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"Modern Times", 2002.
An analysis of the film "Modern Times" staring Charlie Chaplin.
852 words (approx. 3.4 pages), 0 sources, MLA, $ 30.95
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Abstract
This paper considers the character played by Charlie Chaplin, "the tramp" and whether or not he should be considered "free." The paper analyzes the tramp's freedom from the perspective of him being a male during the depression and his holding a factory job and standing in the bread lines.
From the Paper
"In the film Modern Times, the character, "the Tramp," shows many instances of being and not being free. Charlie Chaplin, the character's creator, goes to great lengths to portray his view of freedom and the ways in which men of that era were depicted. The first way in which he is free is that the Tramp is a male. Being this alone gives him the political and social freedom to move within, or up in, society. A man had more rights than women, even though the Women's Movement had taken place and attention to Women's Suffrage was widely debated. Men still held the power to make the rights for women. Second, the Tramp was young enough, and seemingly able enough, to hold a job. In the scene where the warden of the prison gives him a letter, the Tramp becomes able to get a job. But just as soon as he gets one, he loses it for reasons not to be his fault. The poor thing has such bad karma he is put into situations like drinking with his old "buddy" from the factory when he gets the job at the department store. This, in turn, costs him a valuable job when he wakes up in a drunken stupor on a coat table. But the fact is, he is seemingly able to get and sustain work. This makes him free because he is able to get out of the breadlines and into a job. Lastly, the Tramp is free because of his innocence. Not to be confused with ignorance, the Tramp's innocence is child-like. He looks at everything with wonder, and in turn, falls for the young girl of the film. He knows she steals but instead of screaming at her or hitting her for it, he shakes his finger, she smiles, and he takes the smile as reassurance of her innocence. This innocence leaves him easily forgivable and easy to laugh at by his watchers. His freedom lies within these three facts because of the reasons I've stated. But for the sake of argument, there are ways in which his "freedom" isn't freedom at all."
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Frankensteinian Phrases: The Mosaic of Modern Times, 2005.
A review of McGrath's view of the English language, modern slang and the linguistic evolution.
900 words (approx. 3.6 pages), 5 sources, $ 35.95
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Abstract
This essay examines what McGrath calls the "IV trickle" of modern language transformations. It discusses his arguments for such a claim as well as examines some slang examples that clearly indicate his train of thought. Lastly, it brings forth another example to illustrate McGrath's conclusions.
From the Paper
"Language is often likened to a living creature, infinitely evolving yet with a solid, and even material, structure. The nature of this structure is tightly, and reciprocally, connected to the world in which language exists. Life and language evolve simultaneously. Some scholars postulate, however, that the nature of this evolution has recently changed. Gradual linguistic transfusion has been replaced by the more immediate concoction of slang words (McGrath). McGrath counters modern slang developments with historical analyses of linguistic evolution. He says that the English language is a "Frankenstein creature, originally built of spare parts." "
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Making People Count: Church Growth in Modern Times, 2006.
A discussion regarding the Christian Church and it's success strategy.
4,500 words (approx. 18.0 pages), 10 sources, $ 178.95
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Abstract
This paper discusses how in Chapter 2 of the Book of Acts the apostles are confronted with the mission of growing a flock of faithful that will serve and spread the word of God. The evolution of this process was founded in a devotion to the Lord and the willingness of those souls present to focus their lives on their new association with Christianity. The paper further discusses how throughout time, church leaders have made attempts to increase the size of their congregations using a variety of methods, many of which have been based on greed rather than a focus on God. Other methods have received worldwide acclaim for their business approach to religious organization and their focus on building a congregation far beyond the realm of the local community.
From the Paper
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Non-Traditional Families in Modern Times, 2008.
A discussion of the changing image of the American family in the twenty-first century.
1,860 words (approx. 7.4 pages), 8 sources, MLA, $ 59.95
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Abstract
This paper examines the transformation of the traditional American family and the impact of the non-traditional family in today's world. The paper explains that the non-traditional family is called a "blended family" and is more prevalent today than thirty years ago because divorce rates are rising and remarriages are much more common. The paper notes that significant changes are occurring in the marriage patterns in the United States, as individuals are postponing marriage until later in life and more people are choosing not to get married. The paper also points out that the area where change is most apparent centers around patterns of child-bearing. The paper then discusses the various types of non-traditional families. The paper contends that , for all types of non-traditional families, the changes will only come from shifts in cultural prejudices and this kind of change will be slow, but there are signs that some preliminary movement is beginning to take place.
From the Paper
"The image of the American family looks and functions very differently than families of the past few decades. Men and women raised in the 1960's and 1970's when programs such as "Ozzie and Harriet" and "Father Knows Best" exemplify the average family, are likely to find themselves in situations that have changed dramatically. Research claims that many family structures are common: single-parent families, remarried couples, unmarried couples, step families, foster families, multi-generational families, extended families, and the doubling up of two families within the same home. Marriage, divorce, and patterns of childbirth are some of the factors that have contributed to these significant changing families. With these changes come the possibility of remarriage and the creation of new families which bring together parents and children without blood ties."
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Japanese History from the Ancient Times to Modern Day, 2002.
An outline of the history of Japan from its first inhabitants to the modern industrialized power nation of today.
2,500 words (approx. 10.0 pages), 21 sources, MLA, $ 75.95
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Abstract
The following paper discusses the exciting course of the history of one of the world?s most prominent and influential countries ? Japan. It examines Japan's days through simple life in the ancient times (Yayoi, Jomon, and Heian periods) to years of civil unrest during the Feudal times, dominated by constant warfare for the position of ultimate power ? shogun. This paper also looks at Japan's culture, her people and her ideology, as time passes into the Meiji restoration. The writer discusses Japan's fierce struggle for global prominence as she tries to expand beyond her tiny island nation onto mainland Asia, only to be sucked into the global conflict of World War II. The writer reflects on the country's vital role in this war, and analyzes her sad defeat and ultimate rebirth out of one of the darkest periods in history. The paper also has a brief summary of Japanese history from the 1970?s to the present day.
From the Paper
"The Japanese archipelago was first inhabited more than 100,000 years ago, when it still comprised part of the continental Asian land mass. Archaeological discoveries indicate that the ancient people of this time (The Old Stone Age or Paleolithic Age) survived on a very basic diet provided through daily hunting and gathering. The New Stone, or Neolithic age, dating at 10,000 years BC, is characterized by the manufacture of refined stone implements, the development of advanced hunting techniques using bows and arrows, and the production of earthenware containers for cooking and storing food. This age ushered in the Jomon period (around 8000 to 300 BC) so named after the jomon (cord-marked) style of pottery which originated during this time. Agriculture, primarily rice planting, and metalworking techniques were introduced from mainland Asia around 300 BC, towards the end of the period. The native peoples of Japan now began incorporating farming tools, metal weapons and bronze swords, and mirrors into their daily life and culture. The new machinery helped increase agricultural production, mirrors were used in religious rituals, and the newfound weapons helped settle any domestic disputes between rival Japanese tribes."
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Architecture: Modernism, Pre-Modernism and Post-Modernism, 2002.
A discussion of the different movements - pre-modernism, modernism and post-modernism - in architectural history and how each one differs from the other.
2,550 words (approx. 10.2 pages), 10 sources, MLA, $ 77.95
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Abstract
A paper which discusses the different movements in architectural history and compares the differences between them. The paper shows how among these movements, modernism is the most popular and how it has influenced art and architecture in the United States and Europe. It shows, on the other hand, that pre-modernism is a less popular era in which architecture was influenced by the industrial age and its need for order and precision, and that Post-modernism was the movement that followed modernism and contains elements of both classicism and modernism.
From the Paper
"During the modernism movement, architects started using steel and iron more in their designs and they also started focusing on functional designs. Apart from the use of steel and iron, concrete was also brought back to the architectural world. It is important to know here that concrete is one thing that sets late 19th century buildings from pre-modernism architectural designs. While concrete was first used by the Romans in 5 B.C., it was later taken over by other materials such as marble, stone, brick etc. Modernists are responsible for the revival of concrete in architecture."
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"A Look at Modernity: An Introduction to Modern Societies", 2005.
An analysis of European colonialism as interpreted in the book "A Look at Modernity: An Introduction to Modern Societies."
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
The following paper looks at the impact of European colonialism upon its own self-identity and upon its place in the world by reviewing a text entitled, :Modernity: An Introduction to Modern Societies.: While the reading glosses over the impact of the Europeans upon the indigenous peoples they were displacing, it does offer some interesting insights into how overseas adventurism changed European cartography and self-identification.
From the Paper
"As much as Western imperial powers may wish otherwise, there can be little doubt that colonialism inflicted great harm upon many indigenous peoples the world over. Of all the many depredations that can be laid at the feet of colonial activity, one of the most pernicious was - and remains - population displacement. Among other things, this paper will examine the extent to which population displacement is treated in Modernity: an Introduction to Modern Societies. As will soon become evident, the paper refers to the issue of population displacement only obliquely while focusing far more upon the impact of Western expansion and colonialism upon western self-identity. "
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From Modernism to Post-Modernism, 2005.
Describes the theories of four major thinkers of the modern and post-modern era, including Weber, Durkheim, Victor Turner and Clifford Geertz.
1,486 words (approx. 5.9 pages), 5 sources, APA, $ 49.95
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This paper summarizes the theories of these thinkers on the role of the individual and his/her relationship to the community. In conclusion, the author states that the thinking of Victor Turner is the most accurate and convincing.
From the Paper
"Two thinkers -- Max Weber and Emile Durkheim -- were late modernist thinkers who developed theories about the relation of the individual to society. Their theories were appropriate to the industrial societies in which they lived. With the end of World War Two and the rise of the post-modern period, however, different ways of conceiving of the individual and society arose that sought to break with modernist thinking, including the thought of Clifford Geertz and Victor Turner."
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Modernism and Post-Modernism, 2002.
A discussion of the the study of film as a post-modern event.
1,125 words (approx. 4.5 pages), 4 sources, $ 39.95
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Abstract
Discusses the study of film as a post-modern event. Defines the aesthetic values & dynamics of modernism and post-modernism. Post-Modernism as a cultural, aesthetic & historical issue. Structuralist thinking. Development of post-modern material and fragmented surface style in film. Examples: CONTEMPT, RESEVOIR DOGS, PULP FICTION.
From the Paper
"Movements in artistic expression often occur spontaneously and are then given a name to identify a perceived trend. This is clearly the case with reference to both modernism and postmodernism, and the very fact that we have seen a need to find a name for the changed environment after 1960 shows that postmodernism exists in some degree--it exists because we have named it, but that does not make it any more a coherent or "intentional" movement than was modernism. In film terms, postmodernism primarily shows a certain weariness with modernism rather than a drive to something clearly new. The elevation of film to a subject for study is itself a postmodern event, signaling as it does the end of the modernist division into High and Low culture. The increasingly self-reflexive nature of modern film along with the elevation of style over substance are..."
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Post-Modern Rebellion Against Modernism, 2004.
A comparison of Jackson Pollock's and Andy Warhol's art.
1,494 words (approx. 6.0 pages), 7 sources, APA, $ 49.95
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This paper talks about, not only the significance of modernism and postmodernism, but also characteristics of both artists, Pollock and Warhol, along with their artworks.
From the Paper
"An art-historical comparison of Jackson Pollock and Andy Warhol, two of the most celebrated artists of the mid to late twentieth century, is significant in demonstrating a shift from modernism to postmodernism. Pollock is represented as an ultimate expression of modernism and the embodiment of ambition for liberation in the 1950's. His drip paintings, which eliminated subject matter as essential , paved the way for modernist artists to take apart the foundations of all that was special in previous art making and abandon beauty as an ideal. Because of the significance of his work, modernism couldn't have gone as far without Pollock. The era of modernism, however, came to an end in 1964 according to Arthur Danto who stated that Warhol's art, especially his Brillo Boxes, marked its end. At the same time, as this work also implies the beginning of postmodernism, which is derived from modernist beliefs and attitudes, it is the art world with diverse aesthetic forms that broke with modernism. As a postmodernist and the enigmatic homosexual superstar of Pop Art, Warhol, adopted media, popular culture, and reproduction to rebel against the characteristics of modernism which Pollock's work and attitude toward art represented. By looking at two particular paintings, Pollock's Lucifer (1947) and Warhol's Triple Elvis (1961), we are able to bring out not only the differentiation of their personas and attitudes toward their art, but also the issues of Warhol's rebellion against modernist including Pollock."
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Modern Technology and Modern Malaise, 2002.
A look at the impact of information and communication technologies on society.
2,900 words (approx. 11.6 pages), 7 sources, $ 106.95
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Abstract
This paper is a discussion of information and communication technologies, and the effect of alienation that new technologies have on society. In this paper, technologies and social realms are described as integrated relationships. The impact of new innovations in digital and communication technologies is, in this essay, one of increased malaise and indifference within the social venue of these technologies. Technologies are changing so rapidly that the possibility of a social or global influence in the development of technology is eclipsed by the larger investment in change, not progress.
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Modern Iraq's History of Social Conflict, 2006.
A discussion of the various social and political conflicts that have troubled Iraq in modern times.
690 words (approx. 2.8 pages), 6 sources, APA, $ 23.95
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This paper discusses the social and political conflicts that have plagued modern Iraqi history. The paper argues that the current war in Iraq is the result of unresolved tensions betwen ethnic and religious factions in the country.
From the Paper
"Political scientist Michael J Sodaro's writing of the myriad factors impacting upon the process of democratization now underway in post-Saddam Iraq argues that the most critical variable with the potential to disrupt..."
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Shakespeare from a Modern Viewpoint, 2003.
This paper argues that, in modern times, the works of William Shakespeare must be reinterpreted through modern media such as the films.
3,575 words (approx. 14.3 pages), 23 sources, MLA, $ 99.95
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This paper explains that the energy of Shakespeare?s words can only be realized in modern terms -- in our language, in our time and with our ideals. This paper uses many examples from the movies: John Madden's ?Shakespeare in Love?, Al Pacino?s ?Looking for Richard?, Stuart Canterbury?s ?A Midsummer Night?s Cream?, Spike Lee?s ?Bamboozled?, and Baz Luhrmann?s ?William Shakespeare?s Romeo + Juliet?. The author concludes that actors have the power to bring the dead back to life and especially to determine how future generations will view Shakespeare.
From the Paper
"Al Pacino?s "Looking for Richard "is a patchwork of movie, educational film, Bardolatry, and documentary into adapting, directing and acting Shakespeare, specifically "Richard III". Pacino along with actor/director Frederick Kimble and an all-star cast takes us on a journey or a ?quest? as Kimble puts it, to fulfill a personal dream of Pacino?s to ?communicate a Shakespeare that is about how we feel and think today?. Immediately Pacino has conveyed that he is bringing the Bard to our society and so is not just presenting an adaptation of Richard III but a ?meditation on what Shakespeare means at the end of the twentieth century?."
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Advertisements for The Times, 2007.
An analysis of how the content and style of advertisements change with the times.
806 words (approx. 3.2 pages), 3 sources, MLA, $ 28.95
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This paper discusses the ways in which advertisements represent the culture of the times. It looks at advertisements from as far back as the 18th century and compares their style and content to the types of advertisements that are found in modern times. The paper discusses, briefly, how over time, it was no longer the product, but the advertisement of the product that was selling the item and it gives some examples to illustrate this.
From the Paper
"Some of the first advertisements that ran in the United States were, not surprisingly, for lost slaves. During the 18th century thousands of slaves escaped from their masters in the Southern colonies as seen by the huge number of advertisements in the newspapers. The amount of runaways was not large enough to harm the foundation of slavery. Slave owners took safety measures to prevent the problem from growing too large. In the Southern colonies, for example, an elaborate network of laws was established for the prevention, apprehension and punishment of these slaves. These laws developed concerned a number of different areas concerning fugitives. They were not completely effective, however, as proven by the number of slaves advertised as fugitives."
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Charlie Chaplin and the City, 2002.
A look at the way Chaplin views city life in his movie "Modern Times".
1,762 words (approx. 7.0 pages), 9 sources, MLA, $ 56.95
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This essay traces the ideas that influenced Charlie Chaplin and modern times. It uses the theoretical ideas of reification to explain state control and mechanization of the popluace in a dystopian modernism. The main focus is on the movie "Modern Times".
From the Paper
"Reification is ?the act (or the result of the act) of transforming human properties, relations and actions into properties, relations and actions of man-produced things which have become independent?of men and govern his life?. In other words when man, the subject, loses what defines him as man to his own creation, and begins to act as his own creation does. This is the fear of the modern. What happens when man comes closer to being a machine? Be it social, industrial or technological. What happens when man becomes indistinguishable from the machine? In Charlie Chaplin?s film ?Modern Times? we see a society that is becoming not only more mechanized in its mode of production but also on a social scale. The film illustrates a society heading towards state control, where the subject loses their identity to the machine. When Chaplin and the Gamin head off down the road at the end of the film, we realise that this road will not lead them or us to a better place but ?we know now with certainty that we are on the road that does not lead to anywhere? . The road that the pair plan to travel on metaphorically leads us to the idea that is representative of Singapore and the literature of a modern state controlled society, the unavoidable by-product of reification. I will examine Modern Times and the short story ?Beginning? by Ah Leong, in the light of Michel De Certeau?s work on the navigation and incarceration created by the railway . I will use De Certeau?s work as a symbol of our modern times and an identifier of the plight of the subject in Modern Times."
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