| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MODERN WORLD DRAMA": |
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Modern World Drama, 2002.
This paper discusses drama in the modern world.
2,400 words (approx. 9.6 pages), 7 sources, $ 89.95
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Abstract
The research paper analyzes the contents, theme and identifies the purpose and the history behind a good few plays by the African-American playwright Derek Walcott and six more plays by other playwrights including Luis F., Gonzalez Cruz, Ann Waggoner Aken, Teresa Cajiao Salas and Margarita Vargas. The paper also brings out the similarities between the plays selected for discussion and the modern world drama.
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Greek Drama and the Modern Production, 2002.
A paper which examines the Aeschylean, Sophoclean and Euripidean styles of Greek Drama and how the relate to modern drama productions.
884 words (approx. 3.5 pages), 3 sources, MLA, $ 31.95
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Abstract
The paper examines and analyzes three distinct styles of Greek drama, focusing on the Sophoclean style by giving several examples in drama history such as "Oedipus" and the modern movie, "A Few Good Men". By comparing these styles to what a modern audience expects of a film or play, the paper shows that the Sophoclean style is the most suitable for a modern production.
From the Paper
"This shows the main aspect that makes the Sophoclean approach the most suitable style for a modern audience, the character focus. The Sophoclean styles focuses on the main character as the driving force of the play. This is the same approach taken by modern films and plays, where the plot of the play is based on the struggle of the main character. This usually involves a likeable character being presented with some problem and ultimately either overcoming this problem or learning from it. Importantly, the audience forms a relationship with the main character, with this involving the audience in the action. The film Titanic is a good model example of this. As history shows, the main event the movie is based on is the sinking of the ship and the drowning of hundreds of people. Yet, the film does not focus on this to engage the audience and drive the plot. Instead, the plot focuses on the story of Rose and Jack."
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Architecture: Modernism, Pre-Modernism and Post-Modernism, 2002.
A discussion of the different movements - pre-modernism, modernism and post-modernism - in architectural history and how each one differs from the other.
2,550 words (approx. 10.2 pages), 10 sources, MLA, $ 77.95
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Abstract
A paper which discusses the different movements in architectural history and compares the differences between them. The paper shows how among these movements, modernism is the most popular and how it has influenced art and architecture in the United States and Europe. It shows, on the other hand, that pre-modernism is a less popular era in which architecture was influenced by the industrial age and its need for order and precision, and that Post-modernism was the movement that followed modernism and contains elements of both classicism and modernism.
From the Paper
"During the modernism movement, architects started using steel and iron more in their designs and they also started focusing on functional designs. Apart from the use of steel and iron, concrete was also brought back to the architectural world. It is important to know here that concrete is one thing that sets late 19th century buildings from pre-modernism architectural designs. While concrete was first used by the Romans in 5 B.C., it was later taken over by other materials such as marble, stone, brick etc. Modernists are responsible for the revival of concrete in architecture."
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Modern Drama and Psychological Forces, 2004.
An exploration of the contention that modern drama activates psychological forces using specific reference to Henrik Ibsen, Anton Chekhov and Samuel Beckett.
1,769 words (approx. 7.1 pages), 5 sources, MLA, $ 57.95
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Abstract
This paper examines how modern drama works closely with the concept of the repression of fear and aggression and how Freudian theory had a direct impact on dramatists after the 1920s. It looks at how Beckett?s drama portrays the human condition through the depreciation of psychological forces and how, conversely, Chekhov allows his characters a sense of realisation through negative capability whereby the characters are respectively voiced without emphasis on any one viewpoint. It also shows how like Ibsen he allows the characters the freedom to speak almost randomly, in what Freud would term the technique of free association used to cure patients by articulating their repressed fears and aggressions.
From the Paper
"Freud formed a theory of the id and the ego which attempted to explain the unconscious psychological forces of an individual, and can be illustrated through Beckett?s Waiting for Godot (1952). Vladimir and Estragon are embodiments of a mind and body duality. By reversing Vladimir?s epithet ?Didi? it is possible to form Id-Id, where, by psychological definition id represents the desire for physical contact and body warmth, characteristic of babies. Estragon, or ?Gogo? can be reversed to (e)go-(e)go, the ego, which forms the conscious and socially aware psyche developed in adulthood. The mind is purely conscious, and can detach itself from the more base instincts of the body, an extended reality, which is controlled by specific laws."
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Realism and Modern Drama, 2008.
This paper discusses Gertrude Stein's and Bertolt Brecht's criticism of realism in drama.
1,081 words (approx. 4.3 pages), 1 source, MLA, $ 37.95
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Abstract
In this article, the writer looks at the issue of realism in drama, according to Gertrude Stein and Bertolt Brecht, in relation to Stein's play "Dr. Faustus Lights the Light" and August Strindberg's "The Ghost Sonata". The writer focuses on their views regarding realism and concludes that perhaps both Stein and Brecht are advocating alienation as a way of bridging the initial gap between the stage and the spectator in order to bring realism into sharper focus. The writer maintains that Brecht did it epically, while Stein did it psychologically.
From the Paper
"Since there is an unavoidable gap between what one experiences in real life and what one anticipates on the stage, the actual present can never be really done on stage. Therefore realism isn't really real, only a fiction of reality. What one sees in the realism of "The Ghost Sonata" is a staid, set environment rather than an acting platform. The plot is very well set out, it leads us on without giving anything away, there are expected and logical reversals (and vice versa), the characters conform to the dress and modes of the period, the characters evoke our empathy or revulsion, and there is usually a social or moral message implicit in the play. We recognize those emotions and values to which we can relate or have experienced."
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"A Look at Modernity: An Introduction to Modern Societies", 2005.
An analysis of European colonialism as interpreted in the book "A Look at Modernity: An Introduction to Modern Societies."
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
The following paper looks at the impact of European colonialism upon its own self-identity and upon its place in the world by reviewing a text entitled, :Modernity: An Introduction to Modern Societies.: While the reading glosses over the impact of the Europeans upon the indigenous peoples they were displacing, it does offer some interesting insights into how overseas adventurism changed European cartography and self-identification.
From the Paper
"As much as Western imperial powers may wish otherwise, there can be little doubt that colonialism inflicted great harm upon many indigenous peoples the world over. Of all the many depredations that can be laid at the feet of colonial activity, one of the most pernicious was - and remains - population displacement. Among other things, this paper will examine the extent to which population displacement is treated in Modernity: an Introduction to Modern Societies. As will soon become evident, the paper refers to the issue of population displacement only obliquely while focusing far more upon the impact of Western expansion and colonialism upon western self-identity. "
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From Modernism to Post-Modernism, 2005.
Describes the theories of four major thinkers of the modern and post-modern era, including Weber, Durkheim, Victor Turner and Clifford Geertz.
1,486 words (approx. 5.9 pages), 5 sources, APA, $ 49.95
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Abstract
This paper summarizes the theories of these thinkers on the role of the individual and his/her relationship to the community. In conclusion, the author states that the thinking of Victor Turner is the most accurate and convincing.
From the Paper
"Two thinkers -- Max Weber and Emile Durkheim -- were late modernist thinkers who developed theories about the relation of the individual to society. Their theories were appropriate to the industrial societies in which they lived. With the end of World War Two and the rise of the post-modern period, however, different ways of conceiving of the individual and society arose that sought to break with modernist thinking, including the thought of Clifford Geertz and Victor Turner."
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Modernism and Post-Modernism, 2002.
A discussion of the the study of film as a post-modern event.
1,125 words (approx. 4.5 pages), 4 sources, $ 39.95
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Abstract
Discusses the study of film as a post-modern event. Defines the aesthetic values & dynamics of modernism and post-modernism. Post-Modernism as a cultural, aesthetic & historical issue. Structuralist thinking. Development of post-modern material and fragmented surface style in film. Examples: CONTEMPT, RESEVOIR DOGS, PULP FICTION.
From the Paper
"Movements in artistic expression often occur spontaneously and are then given a name to identify a perceived trend. This is clearly the case with reference to both modernism and postmodernism, and the very fact that we have seen a need to find a name for the changed environment after 1960 shows that postmodernism exists in some degree--it exists because we have named it, but that does not make it any more a coherent or "intentional" movement than was modernism. In film terms, postmodernism primarily shows a certain weariness with modernism rather than a drive to something clearly new. The elevation of film to a subject for study is itself a postmodern event, signaling as it does the end of the modernist division into High and Low culture. The increasingly self-reflexive nature of modern film along with the elevation of style over substance are..."
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Post-Modern Rebellion Against Modernism, 2004.
A comparison of Jackson Pollock's and Andy Warhol's art.
1,494 words (approx. 6.0 pages), 7 sources, APA, $ 49.95
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Abstract
This paper talks about, not only the significance of modernism and postmodernism, but also characteristics of both artists, Pollock and Warhol, along with their artworks.
From the Paper
"An art-historical comparison of Jackson Pollock and Andy Warhol, two of the most celebrated artists of the mid to late twentieth century, is significant in demonstrating a shift from modernism to postmodernism. Pollock is represented as an ultimate expression of modernism and the embodiment of ambition for liberation in the 1950's. His drip paintings, which eliminated subject matter as essential , paved the way for modernist artists to take apart the foundations of all that was special in previous art making and abandon beauty as an ideal. Because of the significance of his work, modernism couldn't have gone as far without Pollock. The era of modernism, however, came to an end in 1964 according to Arthur Danto who stated that Warhol's art, especially his Brillo Boxes, marked its end. At the same time, as this work also implies the beginning of postmodernism, which is derived from modernist beliefs and attitudes, it is the art world with diverse aesthetic forms that broke with modernism. As a postmodernist and the enigmatic homosexual superstar of Pop Art, Warhol, adopted media, popular culture, and reproduction to rebel against the characteristics of modernism which Pollock's work and attitude toward art represented. By looking at two particular paintings, Pollock's Lucifer (1947) and Warhol's Triple Elvis (1961), we are able to bring out not only the differentiation of their personas and attitudes toward their art, but also the issues of Warhol's rebellion against modernist including Pollock."
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Modern Technology and Modern Malaise, 2002.
A look at the impact of information and communication technologies on society.
2,900 words (approx. 11.6 pages), 7 sources, $ 106.95
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Abstract
This paper is a discussion of information and communication technologies, and the effect of alienation that new technologies have on society. In this paper, technologies and social realms are described as integrated relationships. The impact of new innovations in digital and communication technologies is, in this essay, one of increased malaise and indifference within the social venue of these technologies. Technologies are changing so rapidly that the possibility of a social or global influence in the development of technology is eclipsed by the larger investment in change, not progress.
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Modernism versus Post-modernism, 2005.
A discussion on the effects on design today.
900 words (approx. 3.6 pages), 0 sources, $ 35.95
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Abstract
This paper discusses the affects of the eras of modernism and postmodernism on design today. First the terms are defined and explained and an example is given for each period of design. The affect each era will continue to have on design today is also discussed.
From the Paper
"Modernism has had a great and lasting effect on design today. Because it's height spanned the 1920's through the 1960's there are many examples of modernist architecture still in place today. Modernism is defined by the Wikipedia Encyclopedia as "an artistic an cultural movement that generally includes progressive art and architecture, music and literature emerging in the decades before 1914, as artist rebelled against late 19th century academic and historic traditions" (Wikipedia). The modernism movement started in the mid-1900's and was sparked by the belief that the traditional style of doing things had outlived its time. Throughout the 20th century modernists looked for a better way of doing things so that they could bring architectural design up to date with the times. Many believe that the 20th century can be divided into modernism and post-modernism periods."
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Drama, 2002.
Explores the purpose of drama and how drama has changed over time through several works.
650 words (approx. 2.6 pages), 3 sources, $ 26.95
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Abstract
This paper compares "Oedipus Rex", the various plays of Shakespeare, and "Cat on a Hot Tin Roof", thereby demonstrating the purpose of drama and how drama has changed over time.
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Post-Modernism, 2004.
This paper discusses the philosophy of post-modernism, a complicated set of ideas, which are a reaction against failed modern thought without a clear goal for future direction.
3,465 words (approx. 13.9 pages), 9 sources, APA, $ 97.95
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Abstract
This paper explains that post-modern sociology and culture has arisen from the after-effects of modern thought; just as values clarification and situational ethics were watch words of the 1980s, post-modernism has become the self-identification moniker of the 21st century. The author believes that the individual is now defined in terms that are important to the individual, rather than in terms of his relationship to the surrounding culture. The paper points out that the term 'post-modernism' has its origins in architecture and art; the post-modern artist grew tired of the traditional means and, in the case of the extreme post-modern artists, accepted the premise that life itself was meaningless.
Table of Contents
Introduction and Post-Modern Definition
Post-Modern Sociology and the Resulting Contradictions
The Self as Social Construction in the Post-Modern World
Post-Modern Individualism as Products of Self-Construction
Power and the Post-Modern Self
Post-Modernism and Responsibility
Conclusion
From the Paper
"Previous generations have sought to bring order and organization to the understanding of self, individualism and personal identify. The postmodernist revels in disorder, and a lack of consistent structure. The postmodern thought system has tired of looking for consistency and meaning in everyday life. Through disappointments with society, and with self, postmodern critical thinkers look to self for guidelines for life. No longer is the goal of a unified culture held as a workable or even desirable goal. Because too many people groups have varied desires and experiences of that same culture, the idea of a homogeneous self identify within the larger social order has been disguarded. The upper middle class business person can never have the same experiences of life as the inner city child growing up on welfare."
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The Modern Novel Styles, 2001.
A comparison between various literary styles such as pre-modern and modern ones.
1,620 words (approx. 6.5 pages), 6 sources, $ 52.95
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Abstract
This paper examines the change in novel styles from the pre-modern to the modern period. The author discusses the new style that incorporates Romanticism, Realism and conception of love, fate and destiny. The author introduces and compares various literary styles such as of Chratien de Troyes, Joseph von Eichendorff?s, Gustave Flaubert's, Guy de Maupassant's, Anton Chekhov's and George Eliot?s.
From the Paper
""Although it is difficult to think of this being the case now, novels were once the province of the upper classes, for that thin segment of society that could read ? and not for the teeming masses stopping by the airport bookstore. Thus even when the world depicted in the novel was not that of the world of the upper classes, the readership was an elite one, and novels were thus written for them. Thus many of the changes that we see occur as we shift from the decidedly non-modern form of the chivalric romance to pre-modern form of the picaresque to the entirely modern styles of Romanticism and Realism are reflective of changes in the nature of reading and the reading public. Other important changes reflect changes in the conception of love, in the place that love held in society in general and in the biography of each person?s life, and in attitudes about fate and destiny."
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Joel Beinin's "Workers and Peasants in the Modern Middle East", 2005.
This paper discuses Joel Beinin's "Workers and Peasants in the Modern Middle East", a modern history of the Middle East from the perspective of the changing peasant and urban artisan classes and the emerging modern working-classes.
1,880 words (approx. 7.5 pages), 0 sources, $ 60.95
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This paper explains that Joel Beinin's "Workers and Peasants in the Modern Middle East" begins in 1750, which marks the start of modern history for the Middle East because of (1) the rise of autonomous provincial regimes, (2) the expansion of agricultural production and (3) the intensification of links between several parts of the Ottoman Empire and the world capitalist market. The author points out that Beinin argues that industrial manufacturing was introduced to the Middle East as part of a drive to establish modern armies and extend the power of the states. The paper relates that Beinin considers the period after the collapse of global oil prices in 1985-86, when states became unable to provide previously established levels of services, thus creating an economic and moral vacuum, as the beginning of the political Islamic movements of establishing a popular base by offering social services, including education, health care and child care.
From the Paper
"During the era of Fordism-Keynesianism many Middle Eastern states pursued policies of populism, nationalist anti-imperialism, state-led economic development, and import-substitution industrialization. Some examples of this post-World War II trend he cites were Muhammad Mossadegh's nationalization of the Anglo-Iranian Oil Company in 1951 and Egypt's nationalization of the Suez Canal Company in 1956. State-led development and import-substitution industrialization were key components of the social policies advanced by Gamal 'Abd al-Nasir in Egypt, the Ba'th in Syria and Iraq and the Algerian National Liberation Front (FLN) from the 1950s to the 1970s. The political and economic programs of these authoritarian-populist regimes were designated "Arab nationalism" and "Arab socialism" respectively."
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