| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MONT SAINT MICHEL": |
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Mont Saint Michel, 2007.
This paper examines the history and architectural character of the structure, Mont Saint Michel.
2,752 words (approx. 11.0 pages), 3 sources, MLA, $ 82.95
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Abstract
In this article, the writer looks at the history of how the Mont Saint Michel structure was built and how the abbey and the island has been used over the centuries. The writer further traces how the Mont Saint Michel evolved from a cultural repository to an abbey, a dungeon and the world heritage site that it is today. The writer then examines the architecture and design of the Mont Saint Michel, looking at the village structures as well as the abbey itself. Next, the writer details how the structure has evolved from its original Romanesque design to exhibit the Gothic characteristics that the abbey is famous for today. In addition, the writer looks at the conservation problems that have arisen as a result of all this construction, and the efforts being made to safeguard this world heritage site.
Outline:
History
Architecture and Design
Present Day Architectural Concerns
Conclusion
From the Paper
"The structure of the Mont Saint Michel that is familiar today took shape in the early seventh century, an effort spearheaded by Saint Aubert, who was then bishop of Avranches, located just across the Couesnon River. Local legends state that Saint Michael appeared to the bishop, with instructions for the building of a church on the rocky outcropping. Considering the logistical difficulties of such a feat, it is not surprising that Saint Aubert did not immediately follow through, that is, until Saint Michael reappeared and burned a hole into the bishop's skull. The island was therefore officially dedicated to Saint Michael in 708."
"While the Mont Saint Michel is often ascribed religious importance, it also had political and military significances at various times in history. In 933, the Norman invaders embarked on a new conquest, beginning with the annexation of the Cotentine Peninsula."
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Saint Peter and the Saint Peter's Basilica, 2008.
This paper discuses Saint Peter, his deeds and the architecture and symbolism of Saint Peter's Basilica.
2,230 words (approx. 8.9 pages), 4 sources, APA, $ 69.95
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Abstract
This paper explains that the Basilica of Saint Peter in Rome reflects the acts of Saint Peter, serves as a model for all the great Churches in Italy and provides a deep historical and religious framework for Christianity. The author points out that Saint Peter is one of the most significant icons of the New Testament. The paper notes that the first Basilica of Saint Peter, finalized in 324 and which was designed in the form of a cross, became worn through the ages and reconstruction was inevitable. The author explains that reconstruction of the new Saint Peter's Basilica, begun in 1503, involved Donato Bramante, who implemented a Greek style cross design, followed by Antonio da Sangallo, who added the Baroque features to the interior, Michelangelo, who contributed his awesome dome, and Bernini, who designed in 1667 the square directly outside the Basilica.
Table of Contents:
Saint Peter's Profile
The Deeds of Saint Peter
Saint Peter's Burial
History of Saint Peter's Basilica
Architecture of Saint Peter's Basilica
The Deeds of Saint Peter Reflected in Architecture
From the Paper
"Jesus christened Peter with the name, Cephas. In translation, Cephas means 'The Rock'. The inference of this name clearly describes the role that Saint Peter played as a primary leader during Jesus' life. As a disciple, Peter witnessed a great deal of miracles and promoted the salvation of Christianity through example. Along with apostles James and John, Saint Peter remained close to Jesus and advised him on many issues. Peter was present for many of Jesus' trials and miracles, documented as the main apostle at Jesus' transfiguration, the revival of Jairus's daughter from the dead and the Agony of the Garden of Gathsemane."
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Landscapes Painting, 2002.
A review of two landscape paintings, "Landscape with Saint John on Patmos" by Nicolas Poussin and Paul Cezanne's "Mont Saint- Victoire".
1,900 words (approx. 7.6 pages), 8 sources, $ 71.95
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Abstract
This paper analyzes two pieces of art in terms of their content and design, as well as investigating the periods during which these pieces were produced. The two works that are explored are "Landscape with Saint John on Patmos" by Nicolas Poussin and Paul Cezanne's "Mont Saint- Victoire". Both images are of landscapes featuring mountains, yet the overall composition and execution of both pieces is remarkably different
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Gothic Architecture, 2006.
A review of the urban planning of medieval towns.
1,517 words (approx. 6.1 pages), 7 sources, MLA, $ 49.95
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Abstract
This paper takes a look at gothic architecture and the urban planning of medieval towns, focusing specifically on Mont- Saint-Michel on the islet of Mont Tombe. According to the paper, aside from the intrinsic military value of Mont-Saint-Michel, the place served also as a social, cultural and political arena.
From the Paper
"Of particular interest in the study of Gothic architecture is the structure standing tall on the islet of Mont Tombe - Mont-Saint-Michel. Before understanding the architectural wonder of this sacred shrine, one must first know the history relevant not only to the place itself but in most areas during the Medieval Period. Since this era has been considered fraught with battles and warfare, building of churches, cathedrals or any holy place at that time was not only in consideration of the religious fervour but in deference to military strategies as well. Religious structures did not serve only as places of worship but of defense or withstanding of attacks from marauding invaders. Mont-Saint-Michel is by any means not an exception since aside from serving the spiritual needs of the inhabitants; its military value was very much taken into consideration."
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The Battle of Monte Cassino, 2005.
An overview of the Battle of Monte Cassino during WWII, with a focus on the Allied decision to bomb the ancient monastery at Monte Cassino.
1,541 words (approx. 6.2 pages), 5 sources, APA, $ 50.95
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Abstract
The decision by the Allies to attack the Monte Cassino, the "oldest monastic house" in Europe, was not made lightly. In fact, the destruction of the monastery at Monte Cassino, more than any other episode from the Italian campaign of 1943-1945, remains a source of heated debate. This paper provides an overview and background of the events that took place at Monte Cassino in May 1944, a discussion of the Allied decision to bomb the monastery, followed by an analysis of the impact of the attack, and a summary of the research in the conclusion.
From the Paper
"The German commanders did not choose Monte Cassino by accident, and even promised the Vatican that troops would not be stationed there. The monastery also occupied prime real estate that held an eagle's eye view of the surrounding territory and appeared to be unapproachable by all but the most determined invaders. Furthermore, it was the Allied consensus that the Germans believed the monastery's historic and religious attributes would serve to allay any potential attack on their position. Finally, German planning for the imminent Allied assault through Italy was part of the reason for this selection."
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Saint Peter's Cathedral, 2002.
A history of Saint Peter's Cathedral in the Vatican.
1,018 words (approx. 4.1 pages), 5 sources, MLA, $ 36.95
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Abstract
This paper discusses Saint Peter's Cathedral, situated in the Vatican, Italy. Saint Peter's Cathedral, also known as the Basilica of Saint Peter, stands in what was once the Circus of Nero in Rome, where Saint Peter was crucified in 61 A.D. In around 200 A.D., an altar was constructed at the site and Saint Peter's body was buried beneath it. It examines its architecture and history, the way it was, the way it has changed over time and the way it is today. It looks at how it serves as the home church for the Pope and is a glowing testament to the art and architecture of the Renaissance, one of the most influential periods in world culture.
From the Paper
"Saint Peter's contributed to the art world in many ways. Artists were in great demand to paint the many walls and ceilings, and contribute to art works to be placed in the cathedral, so many artists were kept busy in Italy during the time, thereby increasing the awareness and employment in the arts. There are also many mosaics is the church, so a wide variety of artisans were kept busy for decades decorating the massive structure. Art flourished during the Renaissance, and Saint Peter's kept artisans busy, and helped them develop new methods for their crafts, as Michelangelo did when he created the iron beam system to support the massive concrete dome (Editors)."
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Saint Francis of Assisi, 2005.
An examination of the life and work of Saint Francis of Assisi.
1,657 words (approx. 6.6 pages), 5 sources, APA, $ 53.95
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Abstract
This paper looks at the life contributions of Saint Francis of Assisi. The paper discusses what his career discloses about male-female roles in late medieval Europe. It explains that Saint Francis of Assisi is still one of the most popular and well-known saints of the Catholic Church. It shows how today, many people know him as the saint representing animals and the land.
From the Paper
"Saint Francis' real name was Francesco di Pietro Bernardone. He was born in Assisi in 1181. His father was a well-to-do cloth merchant, and Francis' young life was spent in the normal pursuits of the time, including education at the local church school, dreams of chivalry and knighthood, women, celebrations, and an early love of hunting and nature. He learned his father's trade, and was happy to "one day becoming a bachelor, a squire and finally a knight." However, as he grew older he felt an increasing need to follow God's word. He made several pilgrimages to religious capitals such as Rome, and he forced himself to overcome his fear and loathing of the less fortunate, such as lepers, as he began to see the goodness in all God's creatures. In 1206, at a small, destitute church near Assisi, San Damiano, Francis heard the word of God speak to him. He began to try to raise money to help repair the church, and to help in his cause, he took some of his father's most valuable merchandise and sold it along with his horse, then gave all the funds to the priest at San Damiano."
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Count of Monte Cristo Theme: The Importance of Hope, 2006.
The paper examines the theme of hope in A. Dumas's "The Count of Monte Cristo".
1,513 words (approx. 6.1 pages), 15 sources, MLA, $ 49.95
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Abstract
The paper examines the central theme of hope in A. Dumas's "The Count of Monte Cristo". Hope is vital to Edmond Dante's survival and is also the foundation for the novel that transforms the plot from one of vengeance and justice to a novel that focuses instead on survival. Hope is central to the characters survival and infuses the main character Dante with the strength and courage he needs to overcome his enemy's transgressions and in the end, win back all that is rightfully his. Other themes mentioned include love and human justice, though, according to the paper, ultimately it is hope that drives the plot and encourages the reader to side with Dante and carries him through to his ultimate success in the end. The paper concludes that without the theme of hope, "The Count of Monte Cristo" would fall apart and become a tragic novel of only vengeance, rather than a work of art that inspires readers to stay firm in their convictions and realize their dreams are attainable.
From the Paper
"For multiple twisted reasons Dante while mostly innocent is sent to prison for treason. The reasons he is sent to suffer include jealousy and other man's fears that Dante will reveal the worst about their actions. It is in prison that Dante first discovers hope while staying in the Chateau d'If. Here Dante encounters a man by the name of Abbe Faria who teaches Dante much of the world including subjects like history, philosophy and languages (Goldstein, 2005). This helps Dante transform into an educated man, capable of competing against his enemies. In prison Faria also bestows on Dante treasures that he has hid on the island of Monte Cristo. Here Dante discovers hope and discovers that with his newfound knowledge and education he can once more conquer and regain all that is rightfully his."
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"Saint Augustine", 2002.
Analyzes Gary Wills' biography of Saint Augustine and the idea that his confessions where in fact testimonies of his ideas on truth.
1,150 words (approx. 4.6 pages), 6 sources, $ 44.95
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Abstract
In "Saint Augustine", Garry Wills provides a fascinating biography of this Saint. He shows that Augustine's "confessions" do not necessarily have to be seen as "confessions" per se, but more as a kind of "testimony." Indeed, Wills argues that the reality that is confessed does not have to be a moral truth. In other words, Augustine's purpose was not so much to "confess" his misdeeds, but, according to Wills, to testify about what his heart held true.
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Saint-Exupery's "The Little Prince", 2005.
Discusses Antonio de Saint-Exupery's use of allegory and symbolism in his most famous story, "The Little Prince".
2,374 words (approx. 9.5 pages), 6 sources, MLA, $ 72.95
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Abstract
This paper explains how Saint-Exupery uses allegory and poetic, elliptical conversations to indirectly convey the deeper meanings of Exupery's life, love, mission, and forthcoming death. The paper also demonstrates the autobiographical nature of "The Little Prince" by citing passages from the story that parallel Saint-Exupery's life.
From the Paper
"The autobiographical nature of the book is very clear if one considers the history of Exupery's own life, and only by understanding the autobiographical nature of the book can one understand the subtle messianic claims made through-out. Though there are a very large number of parallels through-out the book to Exupery's life, for the sake of space only a few major points can be touched on here: the relationship between the crashed-pilot-as-narrator and Exupery (himself a pilot) as the author, the relationship between the little prince and Exupery's own childhood self whom he always drew as an observer to his personal experiences, the parallels between the rose and Consuelo Exupery, and the importance of love and responsibility as they relate to the war which Exupery fought and the little prince's war against the baobabs. Of course, the final parallel between the death of the prince and the death of Exupery is also important."
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Saint Augustine, 2005.
A look at the life and philosophy of Saint Augustine.
3,323 words (approx. 13.3 pages), 4 sources, MLA, $ 94.95
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Abstract
This paper first provides a biographical account of the life and death of Saint Augustine of Hippo. The paper then goes on to discuss Saint Augustine's theological philosophies and beliefs and how he came to arrive at these beliefs.
From the Paper
"Saint Augustine, also known as Aurelius Augustinus, was born in 354 A.D. in the small town of Thagaste in the Roman province of Numidia (now located in northeastern Algeria). His parents seem to have been bohemian in nature and part of the middle class; his hard-drinking father Patricius apparently developed the symptoms of alcoholism quite early along with severe emotional disintegration in the form of obsessive womanizing and violent outbursts toward his son and wife. This prompted Augustine's mother Monica to turn to religion and give up the bohemian lifestyle which then transformed her frustrations and disappointments with life into ambitious designs for her obviously gifted and talented son."
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"On the Road" and "Saint Maybe", 2005.
A look at the theme of life experience in the novels "On the Road" by Jack Kerouac and "Saint Maybe" by Anne Tyler.
2,020 words (approx. 8.1 pages), 3 sources, MLA, $ 63.95
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Abstract
This paper examines how in novels "On the Road" and "Saint Maybe", by Jack Kerouac and Anne Tyler, the authors stress upon life as a set of experiences and how these build a person. It shows how Jack Kerouac's characters go flying off randomly along the twisted contours of their lives in his autobiographical epic "On the Road". In contrast, it also looks at how Anne Tyler in her novel, "Saint Maybe" shows "ordinary" people and their ordinary lives. She displays the fact that people in this world are only human and are hence bound to make mistakes, yet they struggle to survive with the attempt to work out the problems they face in relationships and communication.
From the Paper
"The journey of the seventeen-year-old protagonist, Ian Bedloe, begins when he doesn't imagine the consequences of his actions. He suspects there is more to Lucy's past and to the problems of her present, than either Danny or the rest of the family has acknowledged. And one night, when Ian's plans for a romantic evening with his girlfriend-indeed, it is the night he plans to lose his virginity-are disrupted by having to baby-sit Lucy's children longer than he was supposed to, Ian becomes enraged. And so, on the way home, Ian tells his brother what he suspects about Lucy, and also mentions that the daughter, for whom Danny abandoned his studies to marry Lucy, is not his child. In disbelief and horror, Danny commits suicide by driving his car into a wall."
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Comparing Michel Foucault and Jean-Francois Lyotard, 2007.
This paper compares the philosophies of Michel Foucault and Jean-Francois Lyotard through two of their works.
2,832 words (approx. 11.3 pages), 4 sources, APA, $ 84.95
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Abstract
This paper compares Michel Foucault and Jean-Francois Lyotard, both early postmodern philosophers, through the use of two of their works, as well as other sources. These works are Foucault's "The Body of the Condemned" and Lyotard's "The Postmodern Condition". In addition to these works, other information about Foucault and Lyotard is used to indicate the similarities and differences between these two works, their philosophies and their beliefs. While the two works are analyzed, the overall philosophies of Foucault and Lyotard are also addressed.
Outline:
Michel Foucault
Jean-Francois Lyotard
Conclusion
From the Paper
"Foucault fits into the general philosophical tradition, but it is the critical tradition, similar to Kant, and most of what Foucault writes about and proclaims is a very critical history where human nature and thought is concerned (Foucault, n.d.). This does not mean that the history of ideas that he discusses is also an analysis of the errors that might be seen when issues are examined after the fact. Instead, it should be taken to mean that Foucault's work is an analysis based on the relationship between object and subject, and what conditions are seen to either form or modify those relationships (Foucault, n.d.)."
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Saint or Sinner, 2007.
This paper looks at Shakespeare's play 'The Merchant of Venice' and discusses whether Portia is a saint or a sinner.
1,100 words (approx. 4.4 pages), 1 source, MLA, $ 38.95
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Abstract
In this article, the writer argues that although Portia's nature is perceived as saintly and kind, in truth she is a sinner. The writer maintains that while she conceals her sinister nature, portraying herself as God's gift to mankind, having no access to her free will, she utilizes her wit and therefore reveals her true nature as a sinner. The writer further maintains that, even though Portia is portrayed in a saint like manner throughout the play, underneath her facade lies a resentful, indignant Portia, explicitly concerned with the idea of free will. The writer concludes that Portia struggles with the fact that she is unable to choose her own husband, must act accordingly, concealing her genuine nature and must disguise herself as a gentleman to employ her intelligence.
From the Paper
"While Bassanio claims his love for this renowned maiden, there is no indication that he has ever met her. Therefore, one must assume that Portia's reputation as virtuous, demure, honorable and desired, made way throughout the immediate area of Venice. Must Portia present herself as virtuous and desirable in order to fulfill her father's legacy? Will she reveal her genuine rebellious nature once she is claimed by a suitor?
"In honor of her father, Portia stays true to her legacy and willingly gives herself up to any suitor who correctly chooses the casket that holds her portrait. Even for the sake of Bassanio, the suitor she fancies, Portia would not break her oath. This is very honorable of her. However, Portia's true incentive is to present herself as a virtuous and righteous woman. In the secrecy of her home, she mocks the suitors, all of whom are foreigners; an immature manner of rebelling against her legacy."
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World War II and the Battle of Monte Cassino, 2004.
An analysis of the Battle of Monte Cassino and World War II.
2,084 words (approx. 8.3 pages), 7 sources, MLA, $ 65.95
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Abstract
This paper discusses the Battle of Monte Cassino. The paper analyzes the pros and cons of the Allied Forces' actions during World War II. The paper examines Monte Cassino, which turned into a pivotal series of battles that allowed the combined forces of British and American troops to move forward and eventually liberate Rome from the occupying German forces.
From the Paper
"History has been known to repeat itself. Today in Iraq for example, United States and Allied troops are torn when drawing up plans to win the war in the holy land. The problems stem from their not being able to directly attack certain Muslim holy locations or shrines even though Iraqi insurgents are constantly utilizing these positions as sanctuaries and initiation points for waging battles against the allied forces or the new Iraqi government. During World War II, the Axis powers with Adolf Hitler and the Nazi army also attempted to use similar tactics to fend off attacks by Allied forces."
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