| Papers [1-3] of 3 | Search results on "PASTICHE": |
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Links Between the Nostalgia Film, the Artificial Masterpiece, and a Pastiche of Historical Consciousness., 2002.
This paper makes links between Jamason's notion of the nostalgia film, Owen's artificial masterpiece, and Lawson's pastiche of historical consciousness.
2,150 words (approx. 8.6 pages), 1 source, $ 80.95
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Abstract
This paper makes links between Jamason's notion of the nostalgia film, Owen's artificial masterpiece, and Lawson's pastiche of historical consciousness. These three devices are basically all the same.
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Poetry Critique- "Cinderella" by Anne Sexton, 2000.
A sardonic pastiche of the well-known fairy tale by the Brothers Grimm.
840 words (approx. 3.4 pages), 1 source, $ 29.95
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Abstract
This is a critique of Anne Sexton's poem, "Cinderella". This detailed critique focuses on the language, voice and perspective Sexon uses.
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Baz Lurman's Film "Romeo and Juliet", 2006.
This paper compares the 1996 film version of Baz Lurman's "Romeo and Juliet" with William Shakespeare's original version of this romantic tragedy.
775 words (approx. 3.1 pages), 3 sources, MLA, $ 27.95
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Abstract
This paper explains that, while Baz Lurman's "Romeo and Juliet" presents the main theme of the play as a conflict between the bad values of the older generation and the disaffected but still hopeful younger generation, Shakespeare's play evolves more as a tale of fate and the fragile nature of love. The author points out that the film's images stem from a modern sense of alienation, an idea underlined in the overall design of the film, in which a Pluralist or post-modern pastiche of Hispanic, contemporary and some Renaissance images creates a sense of confusion mirrored in the lovers' own difficulties in finding meaning in their world. The paper relates that, although the themes of youthful alienation exist in both versions but are more present in Lurman's cinematic re-telling, Shakespeare, as is consistent with the Renaissance era, takes the example of the lovers to reflect upon the 'chance' nature of romance.
From the Paper
"The unavoidability of fate was an important idea of the Renaissance era during which Shakespeare wrote. Also important, well into the Baroque era was the question of how much respect and deference a child owed his or her parents in terms of selecting a marital partner. Shakespeare sides with the lovers in their passion, but clearly shows how Romeo and Juliet's love upsets the rulership of Verona, and how society is harmed as well as helped. Good aspects to society, such as the kind prince, and Juliet's more loving father and mother are upset when Juliet decides to eschew parental care."
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