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Night Terrors, 2008.
This paper explores the symptoms and treatments of night terrors as well as research on this disorder.
1,292 words (approx. 5.2 pages), 4 sources, MLA, $ 43.95
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Abstract
The paper describes night terrors as panicked awakenings that could turn very violent. The paper looks at how to handle a situation when someone is experiencing night terrors, the symptoms of someone experiencing night terrors, the cause of these night terrors and how to prevent them from happening again. The paper then examines an experiment on night terrors and its interesting results.
From the Paper
"A night terror, also known as sleep terror or pavor nocturnus, is a parasomnia sleep disorder. A night terror occurs in stage 3 or 4 sleep. A stage four night terror causes the "greatest heart rate acceleration possible in man" (Kahn, 533). Episodes are most common in the first third of the night and may last 10 to 20 minutes, and then normal sleep returns. Contrary to what most believe, a terror it is not a dream or night mare. Dreams occur during R.E.M, rapid eye movement sleep, while night terrors occur in N.R.E.M. sleep, non-rapid eye movement."
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Night Vision Goggles, 2005.
An analysis of the operational effectiveness of night vision goggles (NVGs) training during initial aircrew qualification.
5,378 words (approx. 21.5 pages), 13 sources, APA, $ 132.95
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Abstract
This paper proposes a research to determine what role night flight, night vision goggles (NVGs), and aircrew inexperience play in spatial disorientation during initial aircrew qualification training in the F-15E. Recent research showed a causal link in each area. It looks at how a survey was conducted among F-15E aircrew to determine their opinions on how each area related to spatial disorientation and how survey responses revealed an agreement that night flight, NVGs, and inexperience play a key role in spatial disorientation. Several tables and graphs are included with the paper.
Outline:
Abstract
List of Tables
List of Figures
Chapter 1
Introduction
Background
Researcher's Work Setting and Role
Statement of the Problem
Definition of Terms
Limitations and Assumptions
II Review of Relevant Literature and Research
Understanding Spatial Disorientation
Spatial Disorientation and Night Flying
Spatial Disorientation and NAGs
Spatial Disorientation and Inexperience
Statement of the Hypothesis
III Research Methodology
Research Design
Survey Population
The Data Gathering Device
Distribution Methods
Instrument Reliability
Instrument Validity
Treatment of Data And Procedures
Results
Discussion
Conclusions
Recommendations
References
From the Paper
"Ever since Orville and Wilber Wright's first flight in December of 1903, the human body has been thrust into an environment for which it is not biologically prepared. The complex interactions of human physiology and the flight environment can cause a deadly phenomenon known as spatial disorientation. Spatial disorientation can occur in almost any flight condition but is most deadly when encountered during instrument meteorological conditions (IMC) or at night. Many factors such as diet, rest, training, and experience play a role in increasing or decreasing the likelihood of spatial disorientation. Additional stressors such as initial qualification training or night vision goggles (NVGs) only exacerbate the situation aircrew experience in flight."
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Night Shift and Cancer, 2004.
This paper discusses the causes and effects of working night shifts as related to breast cancer.
2,555 words (approx. 10.2 pages), 11 sources, APA, $ 77.95
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Abstract
This paper explains that only a few studies examine the direct relationship of working night shifts and breast cancer; but, based on the several studies that used different methods, medical researches have hypothesized that working night shifts puts women at greater risk of breast cancer. The author points out that the most common cause cited is the decrease in the level of melatonin and the exposure to bright artificial lights at night. The paper relates that the lack of melatonin as a risk factor to breast cancer is linked to the
overproduction of estrogen, another breast cancer-causing hormone. According to studies, melatonin regulates a hormone system?s production of estrogen; therefore, a decrease in melatonin can cause a reproductive system to produce more estrogen, thus allowing a higher risk of breast cancer.
Table of Contents
Introduction
Epidemiological Studies on Working Night Shift and Cancer
Links to Working Night Shift and Breast Cancer
Other Links to Working Night Shift and Breast Cancer
Conclusion
Policies to Address the Issue
From the Paper
"Melatonin is a hormone that is essential for the body. It acts as a protection against the growth and development of tumors. According to studies, during sleep at night is the peak time when melatonin is produced, specifically between 1 am to 2 am. Because working night shift deprives an individual from a night sleep, production of the right amount of melatonin is also being deprived. Thus, allowing a higher risk of developing cancer tissues. Daniel DeNoon, in his Hormone Melatonin Slows Breast Cancer, indicates the following report of David E. Blask of Bassett Research Institute in Cooperstown, N.Y. about the relationship of melatonin to growth of breast cancer."
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"A Night to Remember": Book Review, 2008.
A review of "A Night to Remember", Walter Lord's 1955 work about what happened the night the RMS Titanic sunk.
756 words (approx. 3.0 pages), 1 source, MLA, $ 26.95
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Abstract
This paper favorably reviews Walter Lord's 1955 non-fiction work, "A Night to Remember", explaining that it is a heart-rendering account of the Titanic's deadly collision with an iceberg. The paper further relates that the book is a compilation of survivors' recollections of the disaster and that the major theme of the book is the good and evil of human nature that is revealed in life threatening situations. The paper concludes that Lord's book is a critical expose of one of the most tragic events in the history of travel on the seas.
From the Paper
"Walter Lord gives his reader an authentic sense of what it was like to be a passenger onboard the boat that dreadful night. He describes the night of the crash as being calm, clear, and bitterly cold. He details the passengers' formal attire to help demonstrate just how shocking and unexpected the sinking was. He depicts their dress as an odd mixture of bathrobes, fur coats, turtleneck sweaters, and tuxedos to emphasize the bitter irony of the sinking."
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Elie Wiesel's "Night", 2007.
A look at the deconstruction of Elie Wiesel in his autobiographical book "Night".
1,383 words (approx. 5.5 pages), 0 sources, $ 46.95
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Abstract
"Night", by Elie Wiesel, is an autobiographical book about the survival of a young Jew, Wiesel himself, in the utmost degradation of the human soul. This paper dicusses how, in Weisel's book, "Night", the images of night and fire, the themes of brutality against children, the loss of spiritual faith, the idea of death, the inversion of the father-son relationship between the protagonist and his father, Shlomo Wiesel, all substantiate the degradation of the human soul from civilization and faith to savagery and loss in faith.
From the Paper
"The recurring image of night itself and fire are significant. Night falls at the most crucial parts of the book: when Shlomo Wiesel, Elie Wiesel's father first announces the news of the "transports" (13), when Eliezer first observes the shocking vision of death by burning in the crematorium, and when the march from Buna commences. There is a gradual increase in the darkness especially before, during, and after the march: "an even darker night was waiting for us on the other side." (84) Eliezer's pain increases with the darkness and is finally numbed when the night becomes pitch-black. Once the procession reaches the barracks in Gleiwitz, the prevalence of death increases as the night grows longer to the point where "the days resembled the nights and the nights left in [our] souls the dregs of their darkness." (100) "
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"Karaoke Nights", 2006.
A book review of the popular book " Karaoke Nights" by Rob Drew.
966 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
In this book review the author starts with a look at the background behind the writing of the book "Karaoke Nights" by Rob Drew. He highlights how Drew was originally drawn to the topic of his book as a research subject only but as he learned more, he elaborated on the karaoke phenomenon. The paper looks at how "Karaoke Nights" is an observation on the external behavior of deejays, performers, and audiences and an intimate portrait of the emotional roller coaster that is the internal life of a karaoke singer. The author also examines how Drew provides an analysis of the varied roles karaoke plays in popular culture and how karaoke can guide to an understanding of local music and culture. The book review concludes with a summary of how karaoke has had a great impact on the American culture at weekends giving people a motive to act out a part and have fun at the same time, as described in "Karaoke Nights".
Table of Contents
Introduction
History of Karaoke
Karaoke Nights
Conclusion
From the Paper
"Another point that Drew make in his book that American culture relies on a good time Saturday nights so that they relax after a hard week's work. And, ten years ago, karaoke caught on in America after being in Japan for many years before. Drew describes this craze from Japan a great way for people get together and live out some of their fears by singing songs in a public place where others could easily make fun of them. However, everyone in that local karaoke bar is feeling the same fears so they respect the person's feelings and not torment them while they are on stage singing out of tune. Most people do sing out of tune as Drew points out but karaoke is all about having fun and doing something some people would not normally do in front of others."
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Transformations in "A Midsummer Night's Dream", 2002.
This paper examines the recurring changes of the moon and the transformation of the characters in "A Midsummer Night's Dream".
1,465 words (approx. 5.9 pages), 4 sources, $ 48.95
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Abstract
This paper analyzes one of William Shakespeare?s most celebrated comedic plays, "A Midsummer Night?s Dream". The author examines how the throughout the play the characters attempt to find a way to understand the mechanism of love in a rational way and experience self-alterations that they believe to be a dream in the end. The paper also looks at how the recurring reference to the ever-changing moon parallels the transformation of the characters in "A Midsummer Night?s Dream".
From the Paper:
"A Midsummer Night?s Dream" brilliantly expresses the profound human uncertainty about love. Dream world and reality merge undetectably so that the characters are not sure themselves in which sphere they move, nor whether what they have experienced has been imagination or truth. What seems to be a fantasy or a dream for the characters in "A Midsummer Night?s Dream" is actually reality. However, the dreamlike atmosphere of the play accentuates the fact that the lovers appear to be quite removed from any criteria applicable to reality."
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Madness in "King Lear" and "Twelfth Night", 2002.
Examines the multiple levels of the theme of madness in two plays by William Shakespeare, "King Lear" and "Twelfth Night".
2,150 words (approx. 8.6 pages), 6 sources, $ 80.95
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Abstract
Madness in Shakespearean plays has distinct and multiple meanings and purposes. On one level, the madness of insanity is clearly felt in the tragedies like "Lear". On another, madness is also felt in the frenetic pace of impossible situations and comedic errors in judgment as is found in "Twelfth Night". Madness is, then, both tragic and comedic. But, it is much more than that. Madness represents a loss of control, of being borne by unnatural impulses, drivesa nd, perhaps, voices. Being mad is to not be yourself, it is to have lost touch with humanity, with life and with reality. The mad are excused from the rules of man and at the same time, tragically bound by them. For some, in madness is found freedom. Lear is wrapped, tightly, within a horrible prison created by his inability to see through the duplicitous daughters and embrace the one person in his life that loves him enough to refuse him. His madness, in the end, is what sets him free of the binds that his daughters and his pride had him in. The madness, however, is like the release from an intense and long-term drug addiction, it is horrible to watch, but leaves Lear in a better state afterward, free of poisons. Madness also allows otherwise straight-laced, bound by social rules (which were oppressive in Elizabethan England), to freely express inner passions, make mistakes and be fools in the eyes of others without fear of recourse, as is the case with nearly every character in "Twelfth Night". It is the purpose of this paper to examine the nature of madness in the Shakespearean context, how it plays out in both King Lear and Twelfth Night, and the meaning behind the madness in both works.
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Emotion and "Twelfth Night", 2008.
This paper looks at the overabundance of emotion in Shakespeare's work 'Twelfth Night'.
1,274 words (approx. 5.1 pages), 1 source, MLA, $ 43.95
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Abstract
In this article, the writer points out that many scholarly articles and studies of 'Twelfth Night' tend to downplay the literary importance of the play by categorizing it as a genial and charming play. The writer maintains that there is not anything inherently abominable about being either genial or charming, but these two words do not do justice to Shakespeare's deceptively "light" play. 'Twelfth Night' is not a tragedy, but this does not prevent Shakespeare from exploring, through comedy, several fundamental themes of human existence: love, grief, and desire. This paper analyzes Shakespeare's exploration of these existential themes as they appear in 'Twelfth Night' and argues that the playwright, through comedy, unveils the ludicrousness and inappropriateness of extravagant and sentimental emotion.
From the Paper
"The question and the man who asks it barely register in Orsino's mind, but he is quick to pull out his readily available stock of conventional wisdom as soon as he breaks his reverie, and responds to Curio's question with a trite metaphor on love and hunting. No wonder, then, that the servants show signs of impatience and restlessness: their master is luxuriating in a state of complete self-absorption, and the outside world (or the beings that inhabit it) have ceased to exist. Of course, this matters not at all to the extravagant Orsino, as he is completely clueless as to what transpires around him and simply lacks the energy (in the manner of all love-sick gentleman) to engage in hunting or other depleting physical activities.
"Olivia, too, embodies these same characteristics, and it is perhaps unfortunate that the two do not make their own happy ending. Similarly to her determined pursuer, Olivia's emotional "disorder" reveals itself through her conversations with Cesario. The reader knows, before even encountering Olivia, that she is in mourning for a beloved brother. "
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A View of Feminism in "Arabian Nights", 2003.
Analyzes the role of women in Arabian culture as depicted in literature, especially "Arabian Nights".
716 words (approx. 2.9 pages), 1 source, MLA, $ 25.95
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Abstract
Historians have always looked to literature for insight into how a culture functioned, what it valued, and how its people lived. Today, when studying the Middle East, many would not only read the Qu?ran, but also "The Arabian Nights", the folklore. The paper shows that when we read "Arabian Nights" we understand a great deal more of how the Arabic people actually lived. Perhaps the most evident discrepancy between the teachings of the Qu?ran and the "Arabian Nights" tales pertains to the view and treatment of Middle Eastern women.
From the Paper
"This method of seclusion is dramatically illustrated in The Arabian Nights where we hear the story of the demon that locked his wife in a chest and carried her about as if she were his private property. Yet ironically the authors of the Arabian Nights convey in this same story that not even this extreme could prevent a willful woman from knowing other men."
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Disguises in "Twelfth Night" and "King Lear", 2005.
An analysis of the use of disguises in Shakespeare's "Twelfth Night" and "King Lear".
1,350 words (approx. 5.4 pages), 2 sources, $ 53.95
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Abstract
In this paper, the use of disguise in Twelfth Night and King Lear are similar in their usage of various behaviors, costumes, and gender roles that are exchanged to discover the real truth through hidden identity. The paper discusses The Earl of Kent's use of disguise of Caius; contrasting with elements of disguise in Twelfth Night that offer a comedic gender role reversal for the men and women involved in love intrigue.
From the Paper
"In this drama study one can compare and contrast the various uses of disguise that arise within Shakespeare's Twelfth Night and King Lear. By realizing the depth and scope of romantic love within the comedic Twelfth Night, Shakespeare intertwines various aspects of relationships that are disguised through gender roles. In contrast to Shakespeare's comedies, King Lear offers a tragic point of view through disguise, which involves the role of power and leadership, which drives King Lear to madness. In essence, by comparing and contrasting the theme of disguise in both tragedy and comedy, one can evaluate how Shakespeare enacts these crucial factors within a textual analysis."
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The Structural Organization of "The Arabian Nights", 2002.
A discussion on the fundemental structure of Sir Richard Francis Burton's "The Arabian Nights".
1,804 words (approx. 7.2 pages), 1 source, MLA, $ 58.95
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Abstract
The paper shows how the fundamental structure of "The Arabian Nights" by Sir Richard Francis Burton, consists of frame texts, or stories within stories, with "The Story of King Shahrayar and Shahrazad" as the outermost tale. The stories possess common didactic lessons, or morals, that connect them to one another. The paper examines how the morals are not often initially stated but rather revealed or re-emphasized from one tale to another, and they all possess a common feature that relate them back to the outermost tale?"The Story of King Shahrayar and Shahrazad". The paper shows that the organizing guidelines of the fables in The Arabian Nights are the particular moral, or lesson, they each portray.
From the Paper
"The Tale of the Fisherman and the Demon divulges into The Tale of the Enchanted King. This tale, like The Tale of the King?s Son and the She-Ghoul, displays the consequences of returning good with good. The king saves the enchanted king from spending his life as half man, half stone and gains his companionship as a result. Even more importantly, the tale connect back to the The Story of the Fisherman and the Demon because the fisherman ?was the cause of saving the young man and the city? (66). The moral, therefore, is not only re-emphasized but connected with the previous tales."
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"Ramayana" and "1001 Arabian Nights", 2008.
A comparison of the lessons that we learn from the characters in the ancient classical works, "Ramayana" and "1001 Arabian Nights."
1,053 words (approx. 4.2 pages), 0 sources, $ 36.95
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Abstract
This paper compares and contrasts the two ancient and classical stories of "Ramayana," attributed to the Hindu sage Valmiki and "1001 Arabian Nights," which is a collection of stories collected over many centuries by various authors, translators and scholars in various countries. The paper specifically compares the characters within the stories and the lessons of morality that they teach.
Table of Contents:
Purity and Deceit in Ramayana
Purity and Deceit in 1001 Arabian Nights
From the Paper
"Eventually there are no more virgins and Scheherazade offers herself as the next bride. In order to keep his daughter alive, Scheherazade's father tells Shahryar a story without telling him the conclusion. In order to hear the end, Shahryar must keep Scheherazade alive. The next, Scheherazade finishes the last tale and begins another, only again to stop short of revealing its conclusion. Thus, the 1001 stories of the book are told. Although each of these stories involve their own tales of morals, purity and deceit, in an effort to teach Scheherazade a lesson, this act of telling stories itself is deceitful in that it is done as a method of tricking Scheherazade. However, this act of deceit, like the act of deceit done by Brahman in creating Rama to defeat evil, this act of deceit is also done for the greater good."
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?The Night of the Iguana?, 2002.
A review of ?The Night of the Iguana? by Tennessee Williams.
1,447 words (approx. 5.8 pages), 4 sources, APA, $ 48.95
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Abstract
This paper examines how "Night of the Iguana" is a tale about real characters with quirks and mental problems, such as Maxine, the brash hotel owner and Shannon, the partly deranged tour director. Specifically, it analyzes the underlying themes that are brought out by Tennessee Williams such as the playwright's beliefs about humanity, morality, cruelty and evil in the world and what the drama says about redemption and healing. It discusses how "The Night of the Iguana" is more than a play about sex and healing, it is a play about a man who cannot find himself and so allows others to run rampant over his life.
From the Paper
"Maxine may be the sanest character in the play, but again, she is not the most moral person. She does not miss her late husband mostly because they had not had sex in years. She wants Shannon to stay with her, and she will even give up her Mexican consorts who have been keeping her busy at night. However, she is the character who really understands everyone around her, and she is the character that can rope in Shannon, while the others cannot. She tells Shannon quite sagely, "MAXINE: "We've both reached a point where we've got to settle for something that works for us in our lives ? even if it isn't on the highest kind of level." She understands herself, which is more than most of the other characters do, and so she is a leader, not a follower. She may be immoral, but she is humane, which also sets her apart from the other characters. She may indeed want to get Shannon in that "tied-up situation," but she does it so well that he knows he is tied up, but simply has no other options."
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"A Perfect Night to Go to China", 2008.
An analysis of the inner journey as a quest for redemption in "A Perfect Night to Go to China" by David Gilmour.
1,363 words (approx. 5.5 pages), 3 sources, MLA, $ 45.95
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Abstract
The protagonist of David Gilmour's novel, "A Perfect Night to Go to China", is an unappealing Toronto media celebrity who endures a catastrophic personal tragedy in the form of the mysterious disappearance of his son one night while the protagonist has stepped out for a beer. This paper argues that this tragedy at the opening of the novel provides the impetus for the inner journeys that the protagonist - Roman - embarks upon through the course of the text. The paper attempts to show that the novel can only be fully understood through an acceptance of the fundamental reality of the surreal. It is only through this that the protagonist's inner journey can be understood as not simply a destructive escape from the tragedy of the world but as a quest for redemption.
From the Paper
"The protagonist's perception of this accusatory atmosphere is important as this perception reflects his fundamental feeling that he has done something wrong; inadvertently made mistake for which he and his family will now pay. He confesses as much to his wife, accepting responsibility for his son's disappearance in the simplest possible language: "I took an involuntary gulp of air. "I made a mistake"" (Gilmour 16). The fact that his wife has to pry these words out of Roman is significant. Roman is, as most readers of the novel would note, an unappealing figure in many respects as he is consumed by his own egoism and arrogance (Wiebe). "
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