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Miyamoto Musashi's "A Book of Five Rings", 2002.
This paper reviews, literally and conceptually, "A Book of Five Rings", written by Miyamoto Musashi's, who was born in 1584.
3,280 words (approx. 13.1 pages), 3 sources, APA, $ 94.95
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Abstract
This paper discusses thoroughly Musashi's book by looking in depth at each separate 'book' contained within it. The author points out that Musashi's "Book of Five Rings" at first appears to be a war tale, but on deeper examination is a story that gives insight into human beings and helps them to understand why they do some of the things that they do. The paper concludes that this book can be used in modern-day life and is popular with many Japanese businessmen when competing over customers and contracts.
Table of Contents
Introduction
Musashi's Introduction
The Ground Book (The Earth Book)
The Water Book
The Fire Book
The Wind Book
The Book of the Void (The Book of Emptiness)
Conclusion
From the Paper
"After that, Musashi tells that he went to all different provinces and met all kinds of strategists, and engaged them in duels. His claim is that he always won, no matter how difficult the task. He estimates that between the ages of 13 and approximately 29 he was involved in no less than 60 duels of this kind. While this seems very impressive, Musashi was not happy with it. At 30 years of age, he realized that he had not one because he had mastered the way of the strategy. He believed that perhaps he simply had a natural ability or that the strategies of other schools and provinces were inferior."
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Race in "Lord of the Rings", 2004.
An examination of how the issues of race and racial divisions are addressed in Peter Jackson's "Lord of the Rings: The Fellowship of the Ring".
1,166 words (approx. 4.7 pages), 1 source, MLA, $ 40.95
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Abstract
Race plays an important part in shaping the lives of the main characters and their behavior throughout Peter Jackson's "Lord of the Rings: he Fellowship of the Ring". The paper shows how the hobbits must overcome their dislike of change and adventure to embark on the quest to destroy the ring, and the quest ultimately destroys their childlike hobbit innocence. Aragorn, of the race of men, must struggle with mankind's complicity in the evil of the ring, while the animosity between dwarf and elf is played out in the actions of Gimli and Legolas.
From the Paper
"The movie's main character, Frodo Baggins (Elijah Wood) is one of the Hobbits. He is joined by his Hobbit friends Sam (Sean Astin), and Perry (Dominic Monaghan) on his adventure to return the ring to the fires of Mount Doom. Hobbits are essentially a race that is about half the height of men, with wide, hairy feet. They are by nature timid and childlike, and Frodo, Perry, and Sam live in the shelter of an idyllic shire before adventure sweeps them into their epic tale. Notes Bilbo Baggins (the uncle of Frodo) of the Hobbits, "Hobbits have been living and farming in the four Farthings of the Shire for many hundreds of years, quite content to ignore and be ignored by the world of the Big Folk. Middle-earth being, after all, full of strange creatures beyond count, Hobbits must seem of little importance, being neither renowned as great warriors nor counted among the very wise"."
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?The Lord of the Rings? by J. R. R. Tolkien, 2002.
This paper discusses the movie and novel, ?The Lord of the Rings: The Fellowship of the Ring? by J. R. R. Tolkien, as a myth.
680 words (approx. 2.7 pages), 1 source, $ 24.95
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Abstract
The paper describes the story of ?The Lord of the Rings: The Fellowship of the Ring?. The paper begins by defining a myth as a story that offers an explanation to natural events by using gods, goddesses and heroes to tell the story. He then goes on to show that the movie ?Fellowship? is mythical because of the existence of the supernatural powers, the theme of good against evil and the discussion of humanity, the world and the sacred in the conflict.
From the Paper
"The movie ?The Lord of the Rings: The Fellowship of the Ring? by J. R. R. Tolkien is about the adventure Frodo Baggins, a hobbit who was unwittingly given the great responsibility of caring for and keeping the Ring so coveted by great creatures of the Middle Earth. Frodo?s journey in trying to expel the Ring of its powerful effect to all creatures will lead him into numerous encounters with the good and evil creatures of the Middle Earth. ?The Fellowship of the Ring,? the first of the three series of books about the Ring, introduces us to the main characters that we will also encounter in the next two books in the trilogy. ?Fellowship? is an introduction to a place in this world called the Middle Earth, its history and its creatures. Many of the characters, events and themes in the story of the movie parallel with the concept of a myth."
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"Lord of the Rings", 2007.
A discussion on the movie, "Lord of the Rings: The Fellowship of the Ring" directed by Peter Jackson.
1,154 words (approx. 4.6 pages), 4 sources, MLA, $ 39.95
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Abstract
This paper compares and contrasts the Frodo and Sam, characters from Tolkien's works "The fellowship of the Rings", as represented in the film. It explores their relationship, and their importance within the movie as a whole.
From the Paper
"Frodo himself, the protagonist of The Lord of the Rings trilogy (both the Tolkien novels and all three film versions) once Bilbo hands over the ring to him, is modest; soft-spoken, and unassuming, like other Hobbits, but nevertheless clearly possesses exceptional intelligence; internal wisdom; and good character: qualities that serve him well (and prove necessary) on his journey into temptation and danger . exceptional character. Frodo is also a friend of the Elves, knowledgeable in their language and a lover of their songs. Like Bilboor any other good Hobbit Frodo loves good food and simple comforts, but he is also thoughtful and curious and has a wisdom and strength of character that set him apart."
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Chivalry and Christianity in "Lord of the Rings", 2004.
Examines the culture of chivalry and reign of Christianity in "The Lord of The Rings" trilogy by J. R. R. Tolkien.
900 words (approx. 3.6 pages), 4 sources, APA, $ 31.95
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Abstract
Acclaimed writer and historian, John Ronald Reuel Tolkien, author of the popular trilogy book series, "The Lord of the Rings", is an advocate of the great traditions of chivalry and Christianity. This paper discusses the dynamic elements used in "Lord of the Rings" to illustrate the prevalence of the tradition of chivalry and Christianity as reflected in the behavior, thinking, and actions of its main characters. The analysis is an interpretation of "Lord of the Rings" three-part movie and book series. It focuses on the themes of good versus evil, with sub-themes involving the dominance of women, pervasiveness of evil in the midst of human weakness, and, most importantly, the element of hope and faith in people and one?s self in the face of adversity and suffering.
From the Paper
"LOTR 3 is perhaps, among the three-story installments of Tolkien?s Middle Earth tale, the only story that blatantly illustrates the reign and prevalence of Chivalry and Christianity as important values held important by its main characters. Chivalry is personified in every man involved in the battle, with the exception of Eowyn, who chooses to fight for her people. Centering the story?s focus on Eowyn reiterates the fact that in Middle Earth, male dominance is prevalent, and her deviance illustrates the bravery of women despite their portrayal as domestic housekeepers and nurturers of their children."
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"The Lord of the Rings", 2002.
An analysis of the symbolism of Christian archetypes and European legends in J. R. R. Tolkien's work, "The Lord of the Rings".
1,900 words (approx. 7.6 pages), 8 sources, $ 71.95
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Abstract
This paper is an examination of "The Lord of the Rings" from the standpoint that it is, at its core, an exploration of the Christian archetypes and legends of Europe. J. R. R. Tolkien's "Lord of the Rings" is a massive epic fantasy of more than a half-million words. It is also a hugely complex work with its own complicated chronology, cosmogony, geography, nomenclature, and multiple languages, including two forms of "elvish". The plot is so grand, moreover, that it looks backward to the formation of first things while glancing forward to the end of time. While "The Lord of the Rings" is many things, it is primarily a symbolic text that taps into the archetypal knowledge of our long-distant past.
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J. R. R. Tolkien's "The Lord of the Rings", 2004.
A discussion of the factors that influenced J. R. R. Tolkien's composition of "The Lord of the Rings".
5,464 words (approx. 21.9 pages), 13 sources, MLA, $ 133.95
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Abstract
This paper is concerned with examining the sources of "The Lord of the Rings", and, particularly, with the influence of the turbulent times during which it was written. The paper also explores how Tolkien's vast knowledge of Northern European literature and mythologies influenced his writing.
A New Mythology
Pastoral Conservatism
Light Against Dark: War and Politics
Nazism, Aryanism, Communism and Tolkien's Ideology
From the Paper
"Unlike some other writers of fantasy, Tolkien was not backward in discussing the origins and nature of the world he had created. He made many comments, in letters, in published commentaries on The Lord of the Rings, and in observations to many of his friends, family and colleagues. Among these statements is the clear declaration that his ambition was to provide, through his stories of Middle Earth, nothing less than a new mythology for England."
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Racism in 'The Lord of the Rings', 2005.
This paper discusses the aspect of racism in 'The Lord of the Rings' by J.R.R. Tolkien.
1,350 words (approx. 5.4 pages), 6 sources, $ 53.95
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Abstract
In this paper, the writer discusses that the racism that is part of the physical and symbolic characteristic of Orcs and goblins in 'The Lord of the Rings', most certainly portrays an enemy to the white race, which is based on the attitudes and colonial racial policy of Great Britain of the 19th and 20th centuries. The writer points out that by alluding the goodness of light and evilness of darkness, the white race is projected as superior to the people of the South.
From the Paper
"The aim of this literary study is to evaluate the trilogy: 'The Lord of the Rings' by J.R.R. Tolkien in reflecting racism in various races within this text. By understanding the dark skin tones of the 'southern' Orcs and goblins, there is a racist tendency in Tolkien's writings that create dualism to the moral white heroes of the North in the tale. Also, the demonization of physical appearances will help to identify these racist qualities in Tolkien's writings, which suggest a British colonial link in the hatred of dark skinned peoples in his times."
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Good and Evil in "Harry Potter" and "Lord of the Rings", 2004.
A comparative analysis of the battle between good and evil in J.K. Rowling's "Harry Potter" series and J.R. R Tolkien's "Lord of the Rings".
2,480 words (approx. 9.9 pages), 10 sources, APA, $ 75.95
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Abstract
This paper examines how a characteristic common to both novels and films is the spectacularly gripping battle that takes place between good and evil. It looks at how the protagonists of both stories struggle with a powerful, superhuman embodiment of evil - Voldemort in "Harry Potter", and Sauron in "The Lord of the Rings". It also looks at how juxtaposed against these hateful figures are characters possessing magical or mystical powers who command the fight for virtue and justice - exemplified in Dumbledore and Gandalf. Betwixt these two polar opposites are Harry and Frodo -the symbolic heroes, who, even though they fight determinedly against evil, still discover that they are connected to or tempted by the evil figure they are opposing.
From the Paper
"The stifling, materialistic world of the Dursley's, Harry's foster parents in Privet Drive, Little Whinging, and the pettiness and relative inconsequence of life for the Hobbits in the Shire both represent the ordinary world of the middle class. One of the contemporary dissatisfactions to which both stories respond is the general boredom with modern bourgeois existence. The escapism these stories provide is a remedy for the routine that is the curse of secure, stagnant middle-class life. In particular, Harry's repulsion towards the Dursley's provides an exceptionally adverse view of modern bourgeois life. It is this essentially cramped existence that Harry is keenest to escape, made manifest in the tiny dimensions of his cupboard under the stairs turned bedroom. "
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"The Postman Always Rings Twice", 2002.
Explores the concept of fated love in the movie "The Postman Always Rings Twice".
1,150 words (approx. 4.6 pages), 1 source, $ 44.95
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Abstract
The Postman Always Rings Twice, directed by Bob Rafelson (Paramount Pictures, 1946) is an excellent example of a film that creates this type of intentional conflict within the viewer.
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"The Postman Always Rings Twice", 2002.
A review of the book "The Postman Always Rings Twice" by James M. Cain.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This is a literature analysis of the book "The Postman Always Rings Twice" written by James.M.Cain. It includes a synopsis of the book and how the author illustrates his ideas. The paper also discusses the main points and the theory used in the book as well as the writing style of the book.
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"Lord of The Rings", 2004.
An analysis of J.R.R. Tolkien's "Lord of The Rings".
991 words (approx. 4.0 pages), 1 source, APA, $ 35.95
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Abstract
A look at the interpersonal relationship as shown in the friendship between Frodo and Sam in Tolkien's "Lord of the Rings." Examines the book version compared to the movie version.
From the Paper
"The 2002-2004 Lord of the Rings trilogy has multiple instances of communication between characters. The movies were adapted from the books of the same name written by J.R.R. Tolkien. Elijah Woods plays the main character Frodo who is on a mission to save his shire and everyone in the known world from being destroyed. Sam is Frodo?s best friend who ends up going along on this adventure. Their friendship takes many tolls along the way helping to illustrate many concepts of interpersonal communication: proxemics, empathy, complementary and parallel relationships, verbal aggression and win-win problem solving."
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Price Elasticity in Engagement Rings, 2005.
A look at how price elasticity varies in the market of diamond engagement rings.
1,101 words (approx. 4.4 pages), 3 sources, MLA, $ 38.95
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Abstract
This paper attempts to determine how to assess the price elasticity of a diamond engagement ring, as produced by a De Beers luxury diamond retailer, as opposed to a discount engagement diamond retailer.
From the Paper
"Of course, demand for engagement rings may shift, not because marriages increase or decrease, regardless of the market, but because of fashion. "The third influential factor is time...[for instance] tobacco is inelastic because the change in the quantity demand will have been minor with a change in price, but consumers may cut their abuse of the substance in the face of higher prices." (Investopedia, 2005) Should diamonds ever become too pricey, demand for diamond rings might decline for engagement purposes, as young couples chose to spend their money elsewhere-or if diamonds become too cheap, causing the good to be valued less as a symbol of permanency. However, as the diamond still seems to hold its value and its symbolic importance, in the engagement ring market De Beers luxury diamonds still outsell their competitors to potential husbands, even when the De Beers diamond market dominance is on shakier ground, as it loses some of its monopolistic control over the overall market."
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"Lord of the Rings", 2004.
An examination of the movie, "Lord of the Rings: The Two Towers".
820 words (approx. 3.3 pages), 0 sources, $ 29.95
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Abstract
This paper examines the special visual effects of the movie based on J.R.R. Tolkien's famous novel. It also compares it to the first movie in the series and claims that this movie was weaker than the predecessor. The writer also examines the characters in the movie and what they are meant to represent.
From the Paper
"The visual effects in all were perhaps most important to this film in that they invoked a total fantasy setting. The frequent panoramic shots of vividly fantastic landscapes served to pull the viewer into the world and define the reality of movie. A large part of the conflict in this films seems to be between the rightfulness of nature (as exemplified by the Hobbits) and the wrongfulness of technology and pollution (as exemplified by Mordor and the Orcs). But this isn?t gotten across in the story-line itself, so one relies on the views of the respective armies and environments to get that idea across. For example, a minor visual attention to detail can be seen if one looks closely at the faces of the orcs. (Many pictures are available in galleries online if the movie moves too quickly to catch this) Many orcs have metal rivets and metal parts in their skin and scalps, subtly pointing out that they represent all the technological perversion of nature."
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"The Postman Always Rings Twice", 2002.
The theme of betrayal is explored in this novel by James Cain.
653 words (approx. 2.6 pages), 0 sources, $ 23.95
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Abstract
This paper claims that while the theme of betrayal is common to literature, it is especially poignant in the novel "The Postman Always Rings Twice", leading not only to the death of one lover, but the demise of another. The main character is examined in an attempt to determine if she is indeed the true villain of the story.
From the Paper
"William Congreve, in the play, ?The Mourning Bride? wrote, ?Heaven has no rage like love to hatred turned, nor hell a fury like a woman scorned.? Betrayal is a theme common to literature, yet in the novel, "The Postman Always Rings Twice", the theme of betrayal is especially poignant, leading not only to the death of one lover, but the demise of another.
"The character of Cora has often been linked to the ?femme fatal? character type. Cora is the seductive mistress, her beauty leading men to lose control of their rational thinking. She is often criticized and blamed for the events that take place in the novel. Is she really the villain in the novel, or is Frank the true villain, not only killing Nick, but betraying his love, Cora?"
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