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Morality by Marlowe and Wilde, 2008.
A comparison of immorality and hypocrisy in the main characters of "The Tragical History of Dr. Faustus" by Christopher Marlowe and "The Importance of Being Ernest" by Oscar Wilde.
1,561 words (approx. 6.2 pages), 2 sources, APA, $ 51.95
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Abstract
This paper discusses the portrayal of morality in the plays, "The Tragical History of Dr. Faustus" by Christopher Marlowe (1995) and "The Importance of Being Ernest" by Oscar Wilde (1985). More specifically, the paper looks at the plots of the plays and then compares and contrasts immorality and hypocrisy in the main characters of these two works.
From the Paper
"These plays address morality from the mores of their own times. Marlowe did not permit Faustus to be redeemed. Faustus' lack of moral insight was, perhaps, as great a factor in his condemnation as his lack of soul. His inability to change and mature, as evidenced by his petty tricks and lack of success despite his power, left Faustus with no recourse other than damnation. Jack, however, was able to change his life, learning the importance of being "earnest" in his dealings. It is through this insight and through his maturation as a moral human being that he is worthy of redemption, while Faustus is not."
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Marlowe vs. Shakespeare, 2004.
A comparative analysis of the work of Christopher Marlowe compared to that of William Shakespeare.
1,307 words (approx. 5.2 pages), 7 sources, MLA, $ 44.95
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Abstract
This paper examines how the Elizabethan dramatists Christopher Marlowe and William Shakespeare were contemporaries and how, for the latter part of Marlowe?s dramatic career, they were rivals as well. It looks at how Marlowe?s career as a playwright was cruelly cut short after the author was murdered in a tavern brawl, probably the result of his political intrigues. The paper shows that regardless of the reasons for Marlowe?s untimely demise, the difference between the older Marlowe and the young Shakespeare had already become manifest in the characterization of the main protagonists of the two men?s plays. It explores how Marlowe clearly influenced Shakespeare?s early writings and how, while Marlowe used broad character brushstrokes to create a vivid narrative and caricature of human character and morality, Shakespeare created a new way of dramatically rendering the human character in shades of gray. In particular, it examines how both men used similar themes, such as the presence of ?Jewish? values in a money-grubbing 'Christian' society.
From the Paper
"All of Marlowe?s protagonists are larger than life, from Barabas to Faustus and lastly to Tamburlaine, in the scope of their desires. They are both sustained and destroyed by their respective evils. Barabas? poisoning reflects the Jewish dietary laws that Shylock merely tacitly refers to, ?I will not eat with you,? in Act I of ?The Merchant of Venice.? Faustus is destroyed by his love of knowledge and power, just as Tamburlaine is destroyed by his desire to conquer the world.? All of these men stand outside of their societies, and reflect what is wrong with their societies?an over emphasis on money, scholasticism, and power respectively."
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Wilde Visions of Paterian Aesthetics, 2007.
This paper analyzes works by Oscar Wilde and Walter Pater, examining parallels with regards to ethics and aesthetics.
19,650 words (approx. 78.6 pages), 25 sources, MLA, $ 249.95
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Abstract
In this work, Oscar Wilde's plays are partially taken into deep consideration as an analysis of his playwright identity. In the process of the discovery of his decadent resentment of the late nineteenth century orders, the influential figures of the new movement are also indicated. Oscar Wilde and Walter Pater have important parallels among their Epistemologies, ethics and aesthetics. The writer uses extensive examples primarily regarding to Pater's first book, Marius The Epicurean: His Sensations and Ideas (1885) and Wilde's plays of 1894, An Ideal Husband, and The Importance of Being Earnest, to display their aesthetic ideology to demonstrate the precise link between the two, for it has never been convincingly interjected. The main question underlying this paper is of how Wilde perceives art. While exploring his conception of art, dandy-ism is comprehensibly touched in order to reveal his aesthetic identity. However, this paper discusses his aesthetic ideology in the context of individualism through the referencing of some of his works, particularly his aforementioned plays. The question at the basis of this preoccupation is of how Wilde displays the expressing of individuality and idiosyncrasies through art and in particular the value of art.
From the Paper
"The use of Puns is another concept that pars to both the aesthetic identity of Walter Pater as well as the aesthetic identity of Oscar Wilde. In this play "The Importance of Being Earnest", the pun, which is generally believed to be the lowest structure of oral humor, is hardly ever just a humor on words. The duality of the title in itself is proof of that. One example of such a notion lies in the earnest/Ernest humor that is utilized to hit the very truth of all the Victorian ideas and rules regarding propriety and responsibility. Gwendolen wants to be betrothed to a man named Ernest, without giving a thought to whether the man bearing such a name bears its qualities too or not. She, nevertheless, immediately exonerates Jack's dishonesty in personifying a man who is originally neither "earnest" nor "Ernest," and who, because of forces stronger than his own power, consequently develops both "earnest" and "Ernest." Jack is a perfect paradox and a compound emblem of Victorian duplicity."
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Marlowe's versus Goethe's "Faust", 2007.
This paper contrasts Christopher Marlowe's "Tragical History of Doctor Faust" and Johann von Goethe's "Faust".
985 words (approx. 3.9 pages), 5 sources, MLA, $ 34.95
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Abstract
This paper explores the story structure, the role of Gretchen and theological presuppositions in Marlowe's play "Tragical History of Doctor Faust" and Goethe's play "Faust", separated by approximately two hundred years and by two different languages and cultures, English and German. The author points out that, while both Marlowe's and Goethe's plays are tragedies, Goethe's ends on an optimistic note. The paper relates that Goethe's play is a longer and more complex work with many more episodes of varied style. The author states that the Gretchen episode, which is prominent in Goethe's "Faust", is not found at all in Marlowe's play. The paper concludes that, what to Marlowe was basically a foreign story, which he imported for his own ends, was to Goethe a part of his own nation's cultural tradition and was more familiar to people as a folk tale.
Table of Contents:
Summary
Structure
Gretchen
Theology
Discussion
Structure
Gretchen
Theology
Conclusion
From the Paper
"The Gretchen (Margarete) episode is a very prominent and well-known one in Goethe's Faust but is not found at all in Marlowe's play. In the last part of Part I, the role of Gretchen comes to the forefront of the story, even putting Faust himself into the background for a while. Despite her tragic, Ophelia-like demise, the voice from above which proclaims her redemption at the very end of Part I ends that part of the poem on a highly optimistic note, and foreshadows Faust's own redemption at the end of Part II."
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Marlowe And Shakespeare, 2002.
Examines the theory that Christopher Marlowe was actually the writer of all William Shakespeare's works.
1,650 words (approx. 6.6 pages), 2 sources, $ 62.95
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Abstract
Could Shakespeare's works actually be Christopher Marlowe's? This is discussed with a comparison of Marlowe's works with Shakespeare's. Many have argued that Shakespeare's works have been fakes and believe that Marlowe could be the possible writer. How do they compare is a question that will be addressed in this paper.
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Oscar Wilde?s Fairy Tales, 2004.
An analysis of Oscar Wilde?s philosophy of Greek love in his fairy tales.
2,484 words (approx. 9.9 pages), 8 sources, MLA, $ 75.95
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Abstract
This paper examines how Oscar Wilde?s reputation as one of the preeminent literary geniuses of the Victorian era remains an extraordinary accomplishment for an Irishman writing for and about English society. It looks at how, after his conviction on sodomy charges led to two years in prison and self-imposed exile to France, Victorian society vigorously denied Wilde's existence in their ranks and how Wilde?s role as an outcast within Victoria?s conservative society represents a compelling force in his fairy tales. It analyzes his books, ?The Happy Prince?, ?The Star-Child", and ?The Young King?, as well as ?The Soul of Man Under Socialism?, for elements of Wilde?s theory of masculine love.
From the Paper
"In ?The Young King? the protagonist is a very young man ?for he was only a lad, being but sixteen years of age? (Pomegranate) with enchanting beauty ?wild-eyed and open-mouthed, like a brown woodland Faun? (Pomegranate). This detail about the Young King corresponds with an age-frame where Wilde would have been discovering his own sexual preference. In ?The Young King?, the young man?s metamorphosis, through a dream quest, reconciles his conflicting roles as the son of the poor goat-herder and his destiny as ?the son of the Old King.? Shimmering on the surface of this tale is Christ?s message from the ?Sermon on the Mount? (Matthew 5, 6 & 7). Wilde declares, in "The Soul of Man under Socialism,? that the message of Christ to man was simply ?Be Thyself.? The young King?s recognition of his true self within these conflicting roles reflects his attainment of the virtue asked for in Christ?s message."
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Chaucer vs. Marlowe, 2006.
This paper reviews and analyzes the similarities and differences in Geoffrey Chaucer's "The Franklin's Tale" and Christoper Marlowe's "Hero and Leander."
1,820 words (approx. 7.3 pages), 0 sources, $ 58.95
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Abstract
The writer of this paper contends and explains how both authors use familiar images and themes to tackle complicated questions. This paper discusses the fact that both works of writing deal with the issue of marriage and the role of women, albeit in different contexts. This paper analyzes the manner in which both authors use historical mythical themes to illustrate and examine the concerns of the present day. Chaucer's writings occurred during a time when the relationship between men and women were often plagued by infidelities, due to the frequent absences on the part of the husbands, from their wives, while Marlowe's poem portrays marriage in a more romantic light. This paper discusses Marlowe's use of Greek mythology to address concerns of what constitutes an appropriate marriage. While Marlowe questions if and when young people should marry, Chaucer is far more concerned with who is the more dominant partner. This paper also analyzes Chaucer's use of personal narratives and prologues throughout his writings.
From the Paper
"The intertextual use in Chaucer is more thematic than verbal. Chaucer calls upon the myth of the unavailable maiden not to defend virginity, as the woman is already married. Nor does she wish to transgress-rather, the idea of a woman attempts to get rid of him through the demanding of great tasks is combined with the convention of courtly love, where the common event of a military knight being called away from his wife and castle leaves her heart and body open to impingement by other men, usually of slightly lower orders such as squires, as in the case of "The Franklin's Tale." Like Marlowe deploys later with his use of Greek mythology, Chaucer deploys ancient myths and themes to illustrate 'real' truths, of the inevitable conflicts of divided loyalty between the genders bound by marital and feudal obligations."
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Oscar Wilde and Victorian Morality, 2006.
This paper examines Victorian views of morality and marriage as portrayed in 'The Importance of Being Earnest' by Oscar Wilde.
675 words (approx. 2.7 pages), 2 sources, $ 26.95
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Abstract
In this paper, the writer discusses the institution of marriage as demonstrated in the Victorian play 'The Importance of Being Earnest' by Oscar Wilde. The writer shows that the morality of being unity with a loved one is certainly the external social apparatus of Victorian marriage, but Wilde often points out the reality of patriarchal institutions that make marriage more like a business. Further the writer demonstrates that by realizing what moral virtues uphold the union of man and woman in love; the contrary affect of female abuse and sublimation are often the satirical reality in Wilde's classic play.
From the Paper
"This drama study will examine the morality of the Victorian marriage within the context of Oscar Wilde's 'The importance of Being Earnest'. By defining the often patriarchal nature of marriage in the Victorian period, one can realize the social institution that forged the strict observance of men and women being 'one' through a legal and moral binding. However, Oscar Wilde often conflicts with the institution of marriage, and argues that it is a business, rather than a pleasure. In essence, the Victorian institution of marriage is often hypocritical in that it portrays an image of money and legality, which denies the supposed moral pleasure of loving commitment. The opening First Act presents the conflict of pleasure and business in relation to marriage, as Algernon and his butler Lane discuss the topic of morality in marriage."
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Oscar Wilde's Lord Goring: the Dandy-Philosopher, 2000.
An analysis of the character of Lord Goring in Oscar Wilde's play, "An Ideal Husband".
1,700 words (approx. 6.8 pages), 5 sources, $ 55.95
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Abstract
The essay discusses Lord Goring who is socially ?idle?, yet ideal in terms of philosophy. Moreover, it describes Goring as the most interesting and outstanding persona in the play, his ambivalent behavior, and the change he goes through during the play, and why he could be considered Wilde?s alter ego. The paper ends raising the question of whether or not Wilde has lost grip on this character. Did Wilde manipulate Goring?s behavior in order to obtain the desired ending of the play?
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Oscar Wilde's "The Importance of Being Earnest", 2006.
This paper describes and analyzes Oscar Wilde's play "The Importance of Being Earnest".
1,935 words (approx. 7.7 pages), 4 sources, MLA, $ 61.95
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Abstract
This paper explains that Oscar Wilde's comic play "The Importance of Being Earnest" is a satiric look at aspects of British society, notably the influence of social class and rigid stratification. The author points out that the play toys with the dual meaning of the sound of Ernest: How important it is to be earnest, meaning sincere, and how important it is to be named Ernest. The paper relates that Wilde develops an inverted parody of the stock romantic situation in which the lovers' devotion alone and not their names have meaning; the play abounds in inversions of romantic cliches found in epigrams and certain conversational exchanges, which are structured on the basis of a reversal of expectations. Includes many quotations.
From the Paper
"To say that Jack is manipulating reality is to say that he is manipulating his own reality, for the play does not deal in what we would call objective reality. This is a world that does not exist, with people who operate on their own logic. Reality for Jack is always something of a blur because he has no idea who he really is. In this sense, his entire life is an appearance rather than a reality until he learns through a series of coincidences at the end of the play who he really is--he is Algy's older brother--and what his name is--his name really is Ernest."
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Existentialism and Oscar Wilde, 2007.
An examination of existentialism in Oscar Wilde's play "The Importance of Being Earnest".
2,510 words (approx. 10.0 pages), 7 sources, MLA, $ 76.95
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Abstract
This paper examines the idea of identity in Oscar Wilde's play, "the Importance of Being Earnest" and in other Victorian works, and questions whether the individual or society shapes essence. The writer further discusses Jean-Paul Sartre's existentialist philosophy and how it relates to Wilde's play.The paper also looks at works by other authors where the characters decide how to behave based on their social status.
From the Paper
"The plot of Oscar Wilde's play The Importance of Being Earnest is much involved with questions of identity and toys with the meaning of identity, especially in terms of the social conventions of British Victorian society. Wilde is not normally thought of as an existentialist, but many of the concerns he raises in this play and some of his other works mirror concerns of the existentialists, including the issues of identity and authenticity."
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Oscar Wilde's "The Picture of Dorian Gray", 2008.
Examines the nature of sin as presented in Oscar Wilde's play "The Picture of Dorian Gray".
855 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
This paper discusses Oscar Wilde's play, "The Picture of Dorian Gray" and how the origins of sin are presented in the play. The paper uses examples from the play to show how, for Wilde, sin has its origin in awareness and knowledge of desire, just like the fall from grace in Eden. The paper explains how the main character, Dorian, becomes sinful in his knowledge and his awareness of his own beauty and this leads to his downfall.
From the Paper
"Again, there is scarlet, but this is the scarlet of blood letting, not an innocent blush of the young Dorian's lips. Once again, at the words of Lord Henry, even the older and more jaded Dorian is moved to tremble. He blanches at the sight of the picture, but for a different reason, because he can see the monster he has become, rather than fears the passage of age as he did as a young man. His own portrait is described as loathsome, like a serpent, and the diction of the passage is Biblical and elevated, "the scarlet of blood," "desire," and "scarlet dew" as a euphemism for blood."
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Oscar Wilde, 2002.
A discussion of Oscar Wilde's homosexuality.
1,111 words (approx. 4.4 pages), 2 sources, MLA, $ 38.95
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Abstract
The paper examines the issue of the author Oscar Wilde's homosexuality, how it was portrayed in his writings, accepted by society, and how he was eventually taken to court and found guilty of gross indecency. It looks at how homosexuality was not ?obvious? to Victorian society and Wilde often engaged with a kind of cat and mouse game with his reading public as a closeted homosexual author. Famously, the word ?earnest? was slang in many circles for homosexuality and queerness and it reviews his play "The Importance of Being Earnest" as a heterosexual comedy of manners.
From the Paper
"Throughout both of his trials, Wilde adopts a kind of insouciant, provocative pose that seems, to the modern eyes, to be a ?typical? portrait of a flamboyant male homosexual. Because Oscar Wilde?s artistic medium has become synonymous with such a posture it is difficult to re-read history with open eyes. However, the answer as to why Wilde thought he could ?get away with it,? would seem to be found, not so much in the actual, textual evidence of either the trials or Wilde?s later works during and after his imprisonment. Rather it is the attitude by which sexuality in general, and homosexuality in particular, was viewed by Wilde?s Victorian reading public."
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Oscar Wilde, 2005.
This paper discusses Oscar Wilde as a writer and looks at his life and the external influences to his writing.
2,700 words (approx. 10.8 pages), 6 sources, $ 106.95
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Abstract
This paper is a long essay on the life, times & career of Oscar Wilde. Some major works are touched on, including 'Salome', 'The Importance of Being Earnest', and 'The Soul of Man Under Socialism'. However, this paper is primarily looking at the external life, background, influences, and career of Oscar Wilde, rather than his writing. Major influences on his philosophy and career are mentioned including Ruskin, Mahaffy, his parents, family and lovers. There is brief mention and discussion of his "outing" and subsequent trials.
From the Paper
"Oscar Wilde Irish playwright, author, and poet Oscar Wilde was a radical in many ways. His flamboyant lifestyle, open homosexuality, outrageous disregard for cultural norms, as well has his socialist and anarchist ways of thinking were more than a century ahead of his time. His ideas and styles are more common today than one hundred years ago, but are still outside of the mainstream and are considered quite "alternative" and radical. Wilde's radical nature was expressed throughout his writing, his lifestyle and his philosophy. George Bernard Shaw said of Wilde, "He plays with everything: with wit, with philosophy, with drama, with actors and audience, with the whole theatre" (Holland 96 1988). In this paper one will see how this clever, irreverent, playfulness was extended into the rest of his life, career, and philosophy. The details of Wilde's short life are fairly well known. Oscar O'Flahertie Fingal Wills Wilde was born October 16, 1854 in Dublin... "
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Marlowe's Mephistopheles, 2004.
An examination of the various modern treatments of Marlowe's character Mephistopheles.
1,808 words (approx. 7.2 pages), 8 sources, MLA, $ 63.95
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Abstract
This paper presents an examination of the various modern treatments and productions of Marlowe's character Mephistopheles, and how this affects the tone of the play as a whole. The paper looks at the plot and symbolism.
From the Paper
"We know that classic plays are reinterpreted multiple times throughout history. In recent years we have seen modern interpretations of a number of Shakespearean dramas on stage and film. These include but are not limited to the modern renderings of Romeo and Juliet Hamlet and Othello. Certainly we can agree that Marlowe's Doctor Faustus is a classic in its own rite and thereby worthy of such reinterpretation. No matter the version of the play that we see however the story remains the same ..."
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