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Politics, Culture and Emotions in Four Films, 2002.
A comparative study of four films, "Bound by Honor", "Beloved", "Lion of the Desert" and "Anna and the King", focusing on politics, culture and emotions.
1,577 words (approx. 6.3 pages), 0 sources, $ 51.95
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Abstract
This paper discusses four different films, "Bound by Honor", "Beloved", "Lion of the Desert" and "Anna and the King". The paper reviews each film in relation to its political and cultural background, and to the emotions prevalent in each movie. The paper claims that cultural oppression is a common theme in all four films. Using emotions as a tool for cultural change is described in the theme of how to overcome oppression.
From the Paper
"Nearly all matters of cultural diversity involve some degree of emotional reasoning. All of the above movies involve cultural diversity, and indeed cultural oppression, to some degree. In "Bound by Honor" the main characters are motivated by strong culturally connected emotion. Logic is overridden by emotion when two of the three main characters follow paths of self-destruction. The same is true of "Beloved". The black mother and daughter are prisoners of their past, because they cannot free their emotions from it."
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Cross-Cultural Emotional Development, 2008.
A discussion of the differences in emotional development in children from various cultures.
1,312 words (approx. 5.2 pages), 7 sources, APA, $ 44.95
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Abstract
This paper examines how the 'making' and sentimentalization of a child is something that is addressed very differently, depending on the culture and the society. The paper explains that in some cultures, emotional issues are more important and significant than physical ones, and when this is the case, the emotions of a person are seen as a prime source for that individual's motivation. The paper looks at how anthropology has conceptualized the relationship between emotional competence and the child. The paper also points out that the politics of a nation becomes that of the child that is raised in that nation, whether that is good or bad.
From the Paper
"Lutz (1983, p. 247) infers that the parents often show the child how he or she 'should' react to something specific. If a parent reacts with anger to every little slight, the children will likely react that way as well. In a sense, they have been conditioned to react that way because it is what they see as normal, based on how their parents act. The more time they spend around others, though, the more that they see that there are different ways of reacting to specific stimuli, and they might then begin to question whether the way that their parents react is the 'right' way, or the way that they want to react. This begins a period of socialization where the child learns what is acceptable in society and his or her place in that (Lewis & Saarni, 1985, p. 4)."
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Films, Politics and Religion, 2003.
An analysis of film as a vehicle for politics and religion using "My Beautiful Laundrette", "American History X" and "Do The Right Thing".
2,474 words (approx. 9.9 pages), 6 sources, APA, $ 75.95
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Abstract
This paper examines how popular film represents not only the feelings and beliefs of the writers and directors, but also of the socio-historical state of the times and conditions of society. It shows how religion is an inherent part of popular film, whether implicit or explicit. It uses the films "My Beautiful Laundrette", "American History X" and "Do The Right Thing" to illustrate the social anxieties of their political surroundings. It also looks at how although the three films are based in different periods of time, they share many similarities, through characters relation to Biblical figures and the storylines use of religious rituals.
From the Paper
"In American History X there are many Biblical figures represented within the neo-nazi gang. Cameron Alexander, the older father figure, for the troubled youth is a God figure, as well he is the only character who uses the word of the Lord to tell these teens that the acts of violence which they are participating in, is approved by God. Cameron has his voice to the people through Derek who is a Jesus figure, he commits and act and sacrifices himself to provide hope for his disciples. His former best friend Seth, is a Judas figure, because he betrays Derek, and tells Cameron that he does not believe in him anymore, and how to find him to kill him. Stacey, Derek?s girlfriend, has qualities of Mary Magdalene, in Luke?s representation of her as a repentant prostitute, bathing in Jesus? feet."
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Political Documentary Films, 2002.
Examines four documentary films (televison and movies) related to war, politics and the media.
2,250 words (approx. 9.0 pages), 9 sources, $ 79.95
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Abstract
Examines four documentary television films related to war, politics and the media. The the 1988 "Coverup: Behind the Iran-Contra Affair, the 1992 "Panama Deception," the 1991 "Desert Storm: The War Begins," and the 1993 "Manufacturing Consent: Noam Chomsky and the Media." Central concerns of the films. Role of news gathering organizations.
From the Paper
"Political documentary films have addressed a wide range of topics and have frequently seemed to produce action where the impact of the written word was far more limited. Indeed, filmed (or videotaped) news reports have even been credited with turning the American people against the war in Vietnam. But the responses of the military, the government, and the mainstream media to this presumed potential have concentrated on reducing the perceived threat of reporting by a number of means. Once it is clear, or seems to be clear, that a medium is capable of exposing activities to the public the leaders of the American executive and military often seem to think the logical response is simply to hide it better rather than, as it once seemed, to correct the problems.
The 1971 CBs television documentary, The Selling of the ..."
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Sexual Politics in Film, 2007.
An analysis of the theme of sexual politics in the movies "Pulp Fiction" and "Swept Away".
1,354 words (approx. 5.4 pages), 8 sources, MLA, $ 45.95
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Abstract
This paper discusses how media is particularly dependent on sexual politics as a thematic representation and as a guiding force for human emotion and how this is particularly true with regard to dramatic representations in film. It focuses on two movies, which pay particularly close attention to sexual politics, "Swept Away" (the original 1974 and the newer 2002 versions) and "Pulp Fiction". It looks at how "Swept Away" pays particular interest to social class with an emphasis on sadomasochism and how "Pulp Fiction" deals with the inner workings of the sexual politics in a complicated subculture of sex, drugs and crime.
From the Paper
"The cinematography and setting of Swept Away in both film versions detail the loneliness of man in a world where individuals and whole societies express love and longing through materialism and end courting with violent and absurd expressions of pain and pleasure. The film, is similar in tenor to Nine 1/2 Weeks (1986) another cult classic film dedicated to the idea of sexual politics driving personal relationships and leading to not real love but love that is expressed through dominance and possession as well as objectified bodies. "
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Political Films, 2001.
Analysis of use of political symbolism & imagery in 1998 film "Primary Colors" & 1972 film "The Candidate."
5,400 words (approx. 21.6 pages), 4 sources, $ 135.95
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From the Paper
"The major Hollywood film studios have always had a love-hate relationship with American politics. Setting aside here any important yet arguable distinctions that set films about politicians apart from those centering on social or moral issues (racial prejudice, abortion, unemployment), it has been suggested that what moviemakers love about political films is the wonderful sense of civic duty it provides (along with whatever dignity this implication might lend), and the clear voice these films give Hollywood in the democratic process. What the industry hates about these same movies is the fact that they are ?uncommercial? and continue to lose huge amounts of money at the ..."
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The Art Film and the Genre Film, 2004.
Art and genre criticism in four classic films.
3,048 words (approx. 12.2 pages), 48 sources, MLA, $ 89.95
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Abstract
An analysis of two genre films and two art films - Antonioni's "Blow Up," Kelly/Donen's "Singin' in the Rain", Truffaut's "The 400 Blows", and Sirk's "All That Heaven Allows". The validity of both genre and art film criticism are examined.
From the Paper
"By its failure to accommodate the excess generated by its subject matter, All That Heaven Allows is not only critiquing the genre of melodrama, it also exposes the contradictions and conflicts present in American bourgeois society (Bourget, 1995, 45). However the subversive excess and contradictions present in the film prevent it from being ?just another melodrama?. Sirk worked within yet against the constraints of the Hollywood studio system to subvert the genre, and although the film is superficially a generic 1950s Hollywood melodrama, Sirk?s characteristic stylistic technique marks him as an auteur, a position usually associated with the art rather than the genre film."
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Political Humor in Politics, 2002.
The paper looks at the role played by political humor in providing both political information and comic relief.
936 words (approx. 3.7 pages), 4 sources, MLA, $ 33.95
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Abstract
The paper discusses the different forms of political humor available and the range of media now available, from newspaper cartoons to digital clips sent by e-mail. The paper examines how political humor has become an increasingly influential force in the American political scene, with high profile politicians, such as the President, often becoming the main target of jokes. The paper portrays such humor as a useful tool in keeping citizens lighthearted in tense situations.
From the Paper
"In the United States, political humor has become a very popular entertaining form of entertainment, and is used as a way to make light of political situations and poke fun at the politicians that have been elected and are in the national spotlight. Political humor has been in newspapers and other forms of mass media since the elections of some of the first politicians. However, unlike the comedians of the French Revolution Era, political humorists today will not be beheaded for making jokes about the president."
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Political Analysis and Political Philosophy, 2002.
A look at whether the problems of political analysis and political philosophy are distinct.
6,093 words (approx. 24.4 pages), 9 sources, MLA, $ 143.95
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Abstract
Political analysis and political philosophy are two human activities engaged in by men striving to know the world. The problems of political analysis and political philosophy rest on the problems concerning man?s knowledge of the world. The paper shows that such knowledge is the result of attempts to describe, analyze, explain and interpret the actions and beliefs of men as they live in the real, material world. This essay presents an argument against that school which would draw a sharp distinction between two sorts of knowledge, each type being the result of a separate and distinct activity. According to this school, political analysis is concerned solely with the identification and description of political phenomena. The paper explains that the problems of political analysis are, thus, said to be ?scientific? problems, directed towards the discovery of empirically testable scientific ?laws?. This essay shows that, despite its empirical orientation, political analysis is underpinned by a wider set of theoretical perspectives, such that analysis itself reflects elements of the observer?s political philosophy. The paper concludes that political analysis and political philosophy are intimately connected; many of the ?problems? are common to both. Each activity - analysis and philosophy - heightens the level of human knowledge.
From the Paper
"What is presented to the political analyst is a mass of apparently chaotic social phenomena; what Heinrich Rickert calls ?formless matter?. The task of the political analyst is to structure and give order to that part of reality he has chosen to explain. Already we have recognized two crucial problems for political analysis. The first arises from the necessity of selecting specific areas of reality for study. I shall discuss later the way in which a certain limited range of ?problems? present themselves for the political analyst?s particular concern. The problem-field is limited in such a way that the possibilities for different accounts of politics is itself restricted. The task of political analysis is also complicated by the fact that knowledge of the world is not immediately attainable; understanding is mediated through mental constructions and elaborations (language, concepts and constructed arguments) of real, observable situations and events. Thus, Aron says of the methodology of science ?all science is an elaboration or construction of formless matter? (2)."
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Seventies Films Versus Today's Films, 2001.
A comparison between films from different periods in time, and the differences in their entertainment methods.
2,625 words (approx. 10.5 pages), 8 sources, $ 79.95
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Abstract
A comparison of three honored films from the seventies, "Easy Rider", "Five Easy Pieces", and "The Godfather" and two films from the the year 2000, "The Gladiator" and "Erin Brokovich". The paper considers how they differ in the realm of providing distracting entertainment versus probing consideration of timely issues, concluding that seventies films left a more lasting vision.
From the Paper
"What do we want from our movies? Do we seek simple escape or deeper understanding of our lives? Can a movie be both probing and entertaining? Are entertainment, eye candy and special effects enough, or do we seek something deeper? Do we want to look inside ourselves and ask questions, or to merely stay on the surface, distract ourselves, and deny that there is anything more to be considered? These questions arise when comparing three movies from the 1970s with two films nominated for Academy Awards in the 2000. The films considered are: from the seventies, Easy Rider, Five Easy Pieces, and The Godfather, and from 2000, Gladiator and, Erin Brokovich. Pauline Kael, the well-know New Yorker film critic, commenting on how she got hooked on films, agrees another critic, Paul Coates, that in its ideal form, ?Cinema is the dream of an afterlife from which to comprehend this one? (Kael 63). In light of this quote, the films from the seventies embody elements which through the focused vision of the director offer mythic qualities that provide not only entertainment but an opportunity for viewers to examine their lives. That in accomplishing this, they provide images that remain in the mind?s eye could be considered the tradition of the seventies. In contrast, recent films Gladiator and Erin Brokovich are entertaining distractions, providing no lasting vision."
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Global Politics versus National Politics, 2002.
A discussion on the issues of globalization and its effect on national politics.
760 words (approx. 3.0 pages), 1 source, MLA, $ 27.95
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Abstract
The paper deals with globalization and the problems it creates for the development of political values and goals in the nation-state. The paper looks in particular at the case of Jamaica which is trying to find a middle path between developing a global character and maintaining some form of national distinction.
From the Paper
"The interconnectedness of the world since the early 1990s has been described principally as globalization. The move to what has been called the ?global village? has emphasized borderless activity, opening up of markets, sharing of technology, human capital, skills and experience, as well ideas of political development and culture. This is not to say the idea of globalization is new, as from the beginnings of the industrial revolution in the mid 1900s, in European countries and elsewhere, trends and traces of what has now been so termed, popularly, has always been existent, but not until the late 20th century made distinct and given widespread attention."
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Soft PACs (Political Action Committees) and Politics, 2000.
Explores the role of big business and Political Action Committee's in America's politics, concentrating on the influence wielded by the tobacco industry and trial lawyers.
1,385 words (approx. 5.5 pages), 6 sources, $ 46.95
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Abstract
This paper explores the ramifications of party funding by business and Political Action Committees through an investigation into the Supreme Court's revocation of the FDA's right to regulate the tobacco industry. It explores the historical involvement of the FDA with the industry, through to the stances taken by the Democratic and the Republican parties after revocation. It investigates the reasons behind Big Tobacco funding the Republican party, and the Trial Lawyers' PAC contributing so heavily to the Democratic coffers in the 2000 presidential campaign.
From the Paper
"It is a sad fact that less than 50% of Americans vote. The reasons behind this non-participation are myriad, ranging from the view that traditional parties are out of touch with the needs of modern-day society, to the inconvenience of attending mid-week daytime voting stations. One common complaint is the effect of party funding by big business and by Political Action Committees, since the practice implies that money rather than votes wields political influence."
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Film Studies: Analyzing Three Films within the Context of South East and Asian Historical Perspectives, 2005.
The Chinese Communist Party soon came to power after years of exile and puppet rule that Pu Yi had experienced in the ever changing political and gove...
1,350 words (approx. 5.4 pages), 6 sources, $ 53.95
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Abstract
The Chinese Communist Party soon came to power after years of exile and puppet rule that Pu Yi had experienced in the ever changing political and governmental landscapes of China. In 1950 Pu Yi was forced to leave his Soviet township and soon became a prisoner of the new Communist Party politics.
From the Paper
ABSTRACT TOO SHORT
Film Studies: Analyzing Three Films within the Context of South East and Asian Historical Perspectives Essay 1: Understanding the Premise of Vietnamese Communism within the Film: Full Metal Jacket The film Full Metal Jacket (1987), directed by Stanley Kubrick, offers an American point of view of a Vietnamese conflict that depended heavily on the communist (NLF) National Liberation Front. The communist resistance to American pressure to abdicate to the puppet regimes of older leaders, such as Ngo Dinh Diem, resulted in the NLF being called the "Viet Cong" or a "Democratic Dictatorship" within military and governmental propaganda. The reason for this is reflected in the film, as the Tet Offensive becomes the symbolic part of the movie where the Americans begin to lose the war, marking the American military's last real ground-based initiative to take the country. In this manner, a historical perspective of the NLF can be analyzed, but
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Two American Political Systems: Society, Economics & Politics by Creel Froman, 2001.
Analysis of book on corporate domination of government in a capitalistic society. Role of money. Economic and political power.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
Corporate domination of government is evidenced in a number of ways. Their dominance is rooted in the capitalist system, which places great value in wealth and the accumulation of wealth, and in the definition of the corporation itself. Specifically, the wealth of a corporation is based in large part on stocks, which allow the corporation to expand in size and wealth and not to be limited by the funds of those who started the corporation (Froman 33-34). In other words, the corporation in a capitalistic society is perfectly placed to grow and grow in wealth and size. In addition, in a society in which capitalism and "democracy" intermingle, the corporation is in a perfect position to use its wealth to influence and dominate the government, the officials of that government, and the policies of that government."
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"The Genius Of American Politics" ( Daniel Boorstin ) and "The American Political Tradition" ( Richard Hofstadter ), 1999.
Compares the authors' views on the Founding Fathers' views on constitutional system, federalism, republican vs. democratic government and survival of the union.
1,350 words (approx. 5.4 pages), 2 sources, $ 47.95
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Abstract
"Richard Hofstadter in the early chapters of his book The American Political Tradition characterizes the Founding Fathers and the constitutional system they developed and addresses certain issues of federalism as they developed in the thinking of James Madison, John Adams, Thomas Jefferson, and others, and he shows elsewhere in his book how the concept of federalism was tested and preserved in American history and American political life.
From the Paper
"Richard Hofstadter in the early chapters of his book The American Political Tradition characterizes the Founding Fathers and the constitutional system they developed and addresses certain issues of federalism as they developed in the thinking of James Madison, John Adams, Thomas Jefferson, and others, and he shows elsewhere in his book how the concept of federalism was tested and preserved in American history and American political life. His analysis is less theoretical and more centered on the intentions of the framers of the Constitution and on what they wanted to achieve, protect, and promote.
One of the more interesting statements made by Hofstadter is that it is ironic that the Constitution "is based upon a political theory that at one crucial point stands in direct antithesis to the mainstream of American democratic faith""
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