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Pagan Settings in "The Knight's Tale", 16.
Looks at the impact of the pagan setting on the narrative of Geoffrey Chaucer's "The Knight's Tale".
3,555 words (approx. 14.2 pages), 4 sources, MLA, $ 99.95
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Abstract
Geoffrey Chaucer is a well-known poet of the 14th century who worked for the king as a manager of societal and traditional events. Nonetheless, his poems are rooted with compassionate consideration towards women, the common people, and uniqueness as articulated through multicultural signs signifying states and religious convictions. This paper deals with the impact of pagan settings on the story "The Knight's Tale." To illustrate how fundamental the impact has been, this paper utilizes disjunctive mixtures of the story as its theme.
From the Paper
"Contemporary readers might consider that a narrative in which so many aspects of a story take place coincidentally is a weakly schemed story, without a doubt. However this is the exact point that Chaucer is attempting to make throughout this story. The functions of "Fortune" do have an accidental and unintentional method of running. How can humans tolerate such an inadequately structured universe? This is one manner of wording the major issue which the poem portrays (Minnis, 1982)."
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Chaucer's "The Knight's Tale", 2002.
An introduction to and discussion of Geoffrey Chaucer's "The Knight's Tale" from his well-known "Canterbury Tales".
895 words (approx. 3.6 pages), 3 sources, MLA, $ 31.95
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Abstract
This paper provides an introduction to "The Knight's Tale". Points of literary analysis are discussed, as well as mention of previous work that may have influenced Chaucer in his writing of this story. Theories of understanding the intended meaning of the story are offered.
From the Paper
"?The Knight?s Tale? is one of the most memorable in Chaucer?s ?Canterbury Tales". It tells the story of two young knights, Palamon and Arcite, who are imprisoned together in a tower, and both fall in love with the same girl, Emelye. Chaucer wrote it in Middle English, which, unlike Old English, is fairly easy to read and understand by modern readers. For example, at the end of the story, Chaucer has the lines, ?The Firste Moevere of the cause above,/ Whan he first made the faire cheyne of love,/ Greet was th'effect, and heigh was his entente./? For with that faire cheyne of love he bond/ The fyr, the eyr, the water, and the lond/ In certeyn boundes, that they may nat flee? (The Knight's Tale, 2987?2993). They show Emelye why she must marry Palamon, and they are extremely poetic in their talk of ?air, water, and land, and the fair chain of love.? The meaning is not lost, even though the words may look unusual."
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"The Knight's Tale", 2002.
This paper suggests that the character of the pilgrim telling "The Knight's Tale" is illuminated by telling the story.
1,400 words (approx. 5.6 pages), 1 source, $ 53.95
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Abstract
This essay discusses how "The Knight's Tale" illustrates the character of the pilgrim who tells it. The tale is very much a story about a romance of chivalry, and the Knight symbolizes this well.
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"The Knight?s Tale", 2004.
A review of Chaucer's "The Knight?s Tale", focusing on the importance of chivalry.
1,044 words (approx. 4.2 pages), 4 sources, MLA, $ 36.95
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Abstract
This paper discusses the importance of chivalry during medieval times. Using the story, "The Knight's Tale" by Chaucer, the writer shows how knights were expected to be chivalrous to women and men alike and of all status levels. The writer dispels the myth that knights were taught to be mighty in military tactics only, but instead emphasizes their social responsibilities, as well. Chivalry is greatly emphasized in the story as the entire plot concentrates on chivalric customs and values, thereby underscoring the significance of chivalry in the making of a true knight.
From the Paper
"Fair play was thus one of the main characteristics of chivalry but that wasn?t the only one. Apart from fair play and complete adherence to rules, ?principal representative of chivalry espouses a highly idealistic conception of the value of a good name? (Muscatine, 184). It was thus important for the knight to have a good reputation. Thus while bravery and valor were important and so was consideration for enemies, but establishing a good reputation in all manners possible was critical to chivalrous behavior."
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"The Knight's Tale", 2008.
An analysis of the six tenets of the chivalric code for knighthood in "The Knight's Tale" by Geoffrey Chaucer.
810 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
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Abstract
The paper examines prowess, truth, honor, freedom, courtesy and glory as tenets of the chivalric code in "The Knight's Tale" by Geoffrey Chaucer. The paper discusses how knights enacted these various traits in their roles as medieval warriors.
From the Paper
"The basis of Chaucer's view of Chivalry defines way and manner in which knights would defend the honor of a lady by always being courteous and gentle, regardless of the military might a knight may exude. Respect for women is clearly part of the chivalric code through courtesy and honor, which defends the love of a woman through a knight's actions and behaviors. The issue of knightly conflict between Palamon and Alcite occurs when lady Emily arouses both of their desire for love--often called courtly love. Jealousy mounts between the two men, who immediately site vows of honor and truth they took as knights to uphold their love for Emily."
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The Role of Women in "Knight's Tale", 2002.
An analysis of the role of women and the concept of love in Chaucer's "Knight's Tale".
755 words (approx. 3.0 pages), 3 sources, $ 26.95
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Abstract
This paper introduces Geoffrey Chaucer's "Knight's Tale" and the roles of men, women and love in the story. The concepts are explored through an examination of the characters and story with examples from the text. Chaucer's portrayal of women in his other works is considered.
From the Paper
"?Knight?s Tale? is a story about two cousins, Arcite and Palamon and their love for the same woman ? the beautiful Emelye ? that leads them finally to battle for her. Both the story and the climax is most representative of the attitudes of the knights in those times to women and love (love was often seen linked to concepts of manhood, chivalry and honor.) Chaucer shows Arcite and Palamon battling (figuratively and literally) to win the hand of Emelye. The tournament is held ?For love and for encrees of chivalrye? (2184).
The fact that Emelye, herself, is portrayed as wishing for maidenhood through her life and to that extent, indifferent to the courtship of both only adds further substantiation to the theory that perhaps Arcite and Palamon were more driven to prove their credentials as virile knights rather than their passion for Emelye."
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Movie Review: "A Knight's Tale", 2005.
A review of the historical inaccuracies in the movie, "A Knight's Tale".
2,536 words (approx. 10.1 pages), 6 sources, MLA, $ 76.95
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Abstract
This paper begins with a plot summary of the movie and then continues with a discussion of the historical accuracies and inaccuracies, using comparisons to Chaucer's "Canterbury Tales" and "Medieval Times".
From the Paper
"The movie "A Knights Tale" has many inaccuracies and very little accurateness. As a movie about a knight in medieval times this movie is certainly out of place. It is unclear whether the director wanted the movie to be this confused about its identity. What is clear is that the director wanted to appeal to younger audiences. He added relatively new rock songs for the soundtrack. Some actors were dressed appropriately for the times and then some were completely out of place. The great writer Geoffrey Chaucer is portrayed as a peasant with a horrible gambling problem. Although there are references to God and the Bible the characters do not have the sort of faith that was practiced during medieval times. Also the main women characters seem to have a lot of freedom. With all of these things combined this movie turns out to look sloppy and un-researched."
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The Knight's and Miller's Tales in Chaucer's "Canterbury Tales", 2000.
1,800 words (approx. 7.2 pages), 2 sources, $ 57.95
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Abstract
This paper is fairly theoretical but it uses common close reading techniques on both the primary and secondary texts of "The Canterbury Tales" to exam issues of sexuality and class in the Knight's Tale and the Miller's Tale. The Canterbury tales text used was not translated so the quotations are still in Chaucerian English.
From the Paper
" In, The History of Sexuality, Volume I: An Introduction, Michel Foucault writes of the seventeenth century as ?the beginning of an age of repression emblematic of what we call the bourgeois societies (17).? Thus placing Chaucer and The Canterbury Tales decidedly before this ?age of repression,? in a time when ?sexual practices had little need of secrecy; words were said without undue reticence, and things were done without too much concealment,? when, ? one had a tolerant familiarity with the illicit (Foucault 3).? With this historical demarcation in mind I would like to consider the erotic triangles dealt with in the first two stories of The Canterbury Tales and how they relate to expressions of a class-conscious male sexuality. To do this I will be drawing heavily on the introduction and first chapter of Eve Sedgwick?s seminal text, Between Men: English Literature and Male Homosocial Desire, for a theoretical and critical base.Specifically I will be looking at the climactic moments of these first two tales (the Knight?s and the Miller?s) to analyze how the problematic erotic triangles are worked out between the two men involved, and comparing the way class difference makes itself apparent."
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Knights in ?The Canterbury Tales?, 2004.
A comparative analysis of the portrayal and use of knights in Geoffrey Chaucer's ?The Canterbury Tales?.
1,046 words (approx. 4.2 pages), 1 source, MLA, $ 36.95
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Abstract
This paper discusses how the narrator in the Prologue of ?The Canterbury Tales? paints a noble view of the Knight as a distinguished man who practiced chivalry, truth, honour, generosity, and courtesy. It looks at how, although the narrator may have an ideal view of the noble Knight, Chaucer has another. Through an analysis of some of the tales, such as "The Knight?s Tale" and "The Miller's Tale", it examines how Chaucer is actually setting the stage for satire.
From the Paper
"Another knight that appears less than nobles is mentioned in the Wife of Bath?s Tale. In fact, this knight seems to be the opposite of the knight described in the prologue because he actually commits rape. We are told he is a knight ?who was a lusty liver? (300), and despite the maiden?s begging, he ?by very force he took her maidenhood? (300). Clearly, this act violates all of the chivalric codes. This knight is not completely without merit, hot he does keep his word to the old lady when she supplies him with the correct answer to the question that will save his life. As with the knights in the Knight?s Tale, Chaucer is presenting the knights with a combination of noble qualities as well as very human qualities."
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"The Knight's Tale", 2002.
Chivalry and social codes as presented in Chaucer's "Canterbury Tales".
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This paper addresses "The Knight's Tale" from Chaucer's in respect to the characterization of chivalry within the story.
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Geoffrey Chaucer's "The Wife of Bath's Tale" from The Canterbury Tales., 1991.
This paper examines Geoffrey Chaucer's narrative techniques and philosophy of marriage in "The Wife of Bath's Tale" from The Canterbury Tales.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
This paper is concerned with an examination of Geoffrey Chaucer's narrative techniques in "The Wife of Bath's Tale" from The Canterbury Tales. The Wife of Bath certainly has the qualifications to be an expert on marriage because she has been married five times. Basically, she is the Fool of the company in the traditional manner in which everyday truth is turned upside down. If practice makes perfect, then the Wife of Bath has had considerable training on the subject of matrimony. However, it could be that she needed to commit matrimony until she got it right. And so, the "Prologue" commences: "Experience, though noon auctoritee/Were in this world, is right ynough for me/To speke of wo that is in marriage:/For lordinges, sith I twelf yeer was of age--/Thanked be God that is eterne on live--/Housbondes at chirche dore I have had five/(If I so ofte mighte han wedded ... "
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A Comparison of a Buddhist Tale and a British Tale, 2001.
This paper compares a western tale, Oscar Wilde's "The Happy Prince" and a very ancient non-western tale, "The Biography of the Buddha".
2,865 words (approx. 11.5 pages), 5 sources, MLA, $ 85.95
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Abstract
This is an in-depth juxtaposition and analysis of Oscar Wilde's "The Happy Prince" and a Buddhist tale "The Biography of the Buddha". It details the plots and main characters of both tales and tries to compare them, and find similarities between them. The comparison is done by examining the narrative construction of both stories. It compares both main characters: the prince and Buddha and manages to find many similarities between their characters and behaviorisms. It details Buddhism outlook on life as well as the happy Princes' outlook, both optimistic.
From the Paper
""The Happy Prince? tells the story of a prince, whom, while he was alive, was always happy and lived in a great, walled palace. When he died he was fashioned into a statue of gold and placed where all could see him in the middle of the town square. The story of the Buddha, or Naropa, or Siddartha Gautama, as he is sometimes known, tells the tale of young Brahmin (one step down from the priests in the Indian caste system) who was highly sheltered from the world. One day, he was taken out of the walled confines of his home. There, he witnessed three sights: old age, sickness, and death. Then he sees a holy man and is struck by the obvious ?sincerity? of the man?s bearing. These sights spurred him to renounce the world and enter into a life of contemplation. The results of these years of contemplation was Buddhism, an epiphany he struck upon when a young girl presented him with a bowl of rice after many years of fasting. (Saunders 23; Mitchell 39-40)"
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"Canterbury Tales: The Miller's Tale", 2003.
Looks at the portrayal of gender in the "Canterbury Tales General Prologue", Miller's Portrait, and the "Miller's Tale" by Chaucer.
1,750 words (approx. 7.0 pages), 2 sources, MLA, $ 56.95
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Abstract
This paper discusses how the Miller's lack of virtue, as seen in his portrait and unsavory scatological tale, forms an aggregate text that works to disgust the reader.
From the Paper
Michael Pertschuk states on the topic of gender roles and beauty that, ?the stereotypical male has been depicted as fixated on female bodies while being largely oblivious of his own" (54). This is true of the Miller?s character portrait in the Canterbury Tales. The Miller is described to be a despicable, burly man, who is involved in activities deeply rooted in masculinity. In his tale, the characters that emerge unscathed or victor of the mating competition fit what we could assume to be within his gender role paradigm.
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?The Miller?s Tale? and ?The Wife of Bath?s Tale?, 2003.
A look at two views on the fallibility of the standard of medieval prudence in Chaucer?s "Canterbury Tales".
957 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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This essay compares and contrasts the nonconformity of both the Wife of Bath and the Miller in Chaucer's "Canterbury Tales".
From the Paper
"Chaucer?s Canterbury Tales is, at its very core, a work of social commentary on fourteenth century English society. Every walk of life is represented here, from the inherited nobility of the knight, to the intellectual achievements of the clerk, and the monetarily gained social status of the Merchant. Each of these classes had to answer, however, to the same oppressive governing body: The Church."
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Geoffrey Chaucer's "Canterbury Tales", 2005.
This paper compares "The Pardoner's Tale" and "The Parson's Tale" from Geoffrey Chaucer's "Canterbury Tales".
2,600 words (approx. 10.4 pages), 5 sources, MLA, $ 78.95
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Abstract
This paper explains that "The Pardoner's Tale" and "The Parson's Tale", from Geoffrey Chaucer's "Canterbury Tales", both make sin the focus of their tales but in vastly different ways. The author points out that the Pardoner appears to revel in the baser qualities of both himself and others, enjoying the discomfort he causes his audience, in no small measure due to the qualities of sterility and death without the hope of life that he represents. The paper relates that "The Parson", which contrasts with "The Pardoner" in the personality of the character, the story content and the structure, is a much simpler a man than the Pardoner, in that there are no contradictions in his personality; furthermore there are no contradictions between the Parson's actions and his words because he believes in the Christian principles in his sermon to the point of Puritanism.
Table of Contents
The Pardoner: Decadence
The Pardoner's Tale
The Parson
The Parson's Sermon
Conclusion
From the Paper
"The Parson thus abandons all attempts at narrative, and puritanically focuses only on purely Christian principles. His is then the only tale that lacks any narrative element. The Parson thus expects his morality to be sufficient food for thought offered to his audience. Of course, the contrasts of this tale with that of the Pardoner are more than the points of comparison. The length and content are the most obvious differences. The Parson tells a lengthy moral tale in the form of a sermon, while the Pardoner brings across his moral by means of an entertaining story. The Parson's moral is concretely told by means of his sermon. In comparison, the Parson, like the Pardoner, offers forgiveness of sins. The Parson's forgiveness however is driven by the penitent him- or herself, and not by the clergyman."
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