| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MIDSUMMER NIGHT DREAM": |
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Transformations in "A Midsummer Night's Dream", 2002.
This paper examines the recurring changes of the moon and the transformation of the characters in "A Midsummer Night's Dream".
1,465 words (approx. 5.9 pages), 4 sources, $ 48.95
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Abstract
This paper analyzes one of William Shakespeare's most celebrated comedic plays, "A Midsummer Night's Dream". The author examines how the throughout the play the characters attempt to find a way to understand the mechanism of love in a rational way and experience self-alterations that they believe to be a dream in the end. The paper also looks at how the recurring reference to the ever-changing moon parallels the transformation of the characters in "A Midsummer Night's Dream".
From the Paper:
"A Midsummer Night's Dream" brilliantly expresses the profound human uncertainty about love. Dream world and reality merge undetectably so that the characters are not sure themselves in which sphere they move, nor whether what they have experienced has been imagination or truth. What seems to be a fantasy or a dream for the characters in "A Midsummer Night's Dream" is actually reality. However, the dreamlike atmosphere of the play accentuates the fact that the lovers appear to be quite removed from any criteria applicable to reality."
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"A Midsummer Night's Dream", 2002.
An examination of the themes of magic and imagination in Shakespeare's play "A Midsummer Night's Dream".
1,900 words (approx. 7.6 pages), 5 sources, $ 71.95
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Abstract
Specifically, this paper presents a thesis that magic and imagination drive the events of the story in "A Midsummer Night's Dream" more than in any other Shakespearean play, thus making "A Midsummer Night's Dream" Shakespeare's only play of pure fantasy.
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Shakespeare's "A Midsummer Night's Dream", 2004.
Analysis of one the most famous characters in Shakespeare's play, "A Midsummer Night's Dream".
839 words (approx. 3.4 pages), 1 source, MLA, $ 29.95
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Abstract
This paper analyzes Puck, one of the main characters in "A Midsummer Night's Dream", and explains how the character of Puck is central to the play, in spite of the fact that Shakespeare did not develop Puck's character more fully.
From the Paper
"Shakespeare is notorious for creating memorable characters and perhaps one of his most famous characters is Puck from his play, A Midsummer Night's Dream. While Puck is critical to the development of the play, his character remains essentially flat throughout the course of the play. Puck is poetic, playful, innocent, and enjoys laughing at those who become the victims of his antics. However, we do not witness Puck's development as a character. In a sense, he never grows up and we never see any depth of his character."
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Film: "William Shakespeare's A Midsummer Night's Dream", 2007.
This paper compares Michael Hoffman's 1999 film, "William Shakespeare's A Midsummer Night's Dream" with Shakespeare's original play.
2,350 words (approx. 9.4 pages), 9 sources, MLA, $ 72.95
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Abstract
This paper explains that, for his 1999 film, "William Shakespeare's A Midsummer Night's Dream", Michael Hoffman rewrote the original Shakespeare play, put it into a more modern context and emphasized artistic visual expression over Shakespeare's expression through the poetry of language. The author points out that Hoffman modernized the gender roles by creating a dialogue for Bottom's wife, thus increasing her importance; wherein, in the original play, her role consisted of a stare. The paper relates that, to appeal to modern cultural standards, the movie has been made more aesthetically pleasing by the fantasy theatrics of the costumes and makeup.
From the Paper
"The first and most evident difference between the 1999 film adaptation and the original play by Shakespeare is the setting. Shakespeare's work is set in Greece, while Hoffman's is set in the turn of the 20th century Tuscany. It was also filmed in Tuscany. "Hoffman moves the action forward in time and sets it in late 19th-Century Tuscany" writes Welsh, but it is questioned whether this "new setting makes sense". Thus Hoffman's version has an immediate difference between that of Shakespeare's which took place in the traditional classical setting."
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"A Midsummer Night's Dream", 2002.
An analysis of Shakespeare's famous play, "A Midsummer Night's Dream".
790 words (approx. 3.2 pages), 0 sources, $ 28.95
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Abstract
An analysis of the plot and characters of Shakespeare's "A Midsummer Night's Dream". The author shows how the success of the play depends on the audience's ability to suspend disbelief and believe in magic.
From the Paper
"The play is not a play that would have been written in 2002, because it is partly a comedy of manners. For instance, Hermia's and Lysander's crisis is unimaginable in this day and age. No leader, even one who had complete powers, would agree to put the daughter of a friend to death or send her to a convent if she did not marry the husband her father had chosen for her. This is an example of negotiating (2/2/02), but one that dates the play. Nevertheless, eloping was a much greater act of defiance during Shakespeare's time than it is now."
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Comedy in "A Midsummer Night's Dream", 2006.
An analysis of William Shakespeare's use of comedy in his play "A Midsummer Night's Dream".
1,487 words (approx. 5.9 pages), 1 source, MLA, $ 49.95
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Abstract
This report looks at Shakespeare's play "A Midsummer Night's Dream" from the perspective of how the author uses comedy in the play to achieve plot and character development. It primarily looks at Shakespeare's ironic references but also considers more serious themes in the play. For example, when Shakespeare refers to the players as asses in the work, this highlights the ridiculousness and humorous aspects of the scene. The paper concentrates on such scenes, around the general theory that Shakespeare used comedy to further some contrast to the serious scenes in the play.
From the Paper
"In the first scene of Shakespeare's A Midsummer Night's
Dream, the character Helena, after the other characters have gone offstage, continues to speak to the audience about her conception of love. She seems to contradict herself, first saying that love is born of the mind and then stating its blindness and irrationality. This
is showing some humor already in that there is a willful contradiction for the audience. More seriously, her idea of love is one that is mixed up in power and revenge, and these themes come into play later on in the work, when Oberon and Titania have their own schemes of power and revenge in the forest."
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"A Midsummer Night's Dream", 2004.
An examination of love as the theme of Shakespeare's "A Midsummer Night's Dream".
1,631 words (approx. 6.5 pages), 5 sources, MLA, $ 53.95
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Abstract
This paper examines love as the central theme in "A Midsummer Night's Dream" by William Shakespeare. The paper contends that love is seen in several relationships throughout the play and, therefore, can be seen as the overall theme throughout the play. The paper examines each of those relationships and instances where love is prevalent.
From the Paper
"The theme of A Midsummer Nights Dream by William Shakespeare can be found in the true statement of Lysander in Act I Scene I Line 134, "the course of true love never did run smooth." (A Midsummer Nights Dream) During the course of this play four young lovers enter the woods each battling their own rocky course of love. They each experience several different things before finally emerging from the woods two happy couples. Two other couples also experience a difficult path to love during the course of the play, the duke and his new wife, and the mystical beings Titania and Oberon. At times these couples' paths cross and desires are swapped, making this tale a true story of difficult love and uneasy paths."
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"A Midsummer Night's Dream", 2006.
This paper explores William Shakespeare's use of mythology in "A Midsummer Night's Dream" and details the four main strands within his play.
1,355 words (approx. 5.4 pages), 8 sources, MLA, $ 45.95
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Abstract
The writer of this paper analyzes the four main sub-stories found in Shakespeare's "A Midsummer Night's Dream' and proves that this play is more than just a discussion of mortals and humans but also a story based on Greek and Roman mythology. This paper also ponders the reasons Shakespeare incorporated mythology into his play, including his desire to appeal to a diverse audience.
From the Paper
"According to one story in mythology, which Shakespeare uses in A Midsummer Night's Dream is that of Pyramus and Thisbe who are forbidden from marrying by their parents. This is similar to Theseus and Egeus who give Lysander and Hermia trouble. This is where the similarities end (Midsummer Madness). In the mythological tale, Pyramus and Thisbe agreed to meet under the mulberry tree. "Thisbe, who arrived first was scared by a lion and fled, dropping her veil which the lion smeared with blood, and Pyramus, on finding it, believed Thisbe to be dead and killed himself. Thisbe returned and found the tragic sight, in turn killing herself." Prior to the death of the lovers, the mulberry's fruit was white."
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Puck of "A Midsummer Night's Dream", 2002.
This paper discusses the character "Puck" in Shakespeare's "A Midsummer Night's Dream."
1,575 words (approx. 6.3 pages), 5 sources, APA, $ 51.95
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Abstract
This paper examines the Shakespearean character "Puck" in the play " A Midsummer Night's Dream." It describes him as the head fairy and protagonist in the play and the reason this play is so magical. The paper describes the use of language in order to set apart the fairies from the "mortals".
From the Paper
"'Spirits and fairies cannot be represented, they cannot even be painted, -- they can only be believed'" (Bloom 87). This could be the opening line of Shakespeare's "A Midsummer Night's Dream," for as we watch the play unfold, we are taken out of the world of today, and into a magical world full of romance, magic, and farce, and Puck is a major player in the story that unfolds."
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William Shakespeare's "A Midsummer Night's Dream", 2006.
This paper analyzes the use of comedy in William Shakespeare's "A Midsummer Night's Dream" as presented in the play-within-a-play, 'The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisby', in Act V.
1,495 words (approx. 6.0 pages), 3 sources, MLA, $ 49.95
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Abstract
This paper describes William Shakespeare's "A Midsummer Night's Dream as preposterous, and arsy-versy. The author points out that, by using the rude mechanicals, Shakespeare seems to be arguing that arsy-versy can turn even the most lamentable tragedy into a roaring comedy. The paper relates that an example of arsy-versy of one of the rude mechanicals is called Snug the Joiner, whose rhetoric is so slow and disjointed that he asks for his lines written in advance. The author also then discusses Titania as an example of preposterousnous, explaining that she is the fairy goddess who falls deeply in love with Bottom despite his having an ass for a head of which he is unaware. The paper concludes that the backwards reaction to the events of the play-within-the-play points to Shakespeare's message that people are insensitive to their own follies and yet are very perceptive of the same follies found in others.
From the Paper
"As the play begins, the preposterousness of the presentation is immediately shown in the prologue, which the rude mechanicals took great care to write so as not to offend the court. Peter Quince's delivery of the prologue presents a message opposite from the intended one. "If we offend, it is with our good will," he says, unfortunately telling the court that his intent is to offend. "All for your delight," he later says, "we are not here". The players then continue to present their play in a rather backwards manner; by making it crystal clear to the court that what they see in front of them isn't real."
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Kinship in "Oedipus the King" and "Midsummer Night's Dream", 2008.
This paper examines the theme of kinship in Sophocles' "Oedipus the King" and Shakespeare's "Midsummer Night's Dream".
1,346 words (approx. 5.4 pages), 2 sources, MLA, $ 45.95
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Abstract
The paper analyzes the treatment of kinship in Sophocles' "Oedipus the King" and Shakespeare's "Midsummer Night's Dream" and considers why family relationships are such a frequent subject in these genres. The paper shows how kinship is treated in relationship to its role in patriarchal societies in both of these two plays. The paper explains how kinship is a powerful plot driver in both plays, due to the fact that kinship, as epitomized in the paternal bond, lies at the heart of patriarchy.
From the Paper
"It is not surprising to find family relationships to be such a frequent subject in these genres - after all, these are the deepest ties that bind, and thus offer a rich source to be mined for both comedy and tragedy. In both of these plays, kinship is crucially important because it sets up the problems that are key drivers of the plots. In Midsummer Night's Dream, the problem consists in the fact that a father is attempting to invoke paternal authority to thwart the romantic wishes of two of the principal players. Egeus, an Athenian nobleman, is pleading with Theseus, Duke of Athens, to force his (Egeus's) daughter Hermia to marry the man Egeus has picked for her: Demetrius. Hermia is insisting she would rather marry the man she loves, Lysander."
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"A Midsummer Night's Dream", 2002.
A look at the themes of lunacy, love, and poetry in William Shakespeare's "A Midsummer Night's Dream" .
1,090 words (approx. 4.4 pages), 1 source, MLA, $ 38.95
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Abstract
This paper examines how William Shakespeare's play, "A Midsummer Night's Dream", is full of memorable characters and how they exhibit, among other things, lunacy, lovesickness, and poetry. It analyzes the characters of Bottom, Helena, and Puck, and how they contribute to the play. It demonstrates how Bottom is portrayed as a hilarious lunatic, Helena as a fool in love, and Puck as a mischievous poet.
From the Paper
"Helena proves to be the most loving character in the play. She is in love with Demetrius and there is absolutely nothing that will change her mind. She demonstrates strength of character that can only be achieved through the emotion of love. Whether or not this is wise, is another question. Regardless, she illustrates the power of love and how love is one human emotion that is very difficult to control. For example, she is aware that he loves someone else, but yet she still professes her love to him. This is amazing considering the fact that he is sometimes cruel to her. For instance, when he tells her that he is "sick when I do look on thee" (II.i.213), she simply responds that she is "sick when I look not on you" (II.i.214). She illustrates how we can hear the most hurtful thing from the one we love and not be moved away from our affection."
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Fantasy in "A Midsummer Night's Dream", 2002.
Examines the way Shakespeare uses the concepts of mystics and fantasy in his play "A Midsummer Night's Dream".
806 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
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Abstract
This paper briefly discusses how the fantasy in "A Midsummer Night's Dream" involves magic and a belief in fairies and sprites. It explains that the first of several conflicts of opposites in the play is between reality and fantasy, between the reality of life in the city and fantastic nature of life in the woods.
From the Paper
"In A Midsummer Night's Dream, one reason for the fantasy element is to create a dramatic stage on which to test human constancy and human worth. Lysander states that "the course of true love never did run smooth" (I.i.134), and this represents a theme that runs through many of Shakespeare's plays and indeed through much of world literature. The statement itself embodies several ideas. First, it assumes that there is such a thing as true love and that it is a conception based on the idea that two people are literally meant for each other. Second, it states that these two people, though meant for each other, may have to endure a good deal before they can actually achieve the love that is their destiny. In terms of A Midsummer Night's Dream, this statement helps characterize Lysander in a way that makes it evident the objections raised to the young man by Egeus are wrong and that Lysander is not one to feign love at all as Egeus believes he is doing. Lysander does indeed love Hermia as she loves him."
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The Mechanical's Play in a "Midsummer Night's Dream.", 2008.
A review of the sub-plot in William Shakespeare's "Midsummer Night's Dream."
1,795 words (approx. 7.2 pages), 5 sources, MLA, $ 57.95
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Abstract
This paper is based around characters that are featured in Shakespeare's play "A Midsummer Night's Dream". The paper first relates that, amid this complicated play, there is the tale of the six mechanicals or craftsmen. The paper then explains how Shakespeare differentiates between them and the other members of his play by use of different language and style.
From the Paper
"The mechanics have retreated to the woods outside Athens to rehearse the play that they intend to present at the wedding of Theseus and Hippolyta. The play is the classical story of Pyramus and Thisbe. These were two young lovers, living in houses that shared a common wall, whose parents had forbidden them to marry. Their only means of communication was through a crack in the wall of their adjoining houses. Eventually, they were unable to stand separation any longer, and agreed to elope, meeting in the nearby woods. On the appointed night, and taking advantage of the darkness, they slipped out of their respective houses. Thisbe arrived first at the appointed place by a mulberry tree, to find a lioness, her mouth bloody from a recent kill. Terrified, Thisbe fled, dropping her veil as she ran. The lioness then mauled the veil, leaving it torn and covered with blood. Coming on the scene and finding only the torn bloody veil, Pyramus assumed that the lioness had killed Thisbe. In his wild grief, he stabbed himself. Thisbe, emerging safe from her hiding place, and finding Pyramus dead, killed herself. In commemoration of this tragedy, the mulberry tree beside which the lovers took their lives now bears purple berries, instead of the white it had originally grown. (Rivers)"
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Magic in Shakespeare's 'A Midsummer Night's Dream', 2000.
An exploration of Shakespeare's treatment of magic and the supernatural in 'A Midsummer Night's Dream'.
1,450 words (approx. 5.8 pages), 3 sources, MLA, $ 48.95
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Abstract
This paper explores the theme of magic in 'A Midsummer Night's Dream', and discusses how Shakespeare uses supernatural elements throughout the play. It considers the boundaries between good and evil, and comments upon the ways Shakespeare presents the play as a supernaturally charged adventure.
From the Paper
"There was a strong belief in the supernatural in Shakespeare's era and subsequently, some form of the supernatural realm is a common theme throughout his plays. The supernatural is a central theme in A Midsummer Night's Dream which is set in an enchanted fairyland wood and the play clearly demonstrates the power of the supernatural and the dramatic influence the spiritual world has upon the natural order of things. "
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