| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MULTICULTURALISM CANADIAN DOCUMENTARY": |
|
|
Multiculturalism and the Canadian Documentary, 2007.
This paper discusses the issue of multiculturalism in Canadian film.
2,435 words (approx. 9.7 pages), 6 sources, MLA, $ 74.95
»
Click here to show/hide summary
Abstract
In this article, the writer points out that Canadian documentary directors have used the genre to effectively illustrate facets of multiculturalism and style that would be lost in the non-documentary film-making world. The writer discusses and compares three films in this paper. The writer describes that Simcha Jacobovici and Roger Pyke present a striking memorandum that illustrates the pain and struggle of religious persecution in the film 'Expulsion & Memory: Descendants of the Hidden Jews'. Similarly, the writer looks at Alanis Obomsawin's 'Richard Cardinal: Cry from the Diary of a Metis Child'. The writer also discusses 'Shooting Indians: A Journey with Jeffery Thomas' by Ali Kazimi that quietly illustrates one man's struggle to change the stereotypical image of Native cultures and people in North America, while also reflecting on the relationship of culture as the director shares his cultural background. The writer concludes that through different uses of the documentary genre, all three films effectively use the factual background to establish strong views of multicultural identity.
From the Paper
"As a film style, documentaries are tied to stricter guidelines than other films because they must adhere to fact to some respect. While many filmmakers might see this as a problem or hurtle, well-made documentaries take advantage of this factor as strength. American director St. Clair Bourne explains that the making of a fictional movie is much more demanding because the background and context must all be created from scratch; he finds documentaries to be more about interpretation and bringing out the real story that already exists within a context. This is the case with the three films discussed here, though each film faced different challenges in creation, and succeeded in different aspects. Each of these films takes the raw material of the history involved and shapes it to create a story with whatever intentions exist from the directors."
| |
|
Olympic Games Documentary Films, 2005.
This paper contrasts the 1936 Olympic Games documentary film by Leni Riefenstahl and the 1964 Olympic Games documentary film by Ton Ichikawa.
1,375 words (approx. 5.5 pages), 0 sources, $ 45.95
»
Click here to show/hide summary
Abstract
This paper explains that that Leni Riefenstahl's film of the 1936 Olympic documentary is propaganda, focusing more on German and German-sympathetic athletes and the ambiance of the Berlin stadium, seen in its new Nazi grandeur; whereas, in the most stunning photography, Ton Ichikawa's film of the 1964 Tokyo Olympiad is a salute of the exertion of the athletes regardless of race, nationality or ethnic background. The author points out that "Tokyo Olympiad 1964" is not a "sports documentary" in the traditional sense of showing races, winners and celebrating crowds but rather a technically and emotionally gripping documentary about the effort of preparation and the Olympic spirit. The paper concludes that, in a sense, this film is just as much a propaganda piece about Japan's new maturity as was Olympia 1936 but in a way that the glorification politics do not interfere with the presentation of the athletics.
From the Paper
"There is no real story line easy to follow, even though this nearly three-hour film opens with buildings being demolished to make way for the Olympic stadiums and arenas, and training areas as well as housing. As we see this, there is a voice-over which gives the other previous Olympic locations and dates. One of the next scenes is the obligatory Olympic documentary one of the torch reaching Japan, and the following thew various runners in the countryside, running to bring the torch to Tokyo and its new Olympic stadium. For Americans, the win of the Native American, Billy Mills, in the 10,000 meter race is a highlight. But, interestingly enough, the camera stays at the finish line until every racer has finished. There is also a somewhat poignant story line about the single athlete from Chad, who shares no common language with any other athlete, and trains alone. When he loses in the semi-final heat, Ahmed Isa is ignored by the crowd, but not Ichikawa. Here is loneliness amid the shouts of tens of thousands."
| |
|
Multiculturalism in Canada, 2008.
This paper argues against multiculturalism as the Canadian official policy.
2,655 words (approx. 10.6 pages), 7 sources, APA, $ 79.95
»
Click here to show/hide summary
Abstract
The paper discusses how multiculturalism can cause more divisiveness than unity. The paper examines myths of multiculturalism and explains how it exaggerates differences between groups, as opposed to promoting a sense of shared humanity. The paper looks at multiculturalism as a low political development to promise ongoing distinction and isolation, as opposed to fostering efforts to adapt, learn and become Canadian.
Outline:
Introduction
Multiculturalism as Presented
Where Do the 'Non-Ethnic' Fit In?
Myths of Multiculturalism
Multiculturalism and the Ease of Life for 'Whites'
Conclusion
From the Paper
"Supporters of official multiculturalism suggest that it is a mandatory requirement for all advanced democracies in the 21st century. (Kymlicka:1995) If one views the model of globalization and high mobility, multiethnic and multiracial communities forming across the world, one believes that multiculturalism's regard for difference will allow this interaction to be harmonious. However, detractors refer to a 'mosaic madness' that cannot possibly achieve the ideal wanted and also point to questionable points attached to Multiculturalism of which some supporters may be less aware. (See Bibby:1990) Canadians can fail to see the strong role played by multiculturalism's official communities in electoral processes, in effect, 'buying' blocs of ethnic community votes. This has been discussed popularly as a 'divide and conquer' approach that minimizes integration into mainstream politics as the newcomer is encouraged to rely upon the organized community as its source of political advice. Policy that is meant to glorify difference and diversity may actually create distinction, if not prejudice, in that there is less incentive for members of different communities to mix, find common ground, to view one another as fellow Canadians, regardless of their different origins."
| |
|
Problems of Multiculturalism, 2007.
Looking at three different works, this paper discusses problems raised by multiculturalism.
1,934 words (approx. 7.7 pages), 3 sources, APA, $ 61.95
»
Click here to show/hide summary
Abstract
In this article, the writer discusses that the three works reviewed in this paper are all varying responses to the problems that multiculturalism, both in theory and in practice, has produced. The writer notes that, published all within the last decade, Tariq Modood's 'Is Multiculturalism Appropriate for the Twenty-First Century', Bhikhu Parekh's 'Rethinking Multiculturalism, Cultural Diversity and Political Theory', and Sasja Templeman's 'Constructions of Cultural Identity: Multiculturalism and Exclusion', address the fundamental question of what one means by multiculturalism, uncover both the explicit and implicit problems this essentially woolly doctrine embodies, and point to a more inclusive, refined and sophisticated way in which multiculturalism can be advocated as a political ideal. The writer concludes that ultimately, the writers of these works feel that multiculturalism, as it is understood and propagated today, is unsatisfactory as a doctrine of inclusion.
From the Paper
"Much of the awkwardness arises, perhaps, less from the underdeveloped nature of multiculturalism than from the difficulties it presents to conventional political philosophy. Since traditional political theory believes in the universal validity of a good life, acceptance of multiculturalism necessarily presupposes a plurality of goods that would not be the same for everyone. By contrast to monists, who claimed to arrive at one true or rational way of understanding man and the world and the leading of the good life, pluralists, inspired initially by the German romantics, took a more relativist view of human nature that did not see one size fitting all. But the problem even with the romantic movement, which had been responsible for promoting the specificities of a nation, is that its basic assumption of cultural homogeneity within one nation has been cast into doubt by the variety of different cultural entities that co-exist in modern nations."
| |
|
Multiculturalism in a World Community, 2007.
An analysis of the effects of multiculturalism within a world community.
1,848 words (approx. 7.4 pages), 6 sources, APA, $ 59.95
»
Click here to show/hide summary
Abstract
This paper discusses the concept of a world community. The paper particularly focuses on multiculturalism within a world community and looks at multiculturalism in the community in general and then in the workplace, specifically. The paper also discusses any issues that may arise due to multiculturalism and suggests that education is the key to resolving multicultural differences.
Table of Contents:
Multicultural Instruction
Multiculturalism in Work Places
From the Paper
"While there is still a long road ahead of us, the world generally seems to embrace the idea that we live together in a multicultural and diverse world, and we celebrate that in many ways. However, there continues to be resistance to the emergence of a new world order that would strive for economic and social and political opportunities for all people. Education is, again, the key to bringing about the much needed changes will resolve the differences that keep us from celebrating one another's cultural and traditional differences. We must continue to provide the resources and opportunities to emerging third world nations to help them grow into the environments within which they find themselves moving as the bridges that connect us continue to be built. Again, education is the key to resolving multicultural differences."
| |
|
The Documentary Film, 2008.
This paper looks at the six different modes of documentary filmmaking, with a focus on the documentaries "Out of Control: AIDS in Black America" and "Other Faces of AIDs".
2,614 words (approx. 10.5 pages), 8 sources, MLA, $ 78.95
»
Click here to show/hide summary
Abstract
The paper discusses the documentary film's six primary modes of filmmaking and illustrates some of these modes with reference to different documentaries. The paper then applies the data to two specific documentaries; "Out of Control: AIDS in Black America" and "Other Faces of AIDs," which address the growing AIDs crisis in the African-American community. The paper shows how in both films the expository mode takes over, creating a sense that the white reporters and filmmakers are lecturing, which undercuts the effectiveness of the message and separates the black community.
Outline:
Introduction
Six Primary Modes of Documentary Filmmaking
Conclusion
From the Paper
"The classification of documentary films into six modes was proposed and explained by Bill Nichols. As Nichols describes these six modes, he suggests that each of the six corresponded to a particular period in documentary filmmaking when that mode prevailed, though all persist and may be found in some films at any given time. The observational mode is considered by some to be the truest form, given that it involves the least direct interference or interpretation by the filmmaker. As Nichols writes, these are films that "eschew commentary and reenactment [and] observe things as they happen" (Nichols, Representing Reality: Issues and Concepts in Documentary 138). This is considered by many to be the most "documentary-like" of all the documentary forms, and perhaps the best-known practitioner of this form is Frederick Wiseman."
| |
|
Liberal Democracy and Multiculturalism, 2003.
The relationship between Liberal Democracy and multiculturalism in Canada.
1,942 words (approx. 7.8 pages), 10 sources, MLA, $ 61.95
»
Click here to show/hide summary
Abstract
This essay argues that among the inherent tensions between liberal democracy and multiculturalism, the most problematic is the conflict between equality of political rights, which is fundamental to liberal democracy, and the notion of collective rights, which is fundamental to multiculturalism. Nonetheless, this tension can be overcome and it is argued that multiculturalism in fact supports some elements of liberal democracy such as political participation. In order to clarify this argument, the writer begins with defining multiculturalism, liberal democracy and basic principles of liberal democracy.
From the Paper
"A policy of multiculturalism within a bilingual framework commends itself to the Government as the most suitable means of assuring the cultural freedom of Canadians??A vigorous policy of multiculturalism will help form??the base of a society which is based on fair play for all.?? (Pierre Trudeau, 1971 qtd in Multiculturalism and the Government of Canada 1) It has been thirty years since Prime Minister Trudeau announced this multiculturalism policy. During these twenty years, not only Canada, but also other nations that have adopted the policy of multiculturalism have experienced both challenges to and support of multiculturalism from diverse groups. Social issues emerging from multiculturalism have become more and more complex. In nations like Canada, Switzerland, Belgium and Spain, liberal democracy coexists with multiculturalism and questions arise concerning these two principles: how does multiculturalism fit into liberal democratic society? Does the principle of multiculturalism support liberal democracy or undermine it? More specifically, what aspects of multiculturalism affect liberal democracy and how? This essay will argue that among the inherent tensions between liberal democracy and multiculturalism, the most problematic is the conflict between equality of political rights, which is fundamental to liberal democracy, and the notion of collective rights, which is fundamental to multiculturalism. Nonetheless, this tension can be overcome and it will be argued that multiculturalism in fact supports some elements of liberal democracy such as political participation. In order to clarify this argument, I will begin with defining multiculturalism, liberal democracy and basic principles of liberal democracy."
| |
|
Multiculturalism and Korean Immigration, 2006.
An analysis of the American-Korean experience and other issues relating to multiculturalism.
2,780 words (approx. 11.1 pages), 15 sources, MLA, $ 82.95
»
Click here to show/hide summary
Abstract
This paper explores many issues of culture, race and the concept of multiculturalism within the context of the American melting pot. These issues of culture and especially multiculturalism warrant analysis as they define the American experience for immigrants. This paper focuses specifically on the Korean-American experience and what factors within Korea led many generations of families to leave for a better life in America. The paragraphs first examine the concepts of culture and multiculturalism of today's America and look at how the melting pot has changed. By defining these concepts one can better understand the state of multicultural relations today and how these relations influence the future of American urban life. Second, this paper looks at the circumstances surrounding Korean immigration between 1900 and 1960, specifically focusing on South Korea. These paragraphs describe the major economic, social and political changes that occurred in the region over a period of time. This includes an analysis of the changes and how these changes influence ancestor decision to migrate to the United States. Also included in this paper are the methods and data sources used as literature to determine the reasons for immigration.
Paper Overview
Abstract
Korean Immigrations and Origins
Major Economic, Social and Political Changes
Analysis
Methods and Data Sources
Conclusion
Works Cited
From the Paper
"In many ways, these exiles were far better off than their counterparts who stayed in Korea during the various conflicts as they never lost their spirit or industrious nature toward commerce. In these camps, many Korean prospered and this is evident from the fact they were able to provide Korean based schools for area children. These camps were also able to provide food to other exile camps."
| |
|
Multiculturalism, 2006.
A paper describing the benefits of multiculturalism in education.
2,519 words (approx. 10.1 pages), 25 sources, MLA, $ 76.95
»
Click here to show/hide summary
Abstract
In support of multiculturalism in education, this paper reviews and discusses studies that have shown that a multicultural education is good for society. The paper uses the example of the Dutch where multiculturalism is a fact of life and explains that multiculturalism in education will help America maintain its international economic and political dominance.
From the Paper
"The study concluded that learning to be tolerant of those who are different from oneself is an important component of lessons on multiculturalism," Students were asked to rate their teachers on how well they teach tolerance. More students (44%) say their teachers do an average job than an above average (26%) or a below average (18%) job. In fact, an earlier 1996 Metropolitan Life study (...Violence, Social Tension, and Equality Among Teens) found that "...students are more likely to say students of diverse backgrounds get along well when they also say their teachers do a good job (vs. a bad job) of teaching tolerance." Students (51%) feels that their schools do a satisfactory job in the area of helping immigrant students learn to speak or improve their English. Although many students responded positively to this question, 31% of students responded that they did not know the answer to this question."
| |
|
Styles of Documentary Films, 2005.
This paper defines styles of documentary films as exemplified by Robert Flaherty's "Nanook of the North", Albert and David Maysles' "Grey Gardens", Errol Morris' "The Thin Blue Line" and Kidlat Tahimik's "Perfumed Nightmare" ("Mababangong Bangungot").
855 words (approx. 3.4 pages), 0 sources, $ 30.95
»
Click here to show/hide summary
Abstract
This paper explains that Robert Flaherty's "Nanook of the North" and Albert and David Maysles' "Grey Gardens" are examples of the evidential style of documentary film, a sort of cinema verite, or truth-cinema, which attempts to portray reality through the lens of the camera, objectively and truthfully, with no commentary or underlying message. The author points out that Errol Morris in his documentary "The Thin Blue Line" uses a rhetorical style, in which the filmmaker has no intention of remaining objective to the subject matter and often features the filmmaker as a primary character or narrator, and, in contrast to evidential documentaries, often employs the use of dramatization, staged scenes and direct interviews for the purpose of convincing the audience of the truth of the film's message. The paper relates that rhetorical and evidential documentary techniques are not completely mutually exclusive as presented in Kidlat Tahimik's "Perfumed Nightmare" ("Mababangong Bangungot"), which blends dramatization and filmmaker interaction with objective, removed footage of unstaged events in real life.
From the Paper
"The Maysles brothers did not feel the need to stage scenes or use interviews to glean the information they were looking for, because that information was simply a glimpse into the real lives of the two women. This was achieved nicely in the film, which used a "hands-off" technique to capture the way life really was for the Beales. "Grey Gardens" does such a successful job of portraying reality that at times in the film when one or the other of the subjects is looking or speaking directly at the camera, the audience gets the impression that she is addressing a wall."
| |
|
Flaherty and the Documentary Film, 2008.
An analysis of Robert Flaherty's influence in the documentary genre of filmmaking, through his 1922 film, "Nanook of the North."
1,345 words (approx. 5.4 pages), 5 sources, MLA, $ 45.95
»
Click here to show/hide summary
Abstract
This paper analyzes Robert Flaherty's contributions to cinema, particularly with regards to documentaries. It focuses on Flaherty's 1922 documentary film, "Nanook of the North" and how it has become inextricably associated with the development of modern documentary film. The paper analyzes Flaherty's masterful cinematic touch, from shot order to the pacing and treatment of his subjects and explains why he is widely considered one of the most influential filmmakers in the documentary genre.
From the Paper
"As Nanook declared to Flaherty before the filming of the walrus hunt, "the aggie [film] will come first." Though some modern critics have loudly proclaimed Nanook a fake by contemporary documentary standards, it is important to note that Flaherty can hardly be held accountable to the later standards of a film movement which did not, until he helped create it, exist. Though he drew heavily from historical precedent in nonfiction film and documentary-style presentations, Flaherty stands out because he was perhaps the first to fully integrate traditional ethnographic nonfiction into a satisfying and utterly engaging narrative form. Additionally, making Nanook the protagonist of his film, and portraying him in a respectful light set a precedent for future documentaries. By the time Nanook of the North had circled the globe, it had influenced and inspired filmmakers worldwide and triggered a nonfiction movement that has continued to this day. Flaherty's film contributes to the understanding of film as a whole by posing the most fundamental questions about nonfiction film, asking, what is reality? What is not? Where is the line between the two? Most importantly, Flaherty's Nanook of the North helped establish the often-unacknowledged fact that documentary film is not a newsreel but, first and foremost, art."
| |
|
Multiculturalism and Diversity Training, 2005.
A look at the increased attention multiculturalism and diversity training have drawn in the world of psychology.
3,517 words (approx. 14.1 pages), 16 sources, APA, $ 98.95
»
Click here to show/hide summary
Abstract
This paper examines how multiculturalism and diversity training developed within the realm of psychology. The paper encompasses succinct definitions and histories of multiculturalism and diversity training and explains that they were created in an effort to explain that the behaviors observed in individuals must, in some ways, be attributed to their cultural backgrounds. The paper also focuses on diversity training and its usefulness in the work place.
Introduction
Multiculturalism and Diversity Training
Diversity Training
Conclusion
From the Paper
"Harris (1999) explains that multiculturalism also encompasses sexual orientation, gender and alternative lifestyles (lifestyles that are separate from traditional American Values) (Harris 1999). Because our society is composed of people who differ greatly in terms of race ethnicity, gender, sexual orientation and lifestyles there is a constant battle over what is acceptable in mainstream society (Harris 1999, Hinz 1996)."
| |
|
Multiculturalism, 2004.
An analysis of the psychology of multiculturalism.
3,508 words (approx. 14.0 pages), 11 sources, MLA, $ 98.95
»
Click here to show/hide summary
Abstract
This paper discusses multiculturalism, with a focus on its development, its use by society, and the ways in which the field of psychology has reacted towards it. A brief history of the meaning of multiculturalism is presented. The paper reviews the work of several authors, in particular Kymlicka, Taylor, and Gerd, who have been influential in the development of research about multiculturalism.
From the Paper
"Multiculturalism can therefore be seen as the ?weaning out? of the ethnic territory of citizens of a many-cultured democracy, under which multiculturalism is reflected at the social level with the psychological changes that occur within individual members of a society when they embrace many cultures: it has been argued that as a result of traumas suffered as part of a ?minority? group, a member of that ethnic group may eschew their ethnicity and enter in to the multicultural mass at large in order to avoid being perceived, by society as whole, as a member of that traumatized group (Makedon, 1996). This phenomena, which is labeled as ? escape from the traumatized self? by psychologists is well documented in ethnic and assimilation studies, in which people have been shown to disavow their native culture in favor of the dominant white culture (Makedon, 1996)."
| |
|
Multiculturalism and Its Discontents, 2006.
A look at the advantages and disadvantages of multiculturalism in Canada.
1,350 words (approx. 5.4 pages), 0 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This paper discusses the positive and negative aspects of multiculturalism in Canada. The paper explains that, for the most part, multiculturalism has been good for Canada. It has brought Canada some of its most talented and industrious people, and it has exposed ordinary Canadians to new cultures, to new modes of thinking, and to new ways of living life. The paper also explains that, on the other hand, it may be said that the great strength of multiculturalism can also be its greatest weakness insofar as the mass influx (and largely uncritical acceptance) of large groups of people across the nation's borders can potentially lead to the indulgence - tacit or otherwise - of attitudes that, on their face, are not attitudes most Canadians and even most government officials would find palatable.
| |
|
Documentary Photography, 2004.
A review of the history of documentary photography and Dorothea Lange, the photographer.
1,980 words (approx. 7.9 pages), 5 sources, MLA, $ 62.95
»
Click here to show/hide summary
Abstract
This paper presents the background history of photography, in general, and the evolution of documentary photography. Documentary photography is described in the paper, illustrating its important role in documenting history. A biographical history of the photographer, Dorothea Lange, is provided in the paper. Some of her works are introduced and analyzed.
From the Paper
"Life is documented daily, whether in newspaper photographs of world events, in feature magazines of faraway places and in photo albums of family snapshots. Essentially, all photography is a documentary of whatever is being photographed for whatever reason. However, traditionally, the mention of documentary photography brings up familiar images from a few twentieth century photographers, such as Ansel Adams, Walker Evans, Roy Stryker, Arthur Rothstein and Dorothy Lange, whose photographs have not only documented culture but has become a part of the culture itself."
|
|
|
