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"Picturing Japaneseness", 2007.
A review of Chapter 7 of Darrell William Davis' "Picturing Japaneseness: Monumental Style, National Identity, Japanese Film".
1,009 words (approx. 4.0 pages), 0 sources, $ 35.95
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Abstract
This paper looks at how in Chapter 7 of Darrell William Davis' "Picturing Japaneseness: Monumental Style, National Identity, Japanese Film", Davis analyzes the film "The Abe Clan" (1938) in terms of its complex portrayal of ritual suicide.
From the Paper
"The film can be read to show how historical appropriation can be used as a tool of propaganda of the state. The film is not primarily interesting for its accuracy in its depiction of feudal Japan. Rather, the potency of the film for viewers of the 1930s was its ability to move the audience believe in a myth, what Davis calls a canonized view of feudal Japanese ethics. The surface reading of the film is a romanticized, simplistic and beautiful vision that celebrates the virtues of the hierarchical family system and the worship of a daimyo that functions as a stand-in for the Japanese figure of the Emperor, for whom ordinary Japanese soldiers and civilians would later, in wartime propaganda, be encouraged to die for. "
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Japanese Orientalism in "A Japanese Nightingale", 2007.
An examination of how Onoto Watanna perpetuates Japanese Orientalism in her novel, "A Japanese Nightingale."
978 words (approx. 3.9 pages), 3 sources, MLA, $ 34.95
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Abstract
This paper discusses Onoto Watanna's tale, "A Japanese Nightingale." It shows how Watanna perpetuates Japanese Orientalism throughout the book. It discusses the plot of the story and describes the images of Japan and its people that Onoto Watanna chose to present to American society through her book, even though she had never set foot in Japan herself.
From the Paper
"As the dance began, the girl seemed to control both the light of the moon, and the weather, as it had "begun to rain," (Watanna 5) but was only the pattering of her feet, followed by a representation of a rainbow made from moonlight shining upon the girls clothing. The whole dance and the sudden disappearance of the dancer gave the haunting impression that the girl was some sort of mystical child of the moon, the rain, and the sky.
"At the end, of the girls dance, it is almost uncertain as to weather this girl was real or not. After being found by the American manager, her eagerness for money, as exemplified enthusiastic manner with which she responded to Jack Bigelow's proposition of fame and riches seemed to bring her more into the realm of the human being, but the strange unwillingness, or perhaps inability, to leave Japan continued to cast her in an almost mystical light, until the end."
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Japanese Cuisine: Japanese Culture and What They Eat, 2000.
A look at the exotic world of Japanese cuisine, including its health benefits and the importance that Japanese place on the presentation of a meal.
2,136 words (approx. 8.5 pages), 3 sources, $ 66.95
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From the Paper
"Within the Japanese cuisine, there contains many strange meals but there are myriads of delights that would make anybody?s tastes buds melt. Coming from a Japanese decent I have tried many of these tasty meals, but I would not take it too an extreme to say that I drink ?snakes blood for longevity?(Steinberg 6). Japanese meals are actually considered very healthy and low fat considered to the traditional American, southern fried chicken. Japanese food is served in little portions and displayed in a very exciting way to liven up every aspect of each savory bite. To liven up these dishes we often cut vegetables or fruits into tiny designs or animals, or organize each piece of meat and each small vegetable in a way that flatters the plate. Cutting and Slicing, mostly vegetables into meticulous designs, makes a dish its own work of art. "
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This study will consider a number of elements of the "submissive" middle class in Japanese society as described and analyzed in Karel van Wolferen's "The Enigma of Japanese Power"., 1991.
This study discusses the elements of the "submissive" middle class in Japanese society as described and analyzed in This study will consider a number of elements of the "submissive" middle class in Japanese society as described and analyzed in Karel van
1,350 words (approx. 5.4 pages), 1 source, $ 47.95
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From the Paper
"This study will consider a number of elements of the "submissive" middle class in Japanese society as described and analyzed in Karel van Wolferen's "The Enigma of Japanese Power".
The basis of much of the power and order of Japan in the world in the late years of the 20th century is what van Wolferen calls the "submissive" nature of that society. As the author notes, "The post-war aims of the Japanese System have been entrusted mainly to the economic organizations. The System is preoccupied with industrial and commercial pursuits.. " And industrial and commercial pursuits are successful because of submissive and obedient workers, who are modeled on the "salaryman" model.
As the author writes, " . . . The term 'salaryman' connotes much more than 'office clerk' or 'white-collar worker'; it stands ... "
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Language Picturing Reality, 2005.
Examines philosopher Ludwig Wittgenstein's idea that language does not picture reality and that the ?I? does not refer to a thing.
2,144 words (approx. 8.6 pages), 5 sources, MLA, $ 67.95
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Abstract
This paper discusses the theory by Ludwig Wittgenstein that shows that the ?private language argument? does not make sense because concepts do not name ?internal? sensations. In addition, concepts do not name mental states, and those mental states do not reside in the mind. Consequently, the cognitivism versus behaviorism debate should not even arise. Furthermore, the paper shows how Wittgenstein argues that the ?I? does not refer to a thing, so private thoughts and experiences do not inhabit a self. Language does not picture reality, and meaning does not reside in the mind.
From the Paper
"Throughout the history of philosophy, since Descartes, the mind was considered to be independent from reality and corresponded to this reality by way of mental concepts or language. So concepts and language referred to reality, and that language was in the mind. If the concepts corresponded with reality, then that language was meaningful. If there was a failure of concepts to cohere with reality, then there was a lack of meaning. As a result, since the mind produced concepts, meaning was also something in the mind."
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Japanese Banking Industry, 2000.
An examination of the role of banks in the changing economy, cultural context, keiretsu (banking-business alliances) and stability compared to U.S. banks.
1,800 words (approx. 7.2 pages), 16 sources, $ 63.95
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Abstract
Rohwer (1998) paints a disturbing picture of the Japanese Banking Industry. He states that much has happened in America's S&L crisis in the early 1990s, bad banks need to be shut down or taken over, good banks recapitalized, bad loans written off, and the collateral underlying them (usually real estate) disposed of at fire sale prices (Rohwer, 1998, 22).
From the Paper
"A Study of theJapanese Banking Industry
Introduction
Rohwer (1998) paints a disturbing picture of the Japanese Banking Industry. He states that much has happened in America's S&L crisis in the early 1990s, bad banks need to be shut down or taken over, good banks recapitalized, bad loans written off, and the collateral underlying them (usually real estate) disposed of at fire sale prices (Rohwer, 1998, 22). Most theorists and analysts point out that the bad debt problem of Japanese banks could amount to upwards of 25% of that country s GDP, implying that a solution (if available) is bound to be enormously painful and costly (Rohwer, 1998, 22).
Also in 1998, the year that the Japanese banking system proposed a plan (of sorts) for bailing out the economy, the Economist in..."
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A Review of Tomoko Makabe's Book "Picture Brides", 2008.
A summary and review of "Picture Brides" by Tomoko Makabe, which chronicles the lives of five Canadian-Japanese women.
1,408 words (approx. 5.6 pages), 1 source, MLA, $ 46.95
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Abstract
This paper critically reviews "Picture Brides" by Tomoko Makabe, a Japanese woman living in Canada, who became fascinated by the fact that women would go overseas to marry men they did not know. The author of this paper feels that, while the book is interesting to read, a person aware of Japan's 19th and 20th century history, and the longer story of the Japanese in North America will find little that is so 'amazing' in the experience of the five women informing Makabe's work.
From the Paper
"Also, the phenomenon to which Makabe gave her attention involved a range of factors to which she seems not to have given ample thought led by the extreme gaps in Japanese social classes in the 19th and 20th centuries. Young women choosing to marry abroad, as ever, were often people with few or no alternative prospects. Makabe seems not to have considered a number of factors of the kind. For instance, a somewhat irritating aspect of Picture Brides is the author's repeated reference to how courageous the picture brides were, in a manner showing that the author has failed to imagine the turn of the 20th century and the courage that all men and women without prospects in Japan, or anywhere else, needed in order to simply survive. Makabe's informants had come to Canada as picture brides in the 1920s, by which time many Japanese women had undertaken the same sorts of journeys, going to join a settled and working man of whom their families were apt to know little or nothing. In addition to traditional family methods of locating spouses, brokers were often involved, a woman taking some risk as ever in terms of how her husband across the world turned out to be but she went abroad with the approval of her family having settled a daughter and sometimes expecting remittance funds.
As an Oral History volume, Picture Brides would be better if the author had managed a shorter introduction on herself and tried for a briefer introduction to 100 years of Japanese in Canada. More weight should have been placed on events in Japan in the later 19th and early 20th centuries that made becoming a picture bride of appeal. For instance, Makabe notes that the women were from village backgrounds and notes how a newly industrializing Japan had few waged opportunities for women that most could not work beyond the home. She seems not to see either that as elsewhere in Asia, marriage was a necessity for poorer families, and that embarking across the world as a picture bride could solve various family problems. Becoming a picture bride was probably more strategic or simply straightforward than courageous or heroic. One gains the impression that the author was fairly sheltered or had not reflected on social reality of the time in either Japan or Canada when beginning research with the assistance of the Multicultural History Society of Ontario."
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Japanese Use of Coercion to Maintain Power, 2004.
This paper discusses the use of coercion by the Japanese in the course of Japanese imperialism in the 19th and 20th centuries in Asia.
1,983 words (approx. 7.9 pages), 2 sources, MLA, $ 63.95
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Abstract
This essay is a discussion of how great a role coercion played in the enforcement of Japanese imperialism in Asia. The paper focuses on the Japanese occupation of Korea, while also alluding to other areas that the Japanese controlled. Various examples of coercion are presented and discussed at length.
From the Paper
"In the course of Japanese imperialism, the Japanese used coercion extensively to maintain their rule, but also employed some other methods at times. Their coercive policies were often harsh and brutal, with the Japanese authorities refusing to relent until their goals had been reached. In certain instances, however, they allowed their subjects to have some level of choice in matters like education and employment. In response to the Korean Independence Movement that developed after World War I, for example, the Japanese appeared to ?return to the Koreans a modicum of personal choice? and allowed them to publish their own newspapers, create their own schools, and to be employed in the government (Kang, 15). Such concessions certainly existed outside the realm of coercive policies, even though they were somewhat cosmetic in nature. The people were still often subjected to the same horrid treatment and the same unreasonable regulations that they had become familiar with from the coercive rule of the Japanese, but there were glimpses of light that shone through the dark cloud of Japanese rule."
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A Study on Japanese Women and Breast Cancer, 2007.
An extensive study on the causes of cancer in Japanese and Japanese-American women.
3,447 words (approx. 13.8 pages), 22 sources, MLA, $ 97.95
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Abstract
This paper documents a study that has been conducted for the purpose of understanding why the rates of breast cancer differ between Japanese women living in the United States compared to those living in Japan. The examination of risk factors associated with the rapid fluctuation of breast cancer incidence rates in Japanese women in the United States and those in Japan may help to explain differences. The paper offers methodology, data collection and analysis. It also gives a clear conclusion of the findings of the research and recommendations for further research on this topic.
Table of Contents:
Purpose of the study
Methodology
Theoretical Framework
Limitations
Data Collection and Analysis
Quantative Analysis
Summary of Findings
Conclusion
Findings
Recommendations of the Study
Bibliography
From the Paper
"Meta-analysis begins with estimation of the success rates of treatment and control arms of multiple separate trials through use of a separate 2 X 2 table for each trial. At the point in time that the researcher is convinced that the trials are "sufficiently uniform in design and methods that pooling their results makes clinical sense, a statistical test for homogeneity is used to help decide whether pooling results makes statistical sense." (Gilbert, 2005) After having made the decision that the "studies are sufficiently homogeneous to be combinable, the effect measure has been chosen, and a fixed- or random-effects technique is adopted, the calculations required to perform a meta-analysis are quite simple, usually through use of statistical software."
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General Motors Entry into Japanese Automobile Market, 2001.
Examines economic context & background for G.M. to market its Saturn into a key foreign market. Saturn's success in Japanese marketplace. Japanese consumer loyalty.
900 words (approx. 3.6 pages), 13 sources, $ 31.95
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From the Paper
"his research examines the entry of an American automobile company, General Motors' Saturn, into Japan. The plan of the research will be to set forth the economic context and background for Saturn's entry into a key foreign market and then to cite factors of that entry that may help forecast future lines of market development for the brand there.
The economically depressed situation of the major American automobile manufacturers in the mid-1980s owed much to the strength of competition from Japanese automobile manufacturers. By 1985 American auto manufacturing plants had an antique quality about them, being plagued by assembly line labor disputes and compared unfavorably to the robotics-driven assembly lines of Japanese automobile makers. By 1985, foreign auto-makers controlled approximately 30 per cent of the American car ..."
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Japanese Culture and Korean Women, 1999.
Examines cultural beliefs of the Japanese and how they shaped the Japanese use of Korean women as sexual objects in the 20th Century.
1,125 words (approx. 4.5 pages), 2 sources, $ 39.95
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Abstract
In the United States, people tend to think of race as the primary factor in discordant human relations. In particular, the divide between black and white Americans is seen as a central one, with historical antecedent and difficult prospects for the future. In other regions of the world, however, ethnicity, religion, and tribal background are equally divisive factors.
From the Paper
"The Comfort Woman
Introduction:
In the United States, people tend to think of race as the primary factor in discordant human relations. In particular, the divide between black and white Americans is seen as a central one, with historical antecedent and difficult prospects for the future. In other regions of the world, however, ethnicity, religion, and tribal background are equally divisive factors.
In thinking about Japan and Korea, and the development of the comfort woman concept, ethnicity is an important factor. Although gender is the most salient factor, ethnicity also probably plays a role in the horrific nature of the Japanese enslavement of the Korean women."
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Japanese Art, 2007.
This paper studies the form and function of Japanese art.
921 words (approx. 3.7 pages), 5 sources, MLA, $ 32.95
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Abstract
In this article, the writer looks at one of the most famous Japanese woodblock prints ever created, "The Great Wave at Kanagawa" . The writer notes that woodblock prints were a common form of Japanese two-dimensional art, involving the creation of a raised surface that was intended to either replicate a picture or create a new picture on the surface of a beautiful piece of paper. The writer then studies the three-dimensional "Ewer for Use in Tea Ceremony," which functioned as a wine server for the meal that takes place after the tea ceremony. The writer notes that today, it is considered an art form that observes the harmony between food and nature, and takes the diner on an odyssey of flavors, textures and colors. The writer concludes that the works of art considered, reflect the idea that artistic form and sacred function should be united in Japanese art and that the difficulty of artistic creation should not call attention to itself.
From the Paper
"How the food appears within the serving ware is just as important as the tastes of the food itself, and the harmony of the flavors of the meal are reflected in the harmony and balance of colors on the vessel. Unlike the woodblock, the images upon the vessel are not dramatic, although the vessel is crafted in an innovative fashion, in terms of its use of kiln technique and introduction of unexpected colors. The striking nature of the color reflects its function as a wine vessel, one of the stronger flavors of the kaiseki meal. The heavier, brighter flavors of the wine are intended as a balance to the flavors of Japanese rice wine, known as saki."
"Thus, within the woodblock composition there is balance, and the apparent ease with which the mountain withstands the terrible typhoon parallels the ease with which the woodblock artist creates, with great difficulty, the deceptively simple raised etching that creates a print."
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Japanese Style Management, 2002.
This paper discusses Japanese style management and how it has helped to make Japanese firms successful.
2,900 words (approx. 11.6 pages), 8 sources, $ 106.95
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Abstract
This paper discusses Japanese style management and how it has helped to make Japanese firms successful. The contribution of this style and its different factors are addressed in looking at Japan's big picture. This paper also addresses the difficulties involved in American firms attempting to copy some of traits of the Japanese style management.
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Construction of Self: The Identity of Modern Japanese-Canadians, 2003.
Explores the identity of Canadians of Japanese origin living in modern Canada.
20,665 words (approx. 82.7 pages), 133 sources, MLA, $ 249.95
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Abstract
The study takes a broad exploratory approach to studying issues of identity in the Japanese community in Canada. Chapter I traces the historical settlement of Japanese-Canadians in Canada with reference to how Canada?s changing attitudes on dealing with immigrants has affected the way in which Japanese-Canadians perceive themselves. Chapter II researches the relationship between language and identity. Chapter III looks at two types of modern day Japanese in Canada. First, a young student studying at MIT is used as a real life case study. Second, various fictional depictions of Japanese-Canadians are used to delve deeper into issues of Japanese identity. The subject matter has not yet been specifically covered in detail by academia (although it has rather more so by fictional writing). Available sources are analyzed closely to try to uncover trends in identity. Sources used vary from academic works (both Japanese and Canadian) on history, sociology, politics, linguistics and psychology; through to personal journal entries and fictional works concerning Japanese identity written by Japanese-Canadian authors.
Introduction
The History Of Japanese-Canadians & Canadian Immigration Policy 1877-2003
The Relationship Between Language And The Formation Of Ethnic Identity
The Real And Illusory Modern Japanese-Canadian
Conclusion
From the Paper
"Thus, using Bourdieu?s analysis, it is theoretically possible to apply it to the situation of Japanese-Canadians to try to delve deeper into their ethnic self-identity and individual make-up. However, there are various flaws when trying to apply Bourdieu?s work. First, Bourdieu interviewed his participants in some depth for his study in order to get a detailed profile of each. This variety of data about Japanese-Canadians is not currently available for this thesis and would need to be obtained first-hand (see ?Recommendations? in Conclusion). Second, and more importantly, it is not possible to apply the same analysis intended for a Western, European nation such as France to a complex, Oriental nation such as Japan that prides itself on its ?unique? ethnic identity and 90% middle-class (which, if true, renders analysis using economic capital as a variable useless anyhow)."
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Japanese Art and Nature, 2002.
An overview of the connection between Japanese art and nature with a review of some Japanese works of art.
650 words (approx. 2.6 pages), 3 sources, $ 26.95
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Abstract
This paper examines the intimate connection that exists between Japanese art and nature. The author discusses the intimacy so many Japanese feel with nature, explains why artistic scenes of the natural world have been a dominant theme of Japanese artists, and analyzes why the Japanese have always had felt a need to express the intimacy they sense between humanity and nature. He also briefly describes some of the works of notable Japanese artists such as Utagawa Hiroshige, Shiki Sansuizu, and Toyo Sesshu.
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