| Papers [1-15] of 94 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MICHELE CARAVAGGIO": |
|
|
|
"Michele Caravaggio", 2002.
An analysis and commentary of the film.
2,340 words (approx. 9.4 pages), 1 source, $ 71.95
»
Click here to show/hide summary
Abstract
This paper is a commentary on the Derek Jarman?s film, "Caravaggio", emphasizing the model-artist relationship in the movie and the artistic expression with which Jarman displays Michele Caravaggio himself.
From the paper:
"Jarman?s Caravaggio is a rare commentary on the life of Michele Caravaggio, one ravished by misfortune and sorrow but nonetheless embraced and exalted today as a crucial moment in the defining of art. This film not only promotes the efforts and exploits of Caravaggio, but also delves into the realm of the artist as a human, not merely the means through which art is accomplished. Jarman takes special effort to integrate the relation of Caravaggio to his peers and friends while smoothly throwing artistic practice into the mix with a natural fluidity that almost necessitates the replacement of the word ?practice? with ?being'."
| |
|
"Money, Morals & Manners" by Michele Lamont, 1996.
Critical analysis of work on role of socioeconomics & cultural hierarchies in perception of self & others.
2,475 words (approx. 9.9 pages), 3 sources, $ 87.95
»
Click here to show/hide summary
From the Paper
"The purpose of this research is to examine sociological theories related to Money, Morals, and Manners, by Michele Lamont. The plan of the research will be to set forth the fundamental thesis and assumptions of the work and explore the theoretical foundations informing it, noting how Lamont's views both derive and depart from precedent theory, and then to discuss the specific manner in which she makes use of the theories to develop those views, with reference to her research methodology. As appropriate, reference will be made to the efficacy and reasonableness of Lamont's theories and conclusions relative to her assessment of earlier theory on society and culture.
The thesis of Money, Morals, and Manners is that dominant figures of the upper-middle class define valued cultural styles and experience through identifiable cultural categories, or the ..."
| |
|
Art History: Carracci and Caravaggio, 2006.
A comparison and contrasting of the art of Annibale Carracci and Caravaggio.
1,575 words (approx. 6.3 pages), 2 sources, $ 62.95
»
Click here to show/hide summary
Abstract
This art history study compares and contrasts the realism that is exhibited within the paintings of Caravaggio and Annibale Carracci. By analyzing the Farnese gallery of Carracci, this paper sees the sense of realism that is anatomically in compliance with Caravaggio's painting style. Within the scope of realism, however, Caravaggio is more reliant on shadows and color schematics than Carracci in his compositional technique. This paper further discusses how in this manner, both Carracci and Caravaggio express similarities and differences in their approach to painting technique during the Italian Renaissance.
| |
|
Mont Saint Michel, 2007.
This paper examines the history and architectural character of the structure, Mont Saint Michel.
2,752 words (approx. 11.0 pages), 3 sources, MLA, $ 82.95
»
Click here to show/hide summary
Abstract
In this article, the writer looks at the history of how the Mont Saint Michel structure was built and how the abbey and the island has been used over the centuries. The writer further traces how the Mont Saint Michel evolved from a cultural repository to an abbey, a dungeon and the world heritage site that it is today. The writer then examines the architecture and design of the Mont Saint Michel, looking at the village structures as well as the abbey itself. Next, the writer details how the structure has evolved from its original Romanesque design to exhibit the Gothic characteristics that the abbey is famous for today. In addition, the writer looks at the conservation problems that have arisen as a result of all this construction, and the efforts being made to safeguard this world heritage site.
Outline:
History
Architecture and Design
Present Day Architectural Concerns
Conclusion
From the Paper
"The structure of the Mont Saint Michel that is familiar today took shape in the early seventh century, an effort spearheaded by Saint Aubert, who was then bishop of Avranches, located just across the Couesnon River. Local legends state that Saint Michael appeared to the bishop, with instructions for the building of a church on the rocky outcropping. Considering the logistical difficulties of such a feat, it is not surprising that Saint Aubert did not immediately follow through, that is, until Saint Michael reappeared and burned a hole into the bishop's skull. The island was therefore officially dedicated to Saint Michael in 708."
"While the Mont Saint Michel is often ascribed religious importance, it also had political and military significances at various times in history. In 933, the Norman invaders embarked on a new conquest, beginning with the annexation of the Cotentine Peninsula."
| |
|
Caravaggio and Poussin, 2007.
A discussion regarding Michelangelo da Caravaggio and Nicolas Poussin.
1,663 words (approx. 6.7 pages), 8 sources, APA, $ 54.95
»
Click here to show/hide summary
Abstract
This paper reviews and discusses the works of Michelangelo da Caravaggio and Nicolas Poussin. According to the paper, Caravaggio and Poussin were not contemporaries but have been linked in art history because of the criticisms Poussin made of Caravaggio and because of the differences in approach seen in their aesthetic ideas and the works they produced following those ideas.
From the Paper
"These latter two works are very different renditions of their subject, though there are similarities in the symbols used. Both figures have leaves twining around their heads. The da Cortona work shows a much younger Bacchus, a child, with bunches of grapes in hand. The Caravaggio presents an adult Bacchus drunk from the wine in the goblet he holds in his left hand, and grapes and other fruit are visible in a bowl in the foreground. The Bacchus of Caravaggio is a dissipated adult, and Caravaggio renders this scene with considerable realism. The expression on the face shows how drunk this Bacchus is and how less than ideal this makes him."
| |
|
Caravaggio's Departure from Counter-Reformation Art, 2006.
Discusses and analyzes two of Michelangelo Merisi da Caravaggio's masterpieces, the "Crucifixion of St. Peter" and the "Conversion of Paul", which are located in the Cerasi Chapel in Rome.
1,350 words (approx. 5.4 pages), 7 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This paper introduces two important works by Caravaggio that demonstrate his mastery of light, more than color, towards effects that were not expected of Counter-Reformation art. The paper examines the prevalent artistic approaches used during that era and explains how Caravaggio departed from those approaches by using shadows, very dark colors, and direct human expressions that arrest the viewer.
From the Paper
"The Council of Trent had established the Counter-Reformation's approach to art as this was to convey Christian themes directly to its viewers. However, the fine arts were to adhere to thematic pieces on repentance and redemption, ensuring that the mysteries of Christianity should be visible, as in the wounds of the Crucifixion. Michelangelo da Caravaggio went forwards in a realistic depiction of life, enabled by the protection of well-placed intellectuals and others to recognize his use of colour and light towards lifelike figures, in contrast with what the Counter-Reformation encouraged in Mannerism."
| |
|
The Art of Caravaggio, 2004.
Examines the life, times, and religious paintings of Michelangelo Merisi, better known as Caravaggio.
2,518 words (approx. 10.1 pages), 12 sources, MLA, $ 76.95
»
Click here to show/hide summary
Abstract
At the beginning of the 17th century, the artist, Michelangelo Merisi , who was called Caravaggio, began to paint in a manner that was at once new and exciting, as well as echoing the best of the Renaissance masters who had come before. This paper examines the era in which Caravaggio painted and in which he was commissioned to complete three paintings in the Contarelli chapel, the Cerasi chapel, and the Cherubini chapel. It focuses on his style and uniqueness, which made him one of the greatest artists of his time.
From the Paper
"Caravaggio's earlier works were more secular in content and, along with the later religious compositions, were known for realism, simplicity, and piety. His turbulent private life lent a dramatic effect to his work that can be seen in the extensive use of shadow, particularly those works of the later period when he was running from and in between periods of imprisonment. ?Vain and prone to violence, Caravaggio could not handle either success or rejection. The more eminence he achieved as an artist, the more tumultuous his life became? (Butterfield 32). He eventually fled Rome after having stabbed and killed a man and having a death warrant issued (Butterfield 33)."
| |
|
Comparing Michel Foucault and Jean-Francois Lyotard, 2007.
This paper compares the philosophies of Michel Foucault and Jean-Francois Lyotard through two of their works.
2,832 words (approx. 11.3 pages), 4 sources, APA, $ 84.95
»
Click here to show/hide summary
Abstract
This paper compares Michel Foucault and Jean-Francois Lyotard, both early postmodern philosophers, through the use of two of their works, as well as other sources. These works are Foucault's "The Body of the Condemned" and Lyotard's "The Postmodern Condition". In addition to these works, other information about Foucault and Lyotard is used to indicate the similarities and differences between these two works, their philosophies and their beliefs. While the two works are analyzed, the overall philosophies of Foucault and Lyotard are also addressed.
Outline:
Michel Foucault
Jean-Francois Lyotard
Conclusion
From the Paper
"Foucault fits into the general philosophical tradition, but it is the critical tradition, similar to Kant, and most of what Foucault writes about and proclaims is a very critical history where human nature and thought is concerned (Foucault, n.d.). This does not mean that the history of ideas that he discusses is also an analysis of the errors that might be seen when issues are examined after the fact. Instead, it should be taken to mean that Foucault's work is an analysis based on the relationship between object and subject, and what conditions are seen to either form or modify those relationships (Foucault, n.d.)."
| |
|
Michel Foucault's "Panopticism", 2005.
This paper discusses the origin of Michel Foucault's concept of the panopticon.
1,800 words (approx. 7.2 pages), 3 sources, $ 71.95
»
Click here to show/hide summary
Abstract
This paper explains that Michel Foucault's concept of the panopticon derives from the French intellectual's background in philosophy with emphasis on psychology and the practices of medical institutions. The author points out that the concept is not simply a philosophical thought construct but has direct relevance to the structures and organization of political power in modern society. The paper focuses on Foucault's application of the principal of panopticism to the analysis of contemporary society and culture.
From the Paper
Michel Foucault's "Panopticism" and its Relevance to Contemporary Society Michel Foucault's concept of the "Panopticon" derives from an the French intellectual's background in philosophy with a particular emphasis upon psychology and the practices of medical institutions (Seidman, 178-179). This being said, it must be acknowledged that the concept is not simply a philosophical thought construct but, in fact, has direct relevance to the structures and organization of political power in modern society."
| |
|
Jean-Michel Basquiat, 2005.
An overview of the work of artist, Jean-Michel Basquiat.
2,925 words (approx. 11.7 pages), 7 sources, $ 115.95
»
Click here to show/hide summary
Abstract
This paper discusses the work of Jean Michel Basquiat. It first focuses on his life, which is the defining source of his work. It further discusses his multicultural heritage which often is within his work, and it discusses how Basquiat learned about his life as he learned about his art. Several of his paintings are discussed from the Brooklyn Museum of Art.
From the Paper
"Fans and critics alike have closely scrutinized the work of the late artist, Jean-Michel Basquiat. Critical analysis contends that Basquiat's work cannot be considered in league with great art because it lacks the maturity, and skill that is found in the work of history's primary painters. Those who believe that there is value within Basquiat's work believe that the modern expression within each painting is a statement of the society of our time. Filled with With these facts in mind, it is of further significance to realize that through his work Basquiat was presenting a commentary on his life, his knowledge, and the society in which he lived ("Basquiat"). The Brooklyn Museum of Art states that Basquiat worked around six central themes."
| |
|
Michel Foucault, 2002.
An analysis of the philosophy and writings of Michel Foucault.
981 words (approx. 3.9 pages), 5 sources, MLA, $ 34.95
»
Click here to show/hide summary
Abstract
This paper gives a biography of the life and works of the French philosopher Michel Foucault. It shows through his writings, how Foucault was more than simply a philosopher, but was also a scholar and a thinker and how his definition of truth may be one of the most "truthful" and meaningful definitions we have today, especially when power is brought into the equation. The paper discusses how he believed that power and truth and untruth indeed go hand in hand and how Foucault's philosophy of thought had everything to do with his outlook, his teachings and his ultimate domination of the field of thought and philosophical thinking.
From the Paper
"Emotionally, it does not seem that philosophy has anything to do with discovering the ultimate truth, but without philosophy, how would one even know to wonder what truth is? Foucault's definition may be cynical, but it does indeed cause the reader to think, and do look for their own definition of the truth, and isn't that what philosophy is really all about? It encourages thought and discovery, just as Foucault's works inspire thought and discovery. We do not have to agree with the philosopher or his philosophy as long as we discover our own."
| |
|
Michel Foucault, 2005.
A discussion of Michel Foucault's views on gender, sexuality and power.
1,680 words (approx. 6.7 pages), 10 sources, MLA, $ 54.95
»
Click here to show/hide summary
Abstract
This paper first explains Foucault's general position that authorities and institutions should not be what determine the truth or reality for others. The paper then explains that it is from this perspective that Foucault considers the question of identity, subjectivity, sex and power in the world. The paper further explains Foucault's emphasis that authentic truth is that which is not established or forced on the individual and that he approaches and questions gender and sexually in the same light.
From the Paper
"In an interview conducted in 1982, Stephen Riggins asked Foucault about the role of the philosopher in society. Foucault answered that "It is absolutely true that when I write a book I refuse to take a prophetic stance, that is, the one of saying to people: here is what you must do-and also: this is good and this is not". (Hendricks C.)"
| |
|
Michel Foucault?s ?Discipline and Punish?, 2002.
This paper reviews a chapter, titled ?Illegalities and Delinquency?, from the book, ?Discipline and Punish?, by philosopher Michel Foucault, which examines the history of the modern penal system.
765 words (approx. 3.1 pages), 1 source, MLA, $ 27.95
»
Click here to show/hide summary
Abstract
This paper discusses that, in the chapter titled ?Illegalities and Delinquency?, Foucault focuses specifically on the concept of imprisonment. The author explains that Foucault calls the prison system a "carceral system", a method of discipline that extends beyond the physical prison itself into society. The paper states that Foucault points out that, despite the repeated failures, the fundamental principles of prison have remained the same for 150 years.
From the Paper
"Finally, the penal system indirectly contributes to delinquency by throwing the prisoner?s entire family into destitution. When the head of the family is thrown in prison, the mother is usually unable to earn enough to feed her children. This encourages abandonment. The whole family is reduced to ?vagabondage and begging? (229). Often the temptation to steal out of desperation or hunger becomes too great to resist."
| |
|
Michel Foucault, on Subjectivity, 2005.
An examination of Michel Foucault's theory of subjectivity.
1,125 words (approx. 4.5 pages), 1 source, APA, $ 39.95
»
Click here to show/hide summary
Abstract
This paper looks at Foucault's theory of subjectivity and how it is developed. The paper is based on work from Foucault's book, "Ethics: Subjectivity and Truth" and attempts to explain Foucault's claim that subjectivity is not given but is an effect of power, knowledge and other techniques.
From the Paper
"Subjectivity is the way in which an individual perceives the world and it differs from one human being to another. Unlike objectivity in which the object under consideration is considered based on observable facts that are perceived the same way by everyone, subjectivity is based on an individual's own experience of life and his own ideas. Subjectivity is based upon analysis of an individual's opinions which in turn are based on his past experiences and what he knows from what he has learned in the course of his..."
| |
|
To Know and to Believe: The Epistemology of Michel de Montaigne, 2000.
This paper examines Montaigne's theory of knowledge as defined in "An Apology" for Raymond Sebond and in the "Essays".
1,680 words (approx. 6.7 pages), 4 sources, $ 54.95
»
Click here to show/hide summary
Abstract
This paper examines the epistemological thought of Michel de Montaigne. Drawing heavily on his "An Apology for Raymond Sebond", and less so on the essays, the paper is an attempt to synthesize the classical and religious influences in Montaigne?s theory of knowledge. It traces Montaigne?s argument in a clear, logical fashion, describing his view of man?s odyssey to perfection. Special attention is placed on the influence of Plato?s thought on Montaigne, as well as the religious context in which the "Apology" was written.
From the paper:
"This paper examines the epistemological thought of Michel de Montaigne. Drawing heavily on his An Apology for Raymond Sebond, and less so on the Essays, the paper is an attempt to synthesize the classical and religious influences in Montaigne?s theory of knowledge. It traces Montaigne?s argument in a clear, logical fashion, describing his view of man?s odyssey to perfection. Special attention is placed on the influence of Plato?s thought on Montaigne, as well as the religious context in which the Apology was written."
From the Paper
"Unfortunately, reason alone is not enough in mankind?s quest for knowledge of himself, God, and the ways of salvation. The fact that man depends on God to provide the faculty of reason, which is imperfect, certainly means that he cannot comprehend the perfect God Who provides it. And doubt about the essence of God necessarily implies doubt in man?s knowledge of all inferior existence; this is the essence of Montaigne?s skepticism. An understanding of the limits of reason, therefore, causes man to enter the second phase of his path towards true knowledge?a reevaluation of his worldly experience. Immersed in his pride, man views his experience as representing truth. In the context of limited reason, however, man?s experience merely provides knowledge of transient being?not what he is, but what he is becoming. Montaigne recognizes ?that the characteristic property of the creature is impermanence.?"
|
|
|
