| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MICHELANGELO SISTINE CHAPEL CEILING": |
|
|
Michelangelo's Sistine Chapel Ceiling, 2000.
Analysis of the symbolism in and influences on Michelangelo's painting of the Sistine Chapel.
1,097 words (approx. 4.4 pages), 3 sources, MLA, $ 38.95
»
Click here to show/hide summary
Abstract
This paper discusses symbolism and meaning that can be found within Michelangelo's painting of the Sistine Chapel, as well as the possible interpretations of the painting. The paper also describes the scenes in the painting and what could have influenced Michelangelo to paint the ceiling the way he did.
From the Paper
"Michelangelo Buonarroti executed one of the grandest works of the Renaissance at the request of Pope Julius II. This work was the famous fresco ceiling of the Sistine Chapel of the Vatican in Rome. Michelangelo undertook this work in 1508 with some trepidation, for a number of reasons. The first being that he considered himself primarily a sculptor, secondly because a painting of this magnitude would keep him from working on a prior commission for the Popes' tomb at St Peter's Basilica. This project required the use of his skills as an architect and sculptor. But with the desires of the Pope on his shoulders, he was forced instead to focus his energies on this massive painting. In the beginning, Julius was interested in a depiction of the twelve apostles, which would replace Pope Sixtus IV's blue sky. Eventually, though, Michelangelo was given a free hand to proceed with the painting as he desired, and the result was one of the most complex and exuberant works ever created. When observing this work, it is to do it a great injustice by not considering it as a theological and intellectual exercise, in addition to being very strong aesthetically. This scholarly consideration raises a good deal of questions about the intellectual programme that motivated Michelangelo. The assumption that the plan behind this work was random is of course a possibility, but considering what we know of both the artist and the time period, it can be accepted that this work was the product of a great deal of religious and historical study. The amount of symbolism within the work is astounding, and because of its great depth and intricacies of meaning, whether or not Michelangelo arrived at this programme independently comes into question. More important, however, is the work itself: its symbols and how the viewer interprets them."
| |
|
Michelangelo Sistine Chapel, 1994.
Historical context of chapel frescoes, spiritual & cultural significance, style, theory and relationship with Pope Julius II.
2,025 words (approx. 8.1 pages), 7 sources, $ 71.95
»
Click here to show/hide summary
From the Paper
" The purpose of this research is to examine the artistic decoration of the Sistine Chapel by Michelangelo. The plan of the research will be to set forth the historical context in which the decoration of the chapel was undertaken, and then to discuss the work with reference to Michelangelo's sculpture and decor of other churches in the preceding periods, as well as to the significance of Michelangelo's complex relationship with Pope Julius II for the project.
The historical context for Michelangelo's decoration of the Sistine Chapel is the tension in the fifteenth century between the Church as the dominant institution in Europe and the increasing secularism of culture. In this regard, Gutek believes that the cultural traditions of the classical period never quite disappeared from the time of the fall of Rome and the emergence.."
| |
|
The Sistine Chapel, 2004.
A paper discussing Michelangelo's Sistine Chapel paintings.
1,125 words (approx. 4.5 pages), 3 sources, MLA, $ 39.95
»
Click here to show/hide summary
Abstract
This paper discusses Michelangelo's Sistine Chapel paintings and their relationship to the High Renaissance. The paper looks at how frescoes were a part of the High Renaissance and how Michelangelo changed the original concept of the ceiling and chapel to include both humanistic and classical inferences.
From the Paper
"The purpose of this paper is to discuss Michelangelo's Sistine Chapel paintings and their relationship to the High Renaissance. When Julius II became Pope, he immediately proceeded toward the restoration of the Vatican then the capital of Western Christendom. He decided to finish the ceiling of the papal chapel previously decorated as a star-studded heaven just above some saintly figures more grandly than it had enjoyed before. In this way ,the most complex and grandiose program of painting that is to be found..."
| |
|
Michelangelo's Sistine Frescoes, 1995.
Examines this Renaissance artist's chapel ceiling paintings. Discusses technique, colors, organization and subjects.
1,125 words (approx. 4.5 pages), 4 sources, $ 39.95
»
Click here to show/hide summary
From the Paper
"Michelangelo's fresco paintings on the ceiling of the Sistine Chapel were completely restored by early 1994. According to art historians, Michelangelo's painting "is reappearing from beneath layers of extraneous materials . . . as if a window in a dark room is being opened to reveal a bright panorama" (De Vecchi 7).
Michelangelo's work is characterized by the painstaking work and technique which evidences the highest level of craftsmanship that was "typical of fresco painters in the Renaissance period" (De Vecchi 26). The famous painter began his work by applying plaster and carefully choosing his pigments. Although his work was clearly that of a genius, it was also done very much in the style and spirit of other great Florentine masters like Domenico, Ghirlandio, and Luca Signorelli."
| |
|
Michelangelo & the Pope's Ceiling, 2007.
This paper provides a review of the work 'Michelangelo & the Pope's Ceiling' by Ross King.
2,452 words (approx. 9.8 pages), 1 source, MLA, $ 74.95
»
Click here to show/hide summary
Abstract
In this article, the writer discusses Ross King's 2003 non-fiction account of the painting of the ceiling of the Sistine Chapel, 'Michelangelo and the Pope's Ceiling'. The writer notes that the work reflects on all the components involved - the ceiling, Michelangelo's frescoes - as well as his involvement. More importantly however, the writer maintains that this title is a reflection on Michelangelo's detachment from the job which has become one of his crowning achievements and that it was in fact the ceiling of the Pope who commissioned the job, and not of Michelangelo. The writer points out that King goes to great lengths to make these points clear and he does so with great accomplishment that the reader is left to believe that Michelangelo, one of the greatest artists in world history, did in fact struggle with this job and he was just biding his time until he could again sculpt. The writer concludes that King makes his point convincingly, with utmost care and ample factual evidence, while creating a historical account which reads almost like a novel.
From the Paper
"One such example of suspense in a historical work has to be the story of a young master in Rome who shares the city with Pope Julius II and the Sistine Chapel. Not Michelangelo, this is Rafael who is praised as a prodigy by those of his time and whose story is told by King intermittently throughout. Upon reading, it is almost as if one is kept waiting for some kind of collision between the two artists, Rafael and Michelangelo. Although nothing comes of it, the ambiguous tone in which Rafael is discussed, leaves a great deal to be anticipated by the reader. Also, Rafael's depiction is brought up through the work and without any sort of pattern or predictability. Just one example of King's ability to keep his work interesting, Rafael is an interesting subject that adds more to the story."
| |
|
Michelangelo's Magnifici Tomb in the Medici Chapel, 2008.
A discussion of Michelangelo's Magnifici Tomb in the Medici Chapel, based on a study by Andrew Morrogh and a study by Estelle Lingo.
1,917 words (approx. 7.7 pages), 2 sources, MLA, $ 61.95
»
Click here to show/hide summary
Abstract
This paper discusses two studies of Michelangelo's Magnifici Tomb in the Medici Chapel towards complementary, as opposed to different, conclusions. The studies reviewed are Andrew Morrogh's "The Magnifici Tomb - a Key Project in Michelangelo's Architectural
Career" and Estelle Lingo's "The Evolution of Michelangelo's Magnifici Tomb - Program versus Process in the Iconography of the Medici Chapel".
The paper relates that both studies are authoritative and careful contributions to the study of the Medici Chapel, the tomb in question and the career of Michelangelo. The paper also asserts that their different vantage points on the Magnifici Tomb help along what should be a broad approach to any artifact or installation, investigating origins, features and salient details in relation to context, remembering that there shall forever be different opinions which can be powerful guides towards personal appreciation and further study.
Outline:
Introduction
Andrew Morrogh - The Magnifici Tomb as a Key Project.
Estelle Lingo - Program versus Process and Iconography
Discussion
From the Paper
"The errors made by Michelangelo included the level at which the viewer examined them, the focal point of three statues too low, a statue of the Madonna, on the other hand, requiring a higher viewing point. (p.594) As Morrogh concluded, imperfections and all, Michelangelo had been able to exercise considerable license in what he designed so tentatively and in its results, thanks to the nature of his patron. Michelangelo had mixed opinions concerning the tradition of classicism that would have satisfied many sculptors of his day, but his results were not just innovative but 'difficult' as Morrogh comments, still apt to draw mixed reviews from those examining the Magnifici Tomb in the present. From this article, the reader obtains much detail and most readers will enjoy the illustrations of very different drawings to which Morrogh refers, a familiar aspect of the Medici Chapel revealed to have been a much changing or even piecemeal affairs thanks to the patronage of Pope Clement who seems to have recognized Michelangelo's originality and given it free reign. One leaves this article with the impression of having enjoyed a 'solid' few pages of scholarship, the author plainly knowing far more on Italian Renaissance design and architecture of which this article indicates one quite small topic."
| |
|
Religion in Michelangelo's Art, 2001.
An analysis of the religious significance in Michelangelo's art work specifically related to the Sistine Chapel.
1,100 words (approx. 4.4 pages), 4 sources, MLA, $ 38.95
»
Click here to show/hide summary
Abstract
The paper begins with a general overview of the meaning of religion in Michelangelo's art and then moves its focus to the panel of the Drunkenness of Noah. It explains the basic story that this piece hopes to capture and compares how this Biblical story differs in a way to what is portrayed in the picture.
From the Paper
"Michelangelo?s frescoes for the ceiling of the Sistine Chapel are regarded by nearly all art historians as being amongst the most significant ? and most lovely -- of all works of art created in the West since the beginning of the Christian era. It is no doubt because of their artistic importance that it is easy to overlook their religious significance, for while the religions stories that Michelangelo gave vision to are well known and in no way original to the artist, the images were overwhelmingly original. We cannot fail to be impressed by their beauty when we look at them and so we may forget to see what is actually contained in them."
| |
|
The Life and Works of Michelangelo, 2002.
The life and work of the Renaissance artist, Michelangelo Buonarroti, and the technique and significance of his works.
1,868 words (approx. 7.5 pages), 7 sources, MLA, $ 59.95
»
Click here to show/hide summary
Abstract
This paper is primarily a biographical report of Michelangelo's almost 90-year-long life from his grim childhood to the early influence of the Medici family to his commission to sculpt the "David" and paint the Sistine Chapel. Also included are photos of his sculptures "Bacchus", "Pieta", "David", "Rondanini Pieta" and his paintings on The Sistine Chapel.
I.Introduction
II.Body
A.Michelangelo?s Early Life
B.Bacchus and Pieta
C.David
D.The Sistine Chapel Ceiling
E.The Tomb of Julius II
F.The Medici Tombs
G.The Last Judgment
H.Michelangelo?s Final Years
III.Conclusion
From the Paper
"One of the greatest artists of all time, a man whose name has become synonymous with the word "masterpiece", is Michelangelo Buonarroti. As an artist he was nearly unmatched; the creator of works of true beauty that express the full extent of the human condition. Yet, in a world where art flourished only with patronage, Michelangelo was caught between the conflicting powers and whims of the Medici family in Florence, and the Papacy in Rome. Unlike many artists of his time, his genius was recognized, but at a seemingly great cost to his personal life."
| |
|
Women and the Glass Ceiling, 2007.
This paper discusses the problem of the glass ceiling and women in the business world.
1,819 words (approx. 7.3 pages), 7 sources, APA, $ 58.95
»
Click here to show/hide summary
Abstract
This paper examines the ability of women to reach certain echelons in corporate America. The author also discusses the factors that contribute to women's promotions to chief executive offices in Fortune 500 firms. The term glass ceiling is defined. The paper then describes how affirmative action programs were implemented into many business strategies in order to eliminate glass ceiling situations in the workplace. The author concludes by stating that although affirmative action has diversified educational institutions, such diversification is yet to be seen in corporate America. It is not clear why all the barriers exists or why women are not in more senior executive positions.
Outline:
Introduction
Glass Ceiling
The Glass Ceiling and Affirmative Action
Female CEO's at Fortune 500 Companies
Limitations of Affirmative Action as it relates to the Glass Ceiling
From the Paper
"Affirmative Action has long been a topic of debate in America and other nations throughout the world. More often then not the focus is primarily confined to race. However, affirmative action has also had an impact in terms of gender and the ability of women to reach certain echelons in corporate America. The purpose of this discussion is to examine the problem of the glass ceiling and women in the business world. The research will also examine the factors that contribute to women promotion to chief executive office in the Fortune 500 firms. Let us begin our discussion by defining the phrase glass ceiling."
| |
|
Shattering the Glass Ceiling, 2004.
This paper discusses why there is a glass ceiling and how women can break through the glass.
1,575 words (approx. 6.3 pages), 8 sources, APA, $ 55.95
»
Click here to show/hide summary
Abstract
In this article, the writer explains that the glass ceiling is a level above which it is difficult for women to move in an organization. The writer discusses why there is a glass ceiling and how women can break through the glass ceiling. The paper includes two references from Susan J. Wells in this regard. Further, the writer discusses the characteristic of the glass ceiling.
From the Paper
"The glass ceiling is a level above which it is difficult for women to move in an organization. It can refer to a management level, salary level or level of responsibility or authority, but the glass ceiling is of concern to women who choose to move in the business world. This research examines the characteristics of the glass ceiling, the factors that have led to its creation, what organizations are doing to combat the glass ceiling and whether ... "
| |
|
Breaking Through the Glass Ceiling, 2007.
Questions what is stopping women from breaking through the corporate glass ceilings.
4,600 words (approx. 18.4 pages), 12 sources, APA, $ 119.95
»
Click here to show/hide summary
Abstract
Forty years ago women in "high places" virtually didn't exist. Women physicians and lawyers, for example, were so rare that finding one caused comment and sometimes consternation. That is no longer true, of course, and leaders agree that the glass ceiling is not as strong as it once was. This paper shows that women have entered all areas of business and make up 50% of management positions, yet few women are in positions of leadership. Naturally, everybody wonders why women, in spite of their struggles, don't seem to be reaching the top. Many people argue that discrimination is the cause of women's failure to break through the glass ceiling, but this paper argues that discrimination, although still present, is not the main source of the problem.
Paper Outline:
Breaking Through the Glass Ceiling: What's Stopping Women?
What is the Glass Ceiling?
Communication Styles and the Glass Ceiling
Coping with the Glass Ceiling
Conclusion
References
From the Paper
"A good mentor helps to establish contacts, develops networking, uncovers job opportunities, gives appropriate guidance, and acts as cheerleader, coach, and critic, but allows autonomy and independence at the same time. In fact, it may be an advantage for a woman to have a male mentor. A man can give insight into how a man thinks and makes decisions. Not that women should think like men, but they do need to understand how men think in order to communicate with them better. A well-connected mentor is important for any rising executive. A mentor can explain the political structure and offer guidance for effective maneuvering."
| |
|
Women and the Glass Ceiling, 2006.
This paper examines the "Glass Ceiling" experienced by women in the workplace.
1,125 words (approx. 4.5 pages), 4 sources, $ 44.95
»
Click here to show/hide summary
Abstract
This paper describes the "Glass Ceiling" that women experience in the workplace. Although strides have been made to eradicate discrimination, the author argues that statistics still show that women occupy less managerial positions than men. The "Glass Ceiling" syndrome is examined in Canada, despite it being a progressive nation.
From the Paper
"It is a well known fact that women have always experienced discrimination in the workplace. While this has lessened in recent years, many women still maintain that there is a "glass ceiling" that prevents them from rising to the same levels as men in organizations. This has been confirmed by research (see for example Maume). Certainly, it is true that women do not hold as many positions in top management as do men. This is equally true in Canada as in any other Western country. Is the reason for this the fact that women are
| |
|
The Glass Ceiling: True Barrier to Women or Old Wives' Tale?, 2002.
This paper discusses the mythical "glass ceiling."
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
»
Click here to show/hide summary
Abstract
This paper discusses the mythical "glass ceiling." Many people, especially feminists, believe it is an ever-present barrier, holding women back from the upper levels of corporate America. Others believe there is no glass ceiling, and that the lack of women in top corporate positions simply indicates that women have other priorities. Which side is right is the focus of this paper.
| |
|
The Glass Ceiling, 2005.
This paper discusses issues of the glass ceiling, a theoretical level beyond which women and minorities are unable to advance in the workplace.
1,850 words (approx. 7.4 pages), 7 sources, APA, $ 59.95
»
Click here to show/hide summary
Abstract
This paper explains that major signs of the existence of glass ceilings are that (1) virtually all women have lower mean incomes when compared to their male counterparts and (2) most minority men earn less than non-Hispanic, white men with the same education at the same occupational level. The author points out that specific company actions to avoid being the target of a potential lawsuit are using the neutral systems of merit or seniority based pay and focusing their strategic business plans on achieving workforce diversity. The paper stresses that, to break down the glass ceiling, employers should realize that they need the input of women and minorities in their businesses to better address the changing consumer markets, workplace demographics and competition in today's economy.
Table of Contents
Introduction
Background
Pertinent Employment Laws
Recommendations
Conclusion
From the Paper
"Further, Redwood lists internal structural barriers and business barriers such as: Outreach and recruitment practices that do not reach or recruit women and minorities; corporate climates that alienate and isolate; pipeline barriers that restrict career growth because of poor training, inadequate mentoring, biased rating and testing systems; few or no internal communication networks; limited rotational job assignments that lead to the executive suite and institutional rigidity that deny the fragile family and work balance. Often, qualified people are denied from reaching their full potential because they do not have access to mentoring, developmental assignments, training, and other career enhancing activities."
| |
|
"Glass Ceiling", 2002.
A look at the glass ceiling concept in a corporate environment.
1,400 words (approx. 5.6 pages), 12 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This six-page graduate paper studies the phenomenon of the glass ceiling in the corporate environment - gender discrimination in the workplace.
|
|
|
