| Papers [1-12] of 12 | Search results on "PANCHO VILLA": |
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Pancho Villa, 2007.
This paper discusses Mexican folk hero Pancho Villa.
3,259 words (approx. 13.0 pages), 8 sources, MLA, $ 93.95
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Abstract
This paper explores Mexico's revolutionary leader and folk hero, Pancho Villa. The paper acknowledges that many cultures have mythic heroes that rob from the rich and give to the poor such as Robin Hood. Such is Pancho Villa's role in Mexican folklore. The paper presents a brief biography of Pancho Villa, but many of the stories may be apocryphal. The paper also critically analyzes Pancho Villa's actions, especially those that linked him to murders. The paper concludes by stating that today Pancho Villa remains a well-known, yet still controversial, figure in Mexico.
From the Paper
"During a great deal of Mexico's past, the country was run by a small group of powerful and wealthy individuals. The rest of the country remained poor and disenfranchised. As the split between the rich and poor became wider under the leadership of General Diaz, a number of rebellious generals arose who tried to defeat him between 1910 and 1917. These revolutionaries, who came from a variety of backgrounds, included Pancho Villa"
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Roman Dwellings: Villas, Houses and Apartments, 2001.
A detailed look at the early and later architectural designs of Roman dwellings.
2,095 words (approx. 8.4 pages), 15 sources, $ 65.95
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Abstract
This paper provides a description of the early and later architectural designs of the Roman houses, villas, and apartments. The author offers a historic view of the designs found in excavations and on mosaics and discusses the social relevance of certain architectural designs.
From the Paper
"Architecture was outstanding among the Roman arts. Many of the outward forms of Roman architecture were taken over from the Greeks. It was through Rome that these forms became the common language of a great part of the tradition of western architecture. Connections between Greek houses and Roman ones provide important context both for Roman villas planned around peristyles as well as for the luxuriousness of the decoration and contents of late republican and early imperial houses and villas. This Greek luxury was a matter of some ambivalence for the Romans. Certain members of the Roman elite were eager to emulate the model of Hellenistic taste as found in Greek palaces of the fourth century B.C. and later (Robertson, 1986). But there has been a change of attitude about Hellenistic influence on architecture, painting, and mosaics: scholars are now stressing the ready naturalization of Greek art and ideas in the Roman context rather than using Roman art to reconstruct a hypothetical Hellenistic original (Jones, 2001)."
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George S. Patton, 2001.
A brief biography on the great American general, George Patton.
3,568 words (approx. 14.3 pages), 5 sources, MLA, $ 99.95
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Abstract
This biography briefly overviews the life of George Patton from his family background to chasing Pancho Villa in Mexico before World War One, his first armor command in World War I, his career between the wars, and the armies he commanded during World War II. The paper discusses his military philosophy and the ways in which he revolutionized armored warfare. Also, it covers several accounts of Patton's courage on the battlefield.
From the Paper
"George Smith Patton Jr. was born on November 11th, 1885 in SanGabriel, California. He lived there on a ranch with his father, George William Patton, his mother, Ruth Wilson, and his sister. His father graduated from Virginia Military Institution and was the District Attorney of Los Angles. Patton?s grandfather, along with seven great-uncles, was from Virginia and fought as confederate officers in the Civil war. His grandfather was also a graduate from Virginia Military Institution and was killed leading his troops into battle at Cedar Creek. Digging even deeper into his family history, Patton?s great grandmother was daughter to Hugh Mercer, French and Indian war and Revolutionary war officer who fought along side George Washington. Patton?s family was filled with military background and since he was a child he knew that he wanted to be a military general."
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Sidney Smith Hall Examined as Modern Architecture, 2008.
An examination of Sidney Smith Hall in Toronto as modern architecture in relation to two other buildings, Villa Savoye in Poissy and the German Pavilion in Barcelona.
1,250 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper approaches three examples of modern architecture that seem dissimilar at first, Sidney Smith Hall at the University of Toronto, the Villa Savoye near Paris, and what is known as the Barcelona Pavilion. The paper holds that despite their different purposes, they are similar structures according to principles of the modern movement. To conclude, it states that Sidney Smith Hall is significant in a Toronto environment much given to the preservation of architectural heritage, but that has often failed to appreciate its examples of the modern style.
Outline:
Introduction
Sidney Smith Hall, University of Toronto, 100 St. George Street
Villa Savoye, Poissy, nr. Paris 1920-1930 (Le Corbusier)
German Pavilion, Barcelona Exposition, (Mies van der Rohe)
Concluding Remarks
From the Paper
"As an example of the International Style much pursued by the modern movement, one realizes that the same structure with minimal adjustment could be placed anywhere. (See Khan 1998) Erected in any country in the world, Sidney Smith Hall would offer the same economy of line combined with a feeling of spaciousness and accessibility, its terrace areas suited to the climate of a central Canadian city as much as entirely different settings. This theme of universality was a favourite of both Mies van der Rohe and Le Corbusier as discussed below. (Padovan 45-48) As a contribution to the international style, Sidney Smith Hall may have shown its ongoing adaptability in the 2003 enclosure of one terrace that was opposed by some but does not seem to have altered greatly the sense of access the architect intended."
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Palladian Architecture, 2004.
This paper discusses Palladian architecture, a natural form of architecture initially invented by Andrea Palladio, but really defined by Inigo Jones and Thomas Jefferson.
3,420 words (approx. 13.7 pages), 6 sources, MLA, $ 96.95
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Abstract
This paper explains that Palladian architecture did break new ground as seen in the Villa Rotonda outside Vicenza, but others working in a more fluid tradition brought residential architecture to a level of sophistication now known as Palladian architecture. The author points out that Inigo Jones, court architect to Britain?s Stuart Kings, James I and Charles I, familiar with Palladio?s ideas, created and completed almost 50 buildings in and around London; the Queen?s House at Greenwich, taking nearly 20 years to complete, is a Palladian masterpiece, exceeding the Villa Rotonda in almost every way. The paper relates that Thomas Jefferson, founding father and President of the United States, was the architect who best expressed Palladian ideas, as seen by his own plans for the University of Virginia and his own home Monticello.
Table of Contents
A Beginning
Making Palladio?s Ideas into Palladian Architecture
An American Genius Expresses Palladio?s Ideas
From the Paper
"Palladio was at home with such clients. Born in Padua in 1508, Palladio was an assistant stonecutter and mason in the Vicenza guild before meeting an amateur architect, Giangiorgio Trissino, who tutored him. Palladio executed some commissions for the aristocracy in the Classic tradition, arguably an unbroken line from Ancient Rome until the Renaissance. It wasn?t until later in his career, the 1560s, that he moved into religious buildings. In 1570, ten years before his death, he published "I Quattro Libre del?Architettura". So it was in hindsight, in any case, that he made claim to his mathematically precise systems of design, and to the principles gained from visual arts as well a his principle of relating his buildings to nature. Palladio?s works are said to lack the grandeur of the works of many other Renaissance architects. Perhaps. But if so, they do not lack for at least lip service to the embellishments that help establish that grandeur. On the peaks of the loggia roofs and on the wings of the loggia steps, Palladio places monumental, classical statuary figures."
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Diocletian's Palace and the City of Split, 2008.
An overview of the history and architecture of Emperor Diocletian's palace and the City of Split.
3,310 words (approx. 13.2 pages), 24 sources, MLA, $ 94.95
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Abstract
This paper relates that the Emperor Diocletian rose through the orders by virtue of military skill, brilliance, and flexible scruples and how in preparation for his retirement, Diocletian had built a huge structure on the Dalmatian coast, a few miles from Salona. It also looks at how what began as a villa eventually became a a permanent settlement as the city of Split developed.
From the Paper
"While there will probably never be definitive evidence of when the inhabitation which became Split took place, it is unlikely that the palace was ever entirely derelict. It was simply to fine a resource to pass up, and while it may have been many decades before there was any substantial permanent settlement here, it seems highly doubtful that the palace was ever truly deserted. (Wilkes, 88) While the precise nature of the inhabitation at Split during the early years remains questionable, the city always seems to have been regarded as autonomous, and by the time Constantine Porphyrogenitus chronicled it, it was essentially independent and remained so until the Venetians gained control in the fifteenth century. (Plommer, 256) "
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The Human Papilloma Virus, 2008.
An exploration of the etiology of human papilloma virus (HPV) and whom it affects in the general population.
1,511 words (approx. 6.0 pages), 6 sources, APA, $ 49.95
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Abstract
The paper summarizes three articles on the topic of the human papilloma virus (HPV): "Quadrivalent HPV Recombinant Vaccine (Gardasil) for the Prevention of Cervical Cancer" by Angie L. Goeser, "The Effect of Prophylactic Human Papillomavirus L1 Virus-Like-Particle Vaccine on Risk of Cervical Intraepithelial Neoplasia Grade 2, Grade 3, and Adenocarcinoma in Situ: A Combined Analysis of four Randomized Clinical Trials" by S. Kjaer M. Lehtinen G. Perez and L. Villa and "Efficacy of a Quadrivalent Prophylactic Human Papillomavirus L1 Virus-Like-Particle Vaccine Against High-Grade Vulval and Vaginal Lesions: A Combined Analysis of Three Randomised Clinical Trials" by Mauricio Hernandez-Avila and Elmar A. Joura, Sepp Leodolter and Cosette M. Wheeler. The paper
discusses the articles' tremendous implications for health care and community health education. The paper then explains that cervical cancer is the second most common cause of cancer and resulting cancer death in women worldwide. The paper explains further that since the yearly Pap smear given to women cannot detect certain types of cancerous cells or lesions, the need for this type of vaccine to prevent HPV-related diseases is sorely needed.
Outline:
Three Literature Reviews:
Article One
Article Two
Article Three
Implications for Health Care and Community Health Education Based on the Studies' Conclusions
From the Paper
"Human Papilloma Virus (HPV) has been "identified at a higher rate in the tissue of women diagnosed with cervical cancer than among nonaffected controls (citing Salmeron et al, 2003; Balmes, Ritz, & Tager, 2005, p. 245). The disease can cause pathologies including, but not limited to, pain during intercourse, chronic pelvic pain, ectopic pregnancy, genital warts, and penile, anal, cervical, and vulvar carcinoma (Immerman & Mackey, 1997, p. 443; Lytwyn & Sellors, 1997, p. 113). The disease is believed to be sexually transmitted and is the "second most common cause of cancer and cancer death in women worldwide, with 80% of cases occurring in the developing world...95% of cancers of the uterine cervix are caused by certain types of human papillomaviruses" (citing Franco 1994; Lytwyn & Sellors, 1997, p. 113). Although Papanicolaou (Pap) tests have led to the decrease in mortality rates caused by cervical cancer, approximately 230,000 women per year die from the disease worldwide (Kjaer, Lehtinen, Perez, & Villa, et al, 2007, p. 1861)"
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The Breakers Mansion, 2005.
This paper discusses The Breakers mansion in Newport, Rhode Island.
675 words (approx. 2.7 pages), 5 sources, MLA, $ 23.95
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Abstract
This paper describes The Breakers mansion in Newport, Rhode Island. The paper relates that it was designed by Richard Morris Hunt in the style of an Italian Renaissance villa, and it was built by Cornelius Vanderbilt II in the late 19th Century. The paper includes a brief history of the Vanderbuilt family and also explains what the function of the mansion is today.
From the Paper
"The Breakers was built by Cornelius Vanderbilt II and was built in Newport because of the family's passion for yachting and the fact that Newport was the social pinnacle of America at the time. The first Vanderbilts in America were a family of Dutch farmers who migrated to America in the latter half of the century. They settled in New York originally known as New Netherland and not much is known about their early history."
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Islamic Art History, 2005.
A study the influence of Roman Frescos on Islamic Art History.
1,575 words (approx. 6.3 pages), 5 sources, $ 62.95
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Abstract
In this paper, the comparison and contrasting artistic designs involved in both Roman and Umayyad fresco paintings are analyzed. It explains that the earlier Roman designs played a great part in influencing the Islamic peoples to use figural drawing and various decorative natural or organic themes. Much of this is seen within the context of the examples used in the paper, which conveys a large-scale influence of Roman Villa-styled fresco application and artistic design on various Umayyad palaces.
From the Paper
"This art study will examine how the Roman Fresco had influenced the Umayyad perspective on murals and fresco work in their mosaic design and symbolic meanings within these works. By providing examples from the various Umayyad frescoes that now exist in various levels of decay, one can realize how Roman frescoes had a major impact on how these latter works of art were achieved. In essence, this paper is to describe the influences that Roman frescos/wall painting had on Islamic fresco/ mosaic & wall-paintings in art history. The Umayyad choice of Syria as their power base had enormous effects on later Islamic art, as craftsmen from all over gathered together to learn compete and work on Islamic projects. The Umayyad art design was enhanced by the ideas and traditions of imperial Rome, incorporating ..."
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The J. Paul Getty Museums, 2002.
Historical review and comparison of the two J. Paul Getty Musems in Southern California.
2,650 words (approx. 10.6 pages), 6 sources, $ 97.95
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Abstract
This paper compares the Getty Center in Los Angeles and the Getty Villa in Malibu in terms of design, layout, architectural details, lighting aspects, and design and construction history.
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?The Decameron?, 2005.
An analysis of Giovanni Boccaccio's "The Decameron".
3,422 words (approx. 13.7 pages), 8 sources, MLA, $ 96.95
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Abstract
This paper examines how the Black Death of 1348 forms the background to Boccaccio's "Decameron"; a group of ten young high-born citizens of Florence - seven women and three men - flee the city to escape the disease and take refuge in the villas outside the city walls. It looks at how "The Decameron" arises from and reflects a society afflicted by the overwhelming catastrophe of the Black Death, a catastrophe which, in the 1340s, reduced the population of the city by up to one-half and severely affected every aspect of Florentine life.
From the Paper
"That satirical criticism is clear in the second novel of the first day, in which Neifile tells the story of Abraham, a Jew who, at the instance of a friend, Jehannot, who is trying to convert him to Christianity, decides to 'go to Rome, and there observe the man whom you call the vicar of God on earth, and examine his life and habits together with those of his fellow cardinals' (Boccaccio, 38). This prospect alarms Jehannot: 'if he goes to the court of Rome and sees what foul and wicked lives the clergy lead, not only will he not become a Christian, but, if he had already turned Christian, he would become a Jew again without fail' (Boccaccio, 39). This passage is interesting in taking for granted that the listeners to the story, and of course the readers, share the opinion of Jehannot and the narrator that Rome is a place of iniquity and that the clergy there live foul lives inconsistent with the supposed teachings and values of Christianity."
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Two Classic Paintings, 2005.
This paper describes and compares Agnolo Bronzino's "Portrait of Ugolino Martelli" and Rembrandt Harmenszoon van Rijn's "Aristotle" in an attempt to define the greatness of art.
1,100 words (approx. 4.4 pages), 0 sources, $ 38.95
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Abstract
The paper describes the older painting of the two masterpieces, which is by Agnolo Bronzino, officially called "Portrait of Ugolino Martelli", in which the painter captures the essence of the young man in the courtyard of the Martelli's villa; the arrangement of the right hand, face and left hand are almost a geometric proportion. The author points out that Rembrandt's "Aristotle" is a darker than Bronzino's portrait, the geographical difference between a sunnier Italy and a gloomier Holland; Bronzino's wonderful portrait, a masterpiece of its time, is of a real person; whereas, Rembrandt's painting is a more thoughtful work, a true "think piece" about the dead philosopher. The paper concludes that the greatness of these two painting is in the beholder's continued ability to see things as well as ideas and focus in the paintings, which is far more evident in "Aristotle".
From the Paper
"There is no hint of accuracy in the dark background. Does the bust of Homer sit on a pedestal in front of stairs leading to where? The Agora, the lecture hall? Unlike Bronzino, Rembrandt's attention is solely on the bust and the man. And, just to verify that this is indeed a model, one need to look at the rough hands perhaps a perfect portraiture of the model posing, perhaps a farmer or tradesman from the village. They are not, despite the ring, the hands of what one would consider a philosopher, someone absorbed in thought, in writing and speaking, without doing any handiwork."
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