the American culture. The author points out that the film, which is appraised favorably by critics, uses humor in the midst of depicting violence so that one might presume violence is the 'norm' within the United States rather than an extreme aspect of pop culture. The paper relates that the scene in which the character Jules quotes "Ezekiel", noting that righteous men will always be beset on all sides by the 'tyranny of evil men', shows the paradoxical nature of violence in this movie.
From the Paper
"The cinematography used in this scene is also very telling. The scene captures primarily the faces of each of the characters involved, including Marvin, Jules, Brett and Vincent. The characters faces are lighted in such a manner that they stand out. Another technique can be noted right after the moment Jules kills Brett for cheating Marcellus. As Jules comments that a miracle has occurred, one might also observe that lighting that sort of 'highlights' his head and the face of Vincent, suggesting that they are some type of hero or angel in the face of debauchery."
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Pulp Fiction & Nietzsche, 1994.
Places the characters and world of Pulp Fiction into Nietzschian terms. The thesis is that while these characters may not reflect the attitudes and ideas of Nietzsche, their world of amorality (as opposed to immorality) does.
1,350 words (approx. 5.4 pages), 2 sources, $ 47.95
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From the Paper
"The film Pulp Fiction (1994), directed and written by Quentin Tarantino, presents a series of characters from the Los Angeles underworld. They are minor criminals battling one another for territory, for supremacy in the drug trade, and for a certain sense of honor based on an unwritten code that seems to support all their activities. This code can be very important to them even when they are unable to articulate why, for it gives them a structure within which their violent world can make some sense to them. This is also a world of kitsch, of pop icons, of commercials, of fast foods, of brand names, and so on, but it is a world that these individuals have imbued with a certain philosophy. One of the hit men has indeed started developing a more full-fledged philosophy based on his reading of a passage in.."
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Violence in Film, 2008.
This paper discusses the issue of violence in film, concentrating on the film "Pulp Fiction" directed by Quentin Tarantino.
1,459 words (approx. 5.8 pages), 4 sources, MLA, $ 48.95
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Abstract
In this article, the writer notes that to some members of the modern audience, the film 'Pulp Fiction' represents the worst aspects of modern culture and that the critical acclaim it received for its unabashed embrace of violence has led to an increasing amount of violence in films, up to and including the modern horror porn. The writer points out that others argue that the violence in 'Pulp Fiction', while disturbingly real, absolutely excessive, and not representative of daily life, serves a very important purpose. The writer maintains that rather than detracting from the plot, the violence in 'Pulp Fiction' is an essential part of the plot; without which, the movie simply would not exist. The writer concludes that by humanizing the character Marcellus, Tarantino makes a cogent argument for the fact that, as a society, Americans have dehumanized and marginalized a huge segment of people, simply because of their criminal behavior, and that this dehumanization is morally wrong.
From the Paper
"Like the other characters in the story, Butch's livelihood depends on violence. However, while Butch's life may have been violent, which is a prerequisite for a professional fighter, the film makes it clear that Butch has not previously been engaged in the type of criminal activity as the story's other leading characters. Therefore, when the audience is introduced to Butch, they see a washed-up has been who is willing to take a dive for money, but who is not entirely comfortable with having made that decision. What the audience does not know is that Butch has not actually decided to throw the fight, but is actually making his own plans to score big on the fight and escape with the money. Somehow knowing that Butch intends to cheat Marcellus, a crime boss, makes Butch seem virtuous in comparison. In addition, there is something underneath Butch's complacent and dopey exterior, and Tarantino uses violence to show the real Butch, who is actually a proud man with a lot of honor, even if his views of what is honorable do not coincide with society's views."
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Sexual Politics in Film, 2007.
An analysis of the theme of sexual politics in the movies "Pulp Fiction" and "Swept Away".
1,354 words (approx. 5.4 pages), 8 sources, MLA, $ 45.95
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Abstract
This paper discusses how media is particularly dependent on sexual politics as a thematic representation and as a guiding force for human emotion and how this is particularly true with regard to dramatic representations in film. It focuses on two movies, which pay particularly close attention to sexual politics, "Swept Away" (the original 1974 and the newer 2002 versions) and "Pulp Fiction". It looks at how "Swept Away" pays particular interest to social class with an emphasis on sadomasochism and how "Pulp Fiction" deals with the inner workings of the sexual politics in a complicated subculture of sex, drugs and crime.
From the Paper
"The cinematography and setting of Swept Away in both film versions detail the loneliness of man in a world where individuals and whole societies express love and longing through materialism and end courting with violent and absurd expressions of pain and pleasure. The film, is similar in tenor to Nine 1/2 Weeks (1986) another cult classic film dedicated to the idea of sexual politics driving personal relationships and leading to not real love but love that is expressed through dominance and possession as well as objectified bodies. "
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Hero in Literature, 2003.
Discusses the idea of the hero throughout history using Homer's "The Odyssey," "The Epic of Gilgamesh" and Tarantino's "Pulp Fiction" as examples.
1,021 words (approx. 4.1 pages), 3 sources, MLA, $ 36.95
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Abstract
This paper discusses the concept of the hero in literature throughout time. The writer looks at the subject from a number of angles including: What makes a hero; the hero's sense of justice; Codes of conduct; and Patriarchal roles. Specifically the paper looks at two ancient texts "The Odyssey" and "The Epic of Gilgamesh" as well as Tarantino's "Pulp Fiction" as examples of such heroes.
From the Paper
"People have placed their ideas in and explained their culture through literature since the first recorded literary work. As societal beliefs have changed, literature has reflected these beliefs in the stories they tell. Despite the differences, many literary elements have remained virtually unchanged. The hero, for example, has been a major part in texts throughout history. Great early western texts such as The Epic of Gilgamesh (1200 BCE) and the Odyssey (800 BCE) were based entirely around the hero. And even today, films such as Quentin Tarantino?s Pulp Fiction, hailed as one of the greatest works of modern-day cinema, involves the hero in a more modernized role. Though the hero (or heroes) is not as easily seen as in other works of the past, the defining elements are there. The hero can be explained as a phenomenon in literature because similarities can be seen in writings from every historical period."
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Violence in Films, 2002.
This paper discusses violence in films as looked at in the book "Racism and the Aesthetic of Hyper-Real Violence: Pulp Fiction and other Visual Tragedies ".
850 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
This paper looks at violence in films and discusses the three types of violence: ritualistic, symbolic and hyper-real violence. The author discusses why violence is used in films and whether it does its job effectively. Furthermore censorship and film-makers responsibility is examined and the writer concludes saying that a humanistic morality is just as important in the content of a film as it is in the content of a life.
From the Paper
"Ritualistic violence is the unrelenting violence in given films. Natural Born Killers provides ample examples of this mindless violence, the most disturbing being when Woody Harrelson shoots the man on the bicycle. There is no purpose behind the violence, and many audiences that had already become desensitized to the violence in the film found this sequence to be funny.
Full Metal Jacket is a film that dwells in the world of symbolic violence. The violent episodes exist in the film so that an audience might journey inside a degenerative boot-camp and then later to the Vietnam War. When Pyle kills his Sergeant and then commits suicide, the audience understands why. They?ve been given a look into a different world and they see the repercussions of the Sergeant?s mental and emotional violence."
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Production of Pulp and Paper, 2003.
The papermaking process from a chemical engineering piont of view.
4,430 words (approx. 17.7 pages), 12 sources, MLA, $ 116.95
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Abstract
This paper provides a detailed and in-depth explanation about the papermaking process. It explains the chemical process of how the materials are transformed from wood to paper pulp. A history of this practice is also discussed and and examination of how it has developed over history. The paper looks at the current big players in the market and includes many charts and tables.
From the Paper
"Papermaking originated in China in around 105 A.D. and its creation is generally attributed to a court official called Cai Lun. The first paper was made from a mixture of nonwood fibers, including mulberry bark. Knowledge of papermaking then spread to the Middle East through central Asia and reached Europe in the 12th century. From there, that knowledge later spread to North America and eventually to the rest of the world. A wide variety of fibers have been used to make paper, but in the years leading up to the 18th century, relatively large quantities were being made from linen rags. At that time, each individual sheet was made separately. The papermaker would dip a mesh known as a forming screen into a vat containing a solution of water and fiber (the stock). A sheet of paper would then be formed on the screen solely through the natural bonding of the fibers as the screen was lifted out of the water/fiber solution and drained. The sheet was then pressed and dried. Traditional papermakers in Japan and Taiwan, as well as papermaking craftspeople in other countries, still make paper using this time-honored process."
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Kurt Vonnegut, 2008.
An analysis of the life, works, character and unique contribution to American fiction of Kurt Vonnegut.
1,202 words (approx. 4.8 pages), 3 sources, MLA, $ 41.95
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Abstract
This paper discusses how Kurt Vonnegut's novels such as "Cat's Cradle" and "Slaughterhouse Five" have a reputation both as great literary classics and great works of underground fiction. It looks at how "Slaughterhouse Five" is his most famous novel and also regarded his most personal, as it was based on his experiences as a prisoner of war in Germany during the Allied firebombing of Dresden in 1945. It also discusses how Vonnegut is credited with helping to elevate the genre of science fiction, once considered a staple of pulp magazine racks, to that of high art and how "Cat's Cradle" tells the tale of scientists trying to create 'ice-nine,' a crystal that could turn all water solid and thus destroy all life on earth.
From the Paper
"Vonnegut is credited with helping to elevate the genre of science fiction, once considered a staple of pulp magazine racks, to that of high art. Cat's Cradle tells the tale of scientists trying to create 'ice-nine,' a crystal that could turn all water solid and thus destroy all life on the earth. In 1963, Cat's Cradle slowly developed a readership as Cold War Americans were increasingly receptive to a book that showed the dangerous potential of science and technology to develop faster than ethics and morality ("Novelist Kurt Vonnegut dies at 84," CNN.com, 2007, p.1) The novel, takes its title from an Eskimo game in which children try to snare the sun with string (Smith, 2007, p.1). Although its first printing sold only 500 copies, it has become a staple of English classes all over America today (Smith, 2007, p.1)."
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Continental Paper and Great Northwestern Lumber Companies, 2004.
This paper discusses the merger of Continental Paper and Great Northwestern Lumber, companies that operate in the pulp and forest products industries.
1,675 words (approx. 6.7 pages), 7 sources, APA, $ 54.95
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Abstract
This paper explains that the merger of Continental Paper Company and Great Northwestern Lumber Company is important financially, particularly regarding the ROI forecast, in an industry that is showing an oversupply in the wood products sector. The author points out that the main sources of conflict between Owens and Foster,the two CEOs, revolve around their management styles and their apparent beliefs in the reasons for business. The paper relates that Maslow?s hierarchy elements and expectancy theory will work best in motivating virtually everyone in the merged company.
From the Paper
"The new organizational chart is, in the main, a functional chart. This will allow each working group from each company to have a direct line to superiors whose interaction will be with those who have oversight of the entire operation. In addition, will provide for upward accountability, which will suit the new CEO?s style, and it will allow for minimal upheaval in the operational aspects of the business, although administrative and particularly financial structures will be somewhat more altered."
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Biodiversity in Lake Baikal, 2004.
This paper discusses Lake Baikal, located in Siberia near the Mongolian border, which offers an excellent example of one of the largest and oldest fresh water ecosystems that sustains a wide variety of flora and fauna, including innumerable endemic specie
1,650 words (approx. 6.6 pages), 6 sources, MLA, $ 53.95
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This paper explains that, for millennia, Lake Baikal?s ecosystem has flourished in total isolation, untouched by the human population. Unfortunately, today, this precious Siberian ecozone is feeling the negative effects of human abuse. The author points out that the Baikalsk Pulp and Paper Mill (BPPM), one of the region?s oldest functioning industries (around 40 years), is the major polluting source because it exploits an old and highly dangerous method of bleaching pulp by using chlorine. The paper relates that, over the last decade, world environmentalists have helped improve the situation and limited the damage to the delicate ecosystem, but a coordinated effort from the Russian and Mongolian governments is indispensable for tackling this environmental crisis.
Table of Contents
Introduction
Lake Baikal
Importance of Lake Baikal
Environmental Effects (Air and Water Pollution)
The BPPM
Mineral Mining Plants
Conservation Projects
Baikal Watch and Baikal Environmental Wave
Conclusion
From the Paper
"The biological importance of Lake Baikal is evident from the UNESCO declaration of Lake Baikal as a world heritage site and ?the most outstanding example of a freshwater ecosystem?. The range of climatic conditions within the surrounding areas of the lake has contributed to a rich variety of plant life in the region. While the Coniferous forests occupy the western regions, pine forests are common in the eastern areas and deciduous forests predominate the northern region. The fauna found in the lake is amongst the most diverse in the world with more than 255 amphipod species and 80 types of flatworms. The epishura, a tiny crustacean is the natural cleaning mechanism for the lake as it consumes all the decaying matter in the water. The most important and the only mammal species in the lake is the endemic Baikal seal (Phoca sibirica)."
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Post-Modern Abstract Artists, 2000.
This paper discusses the life and work of post-modern abstract artists Frank Stella, Andy Warhol and Roy Lichtenstein.
3,140 words (approx. 12.6 pages), 10 sources, MLA, $ 91.95
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Abstract
This paper explains that Frank Stella, born in 1936, influenced by the flag paintings of Jasper Johns, emerged in the 1960s as a leading example of Post-Painterly Abstraction, a reaction against Abstract Expressionism. The author relates that Andy Warhol's Pop Art applied a commercial art style to painting, as he appropriated subject matter from the pulp media. Warhol creating a style out of his own non-involvement with the material and his attempt to produce works that were machine-like, thus separated from the artist. The paper recounts that Roy Lichtenstein (1923-1997) is known for his series of paintings as a comic strip working with stencils to make rows of over-sized dots, forming his paintings of prints and making them look like a huge mass publication product.
Table of Contents
Frank Stella
Andy Warhol
Roy Lichtenstein
From the Paper
"Lichtenstein similarly imitated objects of popular culture, as in his comic-strip paintings taken from comic books and the like, or from his series of advertisements recreated on canvas, such as "Girl with Ball" (1961). Warhol's "Marilyn" images were mechanically reproduced and celebrated the machine element both in the way they were created and in the way they imitated a strip of motion-picture film, which is a mechanical means for reproducing movement. Lichtenstein in "Girl with Ball" and similar images recreated the mechanical look such newspaper print ads have in their original state, as if created by an off-set process that leaves the image flat, with texture showing through from the paper, or the canvas, and with a limited palette in keeping with the tri-color off-set process."
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