| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "MEXICAN AMERICAN WOMEN LITERATURE": |
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Mexican-American Women in Twentieth-Century America, 2002.
This paper discusses the book "From Out of the Shadows: Mexican Women in Twentieth-Century America," by Dr. Vicki Ruiz, specifically, as it gives voice to Mexican-American women.
2,110 words (approx. 8.4 pages), 2 sources, $ 66.95
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Abstract
This paper discusses, from all angles, at home, at work and in the community, Twentieth-Century Mexican-American women, descendents of some of the first immigrants to the United States. The paper reviews Ruiz's book that shows Mexican-America women working for menial wages to help support the family and suffering from stereotypes. The author states that, although often history texts can be dry and lifeless, Ruiz's text comes alive with the voices of the women about whom she writes.
From the Paper
"Each of the causes of change was important and devastating, but probably the most devastating was the discovery of gold in California. Mexican-Americans had long made California their home, and some owned extensive ranchos, but California glittered too brightly, and the United States took the country for its own in 1850. The rancho way of life disappeared, especially when the ranchos belonged to women, which was not unusual in Mexican society. Unlike the U.S., Mexican women could and did own their own property, but their title was not recognized when the U. S. annexed California, and they lost much if not all of their land."
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Mexican-American Women in Literature, 1995.
This paper compares the treatment of Mexican-American women in Sandra Cisneros' collection of stories, "Woman Hollering Creek", Arturo Islas' novel "The Rain God", and Cherrie Moraga's non-fiction work "Loving in the War Years": Sexuality, relationships a
2,250 words (approx. 9.0 pages), 3 sources, $ 79.95
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From the Paper
"This study will compare the treatment of women in Sandra Cisneros' collection of stories, "Woman Hollering Creek", Arturo Islas' novel "The Rain God", and Cherrie Moraga's non-fiction work "Loving in the War Years". The study will consider the sexuality of women, their relationships, and their ability to endure in the face of current obstacles and physical, moral and psychological traumas. The thesis of the paper will be that the three books, taken together, form a full portrait of Mexican and Mexican-American women. They should not be seen as being in conflict with one another, but rather as working together to give that full portrait of at least some of the alternative positions taken by women in that culture.
On the one hand, we find an extreme Chicana-lesbian-feminist viewpoint as expressed by Moraga. In the middle, we have ... "
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Mexican-American and African-American Assimilation, 2004.
A comparative analysis of Mexican-American and African-American assimilation in the United States today.
4,544 words (approx. 18.2 pages), 6 sources, MLA, $ 118.95
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Abstract
This paper examines the processes and sub-processes of assimilation. It looks at how sociologist, Milton M. Gordon, viewed assimilation as a collection of sub-processes emphasizing three main processes: cultural;
structural; and marital assimilation. It focuses on cultural, structural, and marital assimilation between African-Americans and Mexican-Americans in Texas and New York, as represented by 1990 and 2000 figures from the U.S. Census Bureau.
Outline
Introduction
Cultural Assimilation
Marital Assimilation
Secondary Structural Assimilation
Primary Structural Assimilation
Conclusion
From the Paper
"Oppression has been a part of the patchwork of American history since the nation?s inception, leading to a fairly paradoxical culture in which equality and justice are theoretically cherished at the same time they are questionably practiced, and also in which a legacy of xenophilia, or the welcoming of immigrant contributions to the larger culture, has been mixed with a seemingly contradictory legacy of xenophobia and oppression of minority and immigrant groups. As the result of this historical legacy of oppression, members of a minority group such as African-American and Mexican-American cultures may, over the course of time, internalize the low self-image of themselves that has been traditionally projected by the dominant group as a justification for its oppressive policies."
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Mexican Americans, 2002.
A sociological history of Mexican Americans from the annexation of Mexico after the Mexican American War to the present day.
2,065 words (approx. 8.3 pages), 4 sources, MLA, $ 65.95
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Abstract
This paper examines the sociological history of Mexican Americans from the annexation of Mexico after the Mexican American War to the present. It analyzes the personal accounts of three Mexican Americans from different time periods, and describes the discrimination Mexican Americans have faced throughout their history. The author states that Mexican Americans have been a valuable asset to American society.
From the Paper
"From the time of the annexation of Mexico by the United States until the present day, Mexican Americans have faced severe hardship and discrimination, but their presence in the United States has resulted in a largely positive impact on both the lives of these individuals and the nation as a whole. Many of these individuals came to the United States in search of a better, more prosperous way of life, and a large number of them succeeded in this. At the same time, they have added to the economy and cultural diversity of the United States. The narratives of three typical Mexican Americans living in different time periods, Jes?s Garza, Camelia Palafox, and Mar?a Jim?nez show the obstacles typical Mexican Americans have faced and what reward they have received."
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Women and Literature, 2002.
A comparison between women and women as seen in literature.
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
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Abstract
This is a literary analysis between women and literature itself. It compares three different female characters from three different stories. The stories chosen for the paper are from Henrik Ibsen's text: "Hedda Gabler", the character is Hedda Gabler, the second story is "A doll house", and the character is Nora, and the last story is in the story "Medea" and the character is Medea herself.
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Minority American Women, 2007.
This paper discuses the lives of minority American women from Chinese, Mexican and African-American backgrounds as expressed by three authors: Judy Yung, Vicki Ruiz and Jacqueline Jones.
1,570 words (approx. 6.3 pages), 3 sources, MLA, $ 51.95
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Abstract
This paper explains that the lives and experiences of Chinese, Mexican and African-American women are similar because they all faced severe hardship, discrimination, and degrading social conditions; however, due to their ethic identities and cultural roots, their experiences are dramatically dissimilar. The author points out that Vicki Ruiz, in her book "Out of the Shadows", takes readers through the immigration eras, beginning with Spanish-speaking women moving north out of Mexico centuries before the Euro-Americans arrived and that Judy Yung, in her book "Unbound Feet", writes about the history of Chinese women coming to San Francisco in the late 1800s. The paper relates that Jacqueline Jones, in her book, "Labor of Love, Labor of Sorrow" writes about the early twentieth century when black urban women participated in boycotts against segregated public facilities and resisted racist customs.
From the Paper
"But what was it like for a Mexican woman migrating into the U.S. in the early 20th Century? Ruiz writes that first of all getting across the border was challenging, particularly during the Mexican Revolution (1910-1921) when "starvation was not unknown and danger a constant companion ." Women were raped and kidnapped by soldiers and "marauders" while on their way north; it was back-breaking work once Mexicans arrived in the southwest, as many were paid twelve cents per day in the fields. Twenty-one percent of Mexican women in early 20th Century America worked in the fields."
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Italian-American Women in Literature, 2005.
This paper discusses the evolving and multifaceted roles of Italian-American women in literature through the eyes of Italian-American male and female authors.
2,110 words (approx. 8.4 pages), 9 sources, MLA, $ 66.95
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Abstract
This paper explains that stereotypes from whores to the Holy Madonna incarnation encompass the multi-faceted and contradictory roles of Italian-American women in Italian-American literature written by both Italian-American men and women. The author points out that the literature relates that social class, differences in religiosity, the American tradition and construction of success and the often contradictory ways the familial and immigrant experience, have come into conflict with the female experience in American. The paper reviews Pietro di Donato's relatively early novel "Christ in Concrete", Mario Puzo's "The Godfather", Helen Barolini's novel "Umbertina" and her collection of personal and scholarly entitled essays "Chiaroscuro" and Evidge Giunta's text "Writing With an Accent" to demonstrate that beneath these narrow stereotypes more complex and individuated roles of Italian-American women's life do emerge.
From the Paper
"These images emerge in the depicted reality of nonfiction as well as fictional life come forth, as these women are seen engaged in child rearing, showing impressive work ethics to enable their families to survive, laboring as well as suffering in the role of daughter, and as these women show their strength in their roles of mother as well as their silent compassion. Gradually, as Italian women themselves began to speak, Italian women and authors have grown fluent at showing female Italian working and middle-class sexuality as well as images of long-enduring Mediterranean fortitude, women alone in the role of a wife bent over a stove bubbling with red hot gravy and meatballs smelling of garlic and onions."
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Women in Greek Literature, 2002.
A look at the impact that women have had in Greek literature.
2,590 words (approx. 10.4 pages), 2 sources, MLA, $ 78.95
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Abstract
An analysis of Greek literature and how women fall into tragic roles. The author examines the female characters in Virgil?s "Aeneid," such as the goddesses Athena and Dido and their role in assisting Aeneas. The author examines how the female presence and aid is viewed and discusses the characters of these women.
From the Paper
?Women are not often thought of as tragic characters in Greek literature. When the average student of the classics is asked to rattle off the names of tragic characters from mythology, the names that would spring to mind are probably that of Oedipus and Achilles, rather than Jocasta (Oedipus? mother/wife) and Thetis (Achilles? mother). Yet in many ways, one of the main female protagonists in Virgil?s ?Aeneid? can be said to be a tragic character. She loves Aeneas, the main character of the story. She aids him in his quest in his escape from his destroyed homeland, the besieged city of Troy. The gods cause her to fall in love with Aeneas and the gods take him away from her, for all time.?
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Women's Roles in Literature, 2005.
Compares the women's roles in 19th and 20th century literature to their roles in contemporary society.
1,695 words (approx. 6.8 pages), 3 sources, MLA, $ 54.95
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Abstract
The author of this paper examines several literary works from the 19th and 20th centuries and looks at how these works depict women who were unhappy and bored because of the rigid standards and roles society imposed on women of their time. The paper compares these roles to women's roles in contemporary society and looks at how the women in the literature would have fared much better in today's society because of the greater choices for women and the fewer restrictions placed on them.
From the Paper
"It is my opinion that in the 21st century, though it is still widely believed and expected by many that women will marry and have children, it is no longer assumed (as it was in the 19th century, and even arguably in most of the 20th century) that marriage and motherhood will be women's dominant (or only) sources of fulfillment. Instead, women today are encouraged (and in many cases expected) to have careers (or at least to work) outside the home, often while still tending to their households, being supportive of husbands, and raising families. Women nowadays, however, also have far more choice s of what roles to fulfill. Some women still fulfill traditional roles; some fulfill some, but not all, traditional roles, and others fulfill no traditional roles at all. A key difference between women's roles yesterday and today is that today's women are freer to choose their roles, with less stigma attached to unusual or "non-conforming" roles, such as police work, firefighting, or construction work, or not marrying and/or having children. Therefore, there are far fewer guidelines now for women to follow than in the past in choosing to either accept or reject traditional feminine roles; today, more than ever, it is up to the individual woman to decide what sort of life she wishes to live."
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Women's Sports Literature, 2005.
A study of the intersection of literature and women's sport experience.
3,941 words (approx. 15.8 pages), 5 sources, MLA, $ 107.95
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Abstract
This paper is a study about how sports in literature reflects a dominant male perspective and why women's experiences in sport should be included in the curriculum of schools.
From the Paper
"When I first read the call for papers about literature as a force for understanding or equipment for living, I recalled my own intersection with literature. For isn't the reader experience with text the initial sounding board? The ground zero for literature experience? And isn't our experience with literature a method of transference? So I couldn't help but wonder how influential my interpretation of what I read when I was young led to real life experiences, indeed life-altering experiences, as I grew up. Was I enacting my favorite characters or was I re-inventing myself, or is there a difference? Does what we read shape our vision of who we might become? If that is the case, then there is strong rationale for including sports stories about girls and women in school curriculum."
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Women in Korean Literature, 2002.
A look at social change and new images of women in twentieth century Korean literary works.
3,150 words (approx. 12.6 pages), 6 sources, $ 115.95
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Abstract
This paper examines contemporary Korean literature by women in order to evaluate the cultural developments of women in Korea, and to identify how these changes are reflected in the literature written by Korean women. This paper considers images of women in Korean literature, and discusses the contradiction of progress in Korean society with the continued oppression of women in this same society.
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The Tale-Telling Tradition of Women in Caribbean Literature, 2002.
This literature essay compares two stories written by Caribbean women authors, and discusses these in relation to women's oral histories and traditions in Caribbean cultural contexts
2,650 words (approx. 10.6 pages), 8 sources, $ 97.95
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Abstract
This literature essay compares two stories written by Caribbean women authors, and discusses these in relation to women's oral histories and traditions in Caribbean cultural contexts. Referring to the post-colonial and feminist theory, the author of this paper analyzes women's writing as a reflection of traditions with story-telling, women's "voice," and histories that are particular to women and Caribbean culture.
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The Force of Women in Epic Literature, 2006.
Examines the influence of women in the relationship between man and country in several works of literature.
1,168 words (approx. 4.7 pages), 5 sources, MLA, $ 40.95
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Abstract
In all epic literature women are shown to be major forces in the relationship between men and between countries. The paper proves this by examining the women characters in works by Homer (Helen of Troy) and Virgil (Dido).
From the Paper
"According to theoreticians, Helen of Troy is described by Homer as an "one-dimensional" character, in the sense that Homer goes to no length in attempting to create a portrait, but leaves only a few lines. For Homer, Helen is the instrument he needs as a pretext to create the epic. For the Greek and Trojan generals, she may be just a pretext in settling political affairs. It is common knowledge that, during the period Homer is referring to, the Trojans and Greeks disputed the supremacy over the Aegean Sea and neighboring regions."
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Women's Inequality in Literature, 2004.
Explores the issue of inequality for women and how this issue is reflected in three well-known pieces of literature: "Othello"; "A Doll's House"; and "Trifles".
1,406 words (approx. 5.6 pages), 1 source, MLA, $ 46.95
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Abstract
This paper takes a look at Shakespeare's "Othello", Henrik Ibsen's "A Doll's House", and Susan Glaspell's "Trifles" and shows how each focuses on the issue of inequality for women. The paper explains how each piece of literature can be seen as a dramatized argument for the equality of women in male-dominated societies.
From the Paper
"Shakespeare?s play ?Othello? is mainly a play about deception, where Iago deceives Othello as a means of seeking revenge. This then also becomes a play about women because Iago chooses to deceive Othello into believing that his wife Desdemona is having an affair. As Iago begins his plan of deception, Othello becomes consumed by jealousy. This continues to the point where Othello suffocates his wife. One of the interesting aspects of the play is that Othello never looks to his wife to determine what is happening. Instead, he believes what Iago is saying and looks for proof of the affair. This shows a general lack of trust toward women. This also shows that the relationship between man and woman is not an open one based on equality and honest communication. If the relationship was like this, Othello would approach his wife and ask her about the suspected affair."
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Renaissance Women and Literature, 2004.
Examines Renaissance voices and counter-voices of women in early modern literature through works by William Shakespeare.
2,563 words (approx. 10.3 pages), 12 sources, APA, $ 77.95
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Abstract
This paper provides evidence from the Shakespearean plays, "A Midsummer Night?s Dream" and "The Taming of the Shrew", that there was considerable opposition to women who wanted to express themselves or have their own way in Renaissance times. In "The Taming of the Shrew", it is Katherine who was the deviant, but eventually conformed to the norms of society by obeying her husband. This was because everyone wanted her to do so, including the women around her. Similar to this situation was Hermia?s, where she was ordered to marry a man against her wishes. Women around her and generally everyone else wanted her to obey her father?s wishes. However, she revolted and eloped with her lover. From these examples in the play, this paper shows that the voices of women during the Renaissance were greatly opposed. However, it notes that, in the case of Hermia, it can be seen that women finally manage to emerge victorious.
From the Paper
"The manner in which some women were in fact reinforcements to misogynistic attitudes is reflected in the Shakespearean texts, ?The Taming of the Shrew? and ?A Midsummer Night?s Dream?, as both these texts demonstrate the way that women in the Renaissance reinforced their social positions by repeatedly adhering to what was expected of them. It is clear enough that this attitude on the part of women had caused men to feel elevated and powerful (Belsey 1985, pp 12-15). Men realized that they could get women to act in accordance with what they expected of them, and they reinforced or justified these expectations through religious indoctrination. Particularly, the Christian bible was used in order to get women to conform to what men wanted."
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