| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "OTHELLO CHARACTERS": |
|
|
"Othello's" And Iago's Character, 2002.
A look at the character of Othello as revealed in Act 3 Scene 3 of the play.
650 words (approx. 2.6 pages), 1 source, $ 26.95
»
Click here to show/hide summary
Abstract
This three-page undergraduate paper examines the character of Othello as revealed in Act 3 Scene 3 of this famous tragedy by William Shakespeare. The hero of the play is driven by jealously and in a fit of rage orders murder of his best friend Cassio and kills his wife Desdemona whom he suspects of infidelity.
| |
|
Othello Character Analysis, 1998.
This paper is an in- depth character analysis of all the characters in William Shakespeare's "Othello."
1,185 words (approx. 4.7 pages), 0 sources, MLA, $ 40.95
»
Click here to show/hide summary
Abstract
This paper examines the characters in the play "Othello," and discusses many of the reasons for betrayal and deceit between the characters. Through the unraveling of the plot, issues such as infidelity, jealously, and loyalty are detailed by the author.
From the Paper
"In Act IV-scene 3, Emilia and Desdemona are alone in Desdemona?s room engulfed in an intimate talk on infidelity. Desdemona tells Emilia that she doesn?t believe there is such a woman who would betray her husband. Emilia responds, ?Yes, a dozen; and as many to th? vantage as would store the world they played for. But I do think it is their husbands? faults if wives do fall.? This is no doubt the opinion of a woman who has been married to a man such as Iago. To Iago, love is only lust. Even hiswife sees this in his character. He treats her no better than any character in the play. She admits to Desdemona that she would betray her husband, undoubtedly due to her husband?s lack of loyalty. The true nature of their relationship can be seen in Act V-scene 2, here Emilia finally betrays her husband and tells Othello and the others of Iago?s scheme."
| |
|
Othello?s Characters, 2002.
A study of the characters in William Shakespeare's "Othello".
1,160 words (approx. 4.6 pages), 1 source, MLA, $ 39.95
»
Click here to show/hide summary
Abstract
This paper discusses how the characters in William Shakespeare?s ?Othello? are what really make the play come to life. It provides a brief summary of each of the main characters with a character analysis and a description of their contribution to the plot of the play. It shows how Othello is bold warrior and a good person, how Iago brings all of the evil and fallacy into the play, how Desdemona is young and innocent and how Cassio?s character is vulnerable and easily manipulated.
From the Paper
"The character of Desdemona is young and innocent. When she is wrongly accused of infidelity, her innocent response to his rage is "I never gave him cause!" (III.iv.155). Desdemona?s innocent nature is highlighted in the play, through the contrast with the two other female characters, the cynical Emilia and Cassio's mistress, Bianca. These women are harsh and ugly, and make Desdemona seem all the more pure. Her love for Othello is a major part of her character. She permits his abuse of her, although it shakes her self-confidence. She is an obedient and devoted wife. She carries her love for Othello with her even as he strangles her to death."
| |
|
Iago's Character in "Othello", 2004.
Examines the speech delivered to Rodrigo by Iago in "Othello".
1,024 words (approx. 4.1 pages), 1 source, MLA, $ 36.95
»
Click here to show/hide summary
Abstract
This paper introduces, discusses, and analyzes Iago's speech to Roderigo in "Othello" by William Shakespeare. Specifically, it discusses what the speech reveals about Iago's character.
From the Paper
"Iago could be one of Shakespeare's most evil and frightening villains. He has no remorse, and is totally consumed with his own hatred of Othello. It colors everything he does in the play, and has clearly turned him into a bitter and spiteful man. In his speech to Roderigo in the First Act, Third Scene of the play, he reveals quite a bit about his own personality and psychology. It is clear he is not a kindly, romantic, or loving man. (A man that kills his own wife is none of these things). He says, "our bodies are gardens," (Shakespeare 1:3:315) which at first seems a bit romantic and earthy, but then compares the garden's fruitfulness with our own wills. This makes sense, because we are responsible for our own wills, and our own bodies, and so, we are responsible for what "grows" there, but he is really showing his cynicism and negative outlook. He is clearly a pessimist when he says, "the blood and baseness of our natures would conduct us to most preposterous conclusions:" (Shakespeare 1:3:322). He feels we are nothing more than base humans, who are led by our emotions and our sexuality."
| |
|
The Characters of "Othello" and "Jane Eyre" as 'Other', 2002.
Shows how William Shakespeare in "Othello" and Bronte in "Jane Eyre" reflect certain characters as disadvantaged others in their works.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
»
Click here to show/hide summary
Abstract
Both Shakespeare's "Othello" and Bronte's "Jane Eyre" feature the theme of the treatment of the 'other - ' a theme that situates the protagonist, in both of these texts, in a disadvantaged position vis-a-vis the dominant culture. In varying ways, the characters of Othello and Jane Eyre both experience the difficulties of being different, or apart from the status quo. Othello's color sets him notably apart from those around him. For Jane Eyre, it is her low social status, at least at the novel's beginning, although Jane is doubly disadvantaged being both impoverished and female. In both cases, the protagonists are treated with contempt, as if their status of 'other' renders such behavior on part of the dominant culture acceptable. But beneath this theme of marginalization and otherness that manifests itself in both of these texts is a journey into the self: a journey that ends in tragedy for Othello, as his is a path to self-deception, but one of self-discovery and maturation for Jane Eyre.
| |
|
Othello, 2006.
An analysis of the character of "Othello" as reflected in the character's first and last speeches of the play "Othello" by Shakespeare.
1,235 words (approx. 4.9 pages), 1 source, MLA, $ 42.95
»
Click here to show/hide summary
Abstract
This paper reviews the role of the character "Othello" in William Shakespeare's play of the same name. According to the paper, the character of Othello begins as a marginalized figure, both in the eyes of the other men of Venice and in the eyes of the audience. It concludes with the idea that Othello is a man of principle, and except for one tragic mistake, the rest of the actions of Othello's life, including his death, uphold his principles.
From the Paper
"Desdemona does not simply pity Othello; she is inspired by his stories, and wishes that heaven had made her a man, a striking statement of the power Othello wields over his audiences, even though Othello is no longer young. "Desdemona, although still the house-affairs would draw her thence:/Which ever as she could with haste dispatch, /She'ld come again, and with a greedy ear/Devour up my discourse." In other words, more than housekeeping, Desdemona loved to hear Othello's inspiring stories of valor, and he approved of her interest in his manly escapades, rather than thinking a woman should only be concerned about her womanly duties. Although the later events of the play will seem to indicate that Othello has a very narrow or immature view of female fidelity, before becoming poisoned by Iago's misogynistic ideas, here Othello seems to approve of Desdemona's boldness, as it is she who almost proposes to him: "she thank'd me, / And bade me, if I had a friend that loved her, /I should but teach him how to tell my story. /And that would woo her. Upon this hint I spake."
| |
|
Shakespeare's "Othello", 2006.
An analysis of Act II, Scene 1 of William Shakespeare's play, "Othello" and the character of Desdemona.
1,095 words (approx. 4.4 pages), 1 source, MLA, $ 38.95
»
Click here to show/hide summary
Abstract
This paper examines Act II, Scene 1 of "Othello" in an attempt to shed some light on the character of Desdemona. The paper analyzes her character and discusses her motives for marrying Othello as well as whether she is really the weak, clinging vine sort of woman of her time that most people assume. The paper also questions whether she is as naive as is assumed and what is the true nature of her marriage to Othello.
From the Paper
"If Desdemona is truly color-blind, having married the moor, Othello, then Iago, with his allusions to "white" and "black" subtly reminds her of the difference. From the very beginning of the scene, when Cassio, as a gesture of courtesy and respect, kisses Desdemona, and she does not resist (even though it is obviously a chaste kiss), Iago has his flashpoint for his cunning ploy to unsettle his commander, and to break that marriage apart."
| |
|
Racism in "Othello", 2002.
Examining the issue of racism in William Shakespeare's "Othello" and how this relates to the character Othello.
2,041 words (approx. 8.2 pages), 3 sources, MLA, $ 64.95
»
Click here to show/hide summary
Abstract
This paper analyzes Shakespeare's "Othello" for possible racist connotations towards its main character. It explains how Othello possesses "Negroid" features and the manner in which he is first described. It proceeds to analyze whether these external features cause other characters in the play to act differently towards him. The writer selects many lines from the play as proof of racist attitudes toward Othello.
From the Paper
"The play Othello by William Shakespeare is the tragic story of a man who has moved from one culture to another. He looks differently than others because of Negroid features, which are mentioned in the play (thick lips compared to Europeans, and dark skin). Possibly because he isnot completely familiar with the culture within which he lives, he trusts the wrong people, with tragic results."
| |
|
The Character of Iago in Two Plays, 2002.
A comparison of the similarities and differences of the character of Iago in Shakespeare's great tragedy "Othello" and in Ann-Marie McDonald's 1988 minor comedy "Goodnight Desdemona (Good Morning Juliet)".
1,125 words (approx. 4.5 pages), 2 sources, $ 39.95
»
Click here to show/hide summary
Abstract
Compares similarities & differences of the character of Iago in Shakespeare's great tragedy OTHELLO & in Ann-Marie McDonald's 1988 minor comedy GOODNIGHT DESDEMONA (GOOD MORNING JULIET). Common themes of intrigue & love. Brief description of each play. Symbols & style of each. Iago's motivations; his villainy.
From the Paper
"This research paper compares the character of Iago in William Shakespeare's tragedy "Othello" and in Ann-Marie MacDonald's 1988 comedy "Goodnight Desdemona (Good Morning Juliet)." To better understand the similarities and differences in both plays, a brief description of each needs to be given. There is no doubt that "Othello" is a tragedy of intrigue in spite of the fact that it contains many of the elements of Shakespearean comedies -- the central theme of love, the conflicts between men and women, and the handkerchief, of course, may be seen as a comedic prop.
During the course of Shakespeare's play, Iago commits a series of wicked and deceitful acts that culminate in violence. Iago is an ensign to the general Othello, a black Moor who is serving under the Venetian Senate. He becomes jealous when///"
| |
|
Othello, a Jealous Fool, 2007.
An analysis of William Shakespeare's character development of Othello and his tragic flaw of jealousy.
1,300 words (approx. 5.2 pages), 3 sources, MLA, $ 43.95
»
Click here to show/hide summary
Abstract
Comparable to many of Shakespeare's works, "Othello" tells the story of a villain, a love, and a tragically flawed main character. This paper follows the development of Othello, from a revered hero to a tragically flawed human being. It explores his character throughout the progression of the scenes and looks at how through direct quotations and interaction with other characters, Othello is portrayed and understood as the tragic hero. It focuses on his major flaw - jealousy as well as his vulnerability, gullibility and trusting nature.
From the Paper
"Shakespeare does a fabulous job of building Othello's character into the typical tragic hero. The reason that Othello's tragic flaw is so easy to spot is that, throughout the story, he is built up as the typical good guy. We see him as a man who is well liked, respected, revered and honored by others. As a governor-general, he is presented as a character of strength, confidence and high regard. In act one, scene two (1.2), several characters speak to Othello and refer to him with reverence. Even Iago, the villain who despises Othello, refers to him as "your honour" in the presence of others. Cassio calls Othello "General," and "Captain." We also know that Othello's lover, Desdemona, loves and respects him as well. "
| |
|
"Othello", 2002.
A study of the main characters in Shakespeare's "Othello".
1,600 words (approx. 6.4 pages), 8 sources, MLA, $ 52.95
»
Click here to show/hide summary
Abstract
The paper examines the claim that Othello's own weakness of character is responsible for his downfall. It uses Othello's feelings of jealousy and his low self-image as examples of this claim. It traces the way Othello's personality changes through the play in response to Iago's plot. The paper also looks at the animal imagery used in the play to describe the characters.
From the Paper
"Othello is an accomplished military leader who has the trust and admiration of the duke and the senate, as well as that of Desdemona and her father, Brabantio. But his greatest battle and tragic failure takes place within him, his weakness of character, especially his response to the temptations of jealousy by the vile promptings of Iago, his ensign. Othello is prepared for the most difficult fights with strong opponents, but not when his opponent is his own reaction.
Despite his high rank in the military and the Venetian society, Othello remains insecure within himself and suddenly realizes his small self-regard when Iago dubiously suggests that fresh, young and beautiful Desdemona and his newly-stalled lieutenant Cassio are having a secret love affair. Othello becomes conscious of his perceived liabilities, namely his being a black man with ?thick lips? and his being older than Desdemona, which perhaps make him not that attractive to her:"
| |
|
The Portrayal of Othello, 2001.
Examines how the character of Othello in William Shakespeare's play has been portrayed through the centuries.
2,274 words (approx. 9.1 pages), 7 sources, MLA, $ 70.95
»
Click here to show/hide summary
Abstract
This paper discusses the various depictions of Othello (from "Othello" by William Shakespeare") on the stage. It refers to the character?s depiction in the opera with a view to illustrating the dramatic, artistic and social climate that influenced the character?s rendition through the centuries. The paper also looks at how Othello is portrayed in contemporary times.
From the Paper
"During the nineteenth century the play underwent extensive bowdlerisation which led to two main types of interpretation of the main character: the dignified, deeply troubled portrait of Othello and the extremely wild, sexually passionate and madly jealous interpretation of the hero. Macready, Fletcher and Irving tended to act in a quieter style adopting the new naturalistic mode of acting. However, the best of the ?quite?, naturalistic Othellos was probably that of Edwin Booth because he combined violent outbursts of jealousy with the right amount of humaneness and tormenting remorse."
| |
|
"Othello", 2005.
This paper discusses the character of Othello in Shakespeare's "Othello".
1,790 words (approx. 7.2 pages), 0 sources, $ 57.95
»
Click here to show/hide summary
Abstract
This paper explains that Othello, like most of Shakespeare's tragic heroes, is a man notable for the contradictions in his character. The author points out that the combination of vanity, naivete and an inability to perceive correctly the world around him are the three characteristics that allow Iago to transform Othello from a conquering and triumphant war-hero into a cold-blooded murderer. The paper stresses that the most dramatic way in which Othello is imperceptive is that he fails to recognize Iago's lies before killing Desdemona; and, even after learning that she did not have an affair with Cassio, Othello still failed to realize that he has been manipulated by Iago. Many quotes as illustrations.
From the Paper
"One of the most striking things about Othello is his naivete. Although Othello is a renowned war hero who has seen and experienced horrors throughout his lifetime, he retains a basic naivete about life, especially life in society. Initially, Othello, though able to confront and kill the enemy, is unable to conceive of the idea that one who calls himself friend could be a threat. Othello's naivete is first demonstrated by his lack of knowledge regarding Desdemona's character. Othello idealizes Desdemona, and has characterized her deception of her father as something necessary in order to further their love, instead of considering that they could have admitted their romance to Brabantio rather than eloping. It is Brabantio, not Iago or Othello, that first brings up the concept that Desdemona might deceive Othello."
| |
|
The People in "Othello", 2005.
This paper analyzes the characters in Shakespeare's "Othello" and in two stories by James Joyce.
1,350 words (approx. 5.4 pages), 1 source, $ 53.95
»
Click here to show/hide summary
Abstract
The paper is really two papers conflated into one. The first paper discusses Shakespeare's "Othello" and the characters involved in the story, with an eye towards revealing those most responsible for the tragedies that befall so many in the tale. The second paper examines the characters depicted in two of James Joyce's short stories to reveal what these characters underscore about human nature and human shortcomings.
From the Paper
"Most of the characters in Shakespeare's "Othello" are silly dupes of Iago's contrivances and subterfuge. Iago and the recklessly prideful Othello, however, deserve to take moral responsibility for the tragedy of the drama. Iago is motivated by greed, envy and pathological self-absorption and the result is tragedy on a grand scale. Of all the characters in "Othello," Iago is the one most deserving of scorn and the one most responsible for the tragedy that befalls the noble but short-sighted Moorish king. Othello too must be criticized, insofar as he seems all too eager to impute all manner of frivolous, flirtatious conduct to his lady - beginning first with his acceptance of Iago's intimation that she and Cassio are much more than merely friends (Othello III.III.242-243)."
| |
|
Oedipus and Othello, 2006.
An analysis of the character flaws that lead to calamitous falls of Othello and Oedipus in Sophocles' "Oedipus the King" and William Shakespeare's"Othello".
1,125 words (approx. 4.5 pages), 2 sources, $ 44.95
»
Click here to show/hide summary
Abstract
This paper discusses Oedipus's and Othello's character flaws or weakness in the two plays, Sophocles' "Oedipus the King" and William Shakespeare's"Othello". The paper describes the two plays as classic dramatic tragedies, in the sense that the audience experiences fear and pity as they witness the hero undergo a huge and disastrous change. It then suggests that in both plays one crucial reason for this calamitous fall is character flaws or weaknesses in the protagonists, Oedipus and Othello.
From the Paper
"Discuss Oedipus's and Othello's character flaws or weaknesses Sophocles' Oedipus the King and Shakespeare's Othello are two plays with much in common. Both are classic dramatic tragedies, in the sense that the audience experiences fear and pity as they witness the hero undergo a huge and disastrous change. Moreover, in both plays one crucial reason for this calamitous fall is character flaws or weaknesses in the protagonists, Oedipus and Othello. This paper will examine and compare the character flaws and weaknesses of these two protagonists. Both plays begin with their protagonist in a very good position."
|
|
|
