| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "POPULAR CULTURE": |
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Popular Culture, 2007. A popular culture analysis, with a focus on sport. 2,631 words (approx. 10.5 pages), 10 sources, MLA, $ 79.95 »
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Abstract This paper explains and defines popular culture in terms of its historical development and social meaning. The idea of a qualitative content analysis is also explained and a qualitative content analysis of sport and certain overlapping forms of popular culture is then conducted.
Outline:
Introduction
Popular Culture
Historical Development
Defining Popular Culture
Qualitative Content Analysis
Sport
Qualitative Content Analysis Of Sport
Contextualisation
Social Context
Political Context
Economic Context
Historical Context
Conceptual Analysis
Ideology
Hegemony
Representation
Globalisation
Interrelatedness
Conclusion
Sources Consulted
From the Paper "The wealthy corporations of the world mostly produce modern day popular culture in bulk, whereas in the past, popular culture was produced and used by individual people. This idea of bulk selling can be seen in the television and film cultures specifically. In this way, modern popular culture is produced to be used as a product for consumption of the masses. In the past, all societies have had forms of popular culture (Gitlin, 1981). Since the early part of mans history, people have begun to spontaneously create forms of popular culture. Early man created artistic expressions of meaning in the form of cave art, which served as art, as well as a primitive form of writing. In ancient Rome, the people were accustomed to seeing street shows and singers in travelling carnivals. These examples translate into forms of high culture in modern times."
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Popular Culture, 2007. This paper discusses popular culture and the development of cyber-culture. 1,663 words (approx. 6.7 pages), 12 sources, MLA, $ 54.95 »
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Abstract The paper defines popular culture as referring to cultural forms of interest and entertainment common only to the masses or the majority of people. The paper explains how popular culture was seen as being somehow inferior to 'higher', more elitist, forms of culture during the nineteenth century. The paper discusses, however, how the Internet has achieved the distribution of a world wide popular culture that is shared within and between countries. The paper looks at cyber-culture today and concludes that the future shape and forms of popular culture will be influenced by the Internet and its emerging modes of communication.
From the Paper "The view of popular culture as being somehow inferior to 'higher' forms of culture can be traced back through history and to the sense of elitism and divisions in society between the rich and poor, the powerful and the less-powerful. The foundations of the term "popular culture' and its definition in a contemporary context, can be related to influential thinkers like Mathew Arnold and the Nineteenth Century in Britain. "The idea of popular culture, as we know it, only came about in the second half of the nineteenth century and for the first fifty years or so was viewed very negatively by those who dared to acknowledge its existence." (Popular culture)"
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The Consequences of Popular Culture, 2007. An analysis of the effects that popular culture, particularly the media, has on influencing people's views. 1,500 words (approx. 6.0 pages), 9 sources, MLA, $ 49.95 »
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Abstract This paper investigates the effect that popular culture in America has had on attitudes, in terms of concepts of wealth and power. The paper focuses on the visual media, with special attention given to the film and advertising industry. The central point that this paper makes is that the modern media can distort values and the truth through the creation of popular culture.
Table of Contents:
Introduction
The Influence Of Popular Culture: The Visual Media And Advertising
Conclusion
From the Paper "The central point that this paper wishes to make is that the modern media can distort values and the "truth" through the creation of popular culture. On the one hand the idea of freedom and material success are relatively positive aspects within the message of democracy in popular culture; but on the other hand it also leads to expectation and unrealistic views of life. This aspect is even more serious when American popular culture is exported to other counties where the images of wealth and power can even be less realistic and can create psychological and social confusion."
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Popular Culture, 2006. This paper looks at popular culture which is the culture pertaining to the masses. 1,446 words (approx. 5.8 pages), 6 sources, APA, $ 47.95 »
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Abstract In this paper, the writer discusses the popular culture that is prevalent globally. Some light is also shed upon the role that media, both electronic and print, has played in spreading this culture and thus converting the popular culture into a global culture that has more or less established its roots in countries all over the world, ranging from those in America to those in Africa and Asia. The effect that this popular culture is having on the youth of today that blindly embraces it is also taken into consideration.
From the Paper "The popular culture is being embraced by the youth the world over as it creates a sense of belonging and community amongst them. The McDonald's and Coca-cola culture is what the youth of today takes pride in. It is quite a commodity-oriented tradition where the latest hairstyle, shoes, clothes, food and music make the youth of one place in-sync with the youths worldwide. It is apparently "hip" to engage in illicit activities such as sniffing drugs or possessing un-licensed weapons. The pop-culture is basically feeding off the insecurities of the youth; their desire to develop an identity either individually or collectively, they place their souls in their possessions such as cars, hi-fi gadgets, clothes or in the kind of shoes they wear. It is this parameter by which the young judge or are judged. In their attempt to keep up with the modern world as they see it each tries to out shine, the other which usually results in hostility and animosity."
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Apple Computers and Popular Culture, 2004. Examines the influence of Apple Computers (Macintosh) on popular culture. 1,058 words (approx. 4.2 pages), 6 sources, MLA, $ 37.95 »
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Abstract Apple Computer, Inc., is recognized worldwide for creating powerful solutions that are based on user-friendly personal computers, servers, peripherals, software, personal digital assistants, and Internet content. This paper shows how Apple has had a profound influence on popular culture as well. It explains how Macintosh users are not just users, they are devotees who use the computer to express their beliefs on the relationship between technology and society; they believe the Mac is not simply an object by which to think, it is a spiritual path to a future where technology and humans co-exist in harmony.
From the Paper "As one computer commentator asserts, ?Apple never pretended to be just another Silicon Valley start-up?it sold itself as the great hope of the counterculture? (Lam Pp). When Apple introduced the iMac, it captivated consumers, in fact, approximately one-third of those who bought iMacs had never owned a computer before (Fishman Pp). These first-timers were motivated to purchase their first computer because of the image that the iMac conveyed ? its colors, approachability, and simplicity (Fishman Pp). Apple was the first manufacturer to produce a computer in a rainbow of colors and the iMac instantly won a spot in popular culture and came to represent all turn-of-the-century computers (Fishman Pp)."
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Women in Popular Culture, 2005. This paper discusses the distorted image of women based on the unrealistic portrayal of women in popular culture as depicted in fashion magazines and advertisements. 3,600 words (approx. 14.4 pages), 16 sources, $ 142.95 »
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Abstract This paper reviews the troubling issue of eating disorders and low self-image among women who are constantly inundated with unrealistic portrayals of 'western' beauty in popular culture. The author points out the dynamic nature of the 'ideal female form' over time. The paper explores the effects of this western image upon non-western cultures that have been inundated with western advertising in the global age.
From the Paper "The issue of how women are portrayed in the mass-media of contemporary society is an exceedingly interesting one; it is also vitally important. For the professional anthropologist, understanding this complex phenomenon is a major first step towards understanding the gender stereotypes and assumptions that have, in large measure, defined our society. Put another way, to understand the treatment of women in popular magazines and advertisements is to understand their treatment in our homes, offices and even schools. This paper will examine how the 'ideal female form' - at least as it is depicted in our popular culture - vitiates the health of women, re-affirms traditional gender roles, and impresses upon non-western cultures a western conception of female physical beauty that is inherently unhealthy. To buttress this contention, a number of steps are obviously in order."
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Popular Culture and Electronic Media, 2008. This paper discusses electronic media and its effect on American popular culture. 852 words (approx. 3.4 pages), 4 sources, APA, $ 30.95 »
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Abstract The paper relates that music, television and media in general are part of American popular culture, with each one impacting the evolution of the cultural environment. The paper discusses how there are beneficial trends, such as the information capability and the perspective of relaxation and leisure time, but there is also the major trend of the media manipulating and influencing the social and personal behavior of individuals.
From the Paper "The notion of culture is a relative term in most periods of the time. Its definition varies according to the selection criteria and the point of reference. In this sense, for instance, while the French culture is considered to be one of the most important proofs of the civilized world from the point of view of the traditional art critic, there are those that see in the American manifestations of culture the most obvious signs of development of the evolution scale. However, the American culture, to those that decide to accept its existence, differs in terms of components from the rest of the traditional cultural values. Thus, music, television, media in general are part of what can today be described as the American popular culture."
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Caribbean Popular Culture and Freedom, 2005. This paper discusses Caribbean popular culture and freedom and looks at pop culture as a means of transgression. 1,575 words (approx. 6.3 pages), 4 sources, $ 62.95 »
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Abstract This paper focuses on the 'physical arts' found in the popular culture of the Caribbean. Specifically, this paper argues that pop culture was and is a form of transgression against external control - specifically European control. Of especial interest, the paper looks at Haiti, for in Haiti - thanks to Aime Cesaire - an appreciation developed for how culture could used as a means of breaking the shackles of European control.
From the Paper "When one assesses popular culture in a Caribbean nation such as Haiti, what becomes apparent is that popular culture is far more than a means of cultural expression; it is, in a very real sense, a tool of defiance - a mode of transgression. This paper will focus upon the use of popular culture throughout the Caribbean as a way of breaking the shackles of European, colonial oppression. In particular, special emphasis will be placed upon Haiti, for this small nation is an especially good example of how a vigorous popular culture can work to ensure freedom and the perpetuation of racial and cultural distinctness."
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Nostalgia and Popular Culture, 2002. Discusses the views of Jean Baudrillard on post-modernism, progress and popular culture. 1,650 words (approx. 6.6 pages), 7 sources, $ 62.95 »
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Abstract Jeff Lewis's summary of the contribution made by Jean Baudrillard emphasizes that many regard his view of post-modernism as too negative an even nihilistic, in that Baudrillard describes post-modern culture as a combination of technological determinism, strong pessimism and general human bewilderment and wonder. (2002, 235) There is the suggestion that progress and change of different kinds have arrived so quickly, that few people venture to know what to make of them, how to explain clearly what is happening, of what cultural trends really are afoot.
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What is Popular Culture?, 2003. A paper which discuses different theoretical definitions of popular culture and explores their relevance to today's society. 1,061 words (approx. 4.2 pages), 12 sources, MLA, $ 37.95 »
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Abstract This paper looks at a variety of theories and ideologies including culturist and Marxist. It also considers theoriests like Storey, Gramsci and Fiske for example, while drawing upon their relevence within a post modern society.
From the Paper "Popular culture is an area of great discussion and debate. Raymond Williams claimed ?culture? was ?one of the two or three most complicated words in the English language.? This essay seeks to discuss issues and theories surrounding its definition, as listed by Williams (but cited in Storey 2001) , whilst bringing in its position within society as defined through different ideologies."
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High Culture and Popular Culture, 2003. Applies concepts to the professional field of education. 1,575 words (approx. 6.3 pages), 6 sources, $ 55.95 »
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Abstract Discusses tenured professors as representative of high culture and associate and/or adjunct professors as representative of popular culture. Describes the greater freedom of tenured professors.
From the Paper "In his book, Popular Culture and High Culture: An Analysis and Evaluation of Taste, Herbert J. Gans distinguishes between producers and consumers of high and popular culture based on the disparities of educational attributes and class. Applied to the ..."
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Popular Culture in Contemporary Japan, 2002. Examines the effect of American and Western pop culture on Japan. 3,343 words (approx. 13.4 pages), 14 sources, APA, $ 95.95 »
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Abstract The western world, most notably the United States, is a massive producer of what is commonly called "popular culture", that is, culture that is easily accessible to large audiences of people. This paper analyzes the ways in which western popular culture has managed to penetrate the Japanese marketplace. The paper focuses on the globalization of culture, the perversion of the internet, western television and western movies. It concludes with remarks and observations. For the most part, the paper focuses on American pop culture. However, influences from European sources are also discussed.
From the Paper "Staying in the music realm, Japanese popular culture has managed to turn one of the icons of "normal culture" (Beethoven) into a Japanese popular culture event. This happens each New Year in Japan, when hundreds of amateur choirs spend months of rehearsal and join in singing Beethoven's Ninth Symphony (The Chorale). For weeks before the event, Japan's NHK television network dedicates entire programs to explain the meaning of Schiller's "Ode to Joy" and how to pronounce the words (Kazyuki, 1987)."
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Popular Culture Today: File Sharing, 2005. An analysis of the cultural implications of peer-to-peer file sharing on the internet. 1,477 words (approx. 5.9 pages), 4 sources, APA, $ 48.95 »
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Abstract The paper examines how far John Fiske's theories of popular culture as resistance still apply in the 21st century, using the contemporary example of peer-to-peer file sharing. The focus is on examining file sharing as a cultural activity which is interesting in an anthropological sense, rather than the ethics or legality of file sharing. It explains how, by resisting the power of advertisers, shops and even the music industry as a whole, individuals are reclaiming culture.
From the Paper "Arguably, the meanings attached to advertising are what is challenged the most by file sharing. If we think of advertising as a 'commodity', we can begin to examine how, like other commodities it can be used in different ways. In dominant culture, the only position a person viewing an advertisement can occupy is that of the consumer, and the only power granted to the consumer is the decision to buy or not buy; in other words, 'containing social diversity within the needs of capitalism.' In popular culture, advertisements can mean more; for example, people can attach their own individual meanings to a memorable slogan. Moreover, users of file sharing use advertisements to help them decide what songs and albums to search for and download. 'To attract customers is to attract tricksters' . "
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Courtly Love and Popular Culture, 2002. An analysis of courtly love as adapted into modern entertainment. 1,005 words (approx. 4.0 pages), 5 sources, APA, $ 35.95 »
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Abstract This paper examines the existence of the courtly love theme in popular culture. The paper refers to traditional texts, such as Chaucer?s ?Complaint to his Lady? and John Donne?s poem, ?The Canonization?; in relation to the contemporary television program, ?Buffy the Vampire Slayer?. The paper defines three essential elements of Courtly love poetry: The ennobling force of human love, the elevation of the beloved above the lover and love as ever unsatisfied, ever increasing desire. It describes that modern courtly love are usually adaptations, and that how they adapt the traditional story reflects the values and attitudes of the courtly love convention appropriate to a contemporary audience.
From the Paper "Courtly Love has developed from the later Middle Ages through to modern times as a highly conventionalised code. Examples are evident in popular culture though are usually adaptations - adopting selective aspects. This can be seen through the similar values and attitudes portrayed in the texts."
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Parenting and Popular Culture, 2001. A comparative analysis paper about "Lolita" and "Kiss of the Spider Woman". In both "Kiss of the Spider Woman" and "Lolita", unconventional parental relationships lead to abnormalities in the behaviors of Molina and Lolita, respectively. 2,420 words (approx. 9.7 pages), 8 sources, $ 73.95 »
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Abstract This paper compares Nabakov's "Lolita" with Puig's "Kiss of the Spider Woman". The author discusses the unconventional parent-child relationships between the main characters and their mothers, and how such characters were viewed as abnormal by society's standards. The paper examines how parental behavior toward offspring, as well as popular culture, can affect an individual's sexuality. The author frequently quotes both novels in the essay.
From the Paper "Kiss of the Spider Woman and Lolita examine the effects of ineffective parenting while attempting to show that society is the cause of the very behaviors it condemns. Molina?s close relationship with his mother, through no intentional fault on her part, causes Molina?s homosexuality and feminine behavior. Molina does not have any other role model besides his mother from whom to learn interpersonal skills, and therefore wants all relationships to be as satisfying as his relationship with her. Charlotte and Lolita have very different temperaments, resulting in a parent-child dyad that causes Charlotte to constantly criticize Lolita?s actions, forcing Lolita to respond through rebellion. Both Puig and Nabokov attempt to show that while society shuns homosexuality and adolescent promiscuity in their respective characters, popular culture is the origin of the behaviors that it condemns and that these behaviors are socially learned."
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