| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MOTHER NIGHT": |
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Kurt Vonnegut's "Mother Night", 2006.
This paper reviews and discusses the film adaption of Kurt Vonnegut's novel "Mother Night," which takes place in Berlin during WWII.
822 words (approx. 3.3 pages), 1 source, APA, $ 29.95
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Abstract
This paper examines the film "Mother Night" directed by Keith Gordon and adapted by Kurt Vonnegut's novel of the same name. The writer of this paper details the film's tragic dimensions as well as the surreal yet inspired moments of dark humor. This paper discusses the plot and characters of the film, including that of actor Nick Nolte who plays American playwright and expatriate Howard Campbell. The writer also ponders the questions raised in the film regarding responsibility and the roles people often play for survival.
From the Paper
"During Campbell's years in Nazi Germany, the colors are very vibrant. The bright, nearly golden cinematography evokes a nostalgic feel--the rose-tinted hues that accompany one's memories of his or her days of youth and glory. However, in the postwar years, the colors are dull and dreary. And the last days of Campbell's life in an Israeli prison are shot in stark black and white. This inventive use of cinematography reveals the tragically ironic fact that the happiest years of Campbell's life were when he broadcasted hate over the airwaves, and the Nazis who revered him exterminated millions of innocent people. In his days of glory, he was treated as a celebrity among many Germans and had the undying love of his beautiful wife Helga."
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?Mother Night?, 2004.
Compares Kurt Vonnegut's novel with the American people's thirst for war.
1,217 words (approx. 4.9 pages), 3 sources, MLA, $ 41.95
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Abstract
The American public's support of the war in Iraq mirrors the reaction of the Germans during WWII, as described in Kurt Vonnegut's novel, "Mother Night". Vonnegut's novel is a less than subtle warning of the dangers that are inherent in blindly following authority. The paper shows that, today, it is disturbing to see that many Americans seem to support the war in Iraq for many of the same reasons that the Germans supported the Third Reich. The paper explains that the Germans and modern Americans may have shared unconditional faith in their leaders, a need to hate, a need to cling to simple beliefs, and an avoidance of the difficulties associated with critical and independent thought.
From the Paper
"Certainly, the American public's support of the war in Iraq may have the same sort of unintended effect. Many Americans support the war in Iraq out of a desire to see the atrocities of Saddam Hussein put to an end, a desire to see weapons of mass destruction destroyed, and a need to combat terrorism. However, it is certainly plausible that the Muslim world will see the American effort in Iraq as an unnecessary and fruitless example of Western military and economic power. Thus, the American involvement in Iraq may further harm Muslim feeling toward the western world, ultimately resulting in increased terrorism and hatred of the West."
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Hamlet and "Night Mother", 2000.
A comparison of the protagonist tragic characters in Shakespeare's "Hamlet" and the modern play "Night, Mother" by Marsha Norman.
1,000 words (approx. 4.0 pages), 2 sources, $ 35.95
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Abstract
This paper examines and compares the plays "Hamlet" by Shakespeare and "Night Mother" by Marsha Norman. The paper shows how the main characters of the plays share common characteristics such as their arguments for suicide, the loss of their fathers, and their similar wishes to die.
From the Paper
"Although Hamlet by William Shakespeare and Night, Mother by Marsha Norman were written about four hundred years apart, they are similar because they both tell tragic stories of people who are tortured by hopelessness, depression and painful circumstances in their lives. "
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Night Terrors, 2008.
This paper explores the symptoms and treatments of night terrors as well as research on this disorder.
1,292 words (approx. 5.2 pages), 4 sources, MLA, $ 43.95
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Abstract
The paper describes night terrors as panicked awakenings that could turn very violent. The paper looks at how to handle a situation when someone is experiencing night terrors, the symptoms of someone experiencing night terrors, the cause of these night terrors and how to prevent them from happening again. The paper then examines an experiment on night terrors and its interesting results.
From the Paper
"A night terror, also known as sleep terror or pavor nocturnus, is a parasomnia sleep disorder. A night terror occurs in stage 3 or 4 sleep. A stage four night terror causes the "greatest heart rate acceleration possible in man" (Kahn, 533). Episodes are most common in the first third of the night and may last 10 to 20 minutes, and then normal sleep returns. Contrary to what most believe, a terror it is not a dream or night mare. Dreams occur during R.E.M, rapid eye movement sleep, while night terrors occur in N.R.E.M. sleep, non-rapid eye movement."
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"A Night to Remember": Book Review, 2008.
A review of "A Night to Remember", Walter Lord's 1955 work about what happened the night the RMS Titanic sunk.
756 words (approx. 3.0 pages), 1 source, MLA, $ 26.95
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Abstract
This paper favorably reviews Walter Lord's 1955 non-fiction work, "A Night to Remember", explaining that it is a heart-rendering account of the Titanic's deadly collision with an iceberg. The paper further relates that the book is a compilation of survivors' recollections of the disaster and that the major theme of the book is the good and evil of human nature that is revealed in life threatening situations. The paper concludes that Lord's book is a critical expose of one of the most tragic events in the history of travel on the seas.
From the Paper
"Walter Lord gives his reader an authentic sense of what it was like to be a passenger onboard the boat that dreadful night. He describes the night of the crash as being calm, clear, and bitterly cold. He details the passengers' formal attire to help demonstrate just how shocking and unexpected the sinking was. He depicts their dress as an odd mixture of bathrobes, fur coats, turtleneck sweaters, and tuxedos to emphasize the bitter irony of the sinking."
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Night Shift and Cancer, 2004.
This paper discusses the causes and effects of working night shifts as related to breast cancer.
2,555 words (approx. 10.2 pages), 11 sources, APA, $ 77.95
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Abstract
This paper explains that only a few studies examine the direct relationship of working night shifts and breast cancer; but, based on the several studies that used different methods, medical researches have hypothesized that working night shifts puts women at greater risk of breast cancer. The author points out that the most common cause cited is the decrease in the level of melatonin and the exposure to bright artificial lights at night. The paper relates that the lack of melatonin as a risk factor to breast cancer is linked to the
overproduction of estrogen, another breast cancer-causing hormone. According to studies, melatonin regulates a hormone system?s production of estrogen; therefore, a decrease in melatonin can cause a reproductive system to produce more estrogen, thus allowing a higher risk of breast cancer.
Table of Contents
Introduction
Epidemiological Studies on Working Night Shift and Cancer
Links to Working Night Shift and Breast Cancer
Other Links to Working Night Shift and Breast Cancer
Conclusion
Policies to Address the Issue
From the Paper
"Melatonin is a hormone that is essential for the body. It acts as a protection against the growth and development of tumors. According to studies, during sleep at night is the peak time when melatonin is produced, specifically between 1 am to 2 am. Because working night shift deprives an individual from a night sleep, production of the right amount of melatonin is also being deprived. Thus, allowing a higher risk of developing cancer tissues. Daniel DeNoon, in his Hormone Melatonin Slows Breast Cancer, indicates the following report of David E. Blask of Bassett Research Institute in Cooperstown, N.Y. about the relationship of melatonin to growth of breast cancer."
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Elie Wiesel's "Night", 2007.
A look at the deconstruction of Elie Wiesel in his autobiographical book "Night".
1,383 words (approx. 5.5 pages), 0 sources, $ 46.95
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Abstract
"Night", by Elie Wiesel, is an autobiographical book about the survival of a young Jew, Wiesel himself, in the utmost degradation of the human soul. This paper dicusses how, in Weisel's book, "Night", the images of night and fire, the themes of brutality against children, the loss of spiritual faith, the idea of death, the inversion of the father-son relationship between the protagonist and his father, Shlomo Wiesel, all substantiate the degradation of the human soul from civilization and faith to savagery and loss in faith.
From the Paper
"The recurring image of night itself and fire are significant. Night falls at the most crucial parts of the book: when Shlomo Wiesel, Elie Wiesel's father first announces the news of the "transports" (13), when Eliezer first observes the shocking vision of death by burning in the crematorium, and when the march from Buna commences. There is a gradual increase in the darkness especially before, during, and after the march: "an even darker night was waiting for us on the other side." (84) Eliezer's pain increases with the darkness and is finally numbed when the night becomes pitch-black. Once the procession reaches the barracks in Gleiwitz, the prevalence of death increases as the night grows longer to the point where "the days resembled the nights and the nights left in [our] souls the dregs of their darkness." (100) "
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Transformations in "A Midsummer Night's Dream", 2002.
This paper examines the recurring changes of the moon and the transformation of the characters in "A Midsummer Night's Dream".
1,465 words (approx. 5.9 pages), 4 sources, $ 48.95
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Abstract
This paper analyzes one of William Shakespeare?s most celebrated comedic plays, "A Midsummer Night?s Dream". The author examines how the throughout the play the characters attempt to find a way to understand the mechanism of love in a rational way and experience self-alterations that they believe to be a dream in the end. The paper also looks at how the recurring reference to the ever-changing moon parallels the transformation of the characters in "A Midsummer Night?s Dream".
From the Paper:
"A Midsummer Night?s Dream" brilliantly expresses the profound human uncertainty about love. Dream world and reality merge undetectably so that the characters are not sure themselves in which sphere they move, nor whether what they have experienced has been imagination or truth. What seems to be a fantasy or a dream for the characters in "A Midsummer Night?s Dream" is actually reality. However, the dreamlike atmosphere of the play accentuates the fact that the lovers appear to be quite removed from any criteria applicable to reality."
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"Karaoke Nights", 2006.
A book review of the popular book " Karaoke Nights" by Rob Drew.
966 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
In this book review the author starts with a look at the background behind the writing of the book "Karaoke Nights" by Rob Drew. He highlights how Drew was originally drawn to the topic of his book as a research subject only but as he learned more, he elaborated on the karaoke phenomenon. The paper looks at how "Karaoke Nights" is an observation on the external behavior of deejays, performers, and audiences and an intimate portrait of the emotional roller coaster that is the internal life of a karaoke singer. The author also examines how Drew provides an analysis of the varied roles karaoke plays in popular culture and how karaoke can guide to an understanding of local music and culture. The book review concludes with a summary of how karaoke has had a great impact on the American culture at weekends giving people a motive to act out a part and have fun at the same time, as described in "Karaoke Nights".
Table of Contents
Introduction
History of Karaoke
Karaoke Nights
Conclusion
From the Paper
"Another point that Drew make in his book that American culture relies on a good time Saturday nights so that they relax after a hard week's work. And, ten years ago, karaoke caught on in America after being in Japan for many years before. Drew describes this craze from Japan a great way for people get together and live out some of their fears by singing songs in a public place where others could easily make fun of them. However, everyone in that local karaoke bar is feeling the same fears so they respect the person's feelings and not torment them while they are on stage singing out of tune. Most people do sing out of tune as Drew points out but karaoke is all about having fun and doing something some people would not normally do in front of others."
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A View of Feminism in "Arabian Nights", 2003.
Analyzes the role of women in Arabian culture as depicted in literature, especially "Arabian Nights".
716 words (approx. 2.9 pages), 1 source, MLA, $ 25.95
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Abstract
Historians have always looked to literature for insight into how a culture functioned, what it valued, and how its people lived. Today, when studying the Middle East, many would not only read the Qu?ran, but also "The Arabian Nights", the folklore. The paper shows that when we read "Arabian Nights" we understand a great deal more of how the Arabic people actually lived. Perhaps the most evident discrepancy between the teachings of the Qu?ran and the "Arabian Nights" tales pertains to the view and treatment of Middle Eastern women.
From the Paper
"This method of seclusion is dramatically illustrated in The Arabian Nights where we hear the story of the demon that locked his wife in a chest and carried her about as if she were his private property. Yet ironically the authors of the Arabian Nights convey in this same story that not even this extreme could prevent a willful woman from knowing other men."
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Madness in "King Lear" and "Twelfth Night", 2002.
Examines the multiple levels of the theme of madness in two plays by William Shakespeare, "King Lear" and "Twelfth Night".
2,150 words (approx. 8.6 pages), 6 sources, $ 80.95
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Abstract
Madness in Shakespearean plays has distinct and multiple meanings and purposes. On one level, the madness of insanity is clearly felt in the tragedies like "Lear". On another, madness is also felt in the frenetic pace of impossible situations and comedic errors in judgment as is found in "Twelfth Night". Madness is, then, both tragic and comedic. But, it is much more than that. Madness represents a loss of control, of being borne by unnatural impulses, drivesa nd, perhaps, voices. Being mad is to not be yourself, it is to have lost touch with humanity, with life and with reality. The mad are excused from the rules of man and at the same time, tragically bound by them. For some, in madness is found freedom. Lear is wrapped, tightly, within a horrible prison created by his inability to see through the duplicitous daughters and embrace the one person in his life that loves him enough to refuse him. His madness, in the end, is what sets him free of the binds that his daughters and his pride had him in. The madness, however, is like the release from an intense and long-term drug addiction, it is horrible to watch, but leaves Lear in a better state afterward, free of poisons. Madness also allows otherwise straight-laced, bound by social rules (which were oppressive in Elizabethan England), to freely express inner passions, make mistakes and be fools in the eyes of others without fear of recourse, as is the case with nearly every character in "Twelfth Night". It is the purpose of this paper to examine the nature of madness in the Shakespearean context, how it plays out in both King Lear and Twelfth Night, and the meaning behind the madness in both works.
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Emotion and "Twelfth Night", 2008.
This paper looks at the overabundance of emotion in Shakespeare's work 'Twelfth Night'.
1,274 words (approx. 5.1 pages), 1 source, MLA, $ 43.95
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Abstract
In this article, the writer points out that many scholarly articles and studies of 'Twelfth Night' tend to downplay the literary importance of the play by categorizing it as a genial and charming play. The writer maintains that there is not anything inherently abominable about being either genial or charming, but these two words do not do justice to Shakespeare's deceptively "light" play. 'Twelfth Night' is not a tragedy, but this does not prevent Shakespeare from exploring, through comedy, several fundamental themes of human existence: love, grief, and desire. This paper analyzes Shakespeare's exploration of these existential themes as they appear in 'Twelfth Night' and argues that the playwright, through comedy, unveils the ludicrousness and inappropriateness of extravagant and sentimental emotion.
From the Paper
"The question and the man who asks it barely register in Orsino's mind, but he is quick to pull out his readily available stock of conventional wisdom as soon as he breaks his reverie, and responds to Curio's question with a trite metaphor on love and hunting. No wonder, then, that the servants show signs of impatience and restlessness: their master is luxuriating in a state of complete self-absorption, and the outside world (or the beings that inhabit it) have ceased to exist. Of course, this matters not at all to the extravagant Orsino, as he is completely clueless as to what transpires around him and simply lacks the energy (in the manner of all love-sick gentleman) to engage in hunting or other depleting physical activities.
"Olivia, too, embodies these same characteristics, and it is perhaps unfortunate that the two do not make their own happy ending. Similarly to her determined pursuer, Olivia's emotional "disorder" reveals itself through her conversations with Cesario. The reader knows, before even encountering Olivia, that she is in mourning for a beloved brother. "
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"Acquainted With the Night", 2006.
An analysis of the narrative voice in Robert Frost's poem "Acquainted with the Night".
1,173 words (approx. 4.7 pages), 1 source, MLA, $ 40.95
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Abstract
This paper discusses how "Acquainted with the Night" describes the persona's confrontation with 'the long, dark night of the soul', in which he stands alone in a universe that is bereft of any overarching divine meaning or even a mundanely constructed order or morality. It discusses how, far from engendering a sense of hopelessness, the indifferent ambiguity of the universe motivates the narrator's exploration of his own nature, displaying the curiosity that is the birthright of humanity.
From the Paper
"The opening stanza of the poem consists of three declarative sentences that describe the persona's ambiguous relationship with the night, as well as suggesting the commencement of a journey. By stating that "I have been one acquainted with the night" (Frost, l.1), the narrator immediately removes himself from objective time and begins to describe a relationship located in neither the past nor present, but rather a subjective temporality that is akin to the dream-state of semi-consciousness. The repetition of the personal pronoun 'I' emphasizes that he is alone in his wandering and that this is an exploration of the self and its relationship to the outer world. "
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"The Arabian Nights", 2004.
An examination of why the story of "The Arabian Nights" is still popular.
690 words (approx. 2.8 pages), 6 sources, MLA, $ 23.95
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Abstract
This paper looks at why "The Arabian Nights" story has remained famous and popular as a significant work in Arab literature. It examines the universal and positive appeal of the tales, their influence in Western literature and specific writers influenced by the Arabian Nights.
From the Paper
""Alf Layla wa Layla" translated as "A Thousand Nights" and also known as "An Arabian Night's Entertainments" has had a remarkable history equal to that of the characters in its tales. Some scholars surmise that these tales originated over years ago in ..."
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"The Twelfth Night"., 2002.
An analysis of the concepts of gender and gender roles in Shakespeare's "Twelfth Night".
1,650 words (approx. 6.6 pages), 1 source, $ 62.95
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Abstract
"The Twelfth Night" is an example of how a play can function both as theatrical performance, and as literature. The Twelfth Night is a play based on gender impersonation and openly mocks the assumptions about feminine and masculine behaviour or expectation. This paper focuses on Viola, and Olivia, as they are so clearly designed to complement and contradict (even through the names, which are different arrangements of the same letters.) As Viola impersonates the young man with whom Olivia has fallen in love, the differences in how Viola manages to speak as a man are as varied as Olivia's relations for speaking as a woman in relation to men.
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