| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "PAINTING LAWREN S HARRIS": |
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Painting by Lawren S. Harris, 2006.
An analysis and description of paintings by Lawren S. Harris.
2,076 words (approx. 8.3 pages), 4 sources, MLA, $ 65.95
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Abstract
In this study the author looks at how Lawren Harris divided his time between painting the landscapes of the North Country - and later the Rockies - and the urban landscapes of the working class of Toronto and Halifax. He examines how in these works, Lawren uses bold applications of color and simplicity of form. The author analyzes how Lawren's paintings, as his career progressed, became studies in form and color until the time he moved into non-objective compositions. Thesis Statement The Initial Group of 7 North Shore, Lake Superior The Medium and Materials of North Shore, Lake Superior Contrasts of North Shore, Lake Superior With Other Work Harris' Impact on Canadian Art
From the Paper
"World War I interrupted the forward progress of the group as all were called into military service. Following the war and back in Toronto the group and particularly Harris made several sketching trips to the vast Algoma region of northern Ontario. It was here that Harris found the inspiration for some of his greatest paintings. Algoma was still a wilderness where traveling was difficult. "
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Influences on Monet and Harris' Works, 2008.
An analysis of the different influences that impacted on Claude Monet's "Charing Cross Bridge, Fog" and Lawren S. Harris' "Lake Superior."
1,097 words (approx. 4.4 pages), 1 source, MLA, $ 38.95
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Abstract
This paper compares and contrasts Claude Monet's "Charing Cross Bridge, Fog" from 1902 and Lawren S. Harris' "Lake Superior" from around 1924. The paper provides a brief history of each artist and his work and then discusses how these two works show some of the different influences on art that are evident from different time periods.
From the Paper
"The painting shows the Impressionist desire to capture a particular moment in all its specificity, recreating the impression left of the light, the contrasts, and the movement. Monet indicates the movement of the mists in the direction of his brushstrokes and in the way the colors seem to create a whirling effect, a clockwise movement of both water and atmosphere. Seitz notes that Monet was beset by a "drive to capture the full range of natural effects, however impalpable or transitory" (Seitz 338). In this picture, his attempt to do just that is quite apparent."
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Sam Harris' "The End of Faith", 2007.
This paper argues against Sam Harris' ideas in his book "The End of Faith" that religion is irrational and harmful to the world because it has caused unparalleled chaos, death and destruction.
2,825 words (approx. 11.3 pages), 10 sources, MLA, $ 84.95
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Abstract
This paper contends that, by ignoring the political implications of religion in his book "The End of Faith", Sam Harris oversimplifies the social and political impact of religion. The author points out that Harris and other secularists see religion waning in the face of the impending wave of modernity and technology, but the reality is that religion and modernity are not mutually exclusive. The paper stresses that Harris' inferred conclusion, which is that more secular Western societies are further advanced as civilizations and that Eastern civilizations are inferior, would wreak havoc on the global political arena.
Table of Contents:
Introduction
The Failure to Fix Religion
Religion's Debt to Secularism
From the Paper
"An interesting case study of this commitment is the way women have faired in Islamic societies. Harris would be surprised to learn of the positive attitude towards Islam of what he calls "improbable creatures scurrying about in shrouds." Islam is actually empowering to the downtrodden. Women have the "potential...to shape the community's moral discourses... through their interpretation of Islam." Islam is not, as Harris argues, a monolithic religion dictating all of the actions and beliefs of its adherents. It does not corrupt the tenets of Islam for women to extrapolate from the Koran ..."
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Thomas Cole's Painting: "The Architect's Dream", 2007.
This paper discuses Thomas Cole's painting "The Architect's Dream" (1840, oil on canvas) housed in the Toledo Museum of Art.
1,410 words (approx. 5.6 pages), 4 sources, APA, $ 46.95
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Abstract
This paper explains that the painting "The Architect's Dream" by American artist, Thomas Cole, masters historical perspective by combining structures from several epochs--Egypt, Greece, Rome and Europe--within the confines of a simple painting, thus depicting the evolution of architecture. The author points out that Cole, who was the founder of the Hudson River School, a group of artists that followed the style of American romanticism and realism, filled the landscape of this painting, accurately and in detail, with human structures of each age. The paper concludes that this piece of art from the romantic times is not so much a history lesson as it is a story of human ingenuity and spirit, which praises man's triumphs throughout the ages by giving tribute to the beauty of history's great accomplishments that still inspire humankind today.
From the Paper
""The Architect's Dream" is a large painting, about 8 feet long by 6 feet tall. Just looking at the different buildings throughout the eons is very enthralling. And so, I stood in front of this painting for at least ten minutes just taking in the sheer power of it. I imagined what it would look like IF someone actually built a city like the one Thomas Cole painted. I could see the romanticism in the expression on the Architect's face as he lays relaxed and wondering about his strewn books. I put myself in his position and tried to imagine looking upon such a dream city, but in reality."
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The Rules of Landscape Painting and the Poetic Practice of Xie Ling-Yun, 2002.
A review of Xie Ling-Yun's poem "Visiting the Southern Pavilion" in light of the generic rules of landscape painting.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
This paper will discuss the representation of the natural landscape in Xie Ling-yun's poem "Visiting the Southern Pavilion". It will be shown, through a comparative analysis of Chinese texts on landscape painting, that Xie Ling-yun's poem plays with, and is juxtaposed against, the generic rules of landscape painting. The poetic landscape, which appears to be a celebration of the beauty of summer, is actually a reflection upon mortality and suffering. From this perspective, Xie Ling-yun's poem may be seen to have philosophical depth lacking in most landscape painting.
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Crime in Harris County, 2002.
A look at crime restricting methods by the government of Harris County in the U.S, and their effectiveness.
2,450 words (approx. 9.8 pages), 7 sources, MLA, $ 74.95
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Abstract
A study of the trends of crime and punishment in Harris County whose public prosecutors are known to be among the strictest in the country. This paper examines statistics regarding crime rates, prison sentences and jail occupation to see if the strict policy pays off. The criminal justice system of Harris County is also detailed.
From the Paper
"Situated in the State of Texas, Harris County is considered to be the third largest county in the United States. According to the latest estimates, its population is about three million people. It covers an area of about 1788 square miles. The Harris County Government has established several offices, courts, organizations, and agencies that work for the reduction of crime within the county. The county government is continuously working to improve the quality of service being delivered to its citizens."
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?Large Bad Picture?: Positioning the Painting, 2005.
Examines the role of the painting in ekphrastic poetry, using Elizabeth Bishop's poem, "Large Bad Picture" as an example.
1,870 words (approx. 7.5 pages), 3 sources, MLA, $ 59.95
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Abstract
This paper examines the role of paintings in ekphrastic poetry (the rhetorical description of a work of art). It shows how Elizabeth Bishop makes her fictional painting 'real' through her poem, "Large Bad Picture". It presents a comparison between "Large Bad Picture" to W.H. Auden's "Musee des Beaux Arts." The paper also provides an examination of how Bishop divides her poem between setting the scene and then delivering the poem's argument.
From the Paper
"Having settled her reader comfortably, Bishop then takes the next two stanzas to describe in clear, precise language the subject of the painting. In one long sentence enjambed over two stanzas, she describes the sunset, the span of high blue cliffs and the small caves that dot their base. The final line of the third stanza returns the reader to the title describing the caves that riddle the cliffs as being "masked by perfect waves." (12). Her description of the waves as being "perfect" give the first hint of her contention that this is a bad picture. The reader begins to understand that this composition, while possibly well executed, is unrealistic, that the painter has seen perfection in natural phenomina that are inherently imperfect and organic."
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"Joan of Arc" Painting, 2007.
This paper offers a critique of Jules Bastien-Lepage's painting "Joan of Arc".
1,200 words (approx. 4.8 pages), 1 source, MLA, $ 41.95
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Abstract
In this article, the writer discusses that the "Joan of Arc", painted by the French artist Jules Bastien-Lepage, during the Impressionist era in 1879, reflects the artist's belief that art should depict nature's truth. The writer points out that Bastien Lepage's views, which made very specific and clear observations about existence and life, made his work both distinctive and unique. This essay critiques Jules Bastien-Lepage's 'Joan of Arc' through analyzing the painting's composition, which included line, form, balance, repetition, and focal point. Some discussion is then given to the artist's use of color and texture, while reflecting on the suggestion of space. Finally, the paper concludes with a personal consideration of this 19th century masterpiece.
Outline:
Introduction
Joan of Arc - A Mystic Euphoric
Conclusion
From the Paper
"When first viewing this picture, it would that Jules Bastien-Lepage created a realistic scene: A beautiful stone cottage, so typical of those throughout the French countryside, which is surrounded by a delightful working garden filled with fruit, vegetables, and flowers. Towards the left side of the painting, stands an old, gnarled apple tree, while to its right, stands a young peasant girl. Behind her, however, and just in front of the cottage, hovers the supernatural presence of three spiritual beings. Their transparent bodies almost blending with the cottage walls and the garden, they stare down at the young Joan of Arc, who, it would appear, is listening to something."
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Digitally Enhanced Painting, 2005.
A paper looking at the various aspects of digital painting enhancement.
2,025 words (approx. 8.1 pages), 10 sources, MLA, $ 71.95
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Abstract
This paper explores the various aspects of digital painting enhancement from ethical concerns to techniques. The paper looks at how digital enhancement allows the artist to go beyond the limitations of the brush, bringing a new dimension to art. The paper contends digital enhancement should be considered as just another tool for the artist to use.
From the Paper
"Every time technology moves ahead, invading the world of art, we are presented with exciting new opportunities along with difficult challenges. Such is the case with the advent of digitally enhanced painting. Digital enhancement allows us to push the envelope, invent new forms of expression, add rich dimension to old forms and step into the refreshing world of the unexplored. Although digital enhancement is resisted by some people for what are probably excellent reasons, it is embraced by others for reasons just as laudable..."
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R.C. Harris Water Filtration Plant, 2002.
Looks at the evolving 'landscape' of the R. C. Harris Water Filtration Plant in Toronto.
2,150 words (approx. 8.6 pages), 14 sources, $ 80.95
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Abstract
This paper examines how the 'landscape' of the R.C. Harris Water Filtration Plant in Toronto, ON has changed. Architecturally and technologically the plant is largely unchanged. Culturally and as a landscape element, it has radically changed.
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Zelman vs. Simmons-Harris, 2004.
An analysis of the Zelman vs. Simmons-Harris case regarding constitutional issues.
956 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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Abstract
This paper discusses the court case of Zelman vs. Simmons-Harris concerning the allocation of public funds towards religious schooling. The paper examines the decision to allow public funds to go towards underprivileged children being educated in religious schools, contending that it would result in a greater inflow of students to such schools. The paper explains that children educated under these circumstances are not exposed to the constitutional freedom of choice in terms of religion.
From the Paper
"The First Amendment of the Constitution dictates that all persons within the United States have the right to live their lives freely, according to their choosing, and without fear of persecution for any reason, whether on the grounds of religion, race or any other distinctive trait. The issue touched upon in the Zelman vs. Simmons-Harris case (2002) is indeed a constitutional one, but also one that is complicated and that can be viewed from either side. It appears however that the decision of the Supreme Court to allow public funds to be used for private schooling, whether religious or not, does to a certain degree defeat the inherently constitutional provision of non-discrimination and freedom of choice for all persons."
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Nigel Harris' "Thinking the Unthinkable", 2004.
This is a chapter by chapter summary of Nigel Harris' "Thinking the Unthinkable".
1,610 words (approx. 6.4 pages), 1 source, $ 55.95
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Abstract
This paper evaluates the argument in parts of Nigel Harris' "Thinking the Unthinkable". The author points out that, in this instance, thinking the unthinkable involves eliminating all barriers to temporary migration of workers usually from less developed countries to developed countries. The paper states that this book deals with immigration, migration and immigration reform.
From the Paper
"Humans have always migrated throughout human history. Closed borders immigration controls work visas relatively recent developments such as quota systems, green cards, immigration lotteries, border patrol agents and smuggling of human cargo."
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Patricia Reynolds Harris, 2006.
A review of the life and career of Patricia Reynolds Harris.
1,219 words (approx. 4.9 pages), 5 sources, MLA, $ 41.95
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Abstract
This paper takes a look at the accomplishments of Patricia Reynolds Harris, the first African-American woman to hold a cabinet post, the first to be an ambassador to a foreign country, and the first to be a director of a major American corporation - IBM. The paper discusses how she also earned a law degree, helped nominate a President, served on federal civil rights commissions and played an important role in Democratic Party politics.
From the Paper
"In 1967 she returned to teaching at Howard University, and in 1969 she was appointed Law School Dean (Capital Outlook, p. 1). However, she only stayed one month. Shortly after she was appointed, a student protest occurred. She was opposed to the protest, an unpopular position not supported by the university's president (ESPER, p. 1), and she left the school. She then joined a Washington, D.C. law firm as a partner (Staff, p. 1). In 1971, she was appointed to the Board of Directors of one of the United State's largest and most important corporations - International Business Machines Corporation (IBM) (World Book, p. 1). Meanwhile she continued to be active and influential in the Democratic Party. In 1972 she was headed the Credentials Committee, and in 1973 was again a delegate to the Democratic National Committee (Staff, p. 1). She also remained vitally interested in civil rights. From 1967 to 1977, she was on the executive Board of the NAACP Legal Defense Fund (Johnson, p. 1). "
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Harris Glenn Milstead: His Importance to Pop Culture, 2005.
This paper discusses Harris Glenn Milstead and his importance to pop culture.
900 words (approx. 3.6 pages), 4 sources, $ 35.95
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Abstract
"This four page undergraduate paper examines Harris Glenn Milstead who achieved pop culture fame as Divine and was born in Towson Maryland on October 19, 1945. The writer points out that he became an actor signer and cult figure primarily because of his professional relationship with the film director John Waters. The writer notes that as Divine, Milstead starred in several films and was perhaps best known for being a part of the regular cast and crew of the troupe, The Dreamlanders, which helped push him into mainstream pop culture. The writer details that Divine and The Dreamlanders were featured in many of John Waters' films such as Polyester, Pink Flamingos, and Hairspray.
From the Paper
"Glenn Milstead, who achieved pop culture fame as "Divine," was born in Towson, Maryland on October 19, 1945. He became an actor, signer, and cult figure, primarily because of his professional relationship with the film director John Waters. As Divine, Milstead starred in several films and was perhaps best known for being a part of the regular cast and crew of the troupe, The Dreamlanders, which helped push him into mainstream pop culture. Divine and The Dreamlanders were featured in many of John Waters' films such as "Polyester", "Pink Flamingos", "Hairspray", "Lust In The Dust", and "Female Trouble"."
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History of British Painting, 2002.
Examines the history of British painting in the 1900s and assesses some of the works of English artists of that period.
2,650 words (approx. 10.6 pages), 7 sources, $ 97.95
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Abstract
This research paper examines and analyzes the history of painting in the twentieth century in the British Isles. The work of English artists such as Roger Hilton, Terry Frost, Adrian Ryan, Stanley Spencer, Victor Pasmore, and Laurence Stephen Lowry are assessed.
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