| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "NARRATIVE STRATEGIES NOVELS": |
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Narrative Strategies of Two Novels, 2003.
Compares and contrasts Isabel Allende's "The House of the Spirits" and Manuel Puig's "Kiss of the Spider Woman."
1,575 words (approx. 6.3 pages), 2 sources, $ 55.95
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Abstract
Explores how both novelists use the political and cultural environment of Latin America. Discusses the theme of social criticism of each novel.
From the Paper
"his research compares and contrasts the narrative strategies of novelists Isabel Allende and Manuel Puig in The House of the Spirits and Kiss of the Spider Woman, and discusses the means by which each author develops a theme of sharp social criticism in ..."
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Narrative Logic in Two Russian Novels, 2003.
Compares Dostoevsky's "The Brothers Karamazov" and Olesha's "Envy".
900 words (approx. 3.6 pages), 2 sources, $ 31.95
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Abstract
The paper looks at the characters of brothers in the novels by Dostoevsky and Olesha. It looks at the different visions of both authors and Dostoevsky's depiction of a decayed society in need of change and a thread of action.
From the Paper
"Certain patterns of narrative logic in Envy can be found in Brothers Karamazov. Comparisons are not exact, of course, and not only because Olesha and Dostoevsky have markedly different visions. Whereas the three brothers in Brothers Karamazov have Alyosha..."
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Four Narrative Forms of Fiction, 2004.
A comparative analysis of the narratives of "The Grapes of Wrath" by John Steinbeck, "Old Man and the Sea" by Ernest Hemingway, "All the King's Men" by Robert Penn Warren, and "Absalom, Absalom!" by William Faulkner.
1,673 words (approx. 6.7 pages), 4 sources, MLA, $ 54.95
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Abstract
The purpose of this paper is to introduce, discuss, and analyze four different types of narration in four novels. Specifically, it compares and contrasts the four different methods of narration in each of these novels. It looks at how each of these classic novels uses a different form of narration to set the stage for the characters and to move the plot along. Each form of narration adds to the impact of the novel, and altering the narration would certainly alter the way the novels affect the reader. It shows how these novels are excellent examples of the differing forms of narration and how important they are to the overall art of fiction.
From the Paper
""Absalom, Absalom!" uses a stream of consciousness type of narration that includes the shifts in points of view and setting that can be unsettling to the reader. This is the author's intention, for he hopes to show that these same items shift consistently in everyone's life as they search for meaning and truth. Sentences are so long and convoluted that they sometimes lose the reader, and yet they set the scene quite effectively. While this novel is difficult to read, many of the narrative passages are extremely poetic and emotional. For example, Rosa once says, "my presence was to him only the absence of black morass and snarled vine and creeper to that man who had struggled through a swamp with nothing to guide or drive him -- no hope, no light: only some incorrigibility of undefeat ..." (Faulkner 137)."
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Narrative Therapy: A Case Study, 2008.
A discussion of narrative therapy and its application as a treatment strategy for anorexia.
1,774 words (approx. 7.1 pages), 7 sources, APA, $ 57.95
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Abstract
The paper discusses narrative therapy, which is considered a post-modern therapy and mental health treatment that seeks to gain the cooperation and insight of the patient himself. The paper applies narrative therapy to an anorexic patient to illustrate how this therapy can be utilized in the patient's recovery.
Outline:
Narrative Therapy Overview
Characteristics
Narrative Perspectives
Narrative Concerns
Narrative Therapy in the Future
Narrative Therapy in Application
From the Paper
"Narrative therapy can be considered a post-modern therapy and mental health treatment that seeks to gain the cooperation and insight of the patient him or herself. It consists of the integration of individuals' expressions of their unique experiences in life, an account of the individuals' interpretive processes about those experiences, and in relating these unique experience sets to both the culture background of the individual and the treatment plan (Bull, Dettinger, Detwiler, Petersen & Propst, 2005, paras.1-12). It is the counselor's or therapist's duty to reconcile these experiences and, most importantly, the individual's interpretive perception of them, with the particular mental affectation that is manifesting itself."
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Two Victorian Novels, 2002.
An analysis of the importance of the narrative voice in fiction.
1,125 words (approx. 4.5 pages), 2 sources, $ 39.95
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Abstract
Analysis of the importance of the narrative voice in fiction. Implications of the choice of narrator in LADY AUDLEY'S SECRET by Mary Elizabeth Braddon and BLACK BEAUTY by Anna Sewell. How both novels use narrator in presentations of differences in social class. Assumptions about class. Social concerns. Major themes of the two novels.
From the Paper
"An author's choice of narrative voice can have very important implications for the story s/he tells and for the particular points that s/he wishes to make. Two Victorian novels, Lady Audley's Secret (1862) by Mary Elizabeth Braddon and Black Beauty (1877) by Anna Sewell, show the importance of the choice of narrative voice and the difference it can make. In both of these books one of the most important implications of the choice of narrator is its relationship to the presentation of differences in social class.
Braddon's novel has an omniscient, unidentified narrator whose gender is never made known. Audiences often assume in such cases that the narrative voice can be said to be the voice of the author herself and may have done so in this case. Although the novel was published under the name M. E. Braddon the reviewers ..."
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Detective Novels Compared, 2002.
A comparative analysis of five recent children's detective novels and five recent adult detective novels.
1,150 words (approx. 4.6 pages), 10 sources, $ 44.95
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Abstract
This paper will argue that the key point of similarity between the two forms of detective fiction is the adherence of the authors to a formula. It will be seen that while the adult novels are undeniably more complex than the children's works, both generally present their audiences with the comforting familiarity of formulaic plot and repeating characters.
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Continuous Narrative Art, 2007.
This paper discusses the art technique called continuous narrative in which the same figure appears more than once in a single scene.
3,580 words (approx. 14.3 pages), 7 sources, MLA, $ 100.95
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Abstract
This paper explains that the Roman aesthetic approach, known as continuous narrative, makes use of a number of images of the same figure within a work, linking different aspects of a story together and evoking meaning while setting events distant in time in the same frame. The author points out that these works are reproduced in a variety of media, including on vases and cups, on huge towers, on walls as friezes or frescoes and on panels to be placed on the wall. The paper relates that an examination of some of the panels found at Pompeii shows some of the ways in which images were linked together to form a narrative, although this narrative would often be less then crystal clear because of the possibility of different interpretations.
Table of Contents:
Introduction
Continuous Narrative Art
Continuous Narrative at Pompeii
Conclusion
From the Paper
"Under and slightly to the right of the tree and column, Polyphemus sits on top of an outcropping formed by a steep pile of rocks, on which four white, wooly sheep graze. In the right foreground, at the base of the outcropping, a tall column carries a small statue. The statue is depicted in three-quarters view to the left, facing towards Polyphemus. Although the figure appears to wear a cloak and some sort of headdress, the statue's large, erect phallus allows for a secure identification of the figure as Priapus."
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Post Modern Narrative Films, 2008.
Looks at the post modern narrative film using David Fincher's "Fight Club" (1999) Park Chan-wook "Oldboy" (2003) as examples.
1,115 words (approx. 4.5 pages), 0 sources, $ 38.95
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Abstract
This paper explains that D. W. Griffith's techniques in "The Birth of a Nation", in which the narrative aspects are emphasized over the spectacle elements, are still evident in post modern films. The paper then looks at the movies "Fight Club" and "Oldboy" as examples if narrative films that employ a strong and interesting narrative in combination with a visual storyline and action, which supports the plot. The paper also relates that narrative over spectacle films are difficult to make because it is easier to lose the viewer to either the spectacle or narrative element. The author concludes that these two films are successful because they bring together the techniques of directorial skill, an interesting storyline, and fine acting ability.
Table of Contents:
Introduction
Case Studies
Conclusion
From the Paper
"The director cuts to inside the room where Dae-su is held prisoner, and the mise-en-scene is the hotel look, desk, bed, bath and toilet. This is where Dae-su's narrative picks up, as he is held captive for a total of 13 years. During this time, the scenes are limited to the room where Dae-su is held; his life revolves around the props in the room, and the food that is slid under the door.
"Television becomes the largest part of Dae-su's life, and on television he learns that his wife has been murdered and he is suspected as the murder".
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Perspective and Stereotype in Western Detective Novels, 2001.
The writer examines novels by Agatha Christie and Joseph Conrad, and discusses characters and scenes in light of prejudices the authors may have held, bringing as evidence Chinese (non-Western) detective novels.
2,200 words (approx. 8.8 pages), 2 sources, $ 68.95
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Abstract
We can also see the kind of xenophobic stereotypes that Christie used when we compare her works to detective fiction taken from an entirely different cultural tradition: When we think about the detective novel, we are most likely to see in our mind?s eye Sherlock Holmes?s deerstalker cap or hear the Belgian accents of Hercule Poirot. The genre of detective fiction ? with its traditional elements of the seemingly perfect crime, the wrongly accused suspect at whom circumstantial evidence points (in many cases, the bungling of the dim-witted police (in opposition to the cleverness of the private operator), the astonishing powers of observation and superior mind of the detective, and a startling and unexpected denouement (quite likely taking place in a parlor) in which the detective reveals how the identity of the culprit was ascertained ? seems a quintessentially Western concept.
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Slavery Novels, 2002.
A discussion of two novels written about African American society during the period of the abolishment of slavery: ?Ambition? by Beryl Weston and ?Contending Forces? by Pauline Elizabeth Hopkins.
1,035 words (approx. 4.1 pages), 0 sources, $ 36.95
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Abstract
This paper examines these novels which depict the lives of Black Americans in the dominant white American society prior and after the legal abolishment of black slavery. Both novels discuss these social issues while discussing and narrating in closer detail the everyday lives of black Americans as they go through their lives in a new established society. The novels were written at slightly different time periods and the paper examines the differences in society during these times.
From the Paper
"These love stories also illustrate how the society and the people in it determine the fate and course of romantic love for the main characters. However, the novels start in a different pace: ?Contending Forces? starts with the abolishment of black slavery, then proceeds with life in a society that has its black Americans as the equals of white Americans, not as slaves of them. Meanwhile, ?Ambition? by Weston starts initially with the already abolished black slavery, and we are introduced to a new American society, wherein black Americans are now educated and lived as equals with the white Americans. Despite these differences in the narrative structure, both novels are great eye- openers that illustrate what American society is like after the abolishment of black slavery and what society is like with black Americans as part of the whole operation of running a functional society."
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Conversion and Narrative in "Robinson Crusoe", 2006.
An examination of the conversion and narrative in Daniel Defoe's "Robinson Crusoe".
3,249 words (approx. 13.0 pages), 17 sources, MLA, $ 93.95
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Abstract
In this paper the author looks at the biographical typology of the conversion narrative, the structurally and thematically fixed point of the conversion, the consistent intrusion of a double perspective and the allegories of spiritual progress that appear in Daniel Defoe's "Robinson Crusoe". He analyzes these points to show that they all provide the narrative with moments of coherence and meaning. The author looks at "Robinson Crusoe" not as a spiritual autobiography, or even properly a conversion narrative; but as a tangential account of Crusoe's life which intrudes only along the margins of the narrative, with flashes of coherence and pattern that serve to set off the general experience of the narrator. He looks at this as an experience which tends toward wandering, indirectness and confusion. In conclusion, the author states that the beginning of the novel "Robinson Crusoe" is actually the end of the novel where the course of human life is only touched by completeness and in doing so Defoe is cleverly telling the reader about the confusion of human experience.
From the Paper
"The genius of Defoe's novel partly lies in the association of these two antithetical narrative structures into a single narrative. Defoe had his eye on the Puritan conversion narrative but also on the earlier long fiction of the seventeenth century, the romance. The conversion narrative, in particular the spiritual autobiography, often appears to lend the narrative pattern and coherence. The adventure or romance narrative offers Defoe not only a structure for the piling on of wonders and variety, but undercuts the coherence and meaning inherent in the conversion narrative, and ultimately the patterning of history or biography in any sense. Spiritual autobiography fails to supply an organizing principle for Crusoe's life, despite the narrator's attempts, because Crusoe's underlying "malaise", his integral restlessness, 2 constantly thrusts his life out of the enclosures imposed by the conversion event."
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The Slave Narrative is Born, 2006.
Introduces, discusses and analyzes Olaudah Equiano's classic slave narrative.
1,724 words (approx. 6.9 pages), 1 source, MLA, $ 55.95
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Abstract
This paper examines and analyzes the slave narrative, "The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African" by Olaudah Equiano. The paper explains that Equiano's narrative was special because of the language Equiano employs, the descriptions of his experiences as a slave that it includes and the message it conveys about examining our own lives and what we are meant to accomplish with our lives.
From the Paper
"Author Equiano's experiences were varied and unusual. His goal to share them with his readers caused him to pen his narrative, hoping to urge others to follow the same spiritual path he chose. As a young boy, he served on board an English fighting ship for his master. He fought in the French & Indian War alongside this man. He viewed slaves mistreated in the West Indies, and was cheated out of the freedom he worked for by a dishonest owner. With experience and his wits, he developed into a businessperson, traveled the world including the North Pole, helped resettle slaves to their native Africa, toured and spoke out loudly against slavery, and wrote a narrative describing his many experiences that brought the horrors of slavery home to many. In the end, publishers (including himself) published twenty-two editions of his book, and it remained popular literary material even after his death in 1797. All of these experiences added to the treasure trove of experience that created a compelling and admired narrative."
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Social Protest Novels, 2004.
Analysis of "Uncle Tom?s Cabin" and "All Quiet on the Western Front" as novels of social protest.
1,798 words (approx. 7.2 pages), 3 sources, MLA, $ 57.95
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Abstract
This paper looks at the techniques used in Harriet Beecher Stowe's novel, "Uncle Tom's Cabin", and Remarque's novel, "All Quiet on the Western Front", to protest the social conditions they were writing about. Both authors use the language and the metaphors of their time to help emphasize their point. Stowe also used narration, commentary, and poetry to make her anti-slavery statement, whereas Remarque relied heavily on graphic depictions to make his anti-war statement. To help determine the effectiveness of the novels' social protest, the paper compares the two novels to David Halberstam's journalistic account of the Vietnam War.
From the Paper
"There is a single problem common to Uncle Tom?s Cabin and All Quiet on the Western Front, despite the works? having been created in different centuries on different continents and nominally about different subjects. The single, common problem is this: the valuation of one group of human beings by another, with that valuation coming in lower for the group being valued."
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Social Novels, 2004.
A paper that links several novels through the theme of social awareness and change.
1,005 words (approx. 4.0 pages), 0 sources, MLA, $ 35.95
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Abstract
This paper looks at examples of social novels and how the writers used these reflections as a method of critique and to suggest ways to change. The novels referred to in the paper include George Orwell?s "1984"; George Orwell?s "Animal Farm"; John Steinbeck?s "The Grapes of Wrath";and Joseph Heller?s "Catch-22". The paper concludes that the unifying thread in all these social novels is their reflection of reality.
From the Paper
"Joseph Heller?s novel has more in common with Orwell?s writings than with Steinbeck. Unlike Steinbeck, who strove for a hyper-realism in The Grapes of Wrath, Heller?s Catch-22 uses satire to chronicles the futility and ultimate dehumanization of war. While stationed in the fictional Mediterranean island of Pianosa, Air Force soldier John Yossarian participates in several brutal and dangerous operations, where his men die not for their country, but to obtain good aerial pictures of the exploding targets. Disgusted that his life is constantly in danger for nothing, Yossarian vows to survive this pointless war at all costs. He thus spends much of his time faking illness and devising ways to be sent home."
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Analysis of the "Captivity Narrative" by Mary Rowlandson, 2002.
A narrative of Mary Rowlandson, a symbol of the New England Puritan Experience, during King Phillip's war of 1675.
3,290 words (approx. 13.2 pages), 9 sources, MLA, $ 94.95
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Abstract
This paper explores the construction and meaning of Mary Rowlandson's famous Captivity Narrative, first published in 1682 which tells how she was held captive during King Philip's War of 1675 by Algonquin Indians. The author explains how her autobiographical narrative reveals her religious fervor and struggles, within the context of New England Puritan thought. Within this paper on the Captivity Narrative, there is an analysis of Calvinist thought, and insight into White New Englander prejudices against the Algonquin Indians, and how those prejudices were influenced by a loathing of the Catholic Church.
From the Paper
"Mary Rowlandson was captured by the Indians from her home in Lancaster, Massachusetts, during King Philip's War of 1675. She wrote a narrative about her captivity and "restoration" which was so widely read that its popularity lasted for another century and more, after its first publication in 1682. Rowlandson's captivity narrative was reissued in Boston in 1770, 1771, and 1773, and it was also released many more times in various colonies and states during the 19th century. (Slotkin: 1973, p. 96). Thus it became one of the most representative documents by which white New Englanders remembered King Philip's War. But just how representative was Rowlandson's narrative, when it came to the realities of the conflict, on both sides, Puritan and Indian? Having been trapped in the wilderness as a prisoner of war, and surviving, Mary Rowlandson saw herself as spiritually renewed and redeemed. While many of the events in her account are probably true, her narrative is still somewhat mythical and shaped, both consciously and unconsciously, to fit her religious and cultural ideals. "
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