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Parker's "Othello".
An analysis of Oliver Parker's 1995 film version of William Shakespeare's play "Othello".
734 words (approx. 2.9 pages), 2 sources, MLA, $ 26.95
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Abstract
This paper reviews the film "Othello", describing various key scenes including an analysis of the cinematography of those scenes, showing how the character's thoughts and feelings are conveyed to the viewer on screen. The paper also analyzes the plot and the director's focus in the story and concludes that Parker shows, through the character of Emilia, that mankind's worst enemy is his own desires and wants.
From the Paper
"Parker begins the sequence by showing a scene in which the viewer sees the love and tenderness Othello and Desdemona have for each other. This is when Othello is just recovering from an epileptic seizure caused by Iago's implication that Desdemona is cheating on Othello with Cassio. Desdemona walks into their bedroom with Emilia in tow and sees the post-epileptic state her husband is in. She begins to worry over Othello and they exchange a moment of love. The camera shot of this moment includes a view of Emilia. The viewer can see that Emilia has seen this tender moment and, judging from the expression on her face, she wants to have the love that Othello and Desdemona share."
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Conflict in "Othello", 2003.
A brief analysis of the conflict between Desdemona and Othello in the play "Othello" by William Shakespeare.
908 words (approx. 3.6 pages), 0 sources, $ 32.95
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Abstract
This paper examines how "Othello" by William Shakespeare is a play which contains many conflicts between characters. It looks at how the main character Othello begins the play by marrying his love Desdemona and how it ends dramatically in a conflict between Othello and Desdemona which ends with Othello killing Desdemona then himself. It analyzes how the conflict was spawn for many reasons including Iago's deceiving, Othello being too in love with Desdemona, Othello's pride, Othello's self conscious nature, Othello's jealousy and Othello's rash behaviour.
From the Paper
"Othello then confronts Desdemona about his doubts but doesn't listen to her reply. "By heaven , I saw my handkerchief in's hand. O perjured woman! Thou dost stone my heart, and mak'st me call what I intend to do a murder , which I thought a sacrifice." Othello is quite emotional at this point as can be seen by the explanation mark. He is shown to be very upset about Desdemona's supposed affair. This can be seen by the phrase "stone my heart". This is in reference to the pain Desdemona is causing him. It is killing his heart and their love as "heart" has connotations to love. By referring to killing Desdemona as a sacrifice this shows that Othello is giving up something. He is giving up his love for Desdemona as he believes that it will hurt him too much to see her with another. Othello loves her too much."
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Othello's Mistake, 2004.
A brief insight into the mistake Othello made in the play "Othello"' by William Shakespeare.
747 words (approx. 3.0 pages), 0 sources, $ 26.95
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Abstract
This paper examines how in the play "Othello" by William Shakespeare, the main character Othello starts the play as being the most powerful of all the characters and how this soon ends when he makes the mistake of trusting his 'friend' Iago. It analyzes how Iago deceives Othello causing Othello's downfall and how Iago becomes more powerful. It also looks at how this mistake leads to another as Othello dramatically ends the play by killing his innocent wife.
From the Paper
"Iago intends to use Othello's positive qualities against him. What Iago means by "serve my turn upon him" is that he is going to make Othello believe that Desdemona has been unfaithful to him. The word "serve" has connotations of a prison sentence or punishment showing that Iago believes Othello deserves this cruel punishment. It also shows that Iago doesn't like him so much that he wants to personally inflict such punishment upon him even though he will personally put himself at risk he is willing to take this chance as he really doesn't like Othello. This quote is also showing that as Othello believes Iago then he does not believe in himself. He does not think that he is good enough for Desdemona as he feels that she will leave him for someone else easily."
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Othello As A Tragic Hero, 2002.
Using the theories of Aristotle regarding tragedy, this paper discusses the character of Othello in Shakespeare's "Othello" as a tragic hero.
1,900 words (approx. 7.6 pages), 7 sources, $ 71.95
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Abstract
This paper attempts to establish the character Othello in Shakespeare's Othello as a classic tragic hero as defined by Aristotle. The paper gives the various theories of Aristotle as found in his 'Poetics' related to tragedy and tragic hero.
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"Othello", 2005.
This paper discusses the character of Othello in Shakespeare's "Othello".
1,790 words (approx. 7.2 pages), 0 sources, $ 57.95
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Abstract
This paper explains that Othello, like most of Shakespeare's tragic heroes, is a man notable for the contradictions in his character. The author points out that the combination of vanity, naivete and an inability to perceive correctly the world around him are the three characteristics that allow Iago to transform Othello from a conquering and triumphant war-hero into a cold-blooded murderer. The paper stresses that the most dramatic way in which Othello is imperceptive is that he fails to recognize Iago's lies before killing Desdemona; and, even after learning that she did not have an affair with Cassio, Othello still failed to realize that he has been manipulated by Iago. Many quotes as illustrations.
From the Paper
"One of the most striking things about Othello is his naivete. Although Othello is a renowned war hero who has seen and experienced horrors throughout his lifetime, he retains a basic naivete about life, especially life in society. Initially, Othello, though able to confront and kill the enemy, is unable to conceive of the idea that one who calls himself friend could be a threat. Othello's naivete is first demonstrated by his lack of knowledge regarding Desdemona's character. Othello idealizes Desdemona, and has characterized her deception of her father as something necessary in order to further their love, instead of considering that they could have admitted their romance to Brabantio rather than eloping. It is Brabantio, not Iago or Othello, that first brings up the concept that Desdemona might deceive Othello."
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"Othello" the Film, 2001.
A film review on Oliver Parker's adaptation of William Shakespeare's "Othello".
1,164 words (approx. 4.7 pages), 2 sources, MLA, $ 40.95
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Abstract
This paper critically analyzes Oliver Parker's film adaptation of Shakespeare's famous play, "Othello". The essay explores many aspects of the production including casting, cinematography and direction. It also shows how the film differs from Shakespeare's original work. The review gives the film a rating in the final paragraph.
From the Paper
"Debuting at the height of the O.J. Simpson media-frenzy, Oliver Parker?s modern interpretation of Shakespeare?s Othello promised to be a controversial one. Othello is, after all, a play about a black man who kills his wife in a jealous fury. Coincidence or not, Parker wisely chooses to downplay the race issue. Casting Laurence Fishburne as his Moor of Venice, Parker?s Othello is anything but traditional. If Shakespeare?s Othello was the Elizabethan portrayal of an African warrior, then Parker?s adaptation fit?s the modern stereotype of a metropolitan thug. Reaching out to a modern audience that has a fickle affection for Shakespeare, Parker relies on sex and violence to sell his film where art and poetry fail."
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Charlie Parker, 1973.
This paper discusses the career and emotional problems of the musician Charlie Parker and contends that Parker's musical achievements were extremely influential.
1,800 words (approx. 7.2 pages), 3 sources, $ 63.95
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From the Paper
"Charles Christopher Parker was born in Kansas City, Kansas. He worked in the bands of Jay McShann, Earl Hines, and Billy Eckstine before forming his own small groups in the 1940s. From his youth, Parker was addicted to heroin. As a result, he suffered from many physical and emotional ills during his last years.".
Parker was an alto saxophonist and composer. He ranks among the most influential musicians in jazz history. He and Dizzy Gillepsie were responsible for the rise of "Bebop," a complex, rhythmic, melodic and harmonic form of jazz that developed in the 1940s. His many recordings illustrate his amazing technique and the richness of his musical ideas. "Charlie Parker recorded more versions of the blues (under a variety of titles) than any other form.". Several of his compositions, including "Confirmation" ... "
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Chaos Versus Order: Orson Welles' "Othello", 1999.
An examination of the use of lighting, camera angles and props to symbolize the changing characters of Othello and Iago in Orson Welles' film version of William Shakespeare's "Othello".
2,976 words (approx. 11.9 pages), 9 sources, MLA, $ 87.95
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Abstract
This paper discusses how, in his play "Othello", Shakespeare establishes Iago as a manipulative character who brings chaos and pain to Othello's world of order and respect. Iago's influence on Othello is seen in the text as Othello's lines become progressively shorter and more violent, and Othello loses everything he loves. The paper then looks at how Welles, in his 1952 adaptation of the play, brings these men's opposing styles, chaos and order, to film through the use of visuals and how he emphasizes Othello's loss of power and order at the hands of Iago with the use of lighting, props and confining sets.
From the Paper
"In his play Othello, Shakespeare establishes Iago as a manipulative character who brings chaos and pain to Othello's world of order and respect. Iago's influence on Othello is seen in the text as Othello's lines become progressively shorter and more violent, and Othello loses everything he loves. Welles brings these men's opposing styles, chaos and order, to film through the use of visuals. In his 1952 adaptation of William Shakespeare's Othello, Orson Welles emphasizes Othello's loss of power and order at the hands of Iago with the use of lighting, props, and confining sets."
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Shakespeare's "Othello" and "Hamlet", 2005.
This paper compares Shakespeare's protagonists Othello and Hamlet from his plays "Othello" and "Hamlet".
2,445 words (approx. 9.8 pages), 1 source, MLA, $ 74.95
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Abstract
This paper explains that both the protagonists Othello and Macbeth, in "Othello" and "Hamlet" respectively, are superior men, possessing great courage and outward strength, heroes in war accustomed to commanding a force of men in battle; but both go awry in their personal lives when a different morality and sensitivity is required: Othello is consumed by jealousy and Macbeth, by ambition. The author points out that a key element in Macbeth's nature is his imagination, which he lets soar ahead of his deeds; whereas, Othello is a man of action and not prone to ponder too much. The paper relates that, in their final words, the two men have completely disintegrated: Othello by taking not only Desdemona's life but also his own and Macbeth by resigning himself to go on with the fight for the crown, which even has taken the life of his wife. Many textual examples.
From the Paper
"Macbeth is immediately shown as a man whose ambition is capable of overtaking his personality. However, the additional quality of fear is introduced in Macbeth, who has been referred to in the play's opening passages as "brave Macbeth." Whereas Othello was judicious, Macbeth's courage showed in him a rashness that sets the stage for his later actions. He is described in battle by a soldier as "Disdaining fortune, with his brandish'd steel,/ which smok'd with bloody execution, Like valour's minion,/ Carv'd out his passage till he fac'd the slave;/ And fix'd his head upon our battlements." (I,ii.19-26) He is valour personified and is so ferocious that his sword smokes, an example of hyperbole."
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Downfall of Othello, 2004.
An examination of the characters of Othello and Iago in Shakespeare's "Othello" and how Iago deceived Othello.
2,015 words (approx. 8.1 pages), 4 sources, MLA, $ 63.95
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Abstract
Othello is a noble man who is deceived, as well as outwitted, by Iago, who immorally uses his wit in order to do so. This paper shows by which methods Iago was able to succeed in bringing about the downfall of Othello.
From the Paper
"English literature has seen many great writers throughout its? time. However, one as great as William Shakespeare has not been seen. Amongst the many great plays of Shakespeare?s time, Othello has captured the hearts of many. In this play, the main character, Othello, is outwitted by the villan, Iago, who is very jealous and deceiving. He represents a vague image of a puppet master. Iago's role-playing with the different characters gives him the power to control his victims' fates. He is filled with so much jealousy and hatred through which he destroys everyone. Othello, on the other hand, is a tragic hero with both greatness and weakness. An honest, loyal, true and honorable man, Othello is destroyed during the course of this Shakespearean drama."
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Othello, 2004.
An analysis of the character of Othello from William Shakespeare's "Othello".
2,045 words (approx. 8.2 pages), 1 source, MLA, $ 64.95
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Abstract
This paper examines how William Shakespeare?s play, "Othello", presents us with a curious combination of love and grace wedded to humanity. It looks at how Othello represents the basest emotions of humanity, while Desdemona remains graceful until the very end of the play and how, as a result, of their conflicting natures, their relationship suffers a great division that cannot be repaired. It examines how Othello and Desdemona allow themselves to become victims of other people who do not have their best intentions in mind. Othello becomes Iago?s victim because his jealousy makes him blind, and Desdemona becomes a victim when she suffers the wrath of Othello?s cruel behavior.
From the Paper
"Othello?s actions become much worse, which is a testament to how quickly we can become victims of our own imaginations. In Othello?s mind, Desdemona is already guilty. When Emilia offers evidence that Desdemona has been faithful, he refuses to accept it. Emilia swears that Desdemona is honest and tells him to remove any doubt from his mind. She emphasizes the qualities that Othello knows exist in Desdemona, noting that she is "honest, chaste, and true? (IV.ii.16). Again, Othello displays a despicable side of humanity when he responds the her statement by calling Desdemona a ?subtle whore,/A closet lock and key of villainous secrets;/And yet she?ll kneel and pray--I have seen her do?t.? (IV.ii.19-22)."
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Othello, 2006.
An analysis of the character of "Othello" as reflected in the character's first and last speeches of the play "Othello" by Shakespeare.
1,235 words (approx. 4.9 pages), 1 source, MLA, $ 42.95
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Abstract
This paper reviews the role of the character "Othello" in William Shakespeare's play of the same name. According to the paper, the character of Othello begins as a marginalized figure, both in the eyes of the other men of Venice and in the eyes of the audience. It concludes with the idea that Othello is a man of principle, and except for one tragic mistake, the rest of the actions of Othello's life, including his death, uphold his principles.
From the Paper
"Desdemona does not simply pity Othello; she is inspired by his stories, and wishes that heaven had made her a man, a striking statement of the power Othello wields over his audiences, even though Othello is no longer young. "Desdemona, although still the house-affairs would draw her thence:/Which ever as she could with haste dispatch, /She'ld come again, and with a greedy ear/Devour up my discourse." In other words, more than housekeeping, Desdemona loved to hear Othello's inspiring stories of valor, and he approved of her interest in his manly escapades, rather than thinking a woman should only be concerned about her womanly duties. Although the later events of the play will seem to indicate that Othello has a very narrow or immature view of female fidelity, before becoming poisoned by Iago's misogynistic ideas, here Othello seems to approve of Desdemona's boldness, as it is she who almost proposes to him: "she thank'd me, / And bade me, if I had a friend that loved her, /I should but teach him how to tell my story. /And that would woo her. Upon this hint I spake."
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Oedipus and Othello, 2006.
An analysis of the character flaws that lead to calamitous falls of Othello and Oedipus in Sophocles' "Oedipus the King" and William Shakespeare's"Othello".
1,125 words (approx. 4.5 pages), 2 sources, $ 44.95
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Abstract
This paper discusses Oedipus's and Othello's character flaws or weakness in the two plays, Sophocles' "Oedipus the King" and William Shakespeare's"Othello". The paper describes the two plays as classic dramatic tragedies, in the sense that the audience experiences fear and pity as they witness the hero undergo a huge and disastrous change. It then suggests that in both plays one crucial reason for this calamitous fall is character flaws or weaknesses in the protagonists, Oedipus and Othello.
From the Paper
"Discuss Oedipus's and Othello's character flaws or weaknesses Sophocles' Oedipus the King and Shakespeare's Othello are two plays with much in common. Both are classic dramatic tragedies, in the sense that the audience experiences fear and pity as they witness the hero undergo a huge and disastrous change. Moreover, in both plays one crucial reason for this calamitous fall is character flaws or weaknesses in the protagonists, Oedipus and Othello. This paper will examine and compare the character flaws and weaknesses of these two protagonists. Both plays begin with their protagonist in a very good position."
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Racism in "Othello", 2002.
Examining the issue of racism in William Shakespeare's "Othello" and how this relates to the character Othello.
2,041 words (approx. 8.2 pages), 3 sources, MLA, $ 64.95
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Abstract
This paper analyzes Shakespeare's "Othello" for possible racist connotations towards its main character. It explains how Othello possesses "Negroid" features and the manner in which he is first described. It proceeds to analyze whether these external features cause other characters in the play to act differently towards him. The writer selects many lines from the play as proof of racist attitudes toward Othello.
From the Paper
"The play Othello by William Shakespeare is the tragic story of a man who has moved from one culture to another. He looks differently than others because of Negroid features, which are mentioned in the play (thick lips compared to Europeans, and dark skin). Possibly because he isnot completely familiar with the culture within which he lives, he trusts the wrong people, with tragic results."
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William Shakespeare's "Othello", 2006.
This paper discusses the theme of jealousy in William Shakespeare's "Othello".
1,865 words (approx. 7.5 pages), 5 sources, MLA, $ 59.95
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Abstract
This paper explains that "Othello", like Shakespeare's other "big" plays, abounds in spectacular examples of theatrical effect, such as the brawls and the big pageantry;however, the theatrical effect of the rest of the play represents communication by gesture and look, the eloquent silences and whispered, spoken and shouted language. The author points out that jealousy in Shakespeare's "Othello" is a mask for the fear of death because what the jealous lover fears is that there will not be time or space enough for him. The paper relates that one of the peculiar splendors of "Othello" is that Othello's belated jealousy cannot be understood without first understanding Iago's primal envy of Othello, which is at the hidden center of the drama.
From the Paper
"Shakespeare's Iago appears in two aspects: his external appearance, as he reacts with others and his inner life as revealed by the soliloquies. Forget the soliloquies for a moment, and examine the face that Iago turns to the world. Here is a clever, ambitious man coolly manipulating others for his own ends. The current theories of will and reason he voices belong to his character both "psychologically" and dramatically. He denies the reality of loving feelings, they are only a lust of the blood, a permission of the will; he asserts the supremacy of the will and intelligence, ..."
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