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Nature in Dylan Thomas? Poems., 2001.
A discussion of how Dylan Thomas uses symbols and images of nature in his poems to express how he feels towards death and childhood.
2,631 words (approx. 10.5 pages), 7 sources, APA, $ 79.95
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Abstract
This paper analyzes the works of the Welsh poet Dylan Thomas and how through analysis of some of his poems, two ideas are constantly presented and expressed through the symbolizm of nature. The first is death, viewed as the end of life but at the same time as the beginning of a different type of existence and how all the elements of nature become one with the same essence and soul. The second is childhood when life is pure and innocent just like nature.
Table of Contents
Introduction
Thesis Statement
Thesis Statement Support
Poems Analyzed
Dylan Thomas?s Style
How He Writes
Poem Analysis
?Do Not Go Gentle Into That Good Night?
?And Death Shall Have no Dominion?
?Poem in October?
?Fern Hill?
Conclusion
From the Paper
"Dylan Thomas uses symbols and images of nature to express how he feels towards death and childhood. Some poems which clearly picture this idea are ?Do Not Go Gentle Into That Good Night?, ?And Death Shall Have No Dominion?, ?Poem In October?, and ?Fern Hill?. In the first two poems there is a contradictory belief of death, as the author Anthony Thwait points outs the end of life and as the beginning of a different kind of existence. The other two pieces of work portray life in the countryside as being similar to heaven and childhood as being the moment when life is pure and innocent, according to the previously mentioned writer."
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Dylan Thomas, 2004.
This paper offers an explication of Dylan Thomas' poem, "Do Not Go Gentle Into That Good Night."
1,350 words (approx. 5.4 pages), 1 source, MLA, $ 47.95
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Abstract
An explication of Dylan Thomas' poem "Do Not Go Gentle Into That Good Night." The paper includes tone, language, metaphor, simile, oxymoron, rhyme, structure, symbolism, persona and others aspects.
From the Paper
"Dylan Thomas. Introduction. That Dylan Thomas' "Do Not Go Gentle Into That Good Night" is one of the most widely read, referenced and beloved poems of all time might have a great deal to do with the highly personal yet universal themes within it. The poem's speaker is using his words to persuade his dying father "Do not go gentle into that good night." The poem is highly personal for the speaker who is losing his father to death."
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Poet Dylan Thomas, 2005.
This paper discusses poet Dylan Thomas and his poem "The Force that through the Green Fuse Drives the Flower".
1,465 words (approx. 5.9 pages), 3 sources, APA, $ 48.95
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Abstract
This paper explains that the poetry of Dylan Thomas demands to be read aloud especially his poem "The Force that through the Green Fuse Drives the Flower" in which the Welsh force dominates every syllable and needs to be heard forcefully. The author points out that it is important to remember that Dylan lived during WW I and II and the Cold War; much of his poems seem to have a dark, almost wintry side to them, some of them dealing with the havoc of fire bombs,air raids and the bruised bodies of soldiers and civilians alike. The paper concludes that, although written generations ago, this poem still exerts a magnetism in its few, short lines: Even with all the hi-tech and modern machinery in the 21st century, man is still a slave to nature.
From the Paper
"Even in this early youthful poem, there is a rage within the poet- a force that is angry and not at peace with Nature, resenting that factor of growing old, growing apart, having lovers leave and/or die. This can easily be seen in the two-time use of the adjective "crooked": first, the crooked rose, indicating a slow decay, and then the crooked worm, which tends to indicate the worms that invade one's mortal remains, even getting under and through the shroud, the sheet.
Thomas, the poet, mourns a dead lover, and, perhaps to soothe her as well as to be at one with what will happen to him one day, says "How at my sheet goes the same crooked worm." We cannot escape our fate of death and decay. It is all around us. It is an insurmountable force that impels us through life. Yes, we can stop of "smell the roses", but roses die before we do, and then, we await the following spring's revival, only to see the force of nature rob us of the presence and the smell of that new "green" rose, as well. It is in imagery that Thomas is forceful."
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Dylan Thomas' "Fern Hill", 1974.
This paper discusses Dylan Thomas' pastoral poem "Fern Hill", the real and the ideal, innocence and experience.
1,125 words (approx. 4.5 pages), 0 sources, $ 39.95
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From the Paper
"Pastoral poems, like most other poems, have certain characteristics, or conventions, that tend to separate them from the rest. One basic element that is very commonly thought of is that a pastoral poem deals heavily with images of nature, like green grass, fruit trees, and warm, sunny days. This, however, can be misleading. A better characteristic to look for besides the frequent references to nature is a contrast introduced in the poem.
The variations of contrasts are numerous. A fair example would be contrasting the simple life with the complex. Along this line one can also see contrasts between real and ideal, desirable and undesirable, innocence and experience, and what is and what ought to be. When reading pastoral poems it should be noted that, though they are similar in so far as they observe the ... "
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Dylan Thomas and Symbolism, 2006.
Examines symbolism in the poems written by poet, Dylan Thomas.
1,588 words (approx. 6.4 pages), 4 sources, MLA, $ 51.95
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Abstract
When one examines the early poems of Dylan Thomas, the contents and techniques of his volumes, with a few exceptions, beckon symbolic gestures. Conversely, other works by Thomas, also rich with symbolism, contain contrasts in diction and leave one to wonder if his critics are correct. Though to classify Thomas in any way might seem a futile task, the aim of this paper is to provide an examination of the similarities and contrasts of symbolic representations found in his early poems and in the poem "There was a Saviour." The paper shows that while the early poems of Thomas are a cornucopia of symbolism paralleled in content and style, "There was a Saviour" contains an exposition and subtexts that rarely meet in any similar fashion.
From the Paper
"In the analysis of "There was a Saviour," the peculiarity of its language compels us to set about constructing a meaning for it, and allows us to wonder how it is that the diction contain many contrasts not only within its own reading, but among his other poems. The poem in its entirety presents considerable difficulty. Even the syntax is difficult. The striking thing about the syntax is the peculiarity of the tenses and pronouns. Unlike the linear fashion that his other works exhibit, in reading "Saviour" it is difficult to make out what point in time we are supposed to be made aware of."
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Spirituality and Dylan Thomas, 2001.
This paper studies Dylan Thomas, the poet and the persona, and how he was greatly influenced by spirituality.
2,460 words (approx. 9.8 pages), 6 sources, MLA, $ 74.95
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Abstract
This paper examines Dylan Thomas and his poetry by analyzing his work through spiritual glasses. It describes the influences of spirituality versus religion. It studies his work "18 Poems" which he wrote in 1934 and how it brought him immediate recognition. It excerpts his poems and analyzes them. It concludes that Dylan Thomas was a very spiritual person influenced mostly by Christian, Jewish and Catholic images.
From the Paper
"Every poet is, in a sense, two people: the poet and the persona, or presence, that speaks through the poetry. With Dylan Thomas (1914-1953) both poet and persona tend to scintillate into the sublime and the ridiculous. With the aid of what Thomas called Comrade Bottle, they could unleash themselves into the depths of the subterranean and the grotesquely morbid. Some of Thomas? early verses were unintelligible, so in love with words was he; and critics have often disagreed on valid interpretations of Thomas? work (Ferris, 2000, p.95). As well, the disagreements carry over to valid interpretations of the poet?s life. How much of his drunken, often tactless prattle was for the sake of the song, and how much was the poet?s gift?and torture?of seeing so much and feeling so deeply that it was all he could do to fend off madness? In a 1933 South Wales Evening Post essay, he wrote: ?the borderline of insanity is more difficult to trace than the majority of people, comparatively safe within the barriers of their own common-sensibility, can realise? (Bedford-St. Martin?s, N.D. 2). "
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Dylan Thomas and September 11th, 2002.
A paper which discusses the relevance of Dylan Thomas' poetry to society today, especially after the terrorist attacks of September 11th.
700 words (approx. 2.8 pages), 6 sources, MLA, $ 24.95
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Abstract
By examining several of Dylan Thomas' poems, the paper shows how his continuous themes of the unity of life, the continuing process of life and death, and the life-link between generations are all relevant to society today, despite the fact that Thomas has been dead for over 50 years. The paper shows that in the wake of September 11th, his works, though not exactly comforting, do provide an outlet for a nation suddenly forced to deal with the harsh realities of life and death.
From the Paper
"A final strength of Thomas?s work is that he asks hard questions without proposing easy answers. He accepts death in the sense that he knows it is a part of life and must be, but he offers no platitudes about its goodness or rightness. Indeed, in one of his most famous poems, he urges, ?Do not go gentle into that good night. / Rage, rage against the dying of the light.? In another poem, ?Out of the Pit,? he questions, ?[W]here?s God?s my Shepherd, God is Love? / No loving shepherd in this upside life.? In his avoidance of the ?quick fix,? Thomas respects his own?and his readers??fear and hatred of death while acknowledging its reality. "
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Dylan Thomas Confronting Death, 2002.
This paper looks at the popular poem by Dylan Thomas "Do Not Go Gentle Into That Good Night", analyzing it in terms of meaning and values.
973 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
The paper looks at the poem stanza by stanza as it speaks directly to Thomas' dying father. The paper describes the power of the language as Thomas urges his father to fight the onset of death. The conclusion of the paper addresses the reader as well, reminding us of Thomas' message to everyone to relish life.
From the Paper
"Dylan Thomas? ?Do Not Go Gentle Into That Good Night? is a poem written to his father, who was dying at the time Thomas wrote the poem. Instead of telling his father to accept his death with graciousness and thankfulness for a long life, in this poem, Thomas urges his father to fight against his own death. Each stanza of this poem shows a different view of death from people who differ in every way but one: they all have struggled to hold on to life."
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Dylan Thomas and the Romanticism, 1994.
This paper describes the influence of the Romantic Movement of 19th Cent. England on the poet Dylan Thomas: Poet's life and career and romantic elements in three of his poems.
1,575 words (approx. 6.3 pages), 11 sources, $ 55.95
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From the Paper
"Poet Dylan Thomas was influenced in his writing by the Romantic Movement from the beginning of the nineteenth century, and this can be seen in a number of his best works, including the poems "Fern Hill," "A Refusal to Mourn the Death, by Fire, of a Child in London," and "Do Not Go Gentle into That Good Night." These and other Dylan works show the power of the Romantic style, which fit well with Thomas's interests and capabilities as a poet.
ROMANTICISM
"The Romantic period in English literature is usually considered to extend from 1798, when Wordsworth and Coleridge published their Lyrical Ballads, to 1832, when Sir Walter Scott died. The Romantic impulse extended beyond these dates, however, ... "
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The Poetics of T. S. Eliot and Dylan Thomas, 2005.
This paper compares the personalities and traditions in the poetics of T. S. Eliot and Dylan Thomas.
1,205 words (approx. 4.8 pages), 2 sources, MLA, $ 41.95
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Abstract
This paper explains that the poetics of Dylan Thomas and T. S. Eliot demonstrate the manner in which Thomas challenges and re-figures the previous aesthetic ideas of Eliot. The author points out that, whereas Eliot views tradition as a cultural accumulation of literary works within which the writer participates, Thomas shatters these historical bonds. The paper relates that, although both authors strive to achieve an emotional complexity and depth in their work, Thomas refuses the sublimation of the poet's personality to the literary medium by embracing the medium itself with the entirety of his personality and composition as an act of celebration rather than repression. The author underscores that, through his playful love of all the elements and structures of language, Thomas is able to achieve an emotional depth rooted in the medium of literature without the sacrifice of the poet's personality.
From the Paper
"The value Eliot places upon tradition necessitates the depersonalization of the poet and the perfection of the medium of language to sufficiently express the concentration of the past and its convergence with the experience of the present. The personal experiences and emotions of the poet are too subjective to contain the enormity of what the present represents to literary history, so therefore he must engage in "a continual surrender of himself as he is at the moment to something which is more valuable." The poet is envisioned as a catalyst that collects and transforms his emotions and experiences into a new compound that is greater than the sum of its parts."
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Dylan Thomas, 2004.
Examines the life and poetic career of Welsh poet, Dylan Thomas.
1,171 words (approx. 4.7 pages), 3 sources, MLA, $ 40.95
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Abstract
Poet Dylan Thomas possessed tremendous talent and was blessed with immense gifts that made him a professional success at a relatively young age; however, his personal life was often disappointing, and his relationships were more often than not in a state of shambles. This paper examines Thomas's history and discusses his alcoholism and his tragic death. The paper also discusses the poet's eulogy to his father, "Do Not Go Gentle into That Good Night", written when the father was upon his deathbed.
From the Paper
"Having examined the life of Thomas and the influence his father had upon his passion for poetry and prose, it is easier to read the meanings behind the lines of his poem, ?Do Not Go Gentle Into That Good Night.? Jonathan Westphal in his critical essay published in ?The Explicator? explains that to appreciate the poem as a whole, one must understand line 16, ?And you, my father, there on the sad height,? which Westphal calls a ?mysterious and melancholy phrase.? Westphal believes that Thomas? emotions were more fierce and complex than most critics credit. Westphal says that most often it is suggested that ?the sad height? is a bier, however, he believes that Thomas was ?advocating active resistance to death immediately before death, not sad mourning after it.? "
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Dylan Thomas, 2005.
Examines the life and works of this Welsh poet.
1,465 words (approx. 5.9 pages), 4 sources, MLA, $ 48.95
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Abstract
The paper shows that in order to understand the poetical works of Dylan Thomas, one must fully explore his cultural/societal background which will provide the foundation for appreciating his poetry. The paper explores Dylan's Welsh background and its influence on his famous works. It also discusses some of his works, including "Do Not Go Gentle Into That Good Night."
From the Paper
"In addition, it is quite feasible that young Dylan Thomas was often faced with extreme loneliness, especially since he was born and raised in a very small village with virtually no outside contact. Artistically, in such a place, painting was almost non-existent; music, except for that encountered in church, was not based on creativity; there were no prominent adults to encourage artistic talent, and due to the village's distance from major cities, no new ideas filtered in which undoubtedly forced young Dylan to seek out his Welsh heritage for poetical inspiration."
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Analysis of Thomas Hardy's Poem "The Ruined Maid", 2000.
855 words (approx. 3.4 pages), 0 sources, $ 30.95
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Abstract
This paper is a brief analysis of Thomas Hardy's poem "The Ruined Maid", which is written using two speakers, which allows the reader to experience two sides of the encounter. Form and themes in the poem are explored as well.
From the Paper
"In Thomas Hardy's poem, The Ruined Maid, there are two speakers, the first one being a friend of Melia, and the second one being Melia, the ruined maid. The friend notices that Melia's appearance has changed dramatically since she has last seen her, and she comments,
"You left us in tatters, without shoes or socks,/ Tired of digging potatoes, and spudding up docks;/ And now you've gay bracelets and bright feathers three!" (ll 5-7). to which Melia replies, "Yes: that's how we dress when we're ruined" (l 8). Her response is dripping with sarcasm. She lost her chastity, and was probably scorned for it, but she doesn?t care. She knows that her life is better than when she was ?digging up potatoes? and she is content with the choices she made. The friend seems excited by the transformed Melia, and she gushes on with compliments, to which Melia responds nonchalantly."
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Dylan Thomas, 2002.
Discusses the life and career of the Welsh poet.
1,575 words (approx. 6.3 pages), 6 sources, $ 55.95
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Abstract
Discusses the life and career of the Welsh poet. His death at the prime of his professional and personal life. His self-destructive behavior including alcohol abuse. His poetic gifts and professional success. His innovative poetic voice. Growing reputation as a poet and lecturer. Move to London's literary world. Death at age 39.
From the Paper
"This research examines the life and work of the Welsh poet Dylan Thomas (1914-1953). The research will set forth the historical and cultural context in which Thomas's poetic voice emerged and then discuss ways in which Thomas's patterns of behavior in his private life influenced and to some extent retarded the course of his richly promising professional work.
To discuss the life and career of Thomas is almost inevit.ably to include the observation that he died in what might have been the prime of his professional and personal life. Dylan Thomas's poetic gifts flourished despite a persistent pattern of self-destructive behavior that did the opposite of cherish and nurture them. The result was that his inability to break the destructive cycles in his life truncated what many critics take to be a rich and innovative literary voice."
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Nature in Poems by Frost, Marlowe and Thomas, 2001.
A description of how nature is used and to what effect in poems by these poets.
780 words (approx. 3.1 pages), 3 sources, MLA, $ 27.95
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Abstract
This paper looks at three poems by three different authors ?Fern Hill? by Dylan Thomas, ?Birches? by Robert Frost, and Christopher Marlowe?s ?The Passionate Shepherd to His Love.? The writer looks at the use of nature in each poem and shows that while each poet has a different purpose, all three choose in their poems to focus on joy in life rather than despair, and use the beauty of nature to justify their optimism.
From the Paper
"Robert Frost is perhaps the most obvious of the deliberate optimists. He looks at birch trees that have nearly been killed by ice storms and instead sees the beauty. He knows logically that the trees are gracefully curved to the ground by nature?s destructive forces. He says, ??They are dragged to the withered bracken by the load, And they seem not to break; though once they are bowed So low for long, they never right themselves: You may see their trunks arching in the woods Years afterwards, trailing their leaves on the ground??
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